Joe Cuba born "Gilberto Calderon" in 1931 in the city of New York, was a Pu… Read Full Bio ↴Joe Cuba born "Gilberto Calderon" in 1931 in the city of New York, was a Puerto Rican musician.
Cuba is considered to be the "Father of Latin Boogaloo". His parents emigrated from Puerto Rico in the late 1920s and settled in Spanish Harlem, a Hispanic ghetto located in Manhattan. Cuba was raised in an apartment building where his father had become the owner of a candy store located on the ground floor (street level floor). His father had organized a stickball (ghetto baseball) club called the Devils. Stickball was the main sport activity of the neighborhood. After Cuba broke a leg he took up playing the conga and continued to practice with the conga between school and his free time. Eventually he graduated from high school and joined a band.
In 1950, when he was 19 years old, he played for J. Panama and also for a group called La Alfarona X. The group soon disbanded and Cuba enrolled in college to study law. Whilst at college he attended a concert in which Tito Puente performed "Abaniquito". He went up to Tito and introduced himself as a student and fan and soon they developed what was to become a lifetime friendship. This event motivated Cuba to organize his own band. In 1954, his agent recommended that he change the band's name from the Jose Calderon Sextet to the Joe Cuba Sextet and the newly named Joe Cuba Sextet made their debut at the Stardust Ballroom.
In 1962, Cuba recorded "To Be With You" with the vocals of Cheo Feliciano and Jimmy Sabater. The band became popular in the New York Latin community. The lyrics to Cuba's music used a mixture of Spanish and English, becoming an important part of the Nuyorican Movement. In 1967, his band which included timbales, vibraphones, and the piano among its musical instruments, scored a "hit" in the United States National Hit Parade List with the song "Bang Bang" - a song which ushered in the Latin Boogaloo era. He also had a #1 hit, that year in the Billboards with the song "Sock It To Me Baby".
Then came what is considered to be his "greatest" hit, "El Pito (I Never Go Back To Georgia)". It is said that during the 1960s, while Joe Cuba and his sextet were on tour, they had an engagement in Georgia. He personally suffered the racial discrimination which was rampant in the south at that time. This experience inspired him to write the song which includes his trademark whistle.
Charlie Palmieri was his musical director, when in 1988 he died of a heart attack upon his arrival to New York from Puerto Rico. Joe Cuba and his sextet have sold millions of records over the years.
On April 1999, Joe Cuba was inducted into the International Latin Music Hall of Fame. In 2004, he was named Grand Marshall of the Puerto Rican Day Parade celebrated in Yonkers, New York. He currently is the director of the Museum of La Salsa, located in East Harlem, Manhattan, New York. He is also in the stickball hall of fame.
Joe Cuba died on February 15, 2009 in New York City after being removed from life support. He had been hospitalized for a persistent bacterial infection. Cuba's remains were cremated at Woodhaven Cemetery. He is survived by his 2 adult children from his first wife (Nina, married in 1960), son Mitchell and daughter Lisa, 3 grandchildren Nicole, Alexis and Rebecca; and his second wife Maria (Married in 1994).
Cuba is considered to be the "Father of Latin Boogaloo". His parents emigrated from Puerto Rico in the late 1920s and settled in Spanish Harlem, a Hispanic ghetto located in Manhattan. Cuba was raised in an apartment building where his father had become the owner of a candy store located on the ground floor (street level floor). His father had organized a stickball (ghetto baseball) club called the Devils. Stickball was the main sport activity of the neighborhood. After Cuba broke a leg he took up playing the conga and continued to practice with the conga between school and his free time. Eventually he graduated from high school and joined a band.
In 1950, when he was 19 years old, he played for J. Panama and also for a group called La Alfarona X. The group soon disbanded and Cuba enrolled in college to study law. Whilst at college he attended a concert in which Tito Puente performed "Abaniquito". He went up to Tito and introduced himself as a student and fan and soon they developed what was to become a lifetime friendship. This event motivated Cuba to organize his own band. In 1954, his agent recommended that he change the band's name from the Jose Calderon Sextet to the Joe Cuba Sextet and the newly named Joe Cuba Sextet made their debut at the Stardust Ballroom.
In 1962, Cuba recorded "To Be With You" with the vocals of Cheo Feliciano and Jimmy Sabater. The band became popular in the New York Latin community. The lyrics to Cuba's music used a mixture of Spanish and English, becoming an important part of the Nuyorican Movement. In 1967, his band which included timbales, vibraphones, and the piano among its musical instruments, scored a "hit" in the United States National Hit Parade List with the song "Bang Bang" - a song which ushered in the Latin Boogaloo era. He also had a #1 hit, that year in the Billboards with the song "Sock It To Me Baby".
Then came what is considered to be his "greatest" hit, "El Pito (I Never Go Back To Georgia)". It is said that during the 1960s, while Joe Cuba and his sextet were on tour, they had an engagement in Georgia. He personally suffered the racial discrimination which was rampant in the south at that time. This experience inspired him to write the song which includes his trademark whistle.
