Jeffrey Scott "Jeff" Buckley (born in Anaheim, California, USA on 17 November 1966 – 29 May 1997), raised as Scotty Moorhead, was an American singer-songwriter and guitarist. He was the son of musicians Tim Buckley and Mary Guibert.
He had emerged in New York City's avant-garde club scene in the 1990s as one of the most remarkable musical artists of his generation, acclaimed by audiences, critics, and fellow musicians alike. His first commercial recording, the four-song EP Live At Sin-é, was released in December 1993 on Columbia Records. Read Full BioJeffrey Scott "Jeff" Buckley (born in Anaheim, California, USA on 17 November 1966 – 29 May 1997), raised as Scotty Moorhead, was an American singer-songwriter and guitarist. He was the son of musicians Tim Buckley and Mary Guibert.
He had emerged in New York City's avant-garde club scene in the 1990s as one of the most remarkable musical artists of his generation, acclaimed by audiences, critics, and fellow musicians alike. His first commercial recording, the four-song EP Live At Sin-é, was released in December 1993 on Columbia Records. The EP captured Buckley, accompanying himself on electric guitar, in a tiny coffeehouse in New York's East Village, the neighbourhood he'd made his home.
Buckley made his public singing début at a tribute concert for his father called "Greetings from Tim Buckley". The event, produced by show business veteran Hal Willner, was held at St. Ann's Church in Brooklyn on 26 April 1991.
By the time of the EP's release during the fall of 1993, Buckley had already entered the studio with Mick Grondahl (bass), Matt Johnson (drummer), and producer Andy Wallace and recorded seven original songs (including "Grace" and "Last Goodbye") and three covers (among them Leonard Cohen's "Hallelujah", Benjamin Britten's "Corpus Christi Carol") that comprised his debut album Grace. Guitarist Michael Tighe became a permanent member of Jeff Buckley's ensemble and went on to co-write and perform on Grace's "So Real" just prior to the release of the album.
In early 1994, not long after Live At Sin-é appeared in stores, Jeff Buckley toured clubs, lounges, and coffeehouses in North America as a solo artist from January 15th to March 5th as well as in Europe from March 11th to 22th. Following extensive rehearsals in April to May of 1994, Buckley's "Peyote Radio Theatre Tour" found him on the road with his band from June 2nd to August 16th. His full-length full-band album, Grace, was released in the United States on August 23rd, 1994, the same day Buckley and band kicked off a European tour in Dublin, Ireland; the 1994 European Tour ran through September 22nd, with Buckley and band performing at the CMJ convention at New York's Supper Club on September 24. The group headed back into America's clublands for a Fall Tour lasting from October 19th until December 18th.
On New Year's Eve 1994-95, Buckley returned to Sin-é to perform a solo set; on New Year's Day, he read an original poem at the annual St. Mark's Church Marathon Poetry Reading. Two weeks later, he and his band were back in Europe for gigs in Dublin, Bristol, and London before launching an extensive tour of Japan, France, Germany, Italy, Holland, Belgium, and the United Kingdom which lasted from January 29th to March 5th. On April 13th 1995, it was announced that Jeff Buckley's Grace had earned him France's prestigious "Gran Prix International Du Disque -- Academie Charles CROS -- 1995"; an award given by a jury of producers, journalists, the president of France Culture, and music industry professionals, it had previously been given to Edith Piaf, Jacques Brel, Yves Montand, Georges Brassens, Bruce Springsteen, Leonard Cohen, Bob Dylan, Joan Baez, and Joni Mitchell, among other musical luminaries. France also awarded Buckley a gold record certification for Grace.
From March 5th through April 20th, Buckley and his band rehearsed for an American spring tour with gigs running from April 22th until June 2nd. From June through August, Jeff and company toured the United Kingdom, France, Denmark, Belgium, Germany, the Netherlands, Italy, and Switzerland. The band took off for Down Under to play six Australian shows between August 28th and September 6th, 1995. In November 1995, Buckley played two unannounced solo shows at Sin-é. He performed songs including the new "Woke Up In A Strange Place" on Vin Scelsa's "Idiot's Delight" show on WXRK-FM on December 17 and celebrated New Year's Eve 1995-96 with performances at New York's Mercury Lounge and Sin-é.
