Beck ranked in the top five of Rolling Stone and other magazine's list of 100 greatest guitarists. He was often called a "guitarist's guitarist". Rolling Stone describes him as "one of the most influential lead guitarists in rock". Although he recorded two hit albums (in 1975 and 1976) as a solo act, Beck did not establish or maintain the sustained commercial success of many of his contemporaries and bandmates.
Beck earned wide critical praise and received the Grammy Award for Best Rock Instrumental Performance six times and Best Pop Instrumental Performance once. In 2014 he received the British Academy's Ivor Novello Award for Outstanding Contribution to British Music. Beck was inducted into the Rock and Roll Hall of Fame twice: as a member of the Yardbirds (1992) and as a solo artist (2009).
Beck was born on 24 June 1944 to Arnold and Ethel Beck at 206 Demesne Road, Wallington, England. As a 10-year-old, Beck sang in a church choir. He attended Sutton Manor Schoo and Sutton East County Secondary Modern School.
Beck cited Les Paul as the first electric guitar player who impressed him. Beck said that he first heard an electric guitar when he was 6 years old and heard Paul playing "How High the Moon" on the radio. He asked his mother what it was. After she replied it was an electric guitar and was all tricks, he said, "That's for me". Cliff Gallup, lead guitarist with Gene Vincent and the Blue Caps, was also an early musical influence, followed by B.B. King and Steve Cropper. Beck considers Lonnie Mack "a rock guitarist [who] was unjustly overlooked [and] a major influence on him and many others."
As a teenager he learned to play on a borrowed guitar and made several attempts to build his own instrument, first by gluing and bolting together cigar boxes for the body and an unsanded fence-post for the neck with model aircraft control-lines and frets simply painted on.
Upon leaving school, he attended Wimbledon College of Art, after which he was briefly employed as a painter and decorator, a groundsman on a golf course and a car paint-sprayer. Beck's sister Annetta introduced him to Jimmy Page when both were teenagers.
Beck stopped regular use of a pick in the 1980s. He produces a wide variety of sounds by using his thumb to pluck the strings, his ring finger on the volume knob and his little finger on the vibrato bar on his signature Fender Stratocaster. By plucking a string and then 'fading in' the sound with the volume knob he creates a unique sound that can resemble a human voice, among other effects. He frequently uses a wah-wah pedal both live and in the studio. Eric Clapton once said, "With Jeff, it's all in his hands".
Along with Stratocasters, Beck occasionally played Fender Telecaster and Gibson Les Paul models as well. His amplifiers were primarily Fender and Marshall. In his earlier days with the Yardbirds, Beck also used a 1954 Fender Esquire guitar (now owned by Seymour W. Duncan, and housed in the Cleveland Rock and Roll Hall of Fame) through Vox AC30s. He also played through a variety of fuzz pedals and echo units along with this set-up and has used the Pro Co RAT distortion pedal. The pickup was based on a Gibson pickup rewound by Duncan and used in a salvaged Telecaster dubbed the "Tele-Gib" which he had constructed as a gift to Beck. Scott Morgan of the Rationals, who at one point shared a dressing room with the Yardbirds, recalls how Beck amplified his lead guitar through a Vox Superbeetle while using banjo strings for the unwound G string on his guitar because "they didn't make sets with an unwound G at that point."
During the ARMS Charity Concerts in 1983 Beck used his battered Fender Esquire along with a 1954 Stratocaster and a Jackson Soloist. On Crazy Legs (1993) he played a Gretsch Duo Jet, his signature Stratocaster and various other guitars. In 2007, Fender created a Custom Shop Tribute series version of his beat-up Fender Esquire as well as his Artist Signature series Stratocaster.
Described by Rolling Stone as "one of the most influential lead guitarists in rock", Beck cited his major influences as Les Paul, the Shadows, Cliff Gallup, Ravi Shankar, Roy Buchanan, Chet Atkins, Django Reinhardt, Steve Cropper and Lonnie Mack. Of John McLaughlin, Beck said: "[he] has given us so many different facets of the guitar and introduced thousands of us to world music, by blending Indian music with jazz and classical. I'd say he was the best guitarist alive."
According to musicologist and historian Bob Gulla, Beck is credited for popularising the use of audio feedback and distortion in rock guitar. Prior to Beck's arrival, guitar playing generally conformed to the "clean, bright, and jangly" sounds of early-1960s British Invasion bands or the bluesy aesthetic of 1950s African-American performers like Muddy Waters and Bo Diddley. During his short time with the Yardbirds, Beck's experimentation with feedback, distortion, and "fuzz" tone "pushed the band into directions that would open the door for psychedelic rock" while "jolt[ing] British rock forward", according to Gulla. While Beck was not the first rock guitarist to experiment with electronic distortion, he nonetheless helped to redefine the sound and role of the electric guitar in rock music. Beck's work with the Yardbirds and the Jeff Beck Group's 1968 album Truth were seminal influences on heavy metal music, which emerged in full force in the early 1970s. Gulla identifies one of Beck's characteristic traits to be his sense of pitch, particularly in exercising the whammy bar to create sounds ranging from "nose-diving bombs to subtle, perfectly pitched harmonic melodies".
