Mannish Boy
Jimi Hendrix Lyrics


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Oh yeah
Ooh
Everything's gonna be alright this morning
Alright

Hey, when I was a young boy
At the age of five
I have fever in my pockets
keep a lot of folk alive
Now I'm a man, I made twenty-one
You know baby, we have whole lots of fun
Because I'm a man, spell them
Hey child, man boy
And be, oh why?
Now representing daddy's boy
Like a rolling stone

Doo doo doo doo doo doo doo, ooh doo doo ooh ooh ooh
Doo doo doo doo doo doo doo, ooh ooh oohooh ooh ooh ooh ooh

Now, all you pretty women
Standing around
I'll make love to you, baby
And all this time
The line I shoot
Will never miss
See the way I make love to you
You just can't resist
'Cause I'm a man
Girl, I'm a man
Man child
Man boy
And I represent man
Come around to the beat
Oh I, I said daddy's boy

Doo doo doo doo doo doo doo, doo doo doo doo
Doo doo doo doo doo doo doo

Yeah, 'cause I'm a man
'Cause I'm a man, baby
Yeah I'm a man, baby
No child

Stand on the side
With me and my maid
We made the moon, honey
Came up to ours, babe
Now my baby's standing
The beat in our hand
Say oh baby, uh huh
You're my desire
'Cause I'm a man
Real man
Man child, baby
Man boy
I represent man
Be old
Why child?
I represent this mannish boy

Hey, 'cause I'm a man
I said I'm a man




Yeah I'm a man
Said I'm a man

Overall Meaning

Jimi Hendrix's song "Mannish Boy" is a classic blues song about a man who knows he's got it going on. It's a song about being confident in your abilities and experience as a man, particularly when it comes to pleasing women. The lyrics start with the singer proclaiming that everything is going to be alright, setting a tone of positivity and self-assurance. He then goes on to recount how he had a fever in his pockets at the age of five, a metaphor for the virility and passion that he has carried with him throughout his life.


As he has grown into a man, he has had a lot of fun with the ladies and knows how to please them in ways that they cannot resist. He is proud of the fact that he is a man and spells it out for all to hear, with lines like "I'm a man, spell M-A-N" and "I represent man". Throughout the song, he uses the repetition of "man child" and "man boy" to emphasize his own maturity and experience, making it clear that he is not a boy but a real man who can satisfy any woman. The song is a classic example of blues music that is bold, brash, and confident, celebrating the power and potency of male sexuality.


Line by Line Meaning

Oh yeah
The singer is expressing agreement or excitement.


Ooh
The singer makes a vocal sound expressing pleasant surprise or satisfaction.


Everything's gonna be alright this morning
The singer believes that everything is going to be fine from now on.


Alright
The artist expresses satisfaction or agreement.


Hey, when I was a young boy
The artist is recalling a time from his past.


At the age of five
The singer is specifying the age he was when something significant happened.


I have fever in my pockets
The singer is using figurative language to describe his energy and vitality.


keep a lot of folk alive
The artist's vitality has a positive influence on the people around him.


Now I'm a man, I made twenty-one
The artist has grown up and reached a significant age milestone.


You know baby, we have whole lots of fun
The artist is expressing enjoyment and happiness in his current situation with a partner.


Because I'm a man, spell them
The singer is suggesting that his manliness is a defining characteristic.


Hey child, man boy
The artist is acknowledging his youthfulness and manliness simultaneously.


And be, oh why?
The singer is questioning what it means to be a man.


Now representing daddy's boy
The singer is linking himself to his father and his upbringing.


Like a rolling stone
The singer is making a reference to the famous Bob Dylan song, which could suggest feelings of aimlessness, restlessness or freedom.


Doo doo doo doo doo doo doo, ooh doo doo ooh ooh ooh
The artist is singing a melody that carries the song's rhythm, without conveying any particular meaning.


Now, all you pretty women
The artist is addressing a group of attractive women.


Standing around
The women are likely standing in the vicinity of the singer.


I'll make love to you, baby
The singer is offering to have sex with one or more of the women.


And all this time
The artist is referring to some period of time that has passed.


The line I shoot
The artist is using hunting terminology to describe his sexual prowess or effectiveness.


Will never miss
The artist is stating confidently that he always achieves pleasure in sex.


See the way I make love to you
The singer suggests that his style of lovemaking is exceptional and worthy of attention.


You just can't resist
The artist believes that the women he is addressing will be unable to resist his charm or seduction.


'Cause I'm a man
The singer is asserting his masculinity as the reason why the women will find him irresistible.


Girl, I'm a man
The singer is addressing one woman in particular and restating that he is a sexually attractive and potent man.