Jeff Buckley and his touring ensemble went back to Australia, where Grace had earned a gold record certification, for the "Hard Luck Tour," which ran from February 9th to March 1st of 1996. Drummer Matt Johnson left the group after the final Australian show. The posthumous album Mystery White Boy brings together some of the high points from Jeff's 1995-1996 live performances. The DVD/home video release Live In Chicago documents, in its entirety, Jeff's concert at The Cabaret Metro in Chicago on May 13th, 1995.
In May of '96, Jeff played four gigs as a bass player with Mind Science of the Mind, a side-project of Buckley's friend, Nathan Larson of Shudder To Think. In September Buckley played another unannounced solo gig at his old favorite haunt Sin-é. December of 1996 found Jeff Buckley embarking on his "phantom solo tour"; designed to experiment with new songs in a live setting (as in his Sin-é days), these unannounced solo gigs throughout the Northeast U.S. were played under a succession of aliases: the Crackrobats, Possessed By Elves, Father Demo, Smackrobiotic, the Halfspeeds, Crit Club, Topless America, Martha & the Nicotines, and A Puppet Show Named Julio.
At midnight on February 9th, 1997, Jeff Buckley debuted his new drummer, Parker Kindred, in a show at Arlene Grocery on New York's Lower East Side. He also played a couple of solo gigs in New York during the first months of 1997: a gig at the Daydream Cafe (featuring band members Mick Grondahl and Michael Tighe as "special guests") and a solo performance February 4th as part of the Knitting Factory's 10-Year Birthday Party.
Buckley and his band had recorded intermittently — with Tom Verlaine as producer — during Summer/Fall 1996 and early winter 1997 in New York and in February 1997 in Memphis. After the conclusion of those sessions, Jeff sent the band back to New York while, during March and April 1997, he remained in Memphis and continued to craft his work-in-progress, making various four-track home recordings of songs to present to his bandmates. Some of these were revisions of the songs recorded with Verlaine, some were brand new compositions, and some were surprising cover versions. The new lineup debuted Buckley's new songs at Barrister's in Memphis on February 12th and 13th. Beginning March 31st, Jeff began a series of regularly scheduled Monday night solo performances at Barrister's. His last show there was on Monday, May 26th, 1997.
Buckley passed away in a drowning accident in the Wolf River, a tributary of the Mississippi River, on May 29th, 1997. The night Buckley died, he was on his way to meet his band to begin three weeks of rehearsals for My Sweetheart, the Drunk; producer Andy Wallace, who'd helmed the boards on Grace, was to join them in Memphis in late June to record his new album.
In addition to his Columbia Records releases, Live At Sin-é and Grace, Jeff Buckley has appeared as a guest artist on several other recordings. He can be heard singing "Jolly Street," a track on the Jazz Passengers 1994 album In Love. He contributed tenor vocals to "Taipan" and "D. Popylepis," two recordings on John Zorn's Cobra Live At The Knitting Factory (1995). On Rebecca Moore's Admiral Charcoal's Song, Buckley plays electric six-string bass on "If You Please Me," "Outdoor Elevator," and "Needle Men" (on which he also plays drums). He both plays guitar and sings backup vocals on Brenda Kahn's "Faith Salons," a key track on her Destination Anywhere album (released 1996). Patti Smith's critically acclaimed Gone Again album features Buckley adding "voice" to the song "Beneath the Southern Cross" and "essrage" (a small fretless Indian stringed instrument) to "Fireflies." On Kerouac: Kicks Joy Darkness, a various artists' spoken word tribute to beat poet Jack Kerouac, Jeff Buckley performed on "Angel Mine"; Jeff plays guitar, sitar, and mouth sax (adding words at the poem's conclusion) on the track. Buckley can be heard reading Edgar Allan Poe's "Ulallume - A Ballad," on Closed on Account of Rabies: Poems and Tales of Edgar Allan Poe (disc 2: The Devil's Brew) (Poems & Tales by Edgar Allan Poe) on Mouth Almighty/Mercury Records. He sang "I Want Someone Badly" (Epic) for Shudder To Think's soundtrack to First Love, Last Rites. Sandy Bell, a friend of Buckley's during his L.A. days, released the resurrected track "Hollywould" in 2000, which she co-wrote and recorded with Buckley.
An ardent enthusiast for a myriad of musical forms, Jeff Buckley was an early champion among young American musicians for the work of Nusrat Fateh Ali Khan, the world's foremost Qawwali (the music of the Sufis) singer. Buckley conducted an extensive interview with Nusrat in Interview magazine (January 1996) and wrote the liner notes Nusrat's The Supreme Collection album, released on Mercator/Caroline records in August 1997. On May 9th, 2000, Columbia Records released Mystery White Boy, an album of live performances, and Live In Chicago, a full-length concert (available on DVD or VHS) recorded live at The Cabaret Metro in Chicago on May 13, 1995, in the middle of Jeff's "Mystery White Boy" tour.
