John William Coltrane (Hamlet, North Carolina, September 23, 1926 – Huntin… Read Full Bio ↴John William Coltrane (Hamlet, North Carolina, September 23, 1926 – Huntington, New York, July 17, 1967) was an American jazz saxophonist and composer.
American jazz great John Coltrane emerged in the 1950s, playing tenor and soprano sax with Dizzy Gillespie, Miles Davis and Thelonious Monk. A leader of "hard bop", in the 1960s he led his own groups and changed the face of jazz with experimentation and improvisation, his later recordings reflecting his belief that music was a form of spiritual expression. Sometimes called simply 'Trane, his recordings include Giant Steps (1959), My Favorite Things (1960), Olé (1961) and A Love Supreme (1964). In his later recordings he collaborated on avante-garde music with his wife, Alice Coltrane (b. Alice McLeod, 1937-2007), who had a career in her own right.
The band sometimes called Coltrane's "classic quartet" of the early 1960s included McCoy Tyner (piano), Elvin Jones (drums) and Jimmy Garrison (bass).
Despite a relatively brief career (he first came to notice as a sideman at age 29 in 1955, formally launched a solo career at 33 in 1960, and was dead at 40 in 1967), saxophonist John Coltrane was among the most important, and most controversial, figures in jazz. It seems amazing that his period of greatest activity was so short, not only because he recorded prolifically, but also because, taking advantage of his fame, the record companies that recorded him as a sideman in the 1950s frequently reissued those recordings under his name and there has been a wealth of posthumously released material as well. Since Coltrane was a protean player who changed his style radically over the course of his career, this has made for much confusion in his discography and in appreciations of his playing. There remains a critical divide between the adherents of his earlier, more conventional (if still highly imaginative) work and his later, more experimental work. No one, however, questions Coltrane's almost religious commitment to jazz or doubts his significance in the history of the music.
Coltrane was the son of John R. Coltrane, a tailor and amateur musician, and Alice (Blair) Coltrane. Two months after his birth, his maternal grandfather, the Reverend William Blair, was promoted to presiding elder in the A.M.E. Zion Church and moved his family, including his infant grandson, to High Point, NC, where Coltrane grew up. Shortly after he graduated from grammar school in 1939, his father, his grandparents, and his uncle died, leaving him to be raised in a family consisting of his mother, his aunt, and his cousin. His mother worked as a domestic to support the family. The same year, he joined a community band in which he played clarinet and E flat alto horn; he took up the alto saxophone in his high school band. During World War II, his mother, aunt, and cousin moved north to New Jersey to seek work, leaving him with family friends; in 1943, when he graduated from high school, he too headed north, settling in Philadelphia. Eventually, the family was reunited there.
While taking jobs outside music, Coltrane briefly attended the Ornstein School of Music and studied at Granoff Studios. He also began playing in local clubs. In 1945, he was drafted into the navy and stationed in Hawaii. He never saw combat, but he continued to play music and, in fact, made his first recording with a quartet of other sailors on July 13, 1946. A performance of Tadd Dameron's "Hot House," it was released in 1993 on the Rhino Records anthology The Last Giant. Coltrane was discharged in the summer of 1946 and returned to Philadelphia. That fall, he began playing in the Joe Webb Band. In early 1947, he switched to the King Kolax Band. During the year, he switched from alto to tenor saxophone. One account claims that this was as the result of encountering alto saxophonist Charlie Parker and feeling the better-known musician had exhausted the possibilities on the instrument; another says that the switch occurred simply because Coltrane next joined a band led by Earl Bostic, who was an alto player, forcing Coltrane to play tenor. He moved on to Jimmy Heath's band in mid-1948, staying with the band, which evolved into the Howard McGhee All Stars until early 1949, when he returned to Philadelphia. That fall, he joined a big band led by Dizzy Gillespie, remaining until the spring of 1951, by which time the band had been trimmed to a septet. On March 1, 1951, he took his first solo on record during a performance of "We Love to Boogie" with Gillespie.
At some point during this period, Coltrane became a heroin addict, which made him more difficult to employ. He played with various bands, mostly around Philadelphia, during the early '50s, his next important job coming in the spring of 1954, when Johnny Hodges, temporarily out of the Duke Ellington band, hired him. But he was fired because of his addiction in September 1954. He returned to Philadelphia, where he was playing, when he was hired by Miles Davis a year later. His association with Davis was the big break that finally established him as an important jazz musician. Davis, a former drug addict himself, had kicked his habit and gained recognition at the Newport Jazz Festival in July 1955, resulting in a contract with Columbia Records and the opportunity to organize a permanent band, which, in addition to him and Coltrane, consisted of pianist Red Garland, bassist Paul Chambers, and drummer "Philly" Joe Jones. This unit immediately began to record extensively, not only because of the Columbia contract, but also because Davis had signed with the major label before fulfilling a deal with jazz independent Prestige Records that still had five albums to run. The trumpeter's Columbia debut, 'Round About Midnight, which he immediately commenced recording, did not appear until March 1957. The first fruits of his association with Coltrane came in April 1956 with the release of The New Miles Davis Quintet (aka Miles), recorded for Prestige on November 16, 1955. During 1956, in addition to his recordings for Columbia, Davis held two marathon sessions for Prestige to fulfill his obligation to the label, which released the material over a period of time under the titles Cookin' (1957), Relaxin' (1957), Workin' (1958), and Steamin' (1961).
