With warmth, humor and understated scholarship, Jeff Warner connects 21st c… Read Full Bio ↴With warmth, humor and understated scholarship, Jeff Warner connects 21st century audiences with the music and everyday lives of 19th century people. He presents musical traditions from the Outer Banks fishing villages of North Carolina, to the lumber camps of the Adirondack Mountains. His songs have “the stamp of authority and real experience” (Tykes News, Yorkshire, UK). His songs, rich in local history and a sense of place, bring us the latest news from the distant past.
Warner is a Folklorist and Community Scholar for the New Hampshire Council on the Arts,and has been named a 2007 State Arts Council Fellow. He has toured nationally for the Smithsonian Institution and has recorded for Flying Fish/Rounder and other labels. His 1995 recording, Two Little Boys, received a Parents’ Choice Award.
He is the editor of Traditional American Folksongs from the Frank and Anne Warner Collection (Syracuse University Press, 1984), and producer of the CD set Her Bright Smile Haunts Me Still: The Warner Collection (Appleseed Recordings, 2000). Both publications make available the work of his parents, who were pioneer collectors of songs from rural America. Her Bright Smile is the actual voices of singers who were born from 1860 to 1900, recorded by the Warners on early disk recorders.
Jeff Warner is past president of the Country Dance and Song Society, a past officer of the North American Folk Music and Dance Alliance, has been an artist for Virginia, Ohio and Utah Arts Councils and is past producer of the Portsmouth Maritime Folk Festival.
from New Hampshire State Council on the Arts:
Jeff Warner attributes his interest in both scholarship and musicianship to the work of his parents, the well known music historians Frank and Anne Warner. At ages 3, 8 and 16 Warner accompanied his parents on a few of their trips throughout the Eastern US and Canada and sat and listened while they recorded the locals who remembered the old songs of their region and community. These significant recordings are preserved for posterity in the Library of Congress.
In his early years Warner lived in Greenwich Village with his family and later attended Duke University where he earned a BA in English. After a two-year stint in the Navy, he continued his studies at New York University under the G.I. Bill.
In the 60s Warner was editor-in-training at Doubleday Bookclubs. He seemed headed toward a literary career, until a friend asked if he would help out with a non-profit music school, called the Guitar Workshop, in Roslyn, Long Island in NY. Warner stayed with the school for nine years as the only paid staff person, and worked as administrator, guitar teacher, grant writer, and community program coordinator. He says he learned music theory and arrangement by teaching. His position also helped put him in touch with the significant people involved in the post-WWII folk revival movement that was embraced by both the commercial and academic worlds.
In the 70s Warner left to carve out a career for himself in historical music. Because of the US Bicentennial there was an increased demand for American songs in schools and Jeff filled that need with outreach programs into the schools.
In explaining his work, Warner points out that he is not a traditional singer in the academic sense. A traditional singer is one who has acquired the traditions, either through ethnicity or family ties. Warner prefers to refer to himself as a singer of traditional songs. He takes an historical approach to the music and has become known as a “folklorist/historian and community scholar.” In describing his work, he says: “I teach American history and culture through traditional song.” He borrows a phrase from historian David McCullough, who said, “my mission is to make history as interesting as it really was.” For Warner, old songs are like archaeological objects which teach a lot about history, “…they’re living historical artifacts that serve as evidence about the people who used them and the times they lived in.”
In 1997, he moved to Portsmouth and began doing outreach to NH schools as a Roster Artist through the State Arts Council. He has recorded for Flying Fish/Rounder and other labels. His first solo compact disk, recorded in 2005, is Jolly Tinker onGumstump Records. His 1995 recording, Two Little Boys, received a Parents' Choice Award. He is the editor of Traditional American Folksongsfrom the Frank and Anne Warner Collection (Syracuse University Press, 1984), and producer of the set Her Bright Smile Haunts Me Still: The Warner Collection (Appleseed Recordings, 2000), which is comprised of his parents’ recordings. He appears on the State Arts Council’s 2003 compact disk Songs of the Seasons, for which he also co-wrote the liner notes.
From 1979 to 1993 Jeff Warner toured nationally with the Smithsonian Associates and is past president of the Country Dance and Song Society, and a past officer of the North American Folk Music and Dance Alliance. He has been an artist for Virginia, Ohio and Utah Arts Councils and is past producer of the Portsmouth Maritime Folk Festival. He has been the recipient of numerous grants from the NH Humanities Council.
from CDBABY
For the Black 'N Blue guitarist known as Jef "Woop" Warner, see Jef Warner.
Warner is a Folklorist and Community Scholar for the New Hampshire Council on the Arts,and has been named a 2007 State Arts Council Fellow. He has toured nationally for the Smithsonian Institution and has recorded for Flying Fish/Rounder and other labels. His 1995 recording, Two Little Boys, received a Parents’ Choice Award.
He is the editor of Traditional American Folksongs from the Frank and Anne Warner Collection (Syracuse University Press, 1984), and producer of the CD set Her Bright Smile Haunts Me Still: The Warner Collection (Appleseed Recordings, 2000). Both publications make available the work of his parents, who were pioneer collectors of songs from rural America. Her Bright Smile is the actual voices of singers who were born from 1860 to 1900, recorded by the Warners on early disk recorders.
