http://www.myspace.com/joeandwillask
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http://www.joeandwillask.com/
Joe and Will met in 2005, both coming from very different musical backgrounds. Joe was releasing drum and bass 12” records while Will came from the hard house and trance scenes. Their name describes their relentless passion to constantly explore genres of music, and represent their different influences within their own characteristic sound that they have become so well known for.
They started collaborating in 2007, and almost immediately drew attention from local DJs at respected nights such as Trash, as well as club promoters and indie labels. Their residencies at underground club nights soon moved into playing at some of the hottest nights in London; Matter, Trailer Trash, Durrr, Club NME, Boombox, Scala, Ministry of Sound, the Egg to name a few, as well as gigs across the UK, Berlin, Florence, Milan, Budapest, Bucharest, Lille, and Ghent..
Meanwhile their productions have been equally well received. Coming across with dirt and cutting edge production and an eye firmly on the dance floor, but also with effortless musicality not normally associated with techno, they win over fans from the band/ indie scene, as easily as diehard clubbers. They inject tonality and musical flow into everything they touch, all under the banner of techno or electro or whatever you would like to call it, and have been compared to SoulWax, Chemical Brothers, DIM and Popof.
The duo signed to Andrew Friendly’s Gulp Communications in 2008, and have released three EPs worth of material, appearing in the Cool Cuts Chart, and bringing a wide fanbase to themselves including Brodinski who said “My favourite producers of the moment”, Kris Menace, Vicarious Bliss, Casper C, Acid Jacks, AutoKratz, Dark Globe, Jody Wisternoff, Cazals, Matik, Virgin Tears to name a few. They went on to remix a wide array of artists, from the highly blogged Mystery Jets remix, to La Roux on Kitsune/Polydor, Revolver (EMI), The Bell, Jupiters Heroes, Acid Girls, Revolver, Franz & Shape, Division Kent (Sony), Circuit Freq, Milke and Atomizer. There are many other remixes in progress for the likes of Ministry of Sound, and EMI’s new priority band ‘Hockey.’
Joe and Will perform live, as well as DJing. As DJs they are adaptable who like to play to any crowd but their heart lies in techno and minimal on big systems. Live, their setup consists of the pair playing a set of their own material using laptops and midi controllers. The set is hard, and energetic with a balance of musicality to win over the indie crowds as easily as the techno crowds, hailing back to the start of warehouse rave with it’s raw energy and fist pumping breakdowns. Just witness the indie crowd at Club NME go absolutely mental to two lads behind laptops, and you quickly realise this is music that’s connecting on a primal level, with enough raw energy, guts and musicality to win over virtually any audience. And therein lies the answer to what Joe and Will asked.
http://www.joeandwillask.com/
http://www.joeandwillask.com/
Joe and Will met in 2005, both coming from very different musical backgrounds. Joe was releasing drum and bass 12” records while Will came from the hard house and trance scenes. Their name describes their relentless passion to constantly explore genres of music, and represent their different influences within their own characteristic sound that they have become so well known for.
They started collaborating in 2007, and almost immediately drew attention from local DJs at respected nights such as Trash, as well as club promoters and indie labels. Their residencies at underground club nights soon moved into playing at some of the hottest nights in London; Matter, Trailer Trash, Durrr, Club NME, Boombox, Scala, Ministry of Sound, the Egg to name a few, as well as gigs across the UK, Berlin, Florence, Milan, Budapest, Bucharest, Lille, and Ghent..
Meanwhile their productions have been equally well received. Coming across with dirt and cutting edge production and an eye firmly on the dance floor, but also with effortless musicality not normally associated with techno, they win over fans from the band/ indie scene, as easily as diehard clubbers. They inject tonality and musical flow into everything they touch, all under the banner of techno or electro or whatever you would like to call it, and have been compared to SoulWax, Chemical Brothers, DIM and Popof.
The duo signed to Andrew Friendly’s Gulp Communications in 2008, and have released three EPs worth of material, appearing in the Cool Cuts Chart, and bringing a wide fanbase to themselves including Brodinski who said “My favourite producers of the moment”, Kris Menace, Vicarious Bliss, Casper C, Acid Jacks, AutoKratz, Dark Globe, Jody Wisternoff, Cazals, Matik, Virgin Tears to name a few. They went on to remix a wide array of artists, from the highly blogged Mystery Jets remix, to La Roux on Kitsune/Polydor, Revolver (EMI), The Bell, Jupiters Heroes, Acid Girls, Revolver, Franz & Shape, Division Kent (Sony), Circuit Freq, Milke and Atomizer. There are many other remixes in progress for the likes of Ministry of Sound, and EMI’s new priority band ‘Hockey.’
Joe and Will perform live, as well as DJing. As DJs they are adaptable who like to play to any crowd but their heart lies in techno and minimal on big systems. Live, their setup consists of the pair playing a set of their own material using laptops and midi controllers. The set is hard, and energetic with a balance of musicality to win over the indie crowds as easily as the techno crowds, hailing back to the start of warehouse rave with it’s raw energy and fist pumping breakdowns. Just witness the indie crowd at Club NME go absolutely mental to two lads behind laptops, and you quickly realise this is music that’s connecting on a primal level, with enough raw energy, guts and musicality to win over virtually any audience. And therein lies the answer to what Joe and Will asked.
