1. Jeanette Dimech, an En… Read Full Bio ↴There are four singers known as Jeanette.
1. Jeanette Dimech, an English-born singer who sings primarily in Spanish.
2. Jeanette Biedermann, a multi-million selling singer and actress from Germany.
3. Jeanette, a singer from South Africa.
4. Jeanette Dwyer, a British singer active in the 1980s
Jeanette Dimech (October 10, 1951 - ), who performs under the name Jeanette, is an English-born, American-raised singer who has resided in Spain since the age of 12.
Because of her grandparents' import-export business, she lived with her parents first in London, where she was born; and later in Chicago and Los Angeles, where she grew up. After her parents' separation at age 12, she moved to Barcelona, where her mother was from.
During the 1960s she learnt to play guitar and began to write her own songs. She styled her music after American folk music, and her idols included Bob Dylan, Donovan, and The Byrds. Later she joined the student band Pic-Nic as a singer, who in 1969 had a measure of success with a folk version of the Spanish children's song Cállate niña. Other notable songs of theirs included Amanecer and No digas nada.
After the band split up at the end of the 1960s, she moved to Vienna with her husband, the Hungarian musician Laszlo Kristof. At the start of the 1970s, she began her solo career with her hit first single,Soy rebelde (I am a rebel). It first enjoyed success in Spanish-speaking countries, and later broadened its influence with French and English versions. This song and others penned by Manuel Alejandro, such as El muchacho de los ojos tristes and Estoy triste established her as an artist in Spain.
Her greatest success Porque te vas (Because you are leaving) was actually written by José Luis Perales and remained relatively unknown at the start of 1974. Only when the song was used in Carlos Saura's 1977 film "Cria Cuervos" (Raise Crows), and the film went on be honoured at the Cannes film festival (Jury grand prize) and the Berlin Film Festival (jury special prize), did the song become internationally known and a hit. In Austria it reached number 13, in Switzerland number 4, and in Germany it even reached number 1.
Although after Porque te vas Jeanette never achieved similar international success, she continued singing relatively successfully in Spain (and to a lesser degree France) well into the 1990s.
Another artist using the name Jeanette is a South African singer. Her 2003 album “Jy’s my alles” features yodeling in Afrikaans and English.
Jeanette Biedermann (also known as Jeanette, born February 22, 1981 in Berlin) is a German singer and TV actress.
Biedermann was born in Berlin in 1981 as the only child to Bernd and Marion Biedermann. At the age of six she began performing professionally on stage of the Circus Lilliput, appearing as a member of a troupe of acrobats. After her secondary school graduation she started receiving vocational training as a hairdesser. The singer discontinued her studies in 1999, however, after she participated in and won the Bild-Schlagerwettbewerb competition, winning out over 270,000 other contestants. She released her debut single, "Das tut unheimlich weh", soon after that. To date, it remains her only song performed entirely in German.
In 2000 she released her first English language single, "Go Back". The song entered the top 10 of the German single charts, making way for Biedermann's debut album "Enjoy", which was eventually certified Gold. Biedermann won an ECHO for best-selling "Female Artist National" one year later. Her second album, "Delicious", came out soon after, and it was certified Gold.
In 2002 Biedermann released her third Album Rock my Life which peaked at number 7 on the German albums chart and was eventually certified Gold. The album's lead single "Rock My Life" peaked at number 3 and also was certified Gold. Other singles which were released from the album are "It's Over Now" and "Right Now"; both songs peaked in the Top 10. Afterwards Biedermann started her second live tour Rock my Life.
In November 2003 she released her fourth studio album Break on Through, which was certified Platinum. The album's lead single "Rockin' on Heaven's Floor" peaked at number 3 on the German singles Chart and at number 6 in Austria and Switzerland. In spring 2004 she started her Break on Through Tour, her biggest tour to date. The second single "No Eternity" peaked at number 8 on the German singles Chart. In Austria and Switzerland peaked at number over the Top 40.