Coltrane's association with Davis inaugurated a period when he began to frequently record as a sideman. Davis may have been trying to end his association with Prestige, but Coltrane began appearing on many of the label's sessions. After he became better known in the 1960s, Prestige and other labels began to repackage this work under his name, as if he had been the leader, a process that has continued to the present day. (Prestige was acquired by Fantasy Records in 1972, and many of the recordings in which Coltrane participated have been reissued on Fantasy's Original Jazz Classics [OJC] imprint.)
Coltrane tried and failed to kick heroin in the summer of 1956, and in October, Davis fired him, though the trumpeter had relented and taken him back by the end of November. Early in 1957, Coltrane formally signed with Prestige as a solo artist, though he remained in the Davis band and also continued to record as a sideman for other labels. In April, Davis fired him again. This may have given him the impetus finally to kick his drug habit, and freed of the necessity of playing gigs with Davis, he began to record even more frequently. On May 31, 1957, he finally made his recording debut as a leader, putting together a pickup band consisting of trumpeter Johnny Splawn, baritone saxophonist Sahib Shihab, pianists Mal Waldron and Red Garland (on different tracks), bassist Paul Chambers, and drummer Al "Tootie" Heath. They cut an album Prestige titled simply Coltrane upon release in September 1957. (It has since been reissued under the title First Trane.)
In June 1957, Coltrane joined the Thelonious Monk Quartet, consisting of Monk on piano, Wilbur Ware on bass, and Shadow Wilson on drums. During this period, he developed a technique of playing several notes at once, and his solos began to go on longer. In August, he recorded material belatedly released on the Prestige albums Lush Life (1960) and The Last Trane (1965), as well as the material for John Coltrane With the Red Garland Trio, released later in the year. (It was later reissued under the title Traneing In.) But Coltrane's second album to be recorded and released contemporaneously under his name alone was cut in September for Blue Note Records. This was Blue Train, featuring trumpeter Lee Morgan, trombonist Curtis Fuller, pianist Kenny Drew, and the Miles Davis rhythm section of Chambers and "Philly" Joe Jones; it was released in December 1957. That month, Coltrane rejoined Davis, playing in what was now a sextet that also featured Cannonball Adderley. In January 1958, he led a recording session for Prestige that produced tracks later released on Lush Life, The Last Trane, and The Believer (1964). In February and March, he recorded Davis' album Milestones..., released later in 1958. In between the sessions, he cut his third album to be released under his name alone, Soultrane, issued in September by Prestige. Also in March 1958, he cut tracks as a leader that would be released later on the Prestige collection Settin' the Pace (1961). In May, he again recorded for Prestige as a leader, though the results would not be heard until the release of Black Pearls in 1964.
Coltrane appeared as part of the Miles Davis group at the Newport Jazz Festival in July 1958. The band's set was recorded and released in 1964 on an LP also featuring a performance by Thelonious Monk as Miles & Monk at Newport. In 1988, Columbia reissued the material on an album called Miles & Coltrane. The performance inspired a review in Down Beat, the leading jazz magazine, that was an early indication of the differing opinions on Coltrane that would be expressed throughout the rest of his career and long after his death. The review referred to his "angry tenor," which, it said, hampered the solidarity of the Davis band. The review led directly to an article published in the magazine on October 16, 1958, in which critic Ira Gitler defended the saxophonist and coined the much-repeated phrase "sheets of sound" to describe his playing.
Coltrane's next Prestige session as a leader occurred later in July 1958 and resulted in tracks later released on the albums Standard Coltrane (1962), Stardust (1963), and Bahia (1965). All of these tracks were later compiled on a reissue called The Stardust Session. He did a final session for Prestige in December 1958, recording tracks later released on The Believer, Stardust, and Bahia. This completed his commitment to the label, and he signed to Atlantic Records, doing his first recording for his new employers on January 15, 1959, with a session on which he was co-billed with vibes player Milt Jackson, though it did not appear until 1961 with the LP Bags and Trane.
In March and April 1959, Coltrane participated with the Davis group on the album Kind of Blue. Released on August 17, 1959, this landmark album known for its "modal" playing (improvisations based on scales or "modes," rather than chords) became one of the best-selling and most-acclaimed recordings in the history of jazz. In between the sessions for the album, Coltrane began recording what would be his Atlantic Records debut, Giant Steps, released in early 1960. The album, consisting entirely of Coltrane compositions, in a sense marked his real debut as a leading jazz performer, even though the 33-year-old musician had released three previous solo albums and made numerous other recordings. His next Atlantic album, Coltrane Jazz, was mostly recorded in November and December 1959 and released in February 1961. In April 1960, he finally left the Davis band and formally launched his solo career, beginning an engagement at the Jazz Gallery in New York, accompanied by pianist Steve Kuhn (soon replaced by McCoy Tyner), bassist Steve Davis, and drummer Pete La Roca (later replaced by Billy Higgins and then Elvin Jones). During this period, he increasingly played soprano saxophone as well as tenor.
In October 1960, Coltrane recorded a series of sessions for Atlantic that would produce material for several albums, including a final track used on Coltrane Jazz and tunes used on My Favorite Things (March 1961), Coltrane Plays the Blues (July 1962), and Coltrane's Sound (June 1964). His soprano version of "My Favorite Things," from the Richard Rodgers/Oscar Hammerstein II musical The Sound of Music, would become a signature song for him. During the winter of 1960-1961, bassist Reggie Workman replaced Steve Davis in his band and saxophone and flute player Eric Dolphy, gradually became a member of the group.
