Liebeslieder Waltzes: 4
Johannes Brahms (7th May 1833–3rd April 1897) was a composer of the Romanti… Read Full Bio ↴Johannes Brahms (7th May 1833–3rd April 1897) was a composer of the Romantic period. Born in Hamburg, Germany, he eventually settled in Vienna, Austria.
Brahms wrote a number of major works for orchestra, including two serenades, four symphonies, two piano concertos, a Violin Concerto, a Double Concerto for violin and cello, and a pair of orchestral overtures, the Academic Festival Overture and the Tragic Overture.
His large choral work Ein deutsches Requiem ("A German Requiem") is not a traditional, liturgical requiem (Missa pro defunctis), but a setting of texts which Brahms selected from the Lutheran Bible. The work was composed in three major periods of his life. An earlier version of the second movement was first composed in 1854, not long after Robert Schumann's attempted suicide, and was later finished and used in his first piano concerto. The majority of the Requiem was composed after his mother's death in 1865. The fifth movement was later added after the official premiere in 1868. The complete work was then published in 1869.
Brahms's works in variation form include the Variations and Fugue on a Theme by Handel and the Paganini Variations, both for solo piano, and the Variations on a Theme by Joseph Haydn in versions for two pianos and for orchestra. The final movement of the Fourth Symphony (Op. 98) is also formally a set of variations.
His chamber works include three string quartets, two string quintets and two string sextets, as well as a clarinet quintet, a clarinet trio, a horn trio, a piano quintet, three piano quartets and three piano trios. He composed several instrumental sonatas with piano, including three for violin, two for cello and two for clarinet (which were subsequently arranged for viola by the composer). His solo piano works range from his early piano sonatas and ballades to his late sets of character pieces. Brahms also wrote about 200 songs and is considered among the greatest of Lieder composers (with Schubert and Schumann). His chorale preludes for organ, which he wrote shortly before his death, have become an important part of the organist's repertoire.
Brahms never wrote an opera, nor did he ever write in the characteristic late-19th-century form of the tone poem, strongly preferring to compose absolute music that does not refer to an explicit scene or narrative.
Despite his reputation as a serious composer of large, complex musical designs, some of Brahms's most widely known and commercially successful compositions during his life were aimed at the thriving contemporary market for domestic music-making, and are small-scale and popular in intention. These included his arrangements of popular dances, in Hungarian Dances, the Waltzes Op. 39 for piano duet, the Liebeslieder Waltzes for vocal quartet and piano, and some of his many songs, notably the Wiegenlied, Op. 49 No 4 (published in 1868). This last item was written (to a folk text) to celebrate the birth of a son to Brahms's friend Bertha Faber, and is universally known as Brahms' Lullaby.
Brahms wrote a number of major works for orchestra, including two serenades, four symphonies, two piano concertos, a Violin Concerto, a Double Concerto for violin and cello, and a pair of orchestral overtures, the Academic Festival Overture and the Tragic Overture.
His large choral work Ein deutsches Requiem ("A German Requiem") is not a traditional, liturgical requiem (Missa pro defunctis), but a setting of texts which Brahms selected from the Lutheran Bible. The work was composed in three major periods of his life. An earlier version of the second movement was first composed in 1854, not long after Robert Schumann's attempted suicide, and was later finished and used in his first piano concerto. The majority of the Requiem was composed after his mother's death in 1865. The fifth movement was later added after the official premiere in 1868. The complete work was then published in 1869.
Brahms's works in variation form include the Variations and Fugue on a Theme by Handel and the Paganini Variations, both for solo piano, and the Variations on a Theme by Joseph Haydn in versions for two pianos and for orchestra. The final movement of the Fourth Symphony (Op. 98) is also formally a set of variations.