Man child
The singer links his maturity and immaturity, suggesting that he has the best of both worlds.


Man boy
The artist continues to link his youth and manliness.


And I represent man
The artist asserts that he is a good representative of masculinity as a gender.


Come around to the beat
The singer is inviting the women to embrace his sense of rhythm and style.


Oh I, I said daddy's boy
The singer is referencing his upbringing and links his identity to his relationship with his father.


Yeah, 'cause I'm a man
The artist repeats his claim to represent manhood.


Said I'm a man
The artist repeats his claim to represent manhood.


No child
The artist is asserting his maturity as a man and dismissing his youthful past.


Stand on the side
The singer is inviting someone to stand next to him, implying that he and that person are in a similar situation.


With me and my maid
The artist's domestic staff member is included in the situation.


We made the moon, honey
The singer is using poetic language to refer to the unique bond between him, his maid, and the listener.


Came up to ours, babe
The singer is suggesting that the listener has arrived at the place where he lives with his maid.


Now my baby's standing
The singer is referring to his lover.


The beat in our hand
The artist is expressing a shared sense of rhythm and connection with his lover, using figurative language.


Say oh baby, uh huh
The artist is using seductive language to persuade his lover to follow his lead.


You're my desire
The singer is stating that his lover is the object of his romantic and sexual desire.


Real man
The singer is emphasizing his status as a genuine and authentic example of masculinity.


Man child, baby
The artist is combining the qualities of youth and maturity with affectionate language.


Man boy
The artist continues to link his youth and manliness.


I represent man
The artist asserts that he is a good representative of masculinity as a gender.


Be old
The singer is suggesting that being old is the essence of being a true man.


Why child?
The artist is questioning the listener's understanding of what it means to be a man.


I represent this mannish boy
The singer is asserting that he embodies both traditional and non-traditional aspects of masculinity.




Lyrics © BMG Rights Management
Written by: Ellas Mcdaniel, Melvin London, Mckinley Morganfield

Lyrics Licensed & Provided by LyricFind
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Most interesting comment from YouTube:

@quinngalloway4989

Listening to “Band of Gypsies”-era Jimi recordings has always been such a double-edged sword, bittersweet experience. Instantly—even simultaneously—inspirational and heartbreaking; breathtaking and tragic. He was barely into the evolutionary phase that would unbind his creativity from the limitations of commercial categorization, arbitrary genre boundaries, as well as sociocultural and racial separation, expectations, determinations, etc.

Phenomenal as BoG-era Jimi’s (relatively) meager amount of rehearsed, studio and (largely) improvised live recordings are, they were merely “rough drafts” and “warm-ups”; a brief glance of his burgeoning new vision on which he was only starting to fully focus.

There was a time I spent the better part of a year endlessly, and obsessively listening to every recording and reading every interview I could find of BoG-era Jimi.

It was such an engrossing, phenomenal, otherworldly, enthralling, bewitching, and enchanting experience. One that had such a substantial transporting effect on my mind that I genuinely started thinking, theorizing, and daydreaming about; worse yet, I sincerely began HOPING and WAITING for the next, NEW BoG Jimi album and performances.

Jimi’s potential had only just begun to journey into an unfathomable future expanse of promised potentialities and impossible possibilities.

My heart melted with an uncanny sort of excitement thinking about what sort of incredible new worlds of sound, sight, feeling, and experience Jimi would find on his new journey.

Reaching the zenith of anticipation for what Jimi would share with us from the journey into his singular future…and then I remembered



All comments from YouTube:

@mrmojo48

At 64 years old, I will never get tired of listening to Hendrix.

@TheIndogamer

Anthony Morrongiello it's been 16 years of my life.....

I'm sticking with Hendrix too.

@arquizul

agree -------- i am 97 years old & still listening john mayall & neil young & willie nelson ......... too old to rock and roll too young to die ......... hahaha

@dortega12

Same here

@ophiolatreia93

Anthony Morrongiello music is the elixir of life

@ProMrLecoq01

arquizul what 97 are you still alive? Wonder if this is a really weird internet troll or you were already old when jimi was hot and rocking haha

66 More Replies...

@carolblackburn3917

Wonderful ! I was lucky enough to see Jimi play live in 1969 - Yes I'm that old & still rockin'!

@mikescanlan7326

me, too!

@antoniopetisce3417

Me three! Rock on!!!

@a.j.martin7059

I didn't see him, but I'm that old, too, and still rockin'! I'm 82 today. For Jimi, I don't think it was his voice or his guitar playing only, but the fact that he could hear that inner sound, and try to bring it forward so we could all hear it. A very unusual man. His imitators can capture the voice and guitar, but don't seem to have the inner voice.

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