Cliff moved to Kingston in 1962. After he released two singles that failed to make much of an impression, his career took off when his "Hurricane Hattie" became a hit, while he was aged just 14; it was produced by Leslie Kong, with whom Cliff would remain until Kong's death. Later local hit singles included "King of Kings", "Dearest Beverley" and "Pride and Passion". In 1964, Cliff was chosen as one of the Jamaican representatives at the World's Fair, and Cliff soon signed to Island Records and moved to Britain. Island initially (and unsuccessfully) tried to sell Cliff to the rock audience, but his career took off in the late 1960s. His international debut album was Hard Road to Travel, which received excellent reviews and included "Waterfall", a Brazilian hit that won the International Song Festival.
"Waterfall" was followed in 1969 by "Wonderful World, Beautiful People" and "Vietnam" in 1970, both popular throughout most of the world. Folk rock singer-songwriter Bob Dylan even called "Vietnam" the best protest song he'd ever heard. Wonderful World included a cover of Cat Stevens' "Wild World", which was a success in 1970.
Leslie Kong died of a heart attack in 1971. The soundtrack to the reggae film The Harder They Come was a huge success that sold well across the world, but did not break Cliff into the mainstream. After a series of albums, Cliff took a break and traveled to Africa, exploring his newfound Muslim spirituality. He quickly returned to music, touring for several years before he recorded with Kool & the Gang for Power & the Glory (1983). (During the 1981 River Tour, Bruce Springsteen and the E Street Band added Cliff's little-known "Trapped" to their live set; it achieved great prominence when included on 1985's We Are the World benefit album.) The follow-up, Cliff Hanger (1985) won a Grammy Award, though it was his last major success in the U.S. until 1993. He continued to sell well in Jamaica and, to a lesser extent, the UK, returning to the mainstream pop charts in the U.S. and elsewhere with a version of Johnny Nash's "I Can See Clearly Now" on the Cool Runnings film soundtrack in 1993 .
In 2002, Cliff released his new album, Fantastic Plastic People in Europe, after first providing free downloads using Delacove's People Music Media p2p software. This album featured collaborations with Joe Strummer, Annie Lennox, and Sting as well as new songs that were very reminiscent of Cliff's original hits. In 2004 Cliff completely reworked the songs, dropping the traditional reggae in favor of an electronica sound, for inclusion in Black Magic.
Cliff has also covered the famous African song "The Lion Sleeps Tonight".
His recording of 'You Can Get It If You Really Want' was used as a campaign anthem by the Sandinista National Liberation Front in the 1990 election in Nicaragua (they lost). It was also adopted by the British Conservative Party during their annual conference in October, 2007. It is unclear whether Mr Cliff endorsed either party. He was inducted into the Rock and Roll Hall of Fame March 15,2010.
Rub a Dub Partner
Jimmy Cliff Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
(You are my rub-a-dub, you are my rub-a-dub)
I'm gonna take you to a session tonight
We're gonna dance reggae music all night
Then I take you to the beach tomorrow
So you can wash away all your sorrow
'Cause, come now and you're my partner
You'll be my rub-a-dub partner (You are my rub-a-dub partner)
(You are my rub-a-dub partner)
You are my rub-a-dub partner
You and I gonna dub it on the corner
You are my reverb
I and you gonna dub it till the leather
You are my rub-a-dub partner (You are my rub-a-dub partner)
(You are my rub-a-dub partner)
You are my dancing partner
You and I gonna dub it little harder
You are my reverb
You and I gonna dub it till the leather
You are my dancing partner
You are my dancing partner
You and I gonna dub it little harder
You are my dancing partner
You and I gonna dub it little harder, wow, oh, oh
You are my dancing partner
You and I gonna dub it little harder
You are my reverb
You and I gonna dub it till the leather
You are my rub-a-dub partner
(You are my rub-a-dub partner, you are my rub-a-dub partner)
(You are my rub-a-dub partner, you are my rub-a-dub partner)
(You are my rub-a-dub partner, you are my rub-a-dub partner)
Rub-a-dub, rub-a-dub-a-dub-a, rub-a-dub-a
(You are my rub-a-dub partner, you are my rub-a-dub partner)
You are my rub-a-dub partner
You and I gonna dub it on the corner
You are my dancing partner
You and I gonna dub it little harder
You are my rub-a-dub partner (You are my rub-a-dub partner)
(You are my rub-a-dub partner)
The lyrics of Jimmy Cliff's "Rub a Dub Partner" depict a romantic evening with a special someone who is referred to as a "rub-a-dub partner." This person is someone who the singer can depend on to be his dance partner whenever there is a reggae session to attend. The session is just the beginning of a night of dancing with this partner, as the singer takes them to the beach the next day so they can forget their woes.
