Jed Danyel Kurzel (born 1976) is an Australian singer-songwriter-guitarist … Read Full Bio ↴Jed Danyel Kurzel (born 1976) is an Australian singer-songwriter-guitarist and film composer. He is a founding member of The Mess Hall, a blues rock duo. His older brother Justin Kurzel is a film director and screenwriter.
Kurzel was born in 1976 and, with his older brother Justin Kurzel (born 1974), grew up in Gawler, South Australia. Their father, Zdzislaw Kurzel (1946–2006), was from Poland and had migrated to Australia in 1960, where he became a taxi driver. In the 1990s Kurzel moved to Sydney, where Justin was studying at the National Institute of Dramatic Art (NIDA).
In 2001 Kurzel on lead vocals and guitar, Anthony Johnsen on drums and a bass guitarist formed a blues-rock group, the Mess Hall in Sydney – the bass guitarist soon left but was not replaced, they continued as a duo. Kurzel recalled "When the clubs asked us where our bass player was, we used to lie and say he was sick." Their debut album The Mess Hall was released in June 2003. In early 2004 Johnsen was replaced by Cec Condon on drums and vocals. Their third album Devils Elbow (October 2007) won the Australian Music Prize.
In 2000 Kurzel composed the film score for the short subject, Sammy Blue, at the Australian Film, Television and Radio School, with Kim Farrant directing.[9][10] He worked for Farrant again: providing the score for Naked on the Inside (2006), a feature film documentary on body image. In 2009 he composed music for Castor & Pollux, a short film, directed by Ben Briand.
In 2011 Kurzel provided the music score for the directorial debut feature film by Justin, Snowtown. At the APRA-AGSC Screen Music Awards of 2011 Kurzel won Feature Film Score of the Year. It was nominated for Australian Film Institute Award for Best Original Music Score. The related soundtrack album was nominated for ARIA Award for Best Original Soundtrack, Cast or Show Album in that same year.
Kurzel also wrote the scores for Son of a Gun, Slow West and the documentary All This Mayhem. In 2015, he worked again with his brother on Macbeth, followed by Assassin's Creed in 2016. He replaced Harry Gregson-Williams as the composer of Alien Covenant.
Kurzel was born in 1976 and, with his older brother Justin Kurzel (born 1974), grew up in Gawler, South Australia. Their father, Zdzislaw Kurzel (1946–2006), was from Poland and had migrated to Australia in 1960, where he became a taxi driver. In the 1990s Kurzel moved to Sydney, where Justin was studying at the National Institute of Dramatic Art (NIDA).
In 2001 Kurzel on lead vocals and guitar, Anthony Johnsen on drums and a bass guitarist formed a blues-rock group, the Mess Hall in Sydney – the bass guitarist soon left but was not replaced, they continued as a duo. Kurzel recalled "When the clubs asked us where our bass player was, we used to lie and say he was sick." Their debut album The Mess Hall was released in June 2003. In early 2004 Johnsen was replaced by Cec Condon on drums and vocals. Their third album Devils Elbow (October 2007) won the Australian Music Prize.
In 2000 Kurzel composed the film score for the short subject, Sammy Blue, at the Australian Film, Television and Radio School, with Kim Farrant directing.[9][10] He worked for Farrant again: providing the score for Naked on the Inside (2006), a feature film documentary on body image. In 2009 he composed music for Castor & Pollux, a short film, directed by Ben Briand.
In 2011 Kurzel provided the music score for the directorial debut feature film by Justin, Snowtown. At the APRA-AGSC Screen Music Awards of 2011 Kurzel won Feature Film Score of the Year. It was nominated for Australian Film Institute Award for Best Original Music Score. The related soundtrack album was nominated for ARIA Award for Best Original Soundtrack, Cast or Show Album in that same year.
Kurzel also wrote the scores for Son of a Gun, Slow West and the documentary All This Mayhem. In 2015, he worked again with his brother on Macbeth, followed by Assassin's Creed in 2016. He replaced Harry Gregson-Williams as the composer of Alien Covenant.
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
Terraforming Bay
Jed Kurzel Lyrics
No lyrics text found for this track.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
themaster402
Incredible finale. Basically an entire movie of rising tension through increasingly fatal encounters with forms of the Alien, concluded with a final battle against the familiar Xenomorph that determines the fate of the thousands of lives on board the Covenant. It's as if Jed was waiting the entire OST to bring out all the energy in this single track.
Dilopho
@Ruston Toups xenomorph is also a fan term, lol, it's from Aliens but it's just a generic term that means different form!
Heaven of Apocalypse
The Protomorph seems more agressive and curious
wcw2793
I call it a "Protomorph" as well. Yes, it is a Xenomorph but it's more muscular and ferocious than the Big Chap from the original. Ridley even stated that this only a step in the evolution towards the Big Chap.
wcw2793
You can feel the ferocity of Xeno in this track and I love it.
Ruston Toups
Well, he did say that the more organic look of the Covenant alien was a deliberate design choice
Jeff Gay
I like how the wooo woo gets really intense
mm TOUCH
I came here for this
Jurassic World Ranger
Me too. It get's fucking good.
Nicholas Chen
Shame the latter half didn't play in the film, it is a fantastic track neverthless!