Here We Go
Jay-Z Feat. Hector El Father Lyrics

Yeah, yeah (jaja)
The song starts with an enthusiastic expression of excitement.

Young Hov' in the place to be
Jay-Z, also known as Young Hov, is present and ready to perform.

Héctor 'Bambino' runnin' with me, yeah (uh uh) (como los degollo)
Hector 'Bambino' is featured in the song and will perform alongside Jay-Z, while also showcasing his talent.

Héctor 'Bambino' runnin' with me, yeah (uh uh)
Hector 'Bambino' is going to perform by Jay-Z's side.

ROC is the family
ROC is a record label founded by Jay-Z and serves as a family-like community for the artists.

(Here we go, c'mon)
The chorus begins with a call to action for the audience to join in and participate.

Here we go, yo
This line repeats the chorus and emphasizes the start of something exciting.

Here we go, yo (here we go)
The audience is being hyped up and called to join in.

Here we go, yo (here we go, c'mon)
The excitement and energy continue as the repeated line is enhanced by the call to action.

(Jaja) (yeah)
The song contains laughter and expressions of joy.

Como los degollo
This line in Spanish means 'like I slit throats', indicating a tough and aggressive persona.

Y los mato como Carlos Arroyo
The reference is to Carlos Arroyo, a Puerto Rican basketball player known for his tough playing style.

Go yo, esto tiene que sonarlo Coyo'
The performers are confident that their music will be a hit, and they hype up their audience.

Go yo, me he comido los mejores boyo
The performers are bragging about their success and the luxury their wealth has provided.

To' las gatas griten "here we go, yo" (where you at?) (here we go)
The audience, referred to as gatas (meaning female cats), are hyped up to join in and celebrate the music.

Quieto go yo
The performers are commanding the audience to be quiet and listen up.

No te envuelvas o te cargamos al hoyo
The performers are warning the audience not to get involved in anything risky or dangerous.

Go yo, te metemos con el mata-pollo
The performers are threatening violence with a reference to a common tool used to kill chickens.

Go yo, papi, con el Tonka los atoyo
The performers are confident in their power and ability to control anything, even with a comparison to Tonka toy trucks.

To' los gangsters griten "here we go, yo" (here we go, c'mon)
The performers are calling out to the gangsters in the audience to join in and celebrate the music.

Here we go, yo (yeah, c'mon)
The song chorus is repeated once again, emphasizing the excitement and energy of the music.

To' estos raperitos se creen Placido Domingo
The performers are insulting other rappers, suggesting that they are arrogant and overestimating their own abilities.

Bingo, hijo mío tírale a los gringos
The performers are calling for Puerto Rican pride and suggesting that they will defeat the Americans.

Que en Puerto Rico los tengo del tingo-al-tingo
The performers claim to have control and power in Puerto Rico.

Que yo no llamo gatas, papi, después que las chingo
The performers are bragging about their sexual prowess and suggesting that they don't call women 'gatas' until after having sex with them.

Hey yo, mami, yo le meto lindo y bello
The performer is addressing a woman and telling her he is capable of making love to her excellently.

Y si se me alzan los estrello
The performer is confident he can handle confrontation and conflict.

No me ronques, Peyo'
The performer is warning someone named Peyo' not to mess with him.

Con el AK te degollo el cuello
The performer is threatening violence with a reference to a type of gun.

Amaneces tieso y sin cabello
The performer is suggesting that those who oppose him will suffer and die.

Héctor 'Bambino' runnin' wit' me (uh uh)
The performer is referencing Hector 'Bambino' again, emphasizing that he is performing alongside him.

Baby, dame un chin
The performer is asking for a chance or an opportunity.

Y a la cama rómpale el spring
The performer is talking about sexual intimacy and encouraging the listener to be rough.

Que esta noche nos vemos en el ring
The performer is making a wrestling reference and suggesting that there will be a physical confrontation.

Con ese g-string, pa' tu gato tengo un magacín
The performer makes a reference to a thong and implies that he has weaponry.

Y más conecta'o que el mismo Don King
The performer implies that he has more connections and power than even the notorious boxing promoter Don King.

Sin fin, mami, pa' comerte ese booty
The performer is expressing his desire for sexual intimacy.

Que yo soy más perro que Rin Tintín
The performer is comparing himself to the dog character Rin Tin Tin, suggesting that he is skilled and powerful.

Tin, así que no me ronques 'e Carly Klin
The performer is referencing the character Charlie Chan and suggesting that he shouldn't be underestimated.

El papaúpa que los tiene a to's en un patín (uh uh) (yeah) (yeah)
The performer is expressing his power and control over others and hyping up himself and his accomplishments.

(here we go, c'mon) (uh uh)
The chorus is repeated again, with added emphasis on the audience's participation.

Here we go
The song concludes with a final repetition of the chorus, giving it a celebratory and exciting finish.

Here we go c'mon
The song ends with an enthusiastic call to action for the audience to join in and continue celebrating.