In the wake of the commercial success of "My Favorite Things," Coltrane's star rose, and he was signed away from Atlantic as the flagship artist of the newly formed Impulse! Records label, an imprint of ABC-Paramount, though in May he cut a final album for Atlantic, Olé (February 1962). The following month, he completed his Impulse! debut, Africa/Brass. By this time, his playing was frequently in a style alternately dubbed "avant-garde," "free," or "The New Thing." Like Ornette Coleman, he played seemingly formless, extended solos that some listeners found tremendously impressive, and others decried as noise. In November 1961, John Tynan, writing in Down Beat, referred to Coltrane's playing as "anti-jazz." That month, however, Coltrane recorded one of his most celebrated albums, Live at the Village Vanguard, an LP paced by the 16-minute improvisation "Chasin' the Trane."
Between April and June 1962, Coltrane cut his next Impulse! studio album, another release called simply Coltrane when it appeared later in the year. Working with producer Bob Thiele, he began to do extensive studio sessions, far more than Impulse! could profitably release at the time, especially with Prestige and Atlantic still putting out their own archival albums. But the material would serve the label well after the saxophonist's untimely death. Thiele acknowledged that Coltrane's next three Impulse! albums to be released, Ballads, Duke Ellington and John Coltrane, and John Coltrane with Johnny Hartman (all 1963), were recorded at his behest to quiet the critics of Coltrane's more extreme playing. Impressions (1963), drawn from live and studio recordings made in 1962 and 1963, was a more representative effort, as was 1964's Live at Birdland, also a combination of live and studio tracks, despite its title. But Crescent, also released in 1964, seemed to find a middle ground between traditional and free playing, and was welcomed by critics. This trend was continued with 1965's A Love Supreme, one of Coltrane's best-loved albums, which earned him two Grammy nominations, for jazz composition and performance, and became his biggest-selling record. Also during the year, Impulse! released the standards collection The John Coltrane Quartet Plays... and another album of "free" playing, Ascension, as well as New Thing at Newport, a live album consisting of one side by Coltrane and the other by Archie Shepp.
1966 saw the release of the albums Kulu Se Mama and Meditations, Coltrane's last recordings to appear during his lifetime, though he had finished and approved release for his next album, Expression, the Friday before his death in July 1967. He died suddenly of liver cancer, entering the hospital on a Sunday and expiring in the early morning hours of the next day. He had left behind a considerable body of unreleased work that came out in subsequent years, including "Live" at the Village Vanguard Again! (1967), Om (1967), Cosmic Music (1968), Selflessness (1969), Transition (1969), Sun Ship (1971), Africa/Brass, Vol. 2 (1974), Interstellar Space (1974), and First Meditations (For Quartet) (1977), all on Impulse! Compilations and releases of archival live recordings brought him a series of Grammy nominations, including Best Jazz Performance for the Atlantic album The Coltrane Legacy in 1970; Best Jazz Performance, Group, and Best Jazz Performance, Soloist, for "Giant Steps" from the Atlantic album Alternate Takes in 1974; and Best Jazz Performance, Group, and Best Jazz Performance, Soloist, for Afro Blue Impressions in 1977. He won the 1981 Grammy for Best Jazz Performance, Soloist, for Bye Bye Blackbird, an album of recordings made live in Europe in 1962, and he was given the Grammy Lifetime Achievement Award in 1992, 25 years after his death.
John Coltrane is sometimes described as one of jazz's most influential musicians, but one is hard put to find followers who actually play in his style. Rather, he is influential by example, inspiring musicians to experiment, take chances, and devote themselves to their craft. The controversy about his work has never died down, but partially as a result, his name lives on and his recordings continue to remain available and to be reissued frequently.
American jazz great John Coltrane emerged in the 1950s, playing tenor and soprano sax with Dizzy Gillespie, Miles Davis and Thelonious Monk. A leader of "hard bop", in the 1960s he led his own groups and changed the face of jazz with experimentation and improvisation, his later recordings reflecting his belief that music was a form of spiritual expression. Sometimes called simply 'Trane, his recordings include Giant Steps (1959), My Favorite Things (1960), Olé (1961) and A Love Supreme (1964). In his later recordings he collaborated on avante-garde music with his wife, Alice Coltrane (b. Alice McLeod, 1937-2007), who had a career in her own right.
The band sometimes called Coltrane's "classic quartet" of the early 1960s included McCoy Tyner (piano), Elvin Jones (drums) and Jimmy Garrison (bass).
Despite a relatively brief career (he first came to notice as a sideman at age 29 in 1955, formally launched a solo career at 33 in 1960, and was dead at 40 in 1967), saxophonist John Coltrane was among the most important, and most controversial, figures in jazz. It seems amazing that his period of greatest activity was so short, not only because he recorded prolifically, but also because, taking advantage of his fame, the record companies that recorded him as a sideman in the 1950s frequently reissued those recordings under his name and there has been a wealth of posthumously released material as well. Since Coltrane was a protean player who changed his style radically over the course of his career, this has made for much confusion in his discography and in appreciations of his playing. There remains a critical divide between the adherents of his earlier, more conventional (if still highly imaginative) work and his later, more experimental work. No one, however, questions Coltrane's almost religious commitment to jazz or doubts his significance in the history of the music.