Following the release of Grace on August 23rd, 1994, Jeff and his group spent much of 1994-1996 performing around the world on the Unknown, Mystery White Boy, and Hard Luck tours. Mystery White Boy brings together, for the first time, some of the high points of those shows. Produced by Michael Tighe (guitarist for Jeff's band throughout their international touring and the recording of Grace) and Mary Guibert (Jeff's mother) and Mystery White Boy provides an evocative cross-section of Jeff's repertoire: previously-unreleased Buckley compositions, electrifying live interpretations of songs from Grace, and obscure and marvelous cover choices. The recordings heard on Mystery White Boy have been hand-picked from scores of concert tapes by Mary Guibert and the members of Jeff's band who played such a large role in helping Jeff realize his musical vision.
According to Mary, the tracks on Mystery White Boy are "the individual performances that represented transcendent moments from each of the concerts we'd identified as being in the 'overall outstanding' category."
"It was obvious which performances were contenders for the record," concurs Michael Tighe, "and in some cases a performance would be so supreme and unpredictable that I knew it had to be brought to the public."
The posthumous album Sketches For My Sweetheart The Drunk was released in 1998 and included songs Buckley was working on while in Memphis for his upcoming release.
Tribute songs:
PJ Harvey - Memphis
Rufus Wainwright- Memphis Skyline
Mark Eitzel - To the Sea
Zita Swoon - Song for a Dead Singer
Amy Correia - Blind River Boy
Duncan Sheik - A Body Goes Down
Chris Cornell - Wave Goodbye
Katatonia - Nightmares by the Sea
Willie Nile - On the Road to Calvary
Rachael Sage - Grace
Aimee Mann - Just Like Anyone
Cocteau Twins - Rilkean Heart
Jim Major - Angels Fall (Song for Jeff Buckley)
A film about Buckley's life, a biopic called "Mystery White Boy", is currently in pre-production. Actors have not yet been cast, according to IMDB.
He had emerged in New York City's avant-garde club scene in the 1990s as one of the most remarkable musical artists of his generation, acclaimed by audiences, critics, and fellow musicians alike. His first commercial recording, the four-song EP Live At Sin-é, was released in December 1993 on Columbia Records. Read Full BioJeffrey Scott "Jeff" Buckley (born in Anaheim, California, USA on 17 November 1966 – 29 May 1997), raised as Scotty Moorhead, was an American singer-songwriter and guitarist. He was the son of musicians Tim Buckley and Mary Guibert.
He had emerged in New York City's avant-garde club scene in the 1990s as one of the most remarkable musical artists of his generation, acclaimed by audiences, critics, and fellow musicians alike. His first commercial recording, the four-song EP Live At Sin-é, was released in December 1993 on Columbia Records. The EP captured Buckley, accompanying himself on electric guitar, in a tiny coffeehouse in New York's East Village, the neighbourhood he'd made his home.
Buckley made his public singing début at a tribute concert for his father called "Greetings from Tim Buckley". The event, produced by show business veteran Hal Willner, was held at St. Ann's Church in Brooklyn on 26 April 1991.
By the time of the EP's release during the fall of 1993, Buckley had already entered the studio with Mick Grondahl (bass), Matt Johnson (drummer), and producer Andy Wallace and recorded seven original songs (including "Grace" and "Last Goodbye") and three covers (among them Leonard Cohen's "Hallelujah", Benjamin Britten's "Corpus Christi Carol") that comprised his debut album Grace. Guitarist Michael Tighe became a permanent member of Jeff Buckley's ensemble and went on to co-write and perform on Grace's "So Real" just prior to the release of the album.
In early 1994, not long after Live At Sin-é appeared in stores, Jeff Buckley toured clubs, lounges, and coffeehouses in North America as a solo artist from January 15th to March 5th as well as in Europe from March 11th to 22th. Following extensive rehearsals in April to May of 1994, Buckley's "Peyote Radio Theatre Tour" found him on the road with his band from June 2nd to August 16th. His full-length full-band album, Grace, was released in the United States on August 23rd, 1994, the same day Buckley and band kicked off a European tour in Dublin, Ireland; the 1994 European Tour ran through September 22nd, with Buckley and band performing at the CMJ convention at New York's Supper Club on September 24. The group headed back into America's clublands for a Fall Tour lasting from October 19th until December 18th.
