Cliff moved to Kingston in 1962. After he released two singles that failed to make much of an impression, his career took off when his "Hurricane Hattie" became a hit, while he was aged just 14; it was produced by Leslie Kong, with whom Cliff would remain until Kong's death. Later local hit singles included "King of Kings", "Dearest Beverley" and "Pride and Passion". In 1964, Cliff was chosen as one of the Jamaican representatives at the World's Fair, and Cliff soon signed to Island Records and moved to Britain. Island initially (and unsuccessfully) tried to sell Cliff to the rock audience, but his career took off in the late 1960s. His international debut album was Hard Road to Travel, which received excellent reviews and included "Waterfall", a Brazilian hit that won the International Song Festival.
"Waterfall" was followed in 1969 by "Wonderful World, Beautiful People" and "Vietnam" in 1970, both popular throughout most of the world. Folk rock singer-songwriter Bob Dylan even called "Vietnam" the best protest song he'd ever heard. Wonderful World included a cover of Cat Stevens' "Wild World", which was a success in 1970.
Leslie Kong died of a heart attack in 1971. The soundtrack to the reggae film The Harder They Come was a huge success that sold well across the world, but did not break Cliff into the mainstream. After a series of albums, Cliff took a break and traveled to Africa, exploring his newfound Muslim spirituality. He quickly returned to music, touring for several years before he recorded with Kool & the Gang for Power & the Glory (1983). (During the 1981 River Tour, Bruce Springsteen and the E Street Band added Cliff's little-known "Trapped" to their live set; it achieved great prominence when included on 1985's We Are the World benefit album.) The follow-up, Cliff Hanger (1985) won a Grammy Award, though it was his last major success in the U.S. until 1993. He continued to sell well in Jamaica and, to a lesser extent, the UK, returning to the mainstream pop charts in the U.S. and elsewhere with a version of Johnny Nash's "I Can See Clearly Now" on the Cool Runnings film soundtrack in 1993 .
In 2002, Cliff released his new album, Fantastic Plastic People in Europe, after first providing free downloads using Delacove's People Music Media p2p software. This album featured collaborations with Joe Strummer, Annie Lennox, and Sting as well as new songs that were very reminiscent of Cliff's original hits. In 2004 Cliff completely reworked the songs, dropping the traditional reggae in favor of an electronica sound, for inclusion in Black Magic.
Cliff has also covered the famous African song "The Lion Sleeps Tonight".
His recording of 'You Can Get It If You Really Want' was used as a campaign anthem by the Sandinista National Liberation Front in the 1990 election in Nicaragua (they lost). It was also adopted by the British Conservative Party during their annual conference in October, 2007. It is unclear whether Mr Cliff endorsed either party. He was inducted into the Rock and Roll Hall of Fame March 15,2010.
Lonely Street
Jimmy Cliff Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I walk the lonely streets
I walk the lonely streets
I walk the lonely streets
There was no love,
no, no love to be found
There was no love,
Evening comes
Sun sinks low
Shadows tell
that it's time
to go
Mystic smiles
on faces wide
Comic styles
But their faces
don't glow
I walk the lonely streets
I walk the lonely streets
I walk the lonely streets
I walk the lonely streets
There was no love
to be found
There was no love
to be found
Wandering child
searching for
directions
that images don't show
It's a sin
beckoning
for the love
that they need
to know
As I walk the lonely streets
I walk the lonely streets
I walk the lonely streets
I walk the lonely streets
There was no love
There was no love
I walk the lonely streets
I walk the lonely streets
I walk the lonely streets
I walk the lonely streets
Lonely streets
They don't reason with me,
they don't talk
They don't reason, they don't talk
They don't talk
They don't talk
Oh, no, lonely streets
Oh, no, only lonely streets
The lyrics of Jimmy Cliff's "Lonely Street" depict the struggle of a wandering soul desperately searching for love, acceptance, and direction in life. The repetition of the opening lines "I walk the lonely streets" emphasize the feeling of loneliness and isolation despite being constantly surrounded by people. The singer feels lost and disconnected from society which is evident in the lines "there was no love, no, no love to be found." The emotional void creates a sense of hopelessness which leads to the singer walking the streets alone.