Charlie Palmieri was his musical director, when in 1988 he died of a heart attack upon his arrival to New York from Puerto Rico. Joe Cuba and his sextet have sold millions of records over the years.
On April 1999, Joe Cuba was inducted into the International Latin Music Hall of Fame. In 2004, he was named Grand Marshall of the Puerto Rican Day Parade celebrated in Yonkers, New York. He currently is the director of the Museum of La Salsa, located in East Harlem, Manhattan, New York. He is also in the stickball hall of fame.
Joe Cuba died on February 15, 2009 in New York City after being removed from life support. He had been hospitalized for a persistent bacterial infection. Cuba's remains were cremated at Woodhaven Cemetery. He is survived by his 2 adult children from his first wife (Nina, married in 1960), son Mitchell and daughter Lisa, 3 grandchildren Nicole, Alexis and Rebecca; and his second wife Maria (Married in 1994).
Callejero
Joe Cuba Sextet Lyrics
We have lyrics for 'Callejero' by these artists:
Alberto Cortéz Era callejero por derecho propio Su filosofÃa de la libert…
Alberto Cortez Era callejero por derecho propio; su filosof�a de la liberta…
Alberto Cortez and Facundo Cabral Era callejero por derecho propio Su filosofÃa de la liber…
Alberto Cortez y Facundo Cabral Era callejero por derecho propio su filosofia de la libertad…
Ataque 77 Era callejero por derecho propio Su filosofía de la liberta…
Attaque 77 - Otras Canciones Era callejero por derecho propio Su filosofía de la libertad…
Callejero Que si suena el teclado, suena Callejero Fino Y si te…
DOLLAR SELMOUNI Ya hay valores que te hacen entender De dónde vienes y…
Don Omar Don Callejero soy Nunca olvido de donde vengo Y le sigo dand…
Don Omar feat. Tego Calderón Don Callejero soy Nunca olvido de donde vengo Y le sigo dand…
Don Omar Feat. Tego Calderon Callejero soy Nunca olvido de donde vengo Y le sigo dando gr…
Don Omar ft Tego Calderón Don Callejero soy Nunca olvido de donde vengo Y le sigo dand…
El Biles AMANECE UN NUEVO DIA Y A LA CALLE EL SE VA NO…
EL Paisa Y todos aquí saben quien ya vino (Si) Rapero clandestino Pa-…
Juanafé cuando lo pillo por la calle y le digo (siempre le…
Mirla Castellanos Era callejero por derecho propio Su filosofía de la liberta …
Moneda Dura Y yo no quiero su dinero, no quiero que me lleve…
Rodrigo De La Cadena Era callejero por derecho propio Su filosofía de la libertad…
We have lyrics for these tracks by Joe Cuba Sextet:
A Las Seis Nick Cave & The Badseeds Miscellaneous I Had A Dream, Joe …
Bailadores Bailadores, bailadores, Yo quiero que ahora bailen con este …
Bang Bang Bang bang bang Bang bang bang Is it the way that you're…
Cachondea A cuco el bravo me dicen lo dejaron tirao, como efecto…
Cachondea (feat. Cheo Feliciano) A ftuco el Bravo me dicen lo dejaron tiraoo Como efecto…
Confesion De Amor ay mi amor, soy tan feliz, quiero confesar, lo que siento…
Do You Feel It do u feel it? yes i feel it i feel my beloved…
El Raton Mi gato se está quejando que no puede vacilar si donde quier…
I Need You Each time I look at you is like the first…
Lucumi ¡Hey! Pascual yo te estoy llamando Pascual tu no me responde…
Mambo of the Times Listen to our theory Of this crazy fad And we hope our…
Mujer Sabararabaraba bao Sabararabaraba bao La primera noche que …
Oh Yeah We're going to a party Put your red dress on Ain't nothing…
Oye Como Va Oye como va Me ritmo Bueno pa gozar Mulatta…
To Be With You To Be WIth You One hour each lonley day? WIll there be…
Wabble Cha Que todo lo que pide y quiere, Y eso mismo es…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@ismaelmantilla4009
Hermoso sonido, hermosa versión, hermosa combinación !!!
@Johnny777violin
tremenda pieza si supieran las juventudes como se disfrutaba de esto en los años 70, 80 y 90, todo un mundo. Sanamente.
@samuelernesto3468
Lo sabemos algunos, incluso anhelamos con regresar el tiempo y nacer en la época dorada del género musical más elegante y lindo de todos!!
@samuelernesto3468
EL VERDADERO GUAGUANCO CALLEJERO
@cesaraugustohuertasarango4118
COMO SUENA ESTO Y SIN METALES VAYALOOOOO
@gersilcamargo1748
valla joe cuba tremendoooo
@elainemunoz7493
so seis pero parecen cien tremendo sabor
@edwincassiani4162
SI, SEÑOR, PARECEN 100, Y SON SEIS,
@ivandariovargasrivera6571
Lo interpreta también Guayacán de Colombia y el tema es conocido como Guaguanco Callejera.
@nelsonbermudezllanos6478
Si está sabroso pero a opinion personal es más bravo el de guayacan cantando el gran Toño sinisterra tiene más golpe