From the ashes of a band called Synthetic Flying Machine, Olivia Tremor Control was born, with an original line-up of Will and Bill on guitar and bass and Jeff on drums. Around 1995 Jeff decided to leave the group to focus on his own songs. A year of intensive songwriting (some of it accomplished, according to Jeff, while he was living in a haunted closet!) in Denver, Colorado with Rob Schneider at his Pet Sounds studio resulted in his debut album, On Avery Island, released in 1996, which was mostly Rob and Jeff playing Jeff's songs with a few helpful friends. Jeff eventually expanded the line up of Neutral Milk Hotel and in 1998 released what many consider the band's (and indeed, the Elephant Six Collective's) defining album, In the Aeroplane Over the Sea.
The relative success of the album in addition to the pressures of being suddenly thrust into the spotlight took its toll on Mangum, who disbanded Neutral Milk Hotel in 1998 after a tour in support of their latest album. Jeff has kept out of the public eye since then (although not without rabid fans speculating on his whereabouts), rarely if ever playing acoustic sets and concentrating more on his recorded sound and music collages. Most recently he released a compilation of field recordings of Bulgarian folk music called Orange Twin Field Works Vol. 1 in the summer of 2000, followed by a live album on the Orange Twin label, Live at Jittery Joe's. The set was recorded in 1997 and was put out to squash the exhorbitant sums that Neutral Milk Hotel live albums were selling for on eBay. The cd features a Quicktime movie of the concert performance, but Mangum is backlit and cannot be seen throughout the video.
On August 2nd, 2005, Jeff Mangum joined Olivia Tremor Control onstage at New York's Bowery Ballroom to sing lead vocals on their songs I Have Been Floated and Shaving Spiders. Accounts say that he was wiping back tears; afterwards, he was pulled to the floor by OTC member Julian Koster and then dogpiled by the rest of the band. He was wearing a baseball cap and a blue button down shirt.
On November 17th, 2005, Jeff Mangum joined Elf Power, another former Elephant Six band, onstage at New York's Knitting Factory for the final chorus of only one song, The Arrow Flies Close, leaving the stage immediately afterwards.
Two Headed Boy
Jeff Mangum Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
All floating in glass
The sun it has passed
Now it's blacker than black
I can hear as you tap on your jar
I am listening to hear where you are
I am listening to hear where you are
Put on Sunday shoes
And dance round the room to accordion keys
With the needle that sings in your heart
Catching signals that sound in the dark
Catching signals that sound in the dark
We will take off our clothes
And they'll be placing fingers through the notches in your spine
And when all is breaking
Everything that you could keep beside
Now your eyes ain't moving
Now they just lay there in their climb
Two headed boy
With pulleys and weights
Creating a radio played just for two
In the parlor with a moon across her face
And through the music he sweetly displays
Silver speakers that sparkle all day
Made for his lover who's floating and choking with her hands across her face
And in the dark we will take off our clothes
And they'll be placing fingers through the notches in your spine
And when all is breaking
Everything that you could keep beside
Now your eyes ain't moving
Now they just lay there in their climb
Two headed boy
There is no reason to grieve
The world that you need is wrapped in gold silver sleeves
Left beneath Christmas trees in the snow
And I will take you and leave you alone
Watching spirals of white softly flow
Over your eyelids and all you did
Will wait until the point when you let go
Jeff Mangum's song Two Headed Boy is a haunting lyrical journey through a mysterious and captivating world. The two-headed boy, floating in glass, is a symbol of otherness and difference - something that is not easily understood by those around them. The blackness of the sun reinforces this sense of isolation and loneliness, as does the tapping on the jar, which suggests a desire to connect with the outside world. The singer is listening intently, trying to understand where the boy is coming from.
The song shifts into a moment of tentative joy as the two-headed boy puts on his Sunday shoes and dances to accordion keys. The needle that sings in his heart suggests an openness to new experiences and a willingness to explore the unknown. The catching of signals in the dark highlights the idea that there are hidden meanings and messages all around us, waiting to be discovered.
As the song progresses, the imagery becomes more surreal, with the placing of fingers through the notches in the boy's spine creating a sense of physical fragmentation and disconnection from the body. This sense of unraveling continues into the final verse, where the boy is creating a radio that plays just for two, and his lover is choking with her hands across her face. The singer promises to take the boy and leave him alone, watching spirals of white softly flow over his eyelids, suggesting a sense of release and surrender.
Overall, Two Headed Boy is a powerful meditation on loneliness, difference, and the longing for connection in a world that can seem dark and impenetrable.
Line by Line Meaning
Two headed boy
The singer describes a boy with two heads, possibly a metaphor for feeling like an outsider or having two opposing emotions.
All floating in glass
The singer sees the boy as fragile and in need of protection, like he is floating in a jar.
The sun it has passed
The day is over and darkness has taken over.
Now it's blacker than black
The darkness is so deep that it's darker than usual.
I can hear as you tap on your jar
The artist is listening to the boy's movements, trying to understand how he feels.
I am listening to hear where you are
The singer wants to understand the boy's experiences and emotions.
Put on Sunday shoes
The boy is getting dressed up for an important occasion.
And dance round the room to accordion keys
The boy is dancing to the music of an accordion, possibly showing his carefree nature.
With the needle that sings in your heart
The boy is moved by music in his heart.
Catching signals that sound in the dark
The boy is listening to subtle or hidden messages in music or sound.
We will take off our clothes
The singer and the boy are taking off their clothes in an intimate and vulnerable moment.