The second verse highlights the contrast between the physical surroundings and the emotional state of the singer. The evening comes, the sun sinks low, and the shadows appear; it's time to go. People around the singer seem happy with "mystic smiles" and "comic styles," but their faces "don't glow." This further emphasizes the detachment of the singer with society, and the reality behind people's exterior appearances.
The third and final verse follows the same theme, with the singer continuing to wander the lonely streets, searching for direction that images don't show. The lyric "it's a sin beckoning for the love that they need to know" is particularly poignant, suggesting that the singer, like many others, has been conditioned to believe that love and affection are sinful and, therefore, goes searching for them alone.
Line by Line Meaning
I walk the lonely streets
The singer is walking alone on the streets.
There was no love, no, no love to be found
The singer couldn't find any love on the streets.
Evening comes Sun sinks low Shadows tell that it's time to go
It's getting late and the singer needs to leave.
Mystic smiles on faces wide Comic styles But their faces don't glow
The people around the singer look happy, but their happiness is not genuine.
Wandering child searching for directions that images don't show
The singer is lost and looking for guidance.
It's a sin beckoning for the love that they need to know
The singer feels like it's wrong to want love, but still yearns for it.
Lonely streets They don't reason with me, they don't talk
The streets don't offer any comfort or companionship for the singer.
Oh, no, lonely streets Oh, no, only lonely streets
The singer is expressing their sadness and loneliness.
Contributed by David H. Suggest a correction in the comments below.
Iwe Okeoghene Blessing
on No. 1 Rip-Off Man
Chorus
One more, one more, one more, one more
Verse
I got one more song I must sing
Ting-aline, freedom ring
I got one more song I must sing
A simple song, so sing along
Repeat chorus
I got one more story to tell
Mystery, my story
I got one more story to tell
True story, my glory
Repeat chorus
I got one more arrow in my bow
As I let it go, just watch my flow
I got one more arrow in my bow
To the target, and it's a hit
Repeat chorus
Bridge
Hey baby don't you go away
I want you to listen
What I have to say
It's not over, till it's over
I'm a natural lover
Hey mister, get out of my way
This is not no time to play
Hey mister get out of my way
I got to live for another day, All we got
Chorus
One more(life to live)
One more(love to give)
One more(cliff to climb)
One more(it's my time)
I got one more bullet in my gun
And I can't run, till the deal is done
I got one more bullet in my gun
And I won't run, till the deal is done
Repeat chorus
I got one more shot at the prize
So don't be surprised, open your eyes
I got one more shot at the goal
Straight from my soul
And I'm in control
Repeat chorus till fade
Iwe Okeoghene Blessing
on No. 1 Rip-Off Man
Rip off man
Edwin Nyirenda
on Brother
Brother - Jimmy cliff
Will you patronize me – brother
Do you recognize me – brother
Do you believe what your teacher said
Or is it the food that your preacher fed
Why you minimize me – brother
Oh brother
Joseph and his brothers – left Canaan
They saw the little brother – in Egypt
They both had the same cause and the same purpose
They come about the same hurt that they got back the most
Do you understand me – my brother
Oh brother
Brother (X4)
Let us help the fallen – sister
She will love to call you – mister
Do you see the need for unity
To bring about respect and dignity
Don’t you understand me – my brother
Brother
Will you patronize me – brother
Do you recognize me – brother
Is it the things that your teacher said
Or is it the food that your preacher fed
Why you minimize me – my brother
Oh brother
Are you my brother now hey hey yeah oh yeah hey hey
Are you my brother, my brother, my brother, my brother, my brother
Are you my brother now hey hey hey hey
Are you my brother, my brother, my brother, my brother, my brother
You don’t wanna understand me now oh brother
Oh brother
Oh brother
Are you my brother, my brother, my brother, my brother, my brother, my brother, my brother