Put Ya Hands Up
Jay Lyrics

Roc-a-fella
This is a declaration that the song is affiliated with Roc-a-fella, a record label founded by Jay-Z.

Y'all know what this is
This line is addressing the listeners, implying that they are already familiar with the upcoming song and its style.

We givin' y'all five seconds to put your drink down
The song is urging the audience to stop what they are doing and prepare to engage in the energetic atmosphere of the dance floor.

And report to the dance floor immediately
Listeners are being commanded to promptly move to the designated dance floor without hesitation.

All the bustas we givin y'all five seconds to get close to a exit
Those who are unable or unwilling to participate in the lively dance floor activity are encouraged to leave the premises within five seconds.

It's about to get real ugly in here
The song warns that the forthcoming atmosphere will become rowdy and chaotic.

Five seconds is up, let's go!
After the allotted time has passed, the song signals the immediate initiation of the energetic and thrilling experience.

Throw the hands up (uh, uh, uh)
This line instructs the listeners to raise their hands in the air with enthusiasm and excitement.

Throw the hands up (niggas)
The command to raise hands is specifically directed towards male listeners.

Throw the hands up (bitches)
The command to raise hands is specifically directed towards female listeners.

Throw the hands up (bustas)
The command to raise hands is specifically directed towards individuals who are acting weak or are not participating fully.

Throw the hands up (hustlers)
The command to raise hands is specifically directed towards individuals who engage in street-smart, business-oriented endeavors.

Throw the hands up (hoes)
The command to raise hands is specifically directed towards women who may be promiscuous or sexually liberated.

Throw the hands up (boasters)
The command to raise hands is specifically directed towards individuals who excessively boast or brag about themselves.

Throw the hands up (Mac)
The command to raise hands is dedicated to Mac, potentially referring to a specific individual or nickname.

You know how Mac come through on the club tip
The song acknowledges Mac's reputation for his conduct and behavior when attending clubs or party environments.

Everybody real deep on that thug shit
The majority of people present in the club are exhibiting a tough, aggressive, and street-oriented demeanor.

Cop Cris' spray the club on that thug shit
The individuals are purchasing Cristal champagne and using it to symbolically 'spray' the club, contributing to the rowdy and rebellious atmosphere.

Cop frisks suits snub in the club quick
After acquiring weapons, they swiftly disregard any potential consequences or opposition that may arise within the club.

Told y'all real high, when I come you can try
This line indicates that when Mac arrives, he is confident and in an elevated emotional state, challenging others to test or compete with him if they dare.

If you want, you can die, if you want to
The song suggests that engaging in an altercation or confrontation with Mac may result in death, depending on one's willingness or decision to participate.

We hittin' whores on the floor, whole crew be wild
The group is engaging in sexual encounters with women on the dance floor, exhibiting uninhibited behavior.

Bitch, back that ass up like Juvenile (huh)
A woman is encouraged to move her buttocks in a manner similar to the way it is done in Juvenile's song 'Back That Azz Up,' promoting a sexually provocative dance style.

When my peeps come to spend, a dime apiece
Mac's companions arrive with the intention of spending ten thousand dollars each, indicating their financial capability and willingness to indulge.

You know Mac come through with a line of freaks
Mac is known for having a group of sexually adventurous or unconventional individuals accompanying him.

Every bitch on the hit be a 9 at least
The women Mac associates with are considered highly attractive, with the lowest rating being a 9 out of 10.

We gettin' head on the floor, while you grindin' freaks
Mac and his group are engaging in sexual acts, specifically oral sex, while others are simply grinding or dancing provocatively.

Whole squad get it down like this
The entire group is actively participating and enjoying themselves in a particular manner, indicating unity and synchrony.

Whole squad buyin' rounds of Cris'
The entire group is collectively purchasing rounds of Cristal champagne, contributing to a lavish and extravagant atmosphere.

Whole squad got they crowns on wrist
Each member of the group is wearing expensive jewelry, typically in the form of bracelets or watches.

Whole squad got a pound of twist
The entire group possesses a significant amount of marijuana, specifically referring to one pound twisted into joints.

Whole squad got a pound to spit, in case a clown wanna flip
The group possesses enough marijuana to consume or share, in case any individual tries to challenge or provoke them.

Mac never slip in the club
Mac is known for his ability to navigate and handle himself flawlessly in club environments, avoiding mistakes or mishaps.

Told y'all niggas four-fifth in the club
Mac warns others that he carries a .45 caliber gun for protection while in the club, asserting his authority and potential for violence if necessary.