On New Year's Eve 1994-95, Buckley returned to Sin-é to perform a solo set; on New Year's Day, he read an original poem at the annual St. Mark's Church Marathon Poetry Reading. Two weeks later, he and his band were back in Europe for gigs in Dublin, Bristol, and London before launching an extensive tour of Japan, France, Germany, Italy, Holland, Belgium, and the United Kingdom which lasted from January 29th to March 5th. On April 13th 1995, it was announced that Jeff Buckley's Grace had earned him France's prestigious "Gran Prix International Du Disque -- Academie Charles CROS -- 1995"; an award given by a jury of producers, journalists, the president of France Culture, and music industry professionals, it had previously been given to Edith Piaf, Jacques Brel, Yves Montand, Georges Brassens, Bruce Springsteen, Leonard Cohen, Bob Dylan, Joan Baez, and Joni Mitchell, among other musical luminaries. France also awarded Buckley a gold record certification for Grace.
From March 5th through April 20th, Buckley and his band rehearsed for an American spring tour with gigs running from April 22th until June 2nd. From June through August, Jeff and company toured the United Kingdom, France, Denmark, Belgium, Germany, the Netherlands, Italy, and Switzerland. The band took off for Down Under to play six Australian shows between August 28th and September 6th, 1995. In November 1995, Buckley played two unannounced solo shows at Sin-é. He performed songs including the new "Woke Up In A Strange Place" on Vin Scelsa's "Idiot's Delight" show on WXRK-FM on December 17 and celebrated New Year's Eve 1995-96 with performances at New York's Mercury Lounge and Sin-é.
Jeff Buckley and his touring ensemble went back to Australia, where Grace had earned a gold record certification, for the "Hard Luck Tour," which ran from February 9th to March 1st of 1996. Drummer Matt Johnson left the group after the final Australian show. The posthumous album Mystery White Boy brings together some of the high points from Jeff's 1995-1996 live performances. The DVD/home video release Live In Chicago documents, in its entirety, Jeff's concert at The Cabaret Metro in Chicago on May 13th, 1995.
In May of '96, Jeff played four gigs as a bass player with Mind Science of the Mind, a side-project of Buckley's friend, Nathan Larson of Shudder To Think. In September Buckley played another unannounced solo gig at his old favorite haunt Sin-é. December of 1996 found Jeff Buckley embarking on his "phantom solo tour"; designed to experiment with new songs in a live setting (as in his Sin-é days), these unannounced solo gigs throughout the Northeast U.S. were played under a succession of aliases: the Crackrobats, Possessed By Elves, Father Demo, Smackrobiotic, the Halfspeeds, Crit Club, Topless America, Martha & the Nicotines, and A Puppet Show Named Julio.
At midnight on February 9th, 1997, Jeff Buckley debuted his new drummer, Parker Kindred, in a show at Arlene Grocery on New York's Lower East Side. He also played a couple of solo gigs in New York during the first months of 1997: a gig at the Daydream Cafe (featuring band members Mick Grondahl and Michael Tighe as "special guests") and a solo performance February 4th as part of the Knitting Factory's 10-Year Birthday Party.
Buckley and his band had recorded intermittently — with Tom Verlaine as producer — during Summer/Fall 1996 and early winter 1997 in New York and in February 1997 in Memphis. After the conclusion of those sessions, Jeff sent the band back to New York while, during March and April 1997, he remained in Memphis and continued to craft his work-in-progress, making various four-track home recordings of songs to present to his bandmates. Some of these were revisions of the songs recorded with Verlaine, some were brand new compositions, and some were surprising cover versions. The new lineup debuted Buckley's new songs at Barrister's in Memphis on February 12th and 13th. Beginning March 31st, Jeff began a series of regularly scheduled Monday night solo performances at Barrister's. His last show there was on Monday, May 26th, 1997.
Buckley passed away in a drowning accident in the Wolf River, a tributary of the Mississippi River, on May 29th, 1997. The night Buckley died, he was on his way to meet his band to begin three weeks of rehearsals for My Sweetheart, the Drunk; producer Andy Wallace, who'd helmed the boards on Grace, was to join them in Memphis in late June to record his new album.