Coltrane was the son of John R. Coltrane, a tailor and amateur musician, and Alice (Blair) Coltrane. Two months after his birth, his maternal grandfather, the Reverend William Blair, was promoted to presiding elder in the A.M.E. Zion Church and moved his family, including his infant grandson, to High Point, NC, where Coltrane grew up. Shortly after he graduated from grammar school in 1939, his father, his grandparents, and his uncle died, leaving him to be raised in a family consisting of his mother, his aunt, and his cousin. His mother worked as a domestic to support the family. The same year, he joined a community band in which he played clarinet and E flat alto horn; he took up the alto saxophone in his high school band. During World War II, his mother, aunt, and cousin moved north to New Jersey to seek work, leaving him with family friends; in 1943, when he graduated from high school, he too headed north, settling in Philadelphia. Eventually, the family was reunited there.
While taking jobs outside music, Coltrane briefly attended the Ornstein School of Music and studied at Granoff Studios. He also began playing in local clubs. In 1945, he was drafted into the navy and stationed in Hawaii. He never saw combat, but he continued to play music and, in fact, made his first recording with a quartet of other sailors on July 13, 1946. A performance of Tadd Dameron's "Hot House," it was released in 1993 on the Rhino Records anthology The Last Giant. Coltrane was discharged in the summer of 1946 and returned to Philadelphia. That fall, he began playing in the Joe Webb Band. In early 1947, he switched to the King Kolax Band. During the year, he switched from alto to tenor saxophone. One account claims that this was as the result of encountering alto saxophonist Charlie Parker and feeling the better-known musician had exhausted the possibilities on the instrument; another says that the switch occurred simply because Coltrane next joined a band led by Earl Bostic, who was an alto player, forcing Coltrane to play tenor. He moved on to Jimmy Heath's band in mid-1948, staying with the band, which evolved into the Howard McGhee All Stars until early 1949, when he returned to Philadelphia. That fall, he joined a big band led by Dizzy Gillespie, remaining until the spring of 1951, by which time the band had been trimmed to a septet. On March 1, 1951, he took his first solo on record during a performance of "We Love to Boogie" with Gillespie.
At some point during this period, Coltrane became a heroin addict, which made him more difficult to employ. He played with various bands, mostly around Philadelphia, during the early '50s, his next important job coming in the spring of 1954, when Johnny Hodges, temporarily out of the Duke Ellington band, hired him. But he was fired because of his addiction in September 1954. He returned to Philadelphia, where he was playing, when he was hired by Miles Davis a year later. His association with Davis was the big break that finally established him as an important jazz musician. Davis, a former drug addict himself, had kicked his habit and gained recognition at the Newport Jazz Festival in July 1955, resulting in a contract with Columbia Records and the opportunity to organize a permanent band, which, in addition to him and Coltrane, consisted of pianist Red Garland, bassist Paul Chambers, and drummer "Philly" Joe Jones. This unit immediately began to record extensively, not only because of the Columbia contract, but also because Davis had signed with the major label before fulfilling a deal with jazz independent Prestige Records that still had five albums to run. The trumpeter's Columbia debut, 'Round About Midnight, which he immediately commenced recording, did not appear until March 1957. The first fruits of his association with Coltrane came in April 1956 with the release of The New Miles Davis Quintet (aka Miles), recorded for Prestige on November 16, 1955. During 1956, in addition to his recordings for Columbia, Davis held two marathon sessions for Prestige to fulfill his obligation to the label, which released the material over a period of time under the titles Cookin' (1957), Relaxin' (1957), Workin' (1958), and Steamin' (1961).
Coltrane's association with Davis inaugurated a period when he began to frequently record as a sideman. Davis may have been trying to end his association with Prestige, but Coltrane began appearing on many of the label's sessions. After he became better known in the 1960s, Prestige and other labels began to repackage this work under his name, as if he had been the leader, a process that has continued to the present day. (Prestige was acquired by Fantasy Records in 1972, and many of the recordings in which Coltrane participated have been reissued on Fantasy's Original Jazz Classics [OJC] imprint.)
Coltrane tried and failed to kick heroin in the summer of 1956, and in October, Davis fired him, though the trumpeter had relented and taken him back by the end of November. Early in 1957, Coltrane formally signed with Prestige as a solo artist, though he remained in the Davis band and also continued to record as a sideman for other labels. In April, Davis fired him again. This may have given him the impetus finally to kick his drug habit, and freed of the necessity of playing gigs with Davis, he began to record even more frequently. On May 31, 1957, he finally made his recording debut as a leader, putting together a pickup band consisting of trumpeter Johnny Splawn, baritone saxophonist Sahib Shihab, pianists Mal Waldron and Red Garland (on different tracks), bassist Paul Chambers, and drummer Al "Tootie" Heath. They cut an album Prestige titled simply Coltrane upon release in September 1957. (It has since been reissued under the title First Trane.)
In June 1957, Coltrane joined the Thelonious Monk Quartet, consisting of Monk on piano, Wilbur Ware on bass, and Shadow Wilson on drums. During this period, he developed a technique of playing several notes at once, and his solos began to go on longer. In August, he recorded material belatedly released on the Prestige albums Lush Life (1960) and The Last Trane (1965), as well as the material for John Coltrane With the Red Garland Trio, released later in the year. (It was later reissued under the title Traneing In.) But Coltrane's second album to be recorded and released contemporaneously under his name alone was cut in September for Blue Note Records. This was Blue Train, featuring trumpeter Lee Morgan, trombonist Curtis Fuller, pianist Kenny Drew, and the Miles Davis rhythm section of Chambers and "Philly" Joe Jones; it was released in December 1957. That month, Coltrane rejoined Davis, playing in what was now a sextet that also featured Cannonball Adderley. In January 1958, he led a recording session for Prestige that produced tracks later released on Lush Life, The Last Trane, and The Believer (1964). In February and March, he recorded Davis' album Milestones..., released later in 1958. In between the sessions, he cut his third album to be released under his name alone, Soultrane, issued in September by Prestige. Also in March 1958, he cut tracks as a leader that would be released later on the Prestige collection Settin' the Pace (1961). In May, he again recorded for Prestige as a leader, though the results would not be heard until the release of Black Pearls in 1964.