If a nigga wanna draw then the blood it can drip in the club
If an individual tries to start a confrontation or provoke Mac, violence can escalate and result in bloodshed within the club.

You know how niggas get in the club
The song acknowledges the typical behavior and conduct of men when they are in clubs or party environments.

Shit you know how I be, all high in V-I-P
Mac describes his usual behavior, being in an elevated state due to drug consumption or being in the VIP section of the club.

Rolling up to B-I-G
Mac is arriving at the club while listening to the music of the late rapper the Notorious B.I.G., paying homage to his legacy.

Niggas be all liquored up, talkin' shit
The men in the club become intoxicated and start bragging or speaking boastfully, often in a confrontational or aggressive manner.

'Til they man gotta come and pick 'em up
Those individuals who become intoxicated and disruptive eventually need their friends to intervene and escort them out of the club due to their incapacity to handle themselves.

Got bitches in the back bouncin' to 'Jigga What'
There are women in the rear area of the club dancing energetically to Jay-Z's song 'Jigga What,' displaying their enthusiasm and enjoyment.

You got your hands up and I ain't even stick y'all up
The song acknowledges that the listeners have raised their hands in the air, but unlike a robbery, it is a voluntary action done out of excitement and participation.

12 AM on the way to the club (uh)
The song sets the timeline at midnight when individuals are preparing to go to the club.

1 AM DJ made it erupt (uh-huh)
By the time it is 1 AM, the DJ has created a lively and energetic atmosphere within the club.

2 AM now I'm gettin' with her (what up?)
At 2 AM, Mac has found a woman to engage with in a romantic or sexual manner.

3 AM now I'm splittin' with her (splittin' with who?)
At 3 AM, the encounter with the woman has progressed, and they are leaving together or separating from the rest of the crowd.

4 AM at the Waffle House (Waffle House)
By 4 AM, Mac and the woman have relocated to the Waffle House, a popular late-night dining spot.

5 AM now we at my house (uh)
At 5 AM, the woman is at Mac's residence, implying they have engaged in intimate activities.

6 AM I be diggin' her out (who?)
By 6 AM, Mac is involved in sexual intercourse with the woman, emphasizing his sexual prowess.

6:15 I be kickin' her out (what?)
At 6:15 AM, Mac concludes the intimate encounter and requests the woman to leave his residence.

7 AM I'ma call my friends (uh-huh)
By 7 AM, Mac plans to contact his friends, possibly to inform them of his recent experiences or seek their company.

12 AM we gon' do it again
The song suggests that the cycle of late-night activities is likely to be repeated, with plans to return to the club at midnight.

We gon', we gon', we gon' do it again, let's go
There is an enthusiastic call to repeat the previous sequence of events, emphasizing the anticipation and excitement for another night of enjoyment.

Yo, how the fuck you gon' talk about MC's on our heel?
The song confronts someone who is criticizing or speaking ill of the MC's or rappers affiliated with Roc-a-fella.

When we just cop them things homie the chromey wheels
The MC's have recently acquired luxurious vehicles, specifically referring to cars with chrome wheels, highlighting their wealth and status.

Both arms are chunky the sleeves on chill
The MC's are displaying their expensive and flashy jewelry, specifically referring to their thick and bulky bracelets or accessories.

Any given times a hundred G's in your grill
At any moment, the MC's can have a hundred thousand dollars in cash, symbolizing their financial success and ability to invest in expensive dental jewelry or 'grillz.'

Don't talk to me 'bout MC's got skills
The song dismisses any discussion or comparison regarding the skill or talent of other MC's, asserting their superiority.

"He's alright, but he's not real"
Despite acknowledging the existence of other MC's, their authenticity and genuineness are called into question, suggesting they are not on the same level as the Roc-a-fella artists.

Jay-Z's that deal, with seeds in a field
Jay-Z is referred to as the real deal, comparing him to a farmer who has sown the seeds of his success in the music industry.

Never fear for war, hug, squeeze that steel
Jay-Z and his associates are not afraid of engaging in conflict or violence if necessary, suggesting their readiness to defend themselves with weapons.

Fuck, you got a flow, that's cool with me
Despite acknowledging the talent or style of other rappers, it is of no concern to Jay-Z, implying that he does not feel threatened or overshadowed by their abilities.

You got a little dough, that cool with me
The song acknowledges that other rappers may have some financial success, but it is of no importance to Jay-Z as it does not affect or impact him.

You got a little cars, little jewelries
The possessions, such as cars and jewelry, that other rappers have acquired are considered minimal or insignificant compared to Jay-Z's own wealth and collection.