In addition to his Columbia Records releases, Live At Sin-é and Grace, Jeff Buckley has appeared as a guest artist on several other recordings. He can be heard singing "Jolly Street," a track on the Jazz Passengers 1994 album In Love. He contributed tenor vocals to "Taipan" and "D. Popylepis," two recordings on John Zorn's Cobra Live At The Knitting Factory (1995). On Rebecca Moore's Admiral Charcoal's Song, Buckley plays electric six-string bass on "If You Please Me," "Outdoor Elevator," and "Needle Men" (on which he also plays drums). He both plays guitar and sings backup vocals on Brenda Kahn's "Faith Salons," a key track on her Destination Anywhere album (released 1996). Patti Smith's critically acclaimed Gone Again album features Buckley adding "voice" to the song "Beneath the Southern Cross" and "essrage" (a small fretless Indian stringed instrument) to "Fireflies." On Kerouac: Kicks Joy Darkness, a various artists' spoken word tribute to beat poet Jack Kerouac, Jeff Buckley performed on "Angel Mine"; Jeff plays guitar, sitar, and mouth sax (adding words at the poem's conclusion) on the track. Buckley can be heard reading Edgar Allan Poe's "Ulallume - A Ballad," on Closed on Account of Rabies: Poems and Tales of Edgar Allan Poe (disc 2: The Devil's Brew) (Poems & Tales by Edgar Allan Poe) on Mouth Almighty/Mercury Records. He sang "I Want Someone Badly" (Epic) for Shudder To Think's soundtrack to First Love, Last Rites. Sandy Bell, a friend of Buckley's during his L.A. days, released the resurrected track "Hollywould" in 2000, which she co-wrote and recorded with Buckley.
An ardent enthusiast for a myriad of musical forms, Jeff Buckley was an early champion among young American musicians for the work of Nusrat Fateh Ali Khan, the world's foremost Qawwali (the music of the Sufis) singer. Buckley conducted an extensive interview with Nusrat in Interview magazine (January 1996) and wrote the liner notes Nusrat's The Supreme Collection album, released on Mercator/Caroline records in August 1997. On May 9th, 2000, Columbia Records released Mystery White Boy, an album of live performances, and Live In Chicago, a full-length concert (available on DVD or VHS) recorded live at The Cabaret Metro in Chicago on May 13, 1995, in the middle of Jeff's "Mystery White Boy" tour.
Following the release of Grace on August 23rd, 1994, Jeff and his group spent much of 1994-1996 performing around the world on the Unknown, Mystery White Boy, and Hard Luck tours. Mystery White Boy brings together, for the first time, some of the high points of those shows. Produced by Michael Tighe (guitarist for Jeff's band throughout their international touring and the recording of Grace) and Mary Guibert (Jeff's mother) and Mystery White Boy provides an evocative cross-section of Jeff's repertoire: previously-unreleased Buckley compositions, electrifying live interpretations of songs from Grace, and obscure and marvelous cover choices. The recordings heard on Mystery White Boy have been hand-picked from scores of concert tapes by Mary Guibert and the members of Jeff's band who played such a large role in helping Jeff realize his musical vision.
According to Mary, the tracks on Mystery White Boy are "the individual performances that represented transcendent moments from each of the concerts we'd identified as being in the 'overall outstanding' category."
"It was obvious which performances were contenders for the record," concurs Michael Tighe, "and in some cases a performance would be so supreme and unpredictable that I knew it had to be brought to the public."
The posthumous album Sketches For My Sweetheart The Drunk was released in 1998 and included songs Buckley was working on while in Memphis for his upcoming release.
Tribute songs:
PJ Harvey - Memphis
Rufus Wainwright- Memphis Skyline
Mark Eitzel - To the Sea
Zita Swoon - Song for a Dead Singer
Amy Correia - Blind River Boy
Duncan Sheik - A Body Goes Down
Chris Cornell - Wave Goodbye
Katatonia - Nightmares by the Sea
Willie Nile - On the Road to Calvary
Rachael Sage - Grace
Aimee Mann - Just Like Anyone
Cocteau Twins - Rilkean Heart
Jim Major - Angels Fall (Song for Jeff Buckley)
A film about Buckley's life, a biopic called "Mystery White Boy", is currently in pre-production. Actors have not yet been cast, according to IMDB.