Coltrane appeared as part of the Miles Davis group at the Newport Jazz Festival in July 1958. The band's set was recorded and released in 1964 on an LP also featuring a performance by Thelonious Monk as Miles & Monk at Newport. In 1988, Columbia reissued the material on an album called Miles & Coltrane. The performance inspired a review in Down Beat, the leading jazz magazine, that was an early indication of the differing opinions on Coltrane that would be expressed throughout the rest of his career and long after his death. The review referred to his "angry tenor," which, it said, hampered the solidarity of the Davis band. The review led directly to an article published in the magazine on October 16, 1958, in which critic Ira Gitler defended the saxophonist and coined the much-repeated phrase "sheets of sound" to describe his playing.
Coltrane's next Prestige session as a leader occurred later in July 1958 and resulted in tracks later released on the albums Standard Coltrane (1962), Stardust (1963), and Bahia (1965). All of these tracks were later compiled on a reissue called The Stardust Session. He did a final session for Prestige in December 1958, recording tracks later released on The Believer, Stardust, and Bahia. This completed his commitment to the label, and he signed to Atlantic Records, doing his first recording for his new employers on January 15, 1959, with a session on which he was co-billed with vibes player Milt Jackson, though it did not appear until 1961 with the LP Bags and Trane.
In March and April 1959, Coltrane participated with the Davis group on the album Kind of Blue. Released on August 17, 1959, this landmark album known for its "modal" playing (improvisations based on scales or "modes," rather than chords) became one of the best-selling and most-acclaimed recordings in the history of jazz. In between the sessions for the album, Coltrane began recording what would be his Atlantic Records debut, Giant Steps, released in early 1960. The album, consisting entirely of Coltrane compositions, in a sense marked his real debut as a leading jazz performer, even though the 33-year-old musician had released three previous solo albums and made numerous other recordings. His next Atlantic album, Coltrane Jazz, was mostly recorded in November and December 1959 and released in February 1961. In April 1960, he finally left the Davis band and formally launched his solo career, beginning an engagement at the Jazz Gallery in New York, accompanied by pianist Steve Kuhn (soon replaced by McCoy Tyner), bassist Steve Davis, and drummer Pete La Roca (later replaced by Billy Higgins and then Elvin Jones). During this period, he increasingly played soprano saxophone as well as tenor.
In October 1960, Coltrane recorded a series of sessions for Atlantic that would produce material for several albums, including a final track used on Coltrane Jazz and tunes used on My Favorite Things (March 1961), Coltrane Plays the Blues (July 1962), and Coltrane's Sound (June 1964). His soprano version of "My Favorite Things," from the Richard Rodgers/Oscar Hammerstein II musical The Sound of Music, would become a signature song for him. During the winter of 1960-1961, bassist Reggie Workman replaced Steve Davis in his band and saxophone and flute player Eric Dolphy, gradually became a member of the group.
In the wake of the commercial success of "My Favorite Things," Coltrane's star rose, and he was signed away from Atlantic as the flagship artist of the newly formed Impulse! Records label, an imprint of ABC-Paramount, though in May he cut a final album for Atlantic, Olé (February 1962). The following month, he completed his Impulse! debut, Africa/Brass. By this time, his playing was frequently in a style alternately dubbed "avant-garde," "free," or "The New Thing." Like Ornette Coleman, he played seemingly formless, extended solos that some listeners found tremendously impressive, and others decried as noise. In November 1961, John Tynan, writing in Down Beat, referred to Coltrane's playing as "anti-jazz." That month, however, Coltrane recorded one of his most celebrated albums, Live at the Village Vanguard, an LP paced by the 16-minute improvisation "Chasin' the Trane."
Between April and June 1962, Coltrane cut his next Impulse! studio album, another release called simply Coltrane when it appeared later in the year. Working with producer Bob Thiele, he began to do extensive studio sessions, far more than Impulse! could profitably release at the time, especially with Prestige and Atlantic still putting out their own archival albums. But the material would serve the label well after the saxophonist's untimely death. Thiele acknowledged that Coltrane's next three Impulse! albums to be released, Ballads, Duke Ellington and John Coltrane, and John Coltrane with Johnny Hartman (all 1963), were recorded at his behest to quiet the critics of Coltrane's more extreme playing. Impressions (1963), drawn from live and studio recordings made in 1962 and 1963, was a more representative effort, as was 1964's Live at Birdland, also a combination of live and studio tracks, despite its title. But Crescent, also released in 1964, seemed to find a middle ground between traditional and free playing, and was welcomed by critics. This trend was continued with 1965's A Love Supreme, one of Coltrane's best-loved albums, which earned him two Grammy nominations, for jazz composition and performance, and became his biggest-selling record. Also during the year, Impulse! released the standards collection The John Coltrane Quartet Plays... and another album of "free" playing, Ascension, as well as New Thing at Newport, a live album consisting of one side by Coltrane and the other by Archie Shepp.