Naked Truth was released in March 2006 and included contributions from her then boyfriend and guitarist Jörg Weissenberg. The album reached a moderate number 14 on the national albums chart and fell quickly out of the Top 50. The singles are charted over the Top 20. The third single Heat of Summer peaked at numer 50 in the German singles Charts. It was promoted by a short live tour, entitled Bad Girls Club, hitting eight cities throughout Germany.
In 2008 she was working on the new album. The album's direction went to electronic pop. In Early 2009, she finished working on her latest studio album Undress to the Beat. The disc is scheduled for release in Germany and Austria on March 20, 2009. International release dates are pending. The first single of the seventh album was"Undress To The Beat" and gets released on February 27, 2009. The song reached Top 10 in Germany. In the Euro 200 the song peaked at #69 as the highest debut of the week. The "Undress To The Beat" album went Top 20 and amounted to 5 consecutive Top 40 albums in her homeland, also scoring 2 further Top 20 hits with the afforementioned track and "Solitary Rose".
She went on to become an actress on the popular German soap opera Gute Zeiten, Schlechte Zeiten, where she played the role of Marie Balzer from 2000-2004. Biedermann's blossoming TV career only boosted her music career. Since August 2008 she has played the main role of Anna Polauke in the new TV series Anna und die Liebe, which has brought her further success within Germany.
Toda La Noche Oliendo A Ti
Jeanette Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Mi cuerpo con tus manos,
Tantas veces, recorriste tantas veces,
Mi cara con tus labios,
Tantas horas estuvimos tantas horas
Confundidos y abrazados
Que al llegar a mi casa me pasé
Mordiendo la almohada oliendo a ti
Sentiendo tu boca recorrer mi cuerpo oliendo a ti
Dando mil vueltas me dormí
Allí entre mis sueños te encontré
y cuando de día desperté seguía oliendo a ti
Tantas veces paseaste tantas veces
Tus labios por mi cuello
Tantas veces descansasts tantas veces recostándote
En mi cuerpo
Tantas horas nos pasaron tantas horas de besarnos sin aliento
Que al llegar a mi casa me pasé
Toda la noche oliendo a ti
Mordiendo la almohada oliendo a ti
Sentiendo tu boca recorrer mi cuerpo oliendo a ti
Dando mil vueltas me dormí
Allí entre mis sueños te encontre
Y cuando de día desperté seguía oliendo a ti
Toda la noche oliendo a ti
Mordiendo la almohada oliendo a ti
Sentiendo tu boca recorrer mi cuerpo oliendo a ti
Dando mil vueltas me dormí
Allí entre mis sueños te encontre
Y cuando de día desperté seguía oliendo a ti
Toda la noche oliendo a ti
Mordiendo la almohada oliendo a ti
Sentiendo tu boca recorrer mi cuerpo oliendo a ti
Dando mil vueltas me dormí
Allí entre mis sueños te encontre
Y cuando de día desperté seguía oliendo a ti
In "Toda La Noche Oliendo A Ti" by Jeanette, the singer reminisces about a lover who has left a lasting imprint on her body and soul. The lyrics are sensual and passionate, describing in detail the many times they were intimate and how the fragrance of her lover lingers on her even after he’s gone. She sings about how they spent hours lost in each other's embrace, kissing and exploring one another's bodies, until she eventually fell asleep, dreaming of him. The song captures the all-consuming desire and obsession that can come with infatuation and first love, and the way that it can make even the most mundane moments magical.
Beyond the emotional content of the song, "Toda La Noche Oliendo A Ti" is notable for its smooth and sultry sound. The melody is simple and repetitive, creating a hypnotic effect that mirrors the singer's fixation on her lost love. The backing music is minimal but effective, with a subtle beat and occasional interjections from a moody saxophone. The result is a melancholic and romantic piece of music that showcases Jeanette's ability to convey deep feeling through her voice.
Line by Line Meaning
Tantas veces, recorriste tantas veces, Mi cuerpo con tus manos,
You touched my body so many times with your hands.
Tantas veces, recorriste tantas veces, Mi cara con tus labios,
You kissed my face so many times with your lips.
Tantas horas estuvimos tantas horas Confundidos y abrazados Que al llegar a mi casa me pasé
We spent so many hours confused and embracing each other that I lost track of time and stayed out all night.