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Jeff Buckley Lyrics
We have lyrics for these tracks by Jeff Buckley:
/ Lover You Should've Come Over Looking out the door I see the rain fall upon the…
01 Be Your Husband Be your husband if you'll be my wife Be your husband…
03 opened once I once was open And one with a travelling heart I loved…
04 the way young lovers do We strolled through fields all wet with rain And back along…
04_-_Nightmares_By_The_Sea (J.Buckley) Beware the bottle thoughts of angry young men…
06 Last Goodbye This is our last goodbye I hate to feel the love…
10. jewel box I know you are a woman by the way you…
2. Everybody Here Wants You Twenty-nine pearls in your kiss, a singing smile, Coffee sme…
A Satisfied Mind How many times have you heard someone say If I had…
All Flowers In Time my eyes are a baptism oh i am filth and…
All Flowers in Time Bend Towards the Sun my eyes are a baptism oh i am filth and sing her into my…
All That I Ask Don't try to blow out the sun for me baby I'm…
All Tomorrow's Parties (Velvet Underground Cover / live 92) And what costume shal…
All Tomorrow’s Parties (Velvet Underground Cover / live 92) And what costume shall…
Alligator Wine Take the blood out of an alligator Take the left eye…
Back In N.Y.C I see faces and traces of home Back in New York…
Be Your Husband Be your husband if you'll be my wife Be your husband…
Calling You A desert road from Vegas to nowhere Some place better than…
Corpus Christi He bear her off, he bear her down He bear her…
Cruel Oh Yeah Born no longer just a baby Always trying to keep…
Curtains (E.John/B.Taupin) Originally performed by Elton John. Jeff p…
Dancing In The Moonlight When I passed you in the doorway You took me with…
demo There's the moon asking to stay Long enough for the clouds…
Demon John Say farewell, g'night, Sonny-Jim, In your defenseless, winn…
Despite The Tears he found a letter from his lover she said she's never…
Dido's Lament Thy hand, belinda, darkness shades me. On thy bosom let me…
Dido`s Lament (h. Purcell) This is a piece, for a soprano voice, from…
Dink's Song Could this be magic, my dear, my heart's all aglow? Could…
Dream Brother There is a child sleeping near his twin The pictures go…
Drown in My Own Tears It brings a tear, Into my eyes, When I begin, To realize,…
Edna Frau to cross the ocean and to look down this pipe (?)…
Eternal Life Eternal life is now on my trail Got my red glitter…
Everybody Here Wants You Twenty-nine pearls in your kiss, a singing smile, Coffee sme…
Everyone Here Wants You Twenty-nine pearls in your kiss, a singing smile, Coffe smel…
Farewell Angelina Farewell Angelina The bells of the crown Are being stolen …
forget While this town is busy sleeping, All the noise has died…
Grace There's the moon asking to stay Long enough for the clouds…
Grace (From The BBC's There's the moon asking to stay Long enough for the clouds…
Grace (live) There's the moon asking to stay Long enough for the clouds…
Gunshot Glitter Don't you want to let go of your heart Or you…
Hallelujah Well I've heard there was a secret chord That David played…
Hallelujah / I Know It's Over I heard there was a secret chord That David played and…
Harem Man Alright alright alright alright woah! Well yeah Well I'm y…
Haven't You Heard Your wish is my command! Have you heard this talk about…
How Long Will It Take Stood along this lonely track Watching the trains speed alo…
Hymne à l'Amour If the sun should tumble from the sky If the sea…
I Against I You and I. Ah, the calm below that poisoned river wild, Yo…
I Know It's Over Oh mother, I can feel the soil falling over my…
I Know We Could Be So Happy There's no easy answer None to blame or forgive Two crippl…
I Loves You Porgy (Ira Gershwin / George Gershwin / D. Heyward) - Sing by…
I Never Asked To Be Your Mountain O I never asked to be your mountain I never asked…
I Shall Be Released They say everything can be replaced But every distance is no…
I Want Someone Badly Now I want someone badly Got a girl here tonight Wants som…
I Want Someone Badly (feat. Shudder to Think) now i want someone badly got a girl here tonight wants someo…
I Woke Up in a Strange Place Ghost calls to visit With my keys in his pocket Kisses in…
If You Knew If you knew how I miss you, You would not stay…
If You See Her If you see her, say hello, she might be in…
Je N' en Connais Pas la Fin I used to know a little square So long ago, when…
Jeff Buckley-I Want Someone Badly Now I want someone badly Got a girl here tonight Wants som…
Jewel Box I know you are a woman by the way you…
Just Like a Woman No, no, no, no, no, no, no, no, no, no,…
Kanga Roo I first saw you You had on blue jeans Your eyes couldn't…