And they'll be placing fingers through the notches in your spine
The artist is touching the boy's back, feeling for the spaces between his vertebrae, perhaps trying to find something unique or special about him.
And when all is breaking
Things are starting to fall apart or go wrong.
Everything that you could keep beside
The things that were previously close to the boy are now falling away.
Now your eyes ain't moving
The boy is still and unresponsive.
Now they just lay there in their climb
The boy's eyes are fixed on something unseen or unknown, like they are climbing towards something or someone.
With pulleys and weights
The boy is creating something, possibly using machinery and tools to build or experiment.
Creating a radio played just for two
The boy is making something specifically for himself and someone else to enjoy and share.
In the parlor with a moon across her face
The scene is set in a room with a mysterious or romantic atmosphere, suggesting an intimate moment.
And through the music he sweetly displays
The boy is expressing his emotions and feelings through his creation, possibly the radio he built.
Silver speakers that sparkle all day
The artists on the radio are precious and shine brightly.
Made for his lover who's floating and choking with her hands across her face
The radio is meant for someone the boy loves, who is struggling or feeling overwhelmed by emotions.
There is no reason to grieve
The singer is trying to comfort the boy, telling him not to feel sad or worried.
The world that you need is wrapped in gold silver sleeves
The boy will find what he needs in something special and valuable, like precious metals or spiritual enlightenment.
Left beneath Christmas trees in the snow
The thing the boy needs is waiting for him in a magical or symbolic place, like under a Christmas tree in the snow.
And I will take you and leave you alone
The singer promises to help the boy and then leave him again, perhaps to help him gain independence or learn on his own.
Watching spirals of white softly flow
The singer is observing something beautiful and peaceful, possibly snow or another natural phenomenon.
Over your eyelids and all you did
The boy is closing his eyes and resting, or perhaps dying, and the artist reflects on his life and accomplishments.
Will wait until the point when you let go
The things the boy did or accomplished will be remembered and celebrated until he passes away, suggesting a bittersweet ending.
Writer(s): Jeffery Nye Mangum
Contributed by Sophia R. Suggest a correction in the comments below.
Siddharth Adhicary
Two-headed boy
All floating in glass
The sun it has passed, now it's blacker than black
I can hear as you tap on your jar
I am listening to hear where you are
I am listening to hear where you are
Two-headed boy
Put on Sunday shoes
And dance 'round the room to accordion keys
With the needle that sings in your heart
Catching signals that sound in the dark
Catching signals that sound in the dark
We will take off our clothes
And they'll be placing fingers through the notches in your spine
And when all is breaking everything that you could keep inside
Now your eyes ain't moving now, they just lay there in their climb
Two-headed boy
With pulleys and weights
Creating a radio play just for two
In the parlor with a moon across her face
And through the music he sweetly displays
Silver speakers that sparkle all day
Made for his lover who's floating
And choking with her hands across her face
And in the dark we will take off our clothes
And they'll be placing fingers through the notches in your spine
And when all is breaking everything that you could keep inside
Now your eyes ain't moving now, they just lay there in their climb
Two-headed boy
There's no reason to grieve
The world that you need is wrapped in gold silver sleeves
Left beneath Christmas trees in the snow
And I will take you and leave you alone
Watching spirals of white softly flow
Over your eyelids and all you did
Will wait until the point when you let go
Siddharth Adhicary
Two-headed boy
All floating in glass
The sun it has passed, now it's blacker than black
I can hear as you tap on your jar
I am listening to hear where you are
I am listening to hear where you are
Two-headed boy
Put on Sunday shoes
And dance 'round the room to accordion keys
With the needle that sings in your heart
Catching signals that sound in the dark
Catching signals that sound in the dark
We will take off our clothes
And they'll be placing fingers through the notches in your spine
And when all is breaking everything that you could keep inside
Now your eyes ain't moving now, they just lay there in their climb
Two-headed boy
With pulleys and weights
Creating a radio play just for two
In the parlor with a moon across her face
And through the music he sweetly displays
Silver speakers that sparkle all day
Made for his lover who's floating
And choking with her hands across her face
And in the dark we will take off our clothes
And they'll be placing fingers through the notches in your spine
And when all is breaking everything that you could keep inside
Now your eyes ain't moving now, they just lay there in their climb
Two-headed boy
There's no reason to grieve
The world that you need is wrapped in gold silver sleeves
Left beneath Christmas trees in the snow
And I will take you and leave you alone
Watching spirals of white softly flow
Over your eyelids and all you did
Will wait until the point when you let go
OneMinuteFixed
He's such a great performer
CStubbsSubs
Tuned down a whole step, it sounds like. Is that because of his voice?
Th0t SlAyEr
@Lucas Drumond Someone else had already replied explaining and, when I went to check, the difference was quite clear. Even then, thanks for the clarification.
Lucas Drumond
@Th0t SlAyEr the guitar is a step down. he makes the chords of the key of G but is actually a F because of the tuning. you can compare by listening to this version and the album one. hes playing the standard d tuning, D G C F A D.
Sequenced Dreams
@Th0t SlAyEr It's tuned down. Just listen to it.
Th0t SlAyEr
@Sequenced Dreams Really? Unless his guitar isn't with the standard tuning, he's playing the chords of G.
Sequenced Dreams
@VITTULA nah fam that's in F
MortenSchrum
Super optagelse! Uploader du også Pt. 2?
Johnny Yuma
Amazing