According to guitarist and author Jack Wilkins, Beck is regarded alongside Jimi Hendrix and Eric Clapton as one of his generation's greatest guitarists, receiving praise for his technical skill and versatile playing. Stephen Thomas Erlewine finds him to be "as innovative as Jimmy Page, as tasteful as Eric Clapton, and nearly as visionary as Jimi Hendrix", although unable to achieve their mainstream success, "primarily because of the haphazard way he approached his career" while often lacking a star singer to help make his music more accessible. On his recorded output by 1991, Erlewine remarked that "never has such a gifted musician had such a spotty discography", believing Beck had largely released "remarkably uneven" solo records and only "a few terrific albums". In Christgau's Record Guide (1981), Robert Christgau essentialised Beck as "a technician" and questioned his ability to "improvise long lines, or jazz it up with a modicum of delicacy, or for that matter get funky", although he later observed a "customary focus, loyalty, and consistency of taste".
In 2015, Beck was ranked No. 5 in Rolling Stone' magazine's list of the "100 Greatest Guitarists". In an accompanying essay, guitarist Mike Campbell applauded Beck for his "brilliant technique" and "personality" in his playing, including a sense of humor expressed through the growl of his wah-wah effects. Campbell also credited Beck with expanding the boundaries of the blues, particularly on his two collaborations with Stewart.
Plynth
Jeff Beck Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And thought exactly the same as I'm thinking now
Every night for a year I've slept alone
My cold damp room looks worse than me
I got a fear of death that creeps on every night
I know I won't die soon but then again I might
Just like water down the drain I'm wasting away
I'm going far
Ah, ah, ah
And oh, water down the drain flows to the sea
The pattern of my life keeps a-hauntin' me
Like moisture from the ocean fills the sky
Comes on down to the ground as time goes by
Ah, ah, ah
Please don't weep for me when I'm gone
Ah, ah, ah
I got a fear of death that creeps on every night
I know I won't die soon but then again I might
Please don't weep for me when I'm gone
Ah, ah, ah
A fear of death that creeps on every night
The lyrics of Jeff Beck Group's song "Plynth" are introspective and depict a sense of loneliness and impending mortality. The singer mentions waking up on a morning feeling the same as he has been thinking for the past year. He sings about spending every night sleeping alone in a cold, damp room that looks worse than he does. The fear of death creeps upon him every night, and he knows he won't die soon, but there is always that possibility. He feels like he is wasting away like water down the drain, and doctors can't help him as he is just a ghost of a man.
In the second verse, the singer continues to talk about water down the drain, and how the pattern of his life keeps haunting him. Like moisture from the ocean, which fills the sky, falls back to the ground as time goes by, this pattern of his life is pushing him towards death. He ends the song with a plea to not weep for him when he's gone, as he has accepted the fear of death that creeps on him every night.
Line by Line Meaning
I've woken up on mornings such as this
I have experienced mornings like this before
And thought exactly the same as I'm thinking now
Those mornings have led me to think the same thoughts as I am having now
Every night for a year I've slept alone
I have spent the last year sleeping alone at night
My cold damp room looks worse than me
My room, which is cold and damp, looks worse than I do
I got a fear of death that creeps on every night
I have a fear of death that troubles me every night
I know I won't die soon but then again I might
I realize that I may not die soon, but I also know that death is always a possibility
Just like water down the drain I'm wasting away
I feel like I am slowly wasting away, just like water flowing down a drain
And oh, doctors can't help. a ghost of a man, that's me
Despite seeking medical attention, I feel like a mere ghost of a man without any solutions from doctors
I'm going far
I am determined to go far, both figuratively and literally
And oh, water down the drain flows to the sea
I am reminded that, like water flowing down a drain, my life is constantly moving towards an inevitable end
The pattern of my life keeps a-hauntin' me
The pattern of my life constantly haunts me, making me feel like it is beyond my control
Like moisture from the ocean fills the sky
The same way that moisture over oceans leads to rain, the pattern of my life leads to constant haunting
Comes on down to the ground as time goes by
As time passes, my life pattern becomes more and more grounded in reality
Please don't weep for me when I'm gone
I do not wish for others to be mournful when I pass away
A fear of death that creeps on every night
My fear of death is a constant presence that haunts me every night
Lyrics © Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: NICKY HOPKINS, ROD STEWART, RONALD DAVID WOOD
Lyrics Licensed & Provided by LyricFind