Kashmir Oh, let the sun beat down upon my face Stars to…
Kick Out the Jam I'm gonna kick 'em out Well I feel pretty good And I…
Kick Out the Jams (live, Columbia Radio Hour) I'm gonna kick 'em out Well I feel pretty good And I…
Killing Time (The Creatures) Originally performed by The Creatures. Jeff…
Last Goodbye This is our last goodbye I hate to feel the love…
Lilac Wine I lost myself on a cool damp night I gave myself…
Lost Highway I'm a rollin' stone all alone and lost For a life…
Lover We strolled through fields all wet with rain And back along…
Lover You Looking out the door I see the rain fall upon…
Lover You Say It's been such a long time And I was just a…
Lover You Should Have Come Ov Looking out the door I see the rain fall upon…
Lover You Should Have Come Over Looking out the door I see the rain fall upon the…
Lover You Should of Come Over Looking out the door I see the rain fall upon…
Lover You Should've Come Ove Looking out the door I see the rain fall upon the…
Lover You Should've Come Over Looking out the door I see the rain fall upon the…
Lover You Should've Have Come Over Looking out the door I see the rain fall upon the…
Lover, You Should've Come Over Looking out the door I see the rain fall upon…
Lover. You Should've Come Over Looking out the door I see the rain fall upon the…
Mama You Been On My Mind Perhaps it's the color of the sun cut flat An' cov'rin'…
Mama You've Been On My Mind perhaps it is the color of the sun cut flat an'…
Medley- Je n'en connais pas la I used to know a little square So long ago, when…
MEDLEY: Hallelujah/I Know It's Over I heard there was a secret chord That David played and…
Meteor Suicide Meteor Slave Would you like to meet the villain somewhere Underneath the…
Mojo Pin I'm lying in my bed The blanket is warm This body will…
Mood Swing Whiskey Mood swing whiskey Drank it all in the morning Waiting for…
Morning Theft Time takes care of the wound So I can believe…
Murder Suicide Meteor Slave Would you like to meet the villain somewhere Underneath the…
New Year's Payer Oooo Fall in light, fall in light Fall in light, fall in…
New Year's Prayer Oooo Fall in light, fall in light Fall in light, fall in…
New Years Prayer Oooo Fall in light, fall in light Fall in light, fall in…
NIGHT FLIGHT I received a message from my brother across the water He…
Nightmares By The Sea Beware the bottle thoughts of angry young men. Secret compa…
Once I Was once i was a soldier and i fought on foreign sands…
Opened Once I once was open And one with a travelling heart I loved…
People's Parties all the people at this party they've got a lot of…
Please Send Me Someone To Love Heaven please send to all mankind, Understanding and peace …
Satisfied Mind How many times have you heard someone say If I had…
Sefronia: The King's Chain I couldn't buy you with a hundred cattle But you hike…
She is Free Cold wind blow this waiting blood Flow into my ashen arms …
Sky Is a Landfill Circle around the park Joining hands in silence Watch th…
So Real Love, let me sleep tonight on your couch And remember the…
song to no one Oh Back when I was a baby, a baby saying his…
Strange Fruit Southern trees bear strange fruit Blood on the leaves and b…
Strawberry Street Streetlights flicker on, as they take on the sun Like counte…
Sweet Thing And I will stroll the merry way And jump the hedges…
That's All I Ask Don't try to blow out the sun for me baby I'm…
The Boy With the Thorn in His Side The boy with the thorn in his side Behind the hatred…
The Man That Got Away The night is bitter The stars have lost their glitter The wi…
The Other Woman the other woman finds time to manicure her nails the other…
The sky is a fandfill Circle around the park Joining hands in silence Watch th…
The Sky Is A Landfill Circle around the park Joining hands in silence Watch the…
The Way Young Lovers Do We strolled through fields all wet with rain And back along…
Thousand Fold I have no desire to make contact with all the…
Twelfth Of Never You ask how much I need you, must I explain? I…
Ulalume (e.a.poe) Jeff performed a reading of this poem by edgar all…
Unforgiven (Last Goodbye) This is our last goodbye I hate to feel the love…
Vancouver Lady, all the troubles are my fright, I disgust you. Feel…
Wants You Twenty-nine pearls in your kiss, a singing smile, Coffee sme…
We All Fall In Love Live at the WMFU Music Faucet Elton John cover "Jeff: This …
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The lyrics can frequently be found in the comments below, by filtering for lyric videos or browsing the comments in the different videos below.
Diego Martín
I'm not very convinced REST is a good fit for DDD when using CQRS. Maybe I'm missing something (feel free to let me know).
