Beck ranked in the top five of Rolling Stone and other magazine's list of 100 greatest guitarists. He was often called a "guitarist's guitarist". Rolling Stone describes him as "one of the most influential lead guitarists in rock". Although he recorded two hit albums (in 1975 and 1976) as a solo act, Beck did not establish or maintain the sustained commercial success of many of his contemporaries and bandmates.
Beck earned wide critical praise and received the Grammy Award for Best Rock Instrumental Performance six times and Best Pop Instrumental Performance once. In 2014 he received the British Academy's Ivor Novello Award for Outstanding Contribution to British Music. Beck was inducted into the Rock and Roll Hall of Fame twice: as a member of the Yardbirds (1992) and as a solo artist (2009).
Beck was born on 24 June 1944 to Arnold and Ethel Beck at 206 Demesne Road, Wallington, England. As a 10-year-old, Beck sang in a church choir. He attended Sutton Manor Schoo and Sutton East County Secondary Modern School.
Beck cited Les Paul as the first electric guitar player who impressed him. Beck said that he first heard an electric guitar when he was 6 years old and heard Paul playing "How High the Moon" on the radio. He asked his mother what it was. After she replied it was an electric guitar and was all tricks, he said, "That's for me". Cliff Gallup, lead guitarist with Gene Vincent and the Blue Caps, was also an early musical influence, followed by B.B. King and Steve Cropper. Beck considers Lonnie Mack "a rock guitarist [who] was unjustly overlooked [and] a major influence on him and many others."
As a teenager he learned to play on a borrowed guitar and made several attempts to build his own instrument, first by gluing and bolting together cigar boxes for the body and an unsanded fence-post for the neck with model aircraft control-lines and frets simply painted on.
Upon leaving school, he attended Wimbledon College of Art, after which he was briefly employed as a painter and decorator, a groundsman on a golf course and a car paint-sprayer. Beck's sister Annetta introduced him to Jimmy Page when both were teenagers.
Beck stopped regular use of a pick in the 1980s. He produces a wide variety of sounds by using his thumb to pluck the strings, his ring finger on the volume knob and his little finger on the vibrato bar on his signature Fender Stratocaster. By plucking a string and then 'fading in' the sound with the volume knob he creates a unique sound that can resemble a human voice, among other effects. He frequently uses a wah-wah pedal both live and in the studio. Eric Clapton once said, "With Jeff, it's all in his hands".
Along with Stratocasters, Beck occasionally played Fender Telecaster and Gibson Les Paul models as well. His amplifiers were primarily Fender and Marshall. In his earlier days with the Yardbirds, Beck also used a 1954 Fender Esquire guitar (now owned by Seymour W. Duncan, and housed in the Cleveland Rock and Roll Hall of Fame) through Vox AC30s. He also played through a variety of fuzz pedals and echo units along with this set-up and has used the Pro Co RAT distortion pedal. The pickup was based on a Gibson pickup rewound by Duncan and used in a salvaged Telecaster dubbed the "Tele-Gib" which he had constructed as a gift to Beck. Scott Morgan of the Rationals, who at one point shared a dressing room with the Yardbirds, recalls how Beck amplified his lead guitar through a Vox Superbeetle while using banjo strings for the unwound G string on his guitar because "they didn't make sets with an unwound G at that point."
During the ARMS Charity Concerts in 1983 Beck used his battered Fender Esquire along with a 1954 Stratocaster and a Jackson Soloist. On Crazy Legs (1993) he played a Gretsch Duo Jet, his signature Stratocaster and various other guitars. In 2007, Fender created a Custom Shop Tribute series version of his beat-up Fender Esquire as well as his Artist Signature series Stratocaster.
Described by Rolling Stone as "one of the most influential lead guitarists in rock", Beck cited his major influences as Les Paul, the Shadows, Cliff Gallup, Ravi Shankar, Roy Buchanan, Chet Atkins, Django Reinhardt, Steve Cropper and Lonnie Mack. Of John McLaughlin, Beck said: "[he] has given us so many different facets of the guitar and introduced thousands of us to world music, by blending Indian music with jazz and classical. I'd say he was the best guitarist alive."
According to musicologist and historian Bob Gulla, Beck is credited for popularising the use of audio feedback and distortion in rock guitar. Prior to Beck's arrival, guitar playing generally conformed to the "clean, bright, and jangly" sounds of early-1960s British Invasion bands or the bluesy aesthetic of 1950s African-American performers like Muddy Waters and Bo Diddley. During his short time with the Yardbirds, Beck's experimentation with feedback, distortion, and "fuzz" tone "pushed the band into directions that would open the door for psychedelic rock" while "jolt[ing] British rock forward", according to Gulla. While Beck was not the first rock guitarist to experiment with electronic distortion, he nonetheless helped to redefine the sound and role of the electric guitar in rock music. Beck's work with the Yardbirds and the Jeff Beck Group's 1968 album Truth were seminal influences on heavy metal music, which emerged in full force in the early 1970s. Gulla identifies one of Beck's characteristic traits to be his sense of pitch, particularly in exercising the whammy bar to create sounds ranging from "nose-diving bombs to subtle, perfectly pitched harmonic melodies".