His chamber works include three string quartets, two string quintets and two string sextets, as well as a clarinet quintet, a clarinet trio, a horn trio, a piano quintet, three piano quartets and three piano trios. He composed several instrumental sonatas with piano, including three for violin, two for cello and two for clarinet (which were subsequently arranged for viola by the composer). His solo piano works range from his early piano sonatas and ballades to his late sets of character pieces. Brahms also wrote about 200 songs and is considered among the greatest of Lieder composers (with Schubert and Schumann). His chorale preludes for organ, which he wrote shortly before his death, have become an important part of the organist's repertoire.
Brahms never wrote an opera, nor did he ever write in the characteristic late-19th-century form of the tone poem, strongly preferring to compose absolute music that does not refer to an explicit scene or narrative.
Despite his reputation as a serious composer of large, complex musical designs, some of Brahms's most widely known and commercially successful compositions during his life were aimed at the thriving contemporary market for domestic music-making, and are small-scale and popular in intention. These included his arrangements of popular dances, in Hungarian Dances, the Waltzes Op. 39 for piano duet, the Liebeslieder Waltzes for vocal quartet and piano, and some of his many songs, notably the Wiegenlied, Op. 49 No 4 (published in 1868). This last item was written (to a folk text) to celebrate the birth of a son to Brahms's friend Bertha Faber, and is universally known as Brahms' Lullaby.
Liebeslieder Waltzes: 4
Johannes Brahms Lyrics
We have lyrics for these tracks by Johannes Brahms:
49 Deutsche Volkslieder Schwesterlein, Schwesterlein, Wann geh'n wir nach Haus? Mor…
49 Deutsche Volkslieder WoO 33 : Da unten im Tale Da unten im Tale Läufts Wasser so trüb, Und i kann dirs…
Brahms Lullaby Guten cbend, gut' Nacht Mit Rosen bedacht Mit Näglein bestec…
Da unten im Tale Da unten im Tale Läufts Wasser so trüb, Und i kann dirs…
Die Mainacht Wann der silberne Mond durch die Gesträuche blinkt, Und sein…
Feinsliebchen Feinsliebchen, du sollst mir nicht barfuß gehn, Du zertritts…
Geistliches Wiegenlied JOHcNNES BRcHMS (1788-1866) Geistliches Wiegenlied (Text: …
Gesänge Op. 91 No. 1: Gestillte Sehnsucht JOHcNNES BRcHMS (1788-1866) Gestillte Sehnsucht op. 92 (Tex…
Gesänge Op. 91 No. 2: Geistliches Wiegenlied JOHcNNES BRcHMS (1788-1866) Geistliches Wiegenlied (Text: …
Lullaby. Guten cbend, gut' Nacht Mit Rosen bedacht Mit Näglein bestec…
Schwesterlein Schwesterlein Schwesterlein, Schwesterlein, Wann geh'n wir nach Haus? Mor…
Sehnsucht JOHcNNES BRcHMS (1788-1866) Gestillte Sehnsucht op. 92 (Tex…
Wiegenlied Guten Abend, gut' Nacht, Mit Rosen bedacht, Mit Näglein be…
Wiegenlied Op.49 No.4 Guten Abend, gut′ Nacht, Mit Rosen bedacht, Mit Näglein best…
Zwei Gesänge Op. 91: 1. Gestillte Sehnsucht JOHcNNES BRcHMS (1788-1866) Gestillte Sehnsucht op. 92 (Tex…
Zwei Gesänge Op. 91: No. 2. Geistliches Wiegenlied JOHcNNES BRcHMS (1788-1866) Geistliches Wiegenlied (Text: …
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Brilliant Classics
Thank you for watching! Tracklist:
Liebeslieder, Op. 52a:
00:00 I. Im Ländler-Tempo
01:06 II.
01:45 III.
03:10 IV.
03:49 V.
05:13 VI.
07:47 VII.
08:58 VIII.
10:13 IX.
12:34 X.
13:11 XI.
14:08 XII.
14:49 XIII.
15:32 XIV.
16:37 XV.
17:32 XVI. Lebhaft
18:35 XVII. Mit Ausdruck
20:23 XVIII. Lebhaft
Neue Liebeslieder, Op. 65a:
21:56 I. Lebhaft, doch nicht schnell
22:38 II.