If we own the UI, for example, and we have practiced DDD, it is very likely we have modeled our system in terms of how the business experts want to interact with it. So each interaction (command or query) is supposed to be transactional. In other words, we shouldn't need to abstract the client from the commands schema. They want to trigger commands and queries, and being restricted to do so in 4 or 5 http verbs without using some kind of RPC naming just seems odd.
If we were to follow that approach we'd be in situations where one HTTP request triggers more than one transaction (business process/sagas in the picture). We could do so, but why to hide commands from the user's perspective?
RPC seems a better approach where every command is a POST on a single endpoint
api/commands/createOrder
api/commands/acceptOrder
api/commands/rejectOrder
For queries, REST seems a better fit since we can design our read model in a denormalized way in whatever shape it makes sense to be consumed. So we can introduce whichever resource we want. Transactions don't apply in read operations so.. all good.
Now, how does the client know what's available? Then, yes, I agree HATEOAS could be a way to show the commands/queries supported catalog.
See Greg Young's example. He is suggesting to use RPC-style
https://groups.google.com/d/msg/dddcqrs/CrDAI2RrLNQ/uy6MDz6SDQAJ
Http protocol is something sync to interact with a system through network. If our interactions are defined by commands, why not to expose these available commands in the best way possible to our clients without any abstractions? After all, they probably query our read side constantly to know what's available and to make decisions on which command to trigger next.
geekboy328
Really wish someone had explained all this to me when I was first learning REST years ago
eisen xu
Can any one upload the slides? The slide still too small in 720p in the video.
Lehel Iszlai
Any follow-up? :)
YOW! Conferences
Don't think we still have it on file, but dropped Jim a message to ask if he still does.
Darragh Enright
How delightfully profane! Great talk.
YOW! Conferences
He's a fantastic and funny speaker.
王默
可以说中文么~~~
Diego Martín
Regarding events, I completely agree with the suggested ATOM approach. There is nothing harder than trying to replay events from a certain position (e.g: replay events from the beginning to create a new read model for example) when there is a bus between producer and consumer.
Polling and having consumers deal with their own status is the best approach.
I'd say if you need to subscribe to real-time events but you don't care much about past events, a bus is suitable. But if you have consumers that at certain time need to replay all events from a specific position, then ATOM feed-subscription (transport can be through http) is more suitable. The client keeps track of the last event processed.
Diego Martín
I'm not very convinced REST is a good fit for DDD when using CQRS. Maybe I'm missing something (feel free to let me know).
If we own the UI, for example, and we have practiced DDD, it is very likely we have modeled our system in terms of how the business experts want to interact with it. So each interaction (command or query) is supposed to be transactional. In other words, we shouldn't need to abstract the client from the commands schema. They want to trigger commands and queries, and being restricted to do so in 4 or 5 http verbs without using some kind of RPC naming just seems odd.
If we were to follow that approach we'd be in situations where one HTTP request triggers more than one transaction (business process/sagas in the picture). We could do so, but why to hide commands from the user's perspective?
RPC seems a better approach where every command is a POST on a single endpoint
api/commands/createOrder
api/commands/acceptOrder
api/commands/rejectOrder
For queries, REST seems a better fit since we can design our read model in a denormalized way in whatever shape it makes sense to be consumed. So we can introduce whichever resource we want. Transactions don't apply in read operations so.. all good.
Now, how does the client know what's available? Then, yes, I agree HATEOAS could be a way to show the commands/queries supported catalog.
See Greg Young's example. He is suggesting to use RPC-style
https://groups.google.com/d/msg/dddcqrs/CrDAI2RrLNQ/uy6MDz6SDQAJ
Http protocol is something sync to interact with a system through network. If our interactions are defined by commands, why not to expose these available commands in the best way possible to our clients without any abstractions? After all, they probably query our read side constantly to know what's available and to make decisions on which command to trigger next.
Asbjørn Ulsberg
Using POST with "operation: RPC-verb" is not breaking any RESTful principle as long as the implementation details of that operation was discovered in the response from a previous request towards the system. Which HTTP method you use and how the HTTP body of that request looks like is just an implementation detail. You should of course not use DELETE to create things or POST to delete things, you should put a lot of care into idempotency and safety, but on a greater scale, what matters is the name and semantics of the logical operation itself, not how it's implemented in HTTP and JSON. My talk "The REST And Then Some" tries to unwrap all of this the state machine of a toaster: https://www.youtube.com/watch?v=QIv9YR1bMwY