Jean Redpath MBE (born 28 April 1937 in Edinburgh, Scotland; died 21 August… Read Full Bio ↴Jean Redpath MBE (born 28 April 1937 in Edinburgh, Scotland; died 21 August 2014 in Arizona, USA) was a Scottish folk singer, educator and musician. Internationally regarded as a pre-eminent interpreter of Scots song, Redpath took the ballads of her home country, and particularly the songs of Robert Burns, onto stages from the Lincoln Center, New York, to Sydney Opera House, and from Alaska to South America and Hong Kong.

Redpath was born in Edinburgh, to musical parents. Her mother knew many Scots songs and passed them on to all four of her daughters; her father played the hammer dulcimer. She was raised in Fife, Scotland, and later returned to Edinburgh, taking medieval studies at the university. Hamish Henderson was working in the School of Scottish Studies and Redpath took a keen interest in the archive of tapes and discs of music and songs. To help pay her way through her studies, she worked as a driving instructor and undertaker's assistant. She learned about 400 songs, together with the oral folklore that went with them.

In March 1961, at the age of 24, she went to the United States. Her first performance was in San Francisco. Later she met up with Rambling Jack Elliott and Bob Dylan in Greenwich Village. The natural warmth and power of her voice brought her to perform at Gerde's Folk City. In 1963, following a concert performance, she signed up with Elektra Records. In 1975 she switched to the Philo label. From 1972 to 1976 Jean was artist-in-residence at Wesleyan University in Middletown, Connecticut. She lectured in folklore and gave talks in schools.

In 1976 Redpath was embarked on a project to record all the songs of Robert Burns. Some being folk songs, some Burns' own compositions, and most a mixture of the two. Twenty-two volumes were planned, but when her collaborator, the composer Serge Hovey died after seven volumes, it came to a premature end. Hovey did the instrumental arrangements for 323 songs, and Redpath felt that no other musician could replace him. The albums won critical praise from around the world. In 1986 she recorded "Lady Nairne," a collection of songs written by Scottish women. She has sensitively reconstructed many songs that might otherwise have been lost.

Between 1974 and 1987, Redpath appeared regularly on Garrison Keillor's "Prairie Home Companion" radio show from NPR. She has also appeared on Robert J. Lurtsema's "Morning Pro Musica" from WGBH in Boston.

She has toured throughout the U.S. and to Canada, and played venues in South America, Hong Kong, and Australia, including the Sydney Opera House, and has performed often at the Edinburgh Folk Festival. In 1977, Redpath appeared at a royal banquet at Edinburgh Castle for Queen Elizabeth II, during Royal Jubilee Year. In spite of all her musical success, she has never had formal musical training.

From 1979 Redpath was a lecturer at the University of Stirling, Scotland, occasionally making a sojourn to Wesleyan University. For ten years she gave courses in Scottish Song at the "Heritage of Scotland" Summer School at Stirling University.

She was awarded the MBE, as well as being named a "Kentucky Colonel" by the Governor of Kentucky. A portrait of Redpath by Alexander Fraser hangs in the Scottish National Portrait Gallery in Edinburgh.

In 1996 she launched the Burns International Festival.

In 2009, Redpath made an appearance on the Late Show with David Letterman, singing "Some Kind of Love" by the late John Stewart of the Kingston Trio.

Hey Ca'thro
Jean Redpath Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Up wi' the carls o' Dysart,
And the lads o' Buckhaven,
And the kimmers o' Largo,
And the lasses o' Leven.

Chorus.-Hey, ca' thro', ca' thro',
For we hae muckle ado.
Hey, ca' thro', ca' thro',

For we hae muckle ado;

We hae tales to tell,
An' we hae sangs to sing;
We hae pennies tae spend,
An' we hae pints to bring.
Hey, ca' thro', &c.

We'll live a' our days,
And them that comes behin',
Let them do the like,

An' spend the gear they win.
Hey, ca' thro', &c.

Overall Meaning

The song "Hey Ca'thro" is an old Scottish tune celebrating the common people of the towns and villages of Dysart, Buckhaven, Largo, and Leven. The song opens with an invitation to rise up with the "carls" or men of Dysart, the "lads" of Buckhaven, the "kimmers" or women of Largo, and the "lasses" of Leven, stating "We hae muckle ado," which is a Scottish expression meaning "we have much to do."

The chorus repeats the phrase "Hey, ca' thro', ca' thro'," which is a call to bring forth the music, tales, and spirits of the people. The song speaks to the idea that the working-class people have stories to share and songs to sing. With pennies to spend and pints to bring, they are ready to celebrate the good times. Furthermore, the concluding verse encourages everyone to live life to the fullest and leave behind a legacy for future generations.

Overall, the song embraces the idea of the working-class people of the Scottish towns, serving as a reminder that they have important contributions and should not be overlooked. The song gives a sense of pride and connectedness to the people of Dysart, Buckhaven, Largo, and Leven, highlighting their shared experiences and histories.

Line by Line Meaning

Up wi' the carls o' Dysart,
Let's raise a cheer for the men of Dysart

And the lads o' Buckhaven,
And for the boys from Buckhaven

And the kimmers o' Largo,
And for the women of Largo

And the lasses o' Leven.
And for the girls of Leven

Chorus.-Hey, ca' thro', ca' thro',
Chorus - Hey, call through, call through

For we hae muckle ado.
For we have much to do.

We hae tales to tell,
We have stories to share

An' we hae sangs to sing;
And we have songs to sing

We hae pennies tae spend,
We have money to spend

An' we hae pints to bring.
And we have pints of beer to bring

We'll live a' our days,
We'll live all our days