The lyrics suggest a relationship that is not just about the physical act of dancing, but also about the emotional connection between two people who enjoy each other's company. The idea of dubbing "till the leather" suggests that the partners will continue to dance and enjoy each other's company even after their feet begin to hurt. The repetition of "you are my rub-a-dub partner" emphasizes the reliability and trust that the singer has in this person.
The song is a representation of the reggae dance culture, which emerged in the 1970s in Jamaica. The genre was created by mixing various styles of music, including ska, rocksteady, and jazz. The lyrics of the song reflect the joyful nature of the dance style, which involves fast-paced movements and energetic rhythms. The song is a testament to the power of music in bringing people together and promoting happiness and togetherness.
Line by Line Meaning
I'm gonna take you to a session tonight
I will bring you to a gathering tonight
We're gonna dance reggae music all night
We will dance to reggae music throughout the night
Then I take you to the beach tomorrow
Next, I will take you to the beach tomorrow
So you can wash away all your sorrow
To help you forget all worries and sadness
Come now and you're my partner
Now, you are my companion
Whenever there's a session
Each time there is a gathering
You'll be my rub-a-dub partner
You will dance with me
You are my rub-a-dub partner
You are the one I dance with
You and I gonna dub it on the corner
We will dance reggae music on the street corner
You are my reverb
You are the one who echoes my sound
I and you gonna dub it till the leather
Together we will dance endlessly
You are my dancing partner
You are the one I dance with
You and I gonna dub it little harder
We will dance with more energy
You are my rub-a-dub partner
You are the one I dance with
Rub-a-dub, rub-a-dub-a-dub-a, rub-a-dub-a
The rhythm of the reggae music
Lyrics © Peermusic Publishing
Written by: BERTRAM MCLEAN
Lyrics Licensed & Provided by LyricFind
Iwe Okeoghene Blessing
on No. 1 Rip-Off Man
Chorus
One more, one more, one more, one more
Verse
I got one more song I must sing
Ting-aline, freedom ring
I got one more song I must sing
A simple song, so sing along
Repeat chorus
I got one more story to tell
Mystery, my story
I got one more story to tell
True story, my glory
Repeat chorus
I got one more arrow in my bow
As I let it go, just watch my flow
I got one more arrow in my bow
To the target, and it's a hit
Repeat chorus
Bridge
Hey baby don't you go away
I want you to listen
What I have to say
It's not over, till it's over
I'm a natural lover
Hey mister, get out of my way
This is not no time to play
Hey mister get out of my way
I got to live for another day, All we got
Chorus
One more(life to live)
One more(love to give)
One more(cliff to climb)
One more(it's my time)
I got one more bullet in my gun
And I can't run, till the deal is done
I got one more bullet in my gun
And I won't run, till the deal is done
Repeat chorus
I got one more shot at the prize
So don't be surprised, open your eyes
I got one more shot at the goal
Straight from my soul
And I'm in control
Repeat chorus till fade
Iwe Okeoghene Blessing
on No. 1 Rip-Off Man
Rip off man
Edwin Nyirenda
on Brother
Brother - Jimmy cliff
Will you patronize me – brother
Do you recognize me – brother
Do you believe what your teacher said
Or is it the food that your preacher fed
Why you minimize me – brother
Oh brother
Joseph and his brothers – left Canaan
They saw the little brother – in Egypt
They both had the same cause and the same purpose
They come about the same hurt that they got back the most
Do you understand me – my brother
Oh brother
Brother (X4)
Let us help the fallen – sister
She will love to call you – mister
Do you see the need for unity
To bring about respect and dignity
Don’t you understand me – my brother
Brother
Will you patronize me – brother
Do you recognize me – brother
Is it the things that your teacher said
Or is it the food that your preacher fed
Why you minimize me – my brother
Oh brother
Are you my brother now hey hey yeah oh yeah hey hey
Are you my brother, my brother, my brother, my brother, my brother
Are you my brother now hey hey hey hey
Are you my brother, my brother, my brother, my brother, my brother
You don’t wanna understand me now oh brother
Oh brother
Oh brother
Are you my brother, my brother, my brother, my brother, my brother, my brother, my brother