According to guitarist and author Jack Wilkins, Beck is regarded alongside Jimi Hendrix and Eric Clapton as one of his generation's greatest guitarists, receiving praise for his technical skill and versatile playing. Stephen Thomas Erlewine finds him to be "as innovative as Jimmy Page, as tasteful as Eric Clapton, and nearly as visionary as Jimi Hendrix", although unable to achieve their mainstream success, "primarily because of the haphazard way he approached his career" while often lacking a star singer to help make his music more accessible. On his recorded output by 1991, Erlewine remarked that "never has such a gifted musician had such a spotty discography", believing Beck had largely released "remarkably uneven" solo records and only "a few terrific albums". In Christgau's Record Guide (1981), Robert Christgau essentialised Beck as "a technician" and questioned his ability to "improvise long lines, or jazz it up with a modicum of delicacy, or for that matter get funky", although he later observed a "customary focus, loyalty, and consistency of taste".
In 2015, Beck was ranked No. 5 in Rolling Stone' magazine's list of the "100 Greatest Guitarists". In an accompanying essay, guitarist Mike Campbell applauded Beck for his "brilliant technique" and "personality" in his playing, including a sense of humor expressed through the growl of his wah-wah effects. Campbell also credited Beck with expanding the boundaries of the blues, particularly on his two collaborations with Stewart.
Blues de Luxe
Jeff Beck Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But I sure think I've got it bad.
I don't know too much about love people,
But I sure think I've got it bad.
Some people say love is just a gamble,
But whatever it is, it's about to drive poor me mad.
Yes it is.
I'm sittin' here in my lonely room,
Tears flowin' all down my eyes.
Come on baby.
As I'm sittin' here, sittin' here, sittin' here in my lonely room,
You know the tears flowin' all down my god-darn eyes.
I wonder how you could treat me so low down and dirty, ha-ha,
You know what? Your heart must be made out of iron.
And it ain't no lie. Come on baby.
Don't you worry!
Oww! Oh yeah!
Over here!
Sometime, I get so worried,
You know I could sit down and cry, ha-ha-ha, yea!
Dig this!
You know sometime I get so worried people,
You know, and only you know, I could sit down and cry.
And it ain't no lie.
Because, I don't know too much about love people,
But I,
But I,
Ow sure think I've got it bad.
In the song "Blues de Luxe," Jeff Beck expresses his confusion and frustration regarding love. He acknowledges that he doesn't know much about love but feels like he's got it bad. He likens love to a gamble and recognizes that it's about to "drive poor me mad." Beck paints a somber picture of himself as he sits alone in his room with tears flowing down his eyes, wondering how someone could treat him so low down and dirty.
The song's lyrics are a classic representation of the blues genre, using despair and heartbreak as the main themes. Beck's tone throughout the song is melancholic and poignant, adding to the overall mood of the song.
Additionally, by using repetitive lines, Beck creates a sense of urgency in the song, giving the impression of a man at his wits' end. The song's final lines, "But I, But I, Ow sure think I've got it bad" are repeated several times, driving home the point that love can be a painful experience.
Overall, "Blues de Luxe" is an introspective depiction of the pitfalls of love. Jeff Beck's soulful vocals and guitar playing make the listener feel like they're right in the middle of his pain and suffering.
Line by Line Meaning
I don't know much about love people,
I don't have much knowledge about the subject of love, folks,
But I sure think I've got it bad.
But I feel like I'm suffering from it quite severely.
Some people say love is just a gamble,
There are individuals who claim that love is a game of chance,
But whatever it is, it's about to drive poor me mad.
Though, in any case, it's beginning to significantly affect me.
I'm sittin' here in my lonely room,
I am situated within my barren room,
Tears flowin' all down my eyes.
My eyes are filling up with tears and they stream down my cheeks.
You know the tears flowin' all down my god-darn eyes.
The tears are gushing out of my eyes and trailing down my face.
I wonder how you could treat me so low down and dirty, ha-ha,
I wonder how you would be able to mistreat me so harshly, haha,
You know what? Your heart must be made out of iron.
It's my belief that your heart has a composition resembling that of iron.
And it ain't no lie. Come on baby.
This is the truth, don't be afraid to face it, dear.
Sometime, I get so worried,
Occasionally, I'm filled with anxiety,
You know I could sit down and cry, ha-ha-ha, yea!
And you should know that I'm capable of sitting down and weeping, ha ha ha, yes!
Dig this!
Listen up!
Because, I don't know too much about love people,
In essence, I'm quite unfamiliar with the topic of love, folks,
But I,
However,
But I,
But I,
Ow sure think I've got it bad.
I definitely believe that it's seriously plaguing me.
Lyrics © Warner Chappell Music, Inc.
Written by: Jeff Beck, Rod Stewart
Lyrics Licensed & Provided by LyricFind