She has since created 4 solo albums on Sequoia Records* and recently released the double disc album ‘Live at the Altar of Love’ June 2011 in collaboration with her partner Ananda. She is also known as the lead singer and songwriter for the techno-tribal group ‘Lost at Last’ that toured the US West and produced 3 albums during the years of 1997-2004. She continues to explore the format of mixing of electronica and sacred chant (‘kirtronica’) through composing and performing with Ableton LIVE.
Her ecstatic singing and kirtan leading, often accompanied by other talented artists, has had a powerful effect amongst various communities in the islands of Hawaii, the West Coast, and Europe, always creating a deep sense of intimacy with the divine. She has a unique style that blends beauty, power and purity to create a truly transcendental sound driven by her deep connection with spirit. A gifted songwriter, she weaves English, Sanskrit, and prayers of other spiritual traditions with musical influences from India, indigenous trance, Celtic, psychedelic and folk rock.
She has sang on stage with Jai Uttal, Shimshai, Tina Malia, Dave Stringer, Phil Lesh, and Benjy and Heather Wertheimer among other great artists and played for many yoga classes and retreats with well known teachers such as Saul David Raye, Sianna Sherman, Janet Stone, Pete Guinosso, and Dawn Cartwright.
* Her four solo studio albums Ocean of Mercy (2003), Jewel of Hari (2004) and Sublime (2008) and Radiance (2009) are available on Sequoia Records, all magnificently embellished by the fine guitar and sarod work of Deva Priyo and tabla master Daniel Paul. On Sublime also featured are bansuri flute player Manose, Ananta on violin, Yoko Silk on cello, and Luna Marcus on support vocals.
As a vocal artist she is featured on Steve Gordon’s Drum Prayer (2002, Sequoia Records) and William Ackerman’s Hearing Voices (2001, RCA/Windham Hill records), and co-produced the track ‘Tantroktam Devi Suktam’ with Ben Leinbach on his new compilation album ‘Sangha’ (2011 White Swan Records)
Since coming together with Ananda in November 2010, she has been steadily involved in their collaboration of sacred music projects and special events including recording, touring, retreats and teaching yoga together.
She is the mother of two beautiful daughters, a student of Anusara and Kundalini yoga, and the Special Events Representative at Luna & Larry’s Coconut Bliss, currently based in Eugene, Oregon.
Ramachandra
Jaya Lakshmi Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Hey! Nata-nar-y-ana Hey! Nata-nar-y-ana - Ramachandra Rama Hey!
The song "Ramachandra" by Jaya Lakshmi is dedicated to Lord Rama, who is considered to be one of the most revered deities in Hinduism. The lyrics "Sri Ramachandra Rama Hey!" and "Nata-nar-y-ana Hey!" are a call out to Lord Rama and his various counterparts, who are worshipped in Hinduism. The repetition of the call in the chorus is almost like a mantra or a prayer, and it evokes a sense of devotion and surrender to the divine.
The name Rama is derived from the Sanskrit word "Ram," which means to revel or to enjoy. Lord Rama is known for his virtuous and just qualities, and he is widely celebrated for his victory over the demon king Ravana. The song conveys the message of surrender to the divine and the power of chanting the name of the Lord. The lyrics encourage the listener to connect with the divine energy of Lord Rama and to seek his blessings in their journey of life.
Overall, "Ramachandra" is a soulful and powerful song that captures the essence of Hindu devotional music. It is an ode to Lord Rama and his divine qualities, and it serves as a reminder to the listener to remain connected to the divine and seek guidance in their spiritual journey.
Line by Line Meaning
Sri Ramachandra Rama Hey!
Greetings to Sri Ramachandra Rama!
Sri Ramachandra Rama -Hey!
Praise be to Sri Ramachandra Rama!
Hey! Nata-nar-y-ana
Oh, Lord of the universe and protector of all!
Hey! Nata-nar-y-ana - Ramachandra Rama Hey!
We honor you, Lord Ramachandra Rama!
Contributed by Parker L. Suggest a correction in the comments below.