Spring
Joe and Will Ask? Lyrics
(Good morning, VOGUE)
Bin-bin-bin-bin-bin Fame
Ich lass' mir nichts mehr verbieten wie der Ex von Kim K
Hoes sind drunk und knapp bekleidet so als wär es Spring Break
Auf der Suche nach ei'm Typ mit Kapital und Big Chains
Baby steht auf Glanz und Glamour, mach' dein Selfie, just in case
Oberflächlich, roter Teppich, komm' im Prada Mokassins
Während du im Club nur zwischen Wannabees und Rockern sitzt
Bin auf linke Spur mit 500PS am galopier'n
Girl versteckt sich auf dem Backseat, dass ein blinder Passagier
Viel riskiert, jung und talentiert
Jetzt ist Schluss mit lustig Modern Family: Staffel 4
Sie fragt, ob ich pünktlich komm', ich kanns nicht garantier'n
Italiano Melanine in mir
Bitch, I'm great, yani gold
Beyaz Air Force, sanki coke
Just keep bold, surat float, in the trap, Shawty Lo
Bilek froze, yani frozen
Yani Elsa, let it go
Baby, pull up in a Ghost
Sen'le bugün, yarın Ghost (Ghost)
Dedim "Mind your business, işler iyi, I'm a businessman"
Saint-Tropez with gang, hush'ım sarılı cellophan
Blasian on my lap, mami got it like Karrueche Tran
Murda hooligan, temiz kalpli, bitch I'm bootygang
Genciz sebeplerde let the toolie bang
Baby, gelsin, whip'le çekelim bi' boomerang, cool down (Down)
Mami, wetter than the Hoover Dam (Move it down)
Who the man? Söyle bana, who the man? Uh
Sie kennt mein'n Song, bin wohl ein bisschen prominent, ah
Steig' in den Jet, do not disturb, ich popp' 'ne Xan
Geb' ein'n Fuck auf die Police
La-laufe rum wie ein G
Yeah, got a couple racks on me (Gang)
Ihr gefällt, wie in der S-Class der Innenraum aussieht
Zeig mir was von dei'm Ehrgeiz
Letzte Nächte war'n lehrreich
Bitch, wie kann das so schwer sein?
Bin-bin-bin-bin-bin Fame
Ich lass' mir nichts mehr verbieten wie der Ex von Kim K
Hoes sind drunk und knapp bekleidet so als wär es Spring Break
Auf der Suche nach ei'm Typ mit Kapital und Big Chains
Baby steht auf Glanz und Glamour, mach' dein Selfie, just in case
Oberflächlich, roter Teppich, komm' im Prada Mokassins
Während du im Club nur zwischen Wannabees und Rockern sitzt
Bin auf linke Spur mit 500PS am galopier'n
Viel riskiert, jung und talentiert
Jetzt ist Schluss mit lustig Modern Family: Staffel 4
Sie fragt, ob ich pünktlich komm', ich kanns nicht garantier'n
Italiano Melanine in mir
Bitch, I'm great, yani gold
Beyaz Air Force, sanki coke
Just keep bold, surat float, in the trap, Shawty Lo
Bilek froze, yani frozen
Yani Elsa, let it go
Baby, pull up in a Ghost
Sen'le bugün, yarın Ghost (Ghost)
Dedim "Mind your business, işler iyi, I'm a businessman"
Saint-Tropez with gang, hush'ım sarılı cellophan
Blasian on my lap, mami got it like Karrueche Tran
Murda hooligan, temiz kalpli, bitch I'm bootygang
Genciz sebeplerde let the toolie bang
Baby, gelsin, whip'le çekelim bi' boomerang, cool down (Down)
Mami, wetter than the Hoover Dam (Move it down)
Who the man? Söyle bana, who the man? Uh
Sie kennt mein'n Song, bin wohl ein bisschen prominent, ah
Steig' in den Jet, do not disturb, ich popp' 'ne Xan
Geb' ein'n Fuck auf die Police
La-laufe rum wie ein G
Yeah, got a couple racks on me (Gang)
Ihr gefällt, wie in der S-Class der Innenraum aussieht
Zeig mir was von dei'm Ehrgeiz
Letzte Nächte war'n lehrreich
Bitch, wie kann das so schwer sein?
Lyrics © BMG Rights Management, Warner Chappell Music, Inc.
Written by: Billy Joe Basaulua, Oender Dogan
Lyrics Licensed & Provided by LyricFind
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haniblecter
I havent bought an album in a shamefully long time. Buying this one.
Anton Smirnov
It's so atmospheric
Robin Lindgren
Put it down sounded really well!
VicAccords
i thought u was dead, happy to realised that i was wrong. waiting for this !
bannyboi
here coz im seeing them tonight at MOS!
Dennis Madsen
is it possible to get the 2 bonus track anywere else than itunes?