Jeff Warner is past president of the Country Dance and Song Society, a past officer of the North American Folk Music and Dance Alliance, has been an artist for Virginia, Ohio and Utah Arts Councils and is past producer of the Portsmouth Maritime Folk Festival.
from New Hampshire State Council on the Arts:
Jeff Warner attributes his interest in both scholarship and musicianship to the work of his parents, the well known music historians Frank and Anne Warner. At ages 3, 8 and 16 Warner accompanied his parents on a few of their trips throughout the Eastern US and Canada and sat and listened while they recorded the locals who remembered the old songs of their region and community. These significant recordings are preserved for posterity in the Library of Congress.
In his early years Warner lived in Greenwich Village with his family and later attended Duke University where he earned a BA in English. After a two-year stint in the Navy, he continued his studies at New York University under the G.I. Bill.
In the 60s Warner was editor-in-training at Doubleday Bookclubs. He seemed headed toward a literary career, until a friend asked if he would help out with a non-profit music school, called the Guitar Workshop, in Roslyn, Long Island in NY. Warner stayed with the school for nine years as the only paid staff person, and worked as administrator, guitar teacher, grant writer, and community program coordinator. He says he learned music theory and arrangement by teaching. His position also helped put him in touch with the significant people involved in the post-WWII folk revival movement that was embraced by both the commercial and academic worlds.
In the 70s Warner left to carve out a career for himself in historical music. Because of the US Bicentennial there was an increased demand for American songs in schools and Jeff filled that need with outreach programs into the schools.
In explaining his work, Warner points out that he is not a traditional singer in the academic sense. A traditional singer is one who has acquired the traditions, either through ethnicity or family ties. Warner prefers to refer to himself as a singer of traditional songs. He takes an historical approach to the music and has become known as a “folklorist/historian and community scholar.” In describing his work, he says: “I teach American history and culture through traditional song.” He borrows a phrase from historian David McCullough, who said, “my mission is to make history as interesting as it really was.” For Warner, old songs are like archaeological objects which teach a lot about history, “…they’re living historical artifacts that serve as evidence about the people who used them and the times they lived in.”
In 1997, he moved to Portsmouth and began doing outreach to NH schools as a Roster Artist through the State Arts Council. He has recorded for Flying Fish/Rounder and other labels. His first solo compact disk, recorded in 2005, is Jolly Tinker onGumstump Records. His 1995 recording, Two Little Boys, received a Parents' Choice Award. He is the editor of Traditional American Folksongsfrom the Frank and Anne Warner Collection (Syracuse University Press, 1984), and producer of the set Her Bright Smile Haunts Me Still: The Warner Collection (Appleseed Recordings, 2000), which is comprised of his parents’ recordings. He appears on the State Arts Council’s 2003 compact disk Songs of the Seasons, for which he also co-wrote the liner notes.
From 1979 to 1993 Jeff Warner toured nationally with the Smithsonian Associates and is past president of the Country Dance and Song Society, and a past officer of the North American Folk Music and Dance Alliance. He has been an artist for Virginia, Ohio and Utah Arts Councils and is past producer of the Portsmouth Maritime Folk Festival. He has been the recipient of numerous grants from the NH Humanities Council.
from CDBABY
For the Black 'N Blue guitarist known as Jef "Woop" Warner, see Jef Warner.
So Early In the morning
Jeff Warner Lyrics
We have lyrics for 'So Early In the morning' by these artists:
Clayton Kennedy feat. Nils Brown & Sean Dagher The mate was drunk and he went below to take…
Clayton Kennedy, Nils Brown & Sean Dagher The mate was drunk and he went below to take…
We have lyrics for these tracks by Jeff Warner:
Only a Soldier I will tell you of a soldier who lately came…
Paddy Lay Back 'Twas on a cold an' windy mornin' in December, (December) Wh…
The Bonny Bay of Biscay-O I will tell you of a soldier who lately came…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Glenda Caldwell
THE TRUTH ABOUT HOMOSEXUALITY ...
WHERE IT CAME FROM?
WHY IS IT HERE?
I DON'T THINK PEOPLE READY FOR THAT ... TRUTH.
BUT ...
ITS COMING ... ANYWAY!!!
WITH TRUTHFUL UNDERSTANDING ... FEAR ... WILL SUBSIDE.
ITS ... NOT ... CONFUSING ... AT ALL!.
TRUTH IS FOR EVERYONE.
ASK FOR TRUTH IN EVERTHING.
THE STAR REPORT
The Official Proposal & Bid Notices Digital Directory https://proposal-bid-notices.construction.com Announcements of construction project activity and other legal notices for the public and private sector. #contractors
The 6th Floor
If people are not questioning everything by now, the shame on them.
Agent KK
Did you forget about Pennsylvania in January? The truck accident with infected lab monkeys. Why we're these monkeys infected before they reached the lab? They had just arrived from Africa. After the crash there was one that they never found. They always tell you what they plan on doing. I'm sure this wasn't intentionally at all.. Smh
Pom Pom
Talking to yourself and able to talk to others and make sense is CALLED WISDOM
Call Me Mr Bombastic 💣
There is no such thing as gender dysphoria just like there is no such thing as homophobia. Nor is there a such thing as disinformation!
Call Me Mr Bombastic 💣
@SuperOmnicron I can see that being the case!
SuperOmnicron
Its a created word to create a social paradigm of blame and conformity.
Knowledge Suncere
Someone please tell that well traveled military guy that Egypt is in Africa.
Mello_Bx
"if you don't vote for me you ain't blk" if that ain't wht Supremacy than what is🤦🏾♂️
King Carter
Facts