1966 saw the release of the albums Kulu Se Mama and Meditations, Coltrane's last recordings to appear during his lifetime, though he had finished and approved release for his next album, Expression, the Friday before his death in July 1967. He died suddenly of liver cancer, entering the hospital on a Sunday and expiring in the early morning hours of the next day. He had left behind a considerable body of unreleased work that came out in subsequent years, including "Live" at the Village Vanguard Again! (1967), Om (1967), Cosmic Music (1968), Selflessness (1969), Transition (1969), Sun Ship (1971), Africa/Brass, Vol. 2 (1974), Interstellar Space (1974), and First Meditations (For Quartet) (1977), all on Impulse! Compilations and releases of archival live recordings brought him a series of Grammy nominations, including Best Jazz Performance for the Atlantic album The Coltrane Legacy in 1970; Best Jazz Performance, Group, and Best Jazz Performance, Soloist, for "Giant Steps" from the Atlantic album Alternate Takes in 1974; and Best Jazz Performance, Group, and Best Jazz Performance, Soloist, for Afro Blue Impressions in 1977. He won the 1981 Grammy for Best Jazz Performance, Soloist, for Bye Bye Blackbird, an album of recordings made live in Europe in 1962, and he was given the Grammy Lifetime Achievement Award in 1992, 25 years after his death.
John Coltrane is sometimes described as one of jazz's most influential musicians, but one is hard put to find followers who actually play in his style. Rather, he is influential by example, inspiring musicians to experiment, take chances, and devote themselves to their craft. The controversy about his work has never died down, but partially as a result, his name lives on and his recordings continue to remain available and to be reissued frequently.
Angel Eyes
John Coltrane Lyrics
We have lyrics for 'Angel Eyes' by these artists:
A$AD Angel Eyes, that’s what she said Twinkle Eyes, all in her…
ABBA Ah-ha-ha, ah-aaaah Ah-ha-ha, ah-aaaah Ah-ha-ha, keep thinkin…
Abbacadabra Ah-ha-ha, ah-aaaah Ah-ha-ha, ah-aaaah Ah-ha-ha, keep think…
Ace of Base I know that I'm not the first one You have…
Akina Nakamori 青い夜明けを流れる あの雲の群れ どんな空へ たどり着くか知らない まだ名前もない気持ち あふれる胸は たったひとつの …
Alisha's Attic Wish on, the love song, baby Won't come outta my mouth Wel…
Allyson Karrin I Try to think that love's not around But it's uncomfortably…
Amanda Seyfried Christine Baranski Julie Walters Ah-ha-ha Ah-ha-ha, ah-ha Ah-ha-ha Ah-ha-ha, ah-ha Ah-ha-ha …
American Gypsy Angel eyes, angel eyes Angel eyes, now don't you worry 'bou…
And One Angel eyes nothing but a fake disguise It's the only way…
Angel Eyes (Feat. Jucxi & Frankey Maxx) Ho oh There's no one above it We all need some loving S…
Angel Eyes (Layo and Bushwacka I try to think that love's not around But it's uncomfortabl…
Anita O'Day Try to think that love's not around Still it's uncomfortably…
ásdís I'm a mess, she's the best She's a ten out of…
Axel Rudi Pell Hold on, the restless and the gypsies Falling down from the…
Barney Kessel Try to think that love's not around But it´s uncomfort…
Barney Kessel Ray Brown & Shelly Manne Try to think that love's not around But it´s uncomfor…
Barney Kessel Shelley Manne & Ray Brown Try to think that love's not around But it´s uncomfort…
Barney Kessel Shelly Manne & Ray Brown Try to think that love's not around But it´s uncomfor…
Barnida gun to my head noose around my neck i can almost see…
Barrett Baber Girl, you′re looking fine tonight And every guy has got you…
Barry Manilow Try to think that love's not around Still it's uncomfortabl…
Beres Hammond cho Your eyes show me everything All I need to know about…
Bo Rocha I can feel an imaging missing You've come a long way…
Bob Cooper Try to think that love's not around But it's uncom…
Bobby Caldwell Try to think that love's not around Still it's uncomfortabl…
Bombay Vikings Angel Eyes Angel Eyes Inkaar mein bhi koi ikraar ka…
Bridgewater Dee Dee Try to think that love's not around Still it's uncomfortabl…
Brisk & Ham VOX 1 Ah yeah, uh uh VERSE 1 Last night as I lay…
Brisk feat. Ham VOX 1 Ah yeah, uh uh VERSE 1 Last night as I lay…
Bruce Springsteen The angel rides with hunchbacked children, poison oozing fro…
Bryan Ferry Oh angel eyes, am I deceived or did you sigh? For…
Bryan Ferry Roxy Music Oh angel eyes, am I deceived or did you sigh? For…
Bryan Ferry & Roxy Music Angel eyes, am I deceived or did you sigh? For all…
Bryan Ferry (with Roxy Music) Oh angel eyes, am I deceived or did you sigh? For…
Buzz Poets He walked the Earth above the ground. His smile as wide…
Carol Kidd Try to think love′s not around But it's uncomfortably near I…
Carol Sloane Try to think that love's not around Still it's uncomfortably…
Cast Of Ah ha ha, keep thinking 'bout his angel eyes I keep…
Chanda Rule Try to think that love's not around But it's uncomfortably n…
Chet Baker When I fall in love it will be forever Or I'll…
Chris Conner Try to think that love's not around Still it's uncomfortabl…