23:58 III.
25:07 IV.
25:50 V.
26:59 VI.
27:47 VII. Lebhaft
28:56 VIII. Ruhig
30:33 IX.
31:46 X.
32:31 XI. Lebhaft
33:11 XII. Lebhaft
34:44 XIII. Lebhaft
35:59 XIV. Lebhaft
37:49 XV. Zum Schluß. Ruhig, Andante
Zigeunerlieder, Op. 103:
40:36 I. Allegro agitato-Più presto
41:55 II. Allegro molto
42:46 III. Allegretto
44:06 IV. Vivace grazioso
45:10 V. Allegro giocoso
46:13 VI. Vivace grazioso
47:46 VII. Andantino grazioso
49:13 VIII. Andante, semplice
50:38 IX. Allegro
52:20 X. Andantino
55:17 XI. Allegro passionate
Brilliant Classics
Thank you for watching! Tracklist:
Liebeslieder, Op. 52a:
00:00 I. Im Ländler-Tempo
01:06 II.
01:45 III.
03:10 IV.
03:49 V.
05:13 VI.
07:47 VII.
08:58 VIII.
10:13 IX.
12:34 X.
13:11 XI.
14:08 XII.
14:49 XIII.
15:32 XIV.
16:37 XV.
17:32 XVI. Lebhaft
18:35 XVII. Mit Ausdruck
20:23 XVIII. Lebhaft
Neue Liebeslieder, Op. 65a:
21:56 I. Lebhaft, doch nicht schnell
22:38 II.
23:58 III.
25:07 IV.
25:50 V.
26:59 VI.
27:47 VII. Lebhaft
28:56 VIII. Ruhig
30:33 IX.
31:46 X.
32:31 XI. Lebhaft
33:11 XII. Lebhaft
34:44 XIII. Lebhaft
35:59 XIV. Lebhaft
37:49 XV. Zum Schluß. Ruhig, Andante
Zigeunerlieder, Op. 103:
40:36 I. Allegro agitato-Più presto
41:55 II. Allegro molto
42:46 III. Allegretto
44:06 IV. Vivace grazioso
45:10 V. Allegro giocoso
46:13 VI. Vivace grazioso
47:46 VII. Andantino grazioso
49:13 VIII. Andante, semplice
50:38 IX. Allegro
52:20 X. Andantino
55:17 XI. Allegro passionate
Надежда Яуфман
Мой любимый Брамс!!! Ну как же я его люблю! Фантастическая музыка! Классическая музыка всегда будет в моде! Всех люблю и обожаю!
Baroque Music
O som do violino tem a capacidade de tocar nossas almas, elevando-as. Depois do piano é o instrumento que mais me fascina. Obrigado pela seleção. Vou ouvir com muita alegria. Pena que meu país não está incluído para doações. Sucesso!!
Smith
Thank you all for sharing this beautiful music with the public!
quickfoxxes
Delightful listening, and you can dance to the music!
Liza Fahoum
Each video ( music) you share is valuable .
Thank you 🌸
Brilliant Classics
Thanks for listening!
scottbos68
The exoticness of tonality and dance-like rhythms of the gypsy sound I always find to be so charming. This is always a pleasure to find in the music of Brahms. The titles bring to mind Zigeunerweisen by Sarasate, Tzigane by Ravel, Liebeslied by Kreisler, and the waltzes of Strauss who Brahms greatly admired. Also related - you may find the book titled The Schumanns and Johannes Brahms to be interesting.
notaire2
Wunderschöne Interpretation dieser kompakten und fein komponierten Liebeslieder-Walzer für vier Hände in verschiedenen Tempi mit klaren doch anmutigen Klänge der technisch fehlerlosen Pianisten und mit perfekt kontrollierter Dynamik. Faszinierend vom Anfang bis zum Ende!
Hanna Wagenknecht
Oh,ich finde diese Musik beruhigend und zauberhaft,freut mich so sehr.😊☀️