Jesse Fuller (March 12, 1896 – January 29, 1976) was an American blues, "on… Read Full Bio ↴Jesse Fuller (March 12, 1896 – January 29, 1976) was an American blues, "one-man band", musician, best known for his song "San Francisco Bay Blues".
Fuller was born in Jonesboro, Georgia, near Atlanta. He was sent by his mother to live with foster parents when he was a young child, in a rural setting where he was badly mistreated. Growing up, he worked a multitude of jobs: grazing cows for ten cents a day, working in a barrel factory, a broom factory, a rock quarry, on a railroad and a streetcar company, shining shoes, and even peddling hand-carved wooden snakes.
He came west and in the 1920s worked briefly as a film extra in The Thief of Bagdad and East of Suez. Eventually he settled in Oakland, California, across the bay from San Francisco, where he worked for the Southern Pacific railroad. During World War II, he worked as a shipyard welder, but when the war ended he found it increasingly difficult to find work. Around the early 1950s, Fuller's thoughts turned toward the possibility of making a living playing music.
Up to this point, Fuller had never worked professionally as a musician, but had certainly been exposed to music, and had learned to play guitar and picked up quite a number of songs: country blues, work songs, ballads, spirituals and instrumentals. And he had carried his guitar with him and played for money by passing the hat. When he decided to try to work as a professional, he found it hard to find other musicians to work with: thus his one-man band act was born.
Starting locally, in clubs and bars in San Francisco and across the bay in Oakland and Berkeley, Fuller became more widely known when he performed on television in both the Bay Area and Los Angeles, and in 1958 his recording career started with his first album on the Good Time Jazz record label. Fuller's instruments included 12-string guitar, harmonica, kazoo, cymbal (high-hat) and fotdella, several of which could be played simultaneously, particularly with the use of a head-piece to hold the harmonica and kazoo, often at the same time.
Much later, the Grateful Dead covered a few of Fuller's songs, including "The Monkey and the Engineer" and "Beat It on Down the Line". Others who have covered his work include Hot Tuna, Peter, Paul and Mary, Glenn Yarbrough, Eric Clapton, Paul McCartney, and Bob Dylan, on his debut in 1962.
The fotdella
The fotdella was a musical instrument of Fuller's own creation and construction. As a one-man band, the problem was how to supply a more substantial accompaniment than the typical high-hat (cymbal) or bass drum used by street musicians. Fuller's solution was the fotdella. It was a foot-operated percussion bass, consisting of a large upright wood box, shaped like the top of a double bass. Attached to a short neck at the top of this box were six bass strings, stretched over the body. And finally, there was the means to play those strings: six foot pedals, each connected to a padded hammer which struck the string, in a homemade wooden contraption.
The six notes of the fotdella allowed him to play a bass line in several keys, though he occasionally would play without it if a song exceeded its limited range.
The name was coined by his wife, who took to calling the instrument a "foot-diller" (as in a "killer-diller" instrument played with the foot), which was shortened to fotdella.
Fuller died in January 1976 in Oakland, California, from heart disease. He was 79 years of age. He was interred at Evergreen Cemetery in Oakland.
Fuller was born in Jonesboro, Georgia, near Atlanta. He was sent by his mother to live with foster parents when he was a young child, in a rural setting where he was badly mistreated. Growing up, he worked a multitude of jobs: grazing cows for ten cents a day, working in a barrel factory, a broom factory, a rock quarry, on a railroad and a streetcar company, shining shoes, and even peddling hand-carved wooden snakes.
He came west and in the 1920s worked briefly as a film extra in The Thief of Bagdad and East of Suez. Eventually he settled in Oakland, California, across the bay from San Francisco, where he worked for the Southern Pacific railroad. During World War II, he worked as a shipyard welder, but when the war ended he found it increasingly difficult to find work. Around the early 1950s, Fuller's thoughts turned toward the possibility of making a living playing music.
Up to this point, Fuller had never worked professionally as a musician, but had certainly been exposed to music, and had learned to play guitar and picked up quite a number of songs: country blues, work songs, ballads, spirituals and instrumentals. And he had carried his guitar with him and played for money by passing the hat. When he decided to try to work as a professional, he found it hard to find other musicians to work with: thus his one-man band act was born.
Starting locally, in clubs and bars in San Francisco and across the bay in Oakland and Berkeley, Fuller became more widely known when he performed on television in both the Bay Area and Los Angeles, and in 1958 his recording career started with his first album on the Good Time Jazz record label. Fuller's instruments included 12-string guitar, harmonica, kazoo, cymbal (high-hat) and fotdella, several of which could be played simultaneously, particularly with the use of a head-piece to hold the harmonica and kazoo, often at the same time.
Much later, the Grateful Dead covered a few of Fuller's songs, including "The Monkey and the Engineer" and "Beat It on Down the Line". Others who have covered his work include Hot Tuna, Peter, Paul and Mary, Glenn Yarbrough, Eric Clapton, Paul McCartney, and Bob Dylan, on his debut in 1962.
The fotdella
The fotdella was a musical instrument of Fuller's own creation and construction. As a one-man band, the problem was how to supply a more substantial accompaniment than the typical high-hat (cymbal) or bass drum used by street musicians. Fuller's solution was the fotdella. It was a foot-operated percussion bass, consisting of a large upright wood box, shaped like the top of a double bass. Attached to a short neck at the top of this box were six bass strings, stretched over the body. And finally, there was the means to play those strings: six foot pedals, each connected to a padded hammer which struck the string, in a homemade wooden contraption.
The six notes of the fotdella allowed him to play a bass line in several keys, though he occasionally would play without it if a song exceeded its limited range.
The name was coined by his wife, who took to calling the instrument a "foot-diller" (as in a "killer-diller" instrument played with the foot), which was shortened to fotdella.
Fuller died in January 1976 in Oakland, California, from heart disease. He was 79 years of age. He was interred at Evergreen Cemetery in Oakland.
Little Black Train
Jesse Fuller Lyrics
We have lyrics for 'Little Black Train' by these artists:
Carlene Carter There's a little black train a-comin', Set your business rig…
Dock Boggs God sent to Hezekiah A message from on high "You better set…
Freakwater There's a little black train that's coming, coming down the…
Guthrie Woody There's a little black train a-comin' Comin' down the track…
Indra Rios Moore That little black train is coming Get all of your business…
Indra Rios-Moore That little black train is coming Get all of your business…
Los Duggans God sent to Hezekiah, A message from on high: Better get y…
Pete Seeger Woody Guthrie & Leadbelly There's a little black train a-comin' Comin' down the trac…
The Carter Family There's a little black train a coming Set your business righ…
Woody Guthrie Leadbelly & Pete Seeger The little black bull came down the meadow Hoosen Johnny, Ho…
We have lyrics for these tracks by Jesse Fuller:
Runnin' Wild My gal and I, we had a fight And I'm…
San Francisco Bay Blues I got the blues from my baby left me by…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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