But none of y'all motherfuckers could fool with me
Regardless of the accomplishments or possessions of other rappers, none of them can compete or compare to Jay-Z's skill, success, and overall persona.

You know the wrist frostbit minus two degrees
Jay-Z's wrist, adorned with expensive jewelry, is so cold and dazzling that it can cause frostbite even at temperatures two degrees below freezing.

'Bout as blue as the sea the way I maneuver the V
The song metaphorically compares Jay-Z's luxury vehicle, possibly a blue-colored one, to the blue color of the sea, highlighting his finesse and expertise in driving it.

Hat cocked can't see his eyes, who could it be?
Jay-Z is wearing his hat in a tilted or cocked manner, obscuring his eyes and creating an air of mystery and intrigue around his identity.

With that new blue Yankee on, who but me?
Jay-Z is wearing a new blue-colored Yankee cap, indicating his status, influence, and unique style that sets him apart from others.

Niggas shipped two million, then I blew the three
Jay-Z's album sales reached two million copies, a significant achievement, but he surpassed expectations and exceeded three million copies sold, showcasing his immense popularity and success.

Then I skated the four, 'fore I went on tour
Before embarking on a tour, Jay-Z quickly and efficiently completed a business deal worth four million dollars, emphasizing his ability to maximize financial opportunities.

I came back and it's plain, y'all niggas ain't rappin' the same
After returning from his tour, Jay-Z notices that the style and quality of other rappers' music has become noticeably inferior or subpar compared to his own.

Fuck the flow, y'all jackin' our slang
Jay-Z undermines the significance or uniqueness of other rappers' flow or style, asserting that they are merely imitating or copying the slang and language associated with Roc-a-fella.

I seen the same shit happen to Kane
Jay-Z recalls a similar situation where rapper Big Daddy Kane faced a decline in fame and relevance, suggesting that other rappers are destined for a similar fate if they continue on that path.

Three cuts in your eyebrows tryin' to wild out
The song criticizes individuals who purposefully style three distinct cuts into their eyebrows as an attempt to appear rebellious or edgy, considering it a superficial and unimpressive act.

The game is ours, we'll never foul out
Jay-Z asserts that the rap game or industry belongs to him and his associates, emphasizing their dominance and ability to maintain control without ever succumbing to defeat or failure.

Y'all just better hope we gracefully bow out
Other rappers should have the expectation that Jay-Z and his crew will eventually retire from the rap game with dignity, allowing new generations to take the spotlight.

Throw yo' hands up, niggas, bitches, bustas
The song urges everyone, including men, women, and weak individuals, to raise their hands in the air collectively and participate in the lively atmosphere.

Hustlers, fuck that (throw the hands up)
The song dismisses or excludes hustlers, suggesting that they should not participate in the energetic activity of raising their hands.

Come on
This is a general exhortation, encouraging everyone to join in and actively engage in the exciting atmosphere.

12 AM on the way to the club
The song reiterates the beginning of the night, specifically mentioning midnight when individuals are en route to the club.

1 AM bout to shake the butt
By 1 AM, individuals are preparing to dance energetically and provocatively, emphasizing the lively and fun nature of the atmosphere.

2 AM now I'm checkin' the mix
At 2 AM, the singer is assessing the quality of the music or DJ's performance, ensuring that it meets their satisfaction and adds to the overall enjoyment.

3 AM now he buyin' me drinks
At 3 AM, someone is taking the initiative to buy drinks for the artist, indicating their interest or attraction towards them.

4 AM exit the club (let's go)
By 4 AM, the club experience is concluding, and it is time to leave, prompting the urgent call to action.

5 AM think he gettin' some butt (that's right)
By 5 AM, the individual with romantic or sexual interest anticipates engaging in sexual activities with the singer, displaying their confidence or assumptions.

6 AM nigga still ain't bust (what?)
By 6 AM, the aforementioned individual has still not achieved sexual satisfaction, despite the prolonged time and effort invested.

6:15 nigga will get up (uh)
At 6:15 AM, the sexually frustrated individual finally decides to rise from the bed or couch, potentially leaving the artist's residence.

7 AM gotta tell my friends (uh-huh)
By 7 AM, the artist feels compelled to share the details or outcome of their late-night experience with their friends, demonstrating the significance of the encounter.

12 AM I'ma do it again
The song affirms the intention to repeat the late-night activities, specifying that at midnight, the cycle will begin anew.

Uh-huh, uh, uh, let's go
Utilizing various interjections, the song emphasizes the enthusiasm and eagerness to engage in the subsequent night of enjoyment and thrill.