Toda la noche oliendo a ti Mordiendo la almohada oliendo a ti Sentiendo tu boca recorrer mi cuerpo oliendo a ti Dando mil vueltas me dormí Allí entre mis sueños te encontré y cuando de día desperté seguía oliendo a ti
I spent the whole night smelling you, biting my pillow, feeling your kisses on my body. I eventually fell asleep and dreamt of you, and when I woke up the next day, your scent was still with me.
Tantas veces paseaste tantas veces Tus labios por mi cuello
You kissed my neck so many times.
Tantas veces descansasts tantas veces recostándote En mi cuerpo
You rested and laid on my body so many times.
Tantas horas nos pasaron tantas horas de besarnos sin aliento Que al llegar a mi casa me pasé
We spent so many hours kissing each other passionately that I lost track of time and stayed out all night.
Contributed by Levi W. Suggest a correction in the comments below.
@peruperuano9115
Tantas veces
Recorriste tantas veces
Mi cuerpo con tus manos
Tantas veces
Recorriste tantas veces
Mi cara con tus labios
Tantas horas
Estuvimos tantas horas
Confundidos y abrazados
Que al llegar a mi casa me pasé
Toda la noche oliendo a ti
Mordiendo la almohada oliendo a ti
Sintiendo tu boca recorrer mi cuerpo
Oliendo a ti
Dando mil vueltas me dormí
Y allí entre mis sueños te encontré
Y cuando de día desperté, seguía oliendo a ti
Tantas veces
Paseaste tantas veces
Tus labios por mi cuello
Tantas veces
Descansaste tantas veces
Recostándote en mi cuerpo
Tantas horas
Nos pasaron tantas horas
De besarnos sin aliento
Que al llegar a mi casa me pasé
Toda la noche oliendo a ti
Mordiendo la almohada oliendo a ti
Sintiendo tu boca recorrer mi cuerpo
Oliendo a ti
Dando mil vueltas me dormí
Y allí entre mis sueños te encontré
Y cuando de día desperté, seguía oliendo a ti
Toda la noche oliendo a ti
Mordiendo la almohada oliendo a ti
Sintiendo tu boca recorrer mi cuerpo
Oliendo a ti
Dando mil vueltas me dormí
Y allí entre mis sueños te encontré
Y cuando de día desperté, seguía oliendo a ti
Toda la noche oliendo a ti
Mordiendo la almohada oliendo a ti
Sintiendo tu boca recorrer mi cuerpo
Oliendo a ti
Dando mil vueltas me dormí
Y ahí entre mis sueños te encontré
@lancebrianchaponan6260
Dónde están los jóvenes que aún escuchamos canciones de oro como estas 🙌✨
@edwinherrera62
Aquí se detiene el núcleo de la tierra
@edwinherrera62
Are 1 eden
@neonsekai4175
Aqui desde mi propio universo creado hace miles de años, debemos tener cuidado con los titanes que deboran universos, los universos son pequeñas esferas cuando salimos de ellos del tamaño de la tierra y grandes seres se alimentan de ellos
@hasutaniemi3774
A veces escucho discográfias completas de distintos artistas de antes cuando en la música comercial existía el arte jaja
@hectorramos8514
YOOOOPO 👍👍❤❤❤🌹🌹🌹🤩🤩
@jorgea.7700
Y qué tal la banda que tenían los cantantes de antes..ese respaldo musical!,esa cantidad de violines, bajo, guitarra, piano, etc...la música era algo serio, era una verdadera profesión y había respeto por ella...no como ahora que cualquier aparecido con recursos e influencias ya se vuelve artista con muy poquito...y la gente lo convierte en ídolo al instante....
@anabonilla2020
Jorge Salsabor Esto es música !!!! Hermosa!!! Saludos Jorge !!
@israelnolasco1565
Tienes toda la razon
@aaronnephtaligonzalezadan9066
Pero son como el espuma amigo, esto es eterno me atrevo a decir la única forma que esta música dejo de ser escuchada será cuando nuestra civilización se acabe