In the late '60s and early '70s, Baez came into her songwriting own, penning many songs (most notably "Diamonds & Rust," a nostalgic piece about her ill-fated romance with Bob Dylan, and "Sweet Sir Galahad," a song about sister Mimi Fariña's ( of Richard & Mimi Fariña fame) second marriage, and continued to meld her songcraft with topical issues. She was outspoken in her disapproval of the Vietnam war and later the CIA-backed coups in many Latin American countries.
She was also instrumental in the Civil Rights movement, marching with Dr. Martin Luther King on many occassions and being jailed for her beliefs. In 1963, her performance of "We Shall Overcome" at the Lincoln Memorial just prior to Dr. King's famous "I Have A Dream..." speech helped confirm the song as the Civil Rights anthem.
In December 1972, she traveled to Hanoi, North Vietnam, and was caught in that country's "Christmas Campaign," in which the U.S. bombed the city more times than any other during the entire war. While pregnant with her only son, Gabriel, she performed a handful of songs in the middle of the night on day one of the 1969 Woodstock festival. She is considered the "Queen of Folk" for being at the forefront of the 1960s folk revival and inspiring generations of female folksingers that followed. On July 28, 2019, following dates across Europe, Baez performed her final concert at Madrid's Teatro Real. In January 2021, Baez received a 2020 Kennedy Center Honor.
Rock Salt and Nails
Joan Baez Lyrics
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Where the wild birds all warble with a low moaning sound,
Down in the hollow where the water runs cold,
It's there I have listened to the lies that you told.
Now I lie on my bed and I see your sweet face.
The past I remember, time cannot erase.
The letters you wrote me were written in shame,
Now the nights are so long, my sorrow runs deep.
Nothing is worse than a night without sleep.
I walk out alone, I look at the sky,
Too empty to sing, too lonesome to cry.
Now if the ladies were blackbirds and the ladies were thrushes,
I'd lie there for hours in the chilly cold marshes.
If the ladies were squirrels with them high bushy tails,
I'd fill up my shotgun with rock salt and nails.
In Joan Baez's song Rock Salt And Nails, the singer reflects on the pain that their former lover caused them. The song begins with a vivid description of a peaceful setting by the river where birds are singing. However, the singer recalls that this is also the place where they heard the lies told by their former lover. The pain caused by their deceit lingers in the singer's heart, as they lie awake at night and are unable to sleep. They remember their former lover's letters which were written with an element of shame, adding to the singer's pain. The final verse conveys the singer's anguish, as they evoke images of wanting to hurt those that have hurt them. The singer's isolation and sadness are palpable throughout the song.
Line by Line Meaning
On the banks of the river, where the willows hang down,
I recall the place where we met, by the river where the willows hang down.
Where the wild birds all warble with a low moaning sound,
I recall the birds' sad songs and the low moaning sounds they made.
Down in the hollow where the water runs cold,
I recall the hollow where the water runs cold and the shivers it gave me.
It's there I have listened to the lies that you told.
I recall the memories of all the lies you told me there.
Now I lie on my bed and I see your sweet face.
I see your face on my bed, and I long to forget you.
The past I remember, time cannot erase.
I cannot forget the memories of our past together.
The letters you wrote me were written in shame,
I recall the letters you wrote me in shame.
And I know that your conscience still echos my pain.
I know that your conscience still echoes the pain that you caused me.
Now the nights are so long, my sorrow runs deep.
My sorrow runs deep as the nights grow longer.
Nothing is worse than a night without sleep.
There is no worse feeling than not being able to sleep at night.
I walk out alone, I look at the sky,
I walk out alone and look up to the sky to feel better.
Too empty to sing, too lonesome to cry.
I'm too empty to sing and too lonely to even cry.
Now if the ladies were blackbirds and the ladies were thrushes,
If the ladies were birds like blackbirds and thrushes.
I'd lie there for hours in the chilly cold marshes.
I'd lie in the cold marshes for hours with them.
If the ladies were squirrels with them high bushy tails,
If the ladies were like squirrels with high bushy tails.
I'd fill up my shotgun with rock salt and nails.
I'd fill up my shotgun with rock salt and nails to get rid of them all.
Lyrics © MUSIC MANAGEMENT
Written by: Bruce Utah Phillips
Lyrics Licensed & Provided by LyricFind
@wiftypaul
My first version, the engineering is excellent on David's Album and the supporting players are first rate. I love Utah Phillops, used to see him at the Honor Court benifit in Northapton Ma in the 80's
@WildPhotoShooter
Great pedal steel from legendary session man Pete Drake, he just got it spot on for every vocalist in any genre of music......thats why Dylan and George Harrison used him.
@sbearly
So many better versions but nice to hear Baez's. Beautiful voice. Always odd to hear a female singing a song written from a male point of view. Seems like it was more common years ago. Especially folk songs.
@decemberkat
I grew up hearing this version and I get the song deeply…but I really love Tyler Childers acoustic version nowadays 🌸
@sbearly
Tyler couldn't make a bad version of a song if he tried. Buddy & Julie Miller did a great version also.
@katrinahall2629
perfect Joanie x
@endbfududb
I love the song, but this video is super strange.
@efrainlinares5804
HELLO GOOD DAY I HAVE THE DAVID´S ALBUM OF JOAN BAEZ FROM 1969 IN CASE ANYONE IS INTERESTED IT IS IN EXCELLENT CONDITION IN ACETATE.
@derbydetailing9614
Check out tyler childers.
@WindEnergy
Childers does’t get the chords right, and some of the lyrics are wrong. It’s obvious he did no research into this beautiful, haunting song. Sloppy.