Chris Connor Try to think that love's not around Still it's uncomfortably…
Christine Baranski Ah-ha-ha Ah-ha-ha, ah-ha Ah-ha-ha Ah-ha-ha, ah-ha Ah-ha-ha …
Christy June Try to think that love's not around Still it's uncomfortably…
Cinnamon angel eyes like i diamond in skies growing brightly in the d…
Cleo Laine & Mel Torme Try to think that love's not around Still it's uncomfortably…
Cleo Laine and Mel Torme Try to think that love's not around Still it's uncomfortabl…
Cliff Wedge [Intro:] Oh na na yeh Oh na na yeh Oh na yeh oh Oh…
Connie Francis Try to think that love's not around Still it's uncomfortably…
Count Basie & Sarah Vaughan Hey drink up all you people Order anything you see And have…
Count Basie Orchestra Hey drink up all you people Order anything you see And hav…
Count Basie/Count Basie Orchestra/Frank Sinatra Hey drink up all you people Order anything you see And have…
Curtis Lee Pretty little angel eyes Pretty little angel eyes Pretty lit…
Cut Copy Angel eyes, am I deceived or did you sigh? For all…
Czars Last night I was Taking a walk along the river And I…
Dee Dee Bridgewater Try to think that love's not around Still it's uncomfortably…
derek smyth You came like a storm in my desert sky You saved…
Devin & Stephen You were walking Down this lonely road Then you finally foun…
Die Amigos (Angel Eyes) (Angel Eyes) Das er ging Tat dir weh Ich will …
Dino Jelušić angel, eyes I've been thinking about you since I saw your be…
DJ R. Gee vs. Mario Lopez Last night as I lay dreamin' This stranges kinda feelin' Rev…
Duke Ellington & His Orchestra/Ella Fitzgerald I try to think that love's not around But it's uncomfortably…
E-Rotic Last night I was Taking a walk along the river And I…
Ella & Louis I try to think that love's not around But it's uncomfortably…
Ella Fitzgerald Try to think that love´s not around But it&…
ella fitzgerald & bushwacka! I try to think that love's not around But it's uncomfortabl…
Ella Fitzgerald & Duke Ellington & His Orchestra I try to think that love's not around But it's uncomfortably…
Ella Fitzgerald The Roy Eldridge Sextet Try to think that love's not around But it´s uncomfor…
Ella Fitzgerald/Frank Sinatra I try to think that love's not around But it's uncomfortably…
Ellis Don I try to think that love's not around But it's uncomfortabl…
Emmylou Harris (Rodney Crowell) Angel eyes, angel eyes The ways of the wor…
Emmylou Harris & Willie Nelson Angel eyes angel eyes The ways of the world are feeble Don't…
Eric Paslay She likes whiskey with her water She starts dancing when the…
Escon The way you move, the way you live You're like an…
Fancy Warm like a desert sun Blue like an ocean Deep in your…
fern. Maybe I'm, maybe I'm calling, calling, calling Jus…
Fiction Plane Woohoo Yeah, ah, oh, oh Walk through the city The girls are …
Forgotten Tales From the place where I stand, I wished I'd be with…
Four Freshmen and Five Trombones Try to think that love's not around Still it's uncomfortably…
Frank Sinatra Writer(s): Dennis/Brent Hey drink up all you people Order …
Frank Sinatra & Count Basie Hey, drink up all you people Order anything you see Have fun…
Frank Sinatra & Count Basie and His Orchestra Hey drink up all you people Order anything you see And hav…
Frank Sinatra & Ella Fitzgerald I try to think that love's not around But it's uncomfortably…
Frank Sinatra & The Count Basie Orchestra Hey drink up all you people Order anything you see And have…
Frank Sinatra - Nelson Riddle Hey, drink up all you people Order anything you see Have fun…
Frank Sinatra And Count Basie Orchestra Hey drink up all you people Order anything you see And have…
Frank Sinatra with Count Basie & the Orchestra I try to think that love's not around But it's uncomfortably…
Frank Sinatra with Count Basie and the Orchestra Hey drink up all you people Order anything you see And hav…
Frank Sinatra/Musicfire.in Hey drink up all you people And order anything you see Hav…
Frankey Maxx Ho oh There's no one above it We all need some loving S…
Fur Angel eyes Why won't you let me apologize? Did you forg…
Gavin DeGraw Girl your lookin' fine tonight And every guy has got you…
George A. Johnson Jr Try to think that love's not around But it´s uncomfor…
GOSTO try to think loves not around still its unbearably near my o…
Graham BLVD Girl, you're looking fine tonight And every guy has got you…
Great Jazz Trio/Hank Jones Try to think that love's not around But it´s uncomfort…
Hank Jones Mads Vinding Billy Hart Try to think that love's not around But it´s uncomfor…
Harisu Romaji by: Kawaii_Jessi (Rum) A.N.G.E.L. sou, minna M.V.…
Healey Band Jeff Girl, you're lookin' so good tonight And every guy has got…
Healey Jeff Girl, you're looking fine tonight And every guy has got you…
Heartsdales (R) A.N.G.E.L. そう、みんなのM.V.P 人気者はV.I.P 目指すはT.O.P! LIGHTS, …
Herb Ellis / Joe Pass Try to think that love's not around But it´s uncomfort…
Highway Bros She likes whiskey with her water She starts dancing when the…
Ilse DeLange Boy, you're looking fine tonight And every girl's got you i…
Imperatore When the dark passes by And it curtains my sight Clutching a…
Intwine Seen my soul walk away As I lay down to sleep…
J-Hype Every moment I see you My heart skips a beat can…
Jack Jones Try to think that love´s not around But it´s uncomfortably n…
Jackie & Roy Try to think that love's not around But it´s uncomfort…
Jeff Healey Girl, you're looking fine tonight And every guy has got you…
Jeff Healy Girl, you're looking fine tonight, And every guy has got you…
Jeff Timmons Couldn't see the danger When she walked in the room A smoo…
Jerry Cantrell Homely, thick in mind, never listen Worn, tired siren drawn …
Jim Brickman I am amazed When I look at you And see your angel…
Jimmy Scott Try to think that love's not around Still it's uncomfortably…
Jimmy White The kindest eyes I've ever seen, The sweetest smile I've…
John Hiatt Girl, you're looking fine tonight And every fella's got you …
Johnny Mathis Try to think that love's not around Still it's uncomfortably…
Jones Jack Every time it rains It rains pennies from heaven Don't you…
Jordan Solomon I mean, let me just say Girl, you like my Beamer You…
Julie London Try to think that love's not around Still it's uncomfortabl…
Julie Walters Ah-ha-ha Ah-ha-ha, ah-ha Ah-ha-ha Ah-ha-ha, ah-ha Ah-ha-ha …
June Christy Try to think that love's not around Still it's uncomfortably…
June Christy / Stan Kenton Try to think that love's not around Still it's uncomfortabl…
k.d. lang Ho oh There's no one above it We all need some loving S…
Karrin Allyson I Try to think that love's not around But it's uncomfortably…
Kat Edmonson Try to think That loves not around Still it's uncomfortably …
Kharma Through the dawn I see The morning light grow strong Outside…
Kiki Dee How can something pure and tender In the many lives I…
Kiyotaka Sugiyama What a nice surprise Every time that I look into your eyes I…
Kurt Darren She blinded me with her light It's such a beautiful sight Th…
LAWRENCE Steve Try to think that love's not around Still it's uncomfortably…
LE$ Angel eyes Move up energise beam on down to the…
Len Mercer When I fall in love it will be forever Or I'll…
Lewis Furey (Angels) You are an angel, dare You mess around down there …
Lime Move up, energize Beam on down to the other side Move down,…
Little Steven She sits by her window I watch her there She makes…
little steven the disciples of soul She sits by her window I watch her there She makes…
Little Steven & The Disciples of Soul She sits by her window I watch her there She makes…
Lo To this day I don't know how you did it Yeah…
Love and Theft She likes whiskey with her water She starts dancing when the…
M-T Howmanylies in your angel eyes ため息だけその名前を 何度も呼んだ冬の peak 夢の中で…
m.o.v.e Tameiki dake sono namae o nando mo yonda fuyu no…
m.o.v.eムーヴ Howmanylies in your angel eyes ため息だけその名前を 何度も呼んだ冬の peak 夢の中で…
Maddes & Maddes Angel Eyes, Angel Eyes Angel Eyes, Angel Eyes Angel Eyes, An…
Mamma Mia Here we go again Ah ha ha, keep thinking 'bout his angel eyes I keep…
Mamma Mia! Here We Go Again Film Cast Feat. Amanda Seyfried Christine Baranski & Julie Walters Ah-ha-ha Ah-ha-ha, ah-ha Ah-ha-ha Ah-ha-ha, ah-ha Ah-ha-ha …
Marc Collis She sets her watch to the broken clock inside my…
Mario Lopez Last night as I lay dreamin' This stranges kinda feelin' Rev…
Mark Murphy Try to think that love's not around Still it's uncomfortably…
Mark Murphy (born 1932) Try to think that love's not around Still it's uncomfortabl…
Marwood's Fall Still do I curse the day that my heart fell…
Matt Dennis Try to think that love's not around But it's uncomfortably n…
Mel Tormé Try to think that love's not around Still it's uncomfortably…
Mel Torme & Cleo Laine Try to think that love's not around Still it's uncomfortabl…
Michael Learns to Rock She blinded me with her light It's such a beautiful sight Th…
Mike Figgis Have you ever had the feeling That the world's gone and…
Mina A single gaze I'm lost in a maze No where to run No…
Morris I need your love angel eyes It doesn′t matter, If you are…
Murphy Mark Try to think that love's not around Still it's uncomfortably…
NateTaylorr Relax I know you ain't a Angel like you say you…
NCT 127 Yeah, yeah, yeah, yeah, yeah 외로운 나의 낮, 어두운 나의 밤 날…
Neil Sedaka Try to think that love's not around Still it's uncomfortably…
New Grass Revival Girl, You're lookin' mighty fine tonight, Every fellow's go…
New Years Day Ashley Costello There's something about you I canno…
New Years Day Feat. Chris Motionless Ashley There's something about you I cannot explain …
Nick Merico I know you′re feeling all this envy You know we didn't…
Nicola Arigliano Try to think that love's not around Still it's uncomfortabl…
Night Horse Angel eyes, I caught you stealing in the night, when…
O-Shen Howmanylies in your angel eyes ため息だけその名前を 何度も呼んだ冬の peak 夢の中で…
Olivia (Brazil) Tossing and turning last night I was burning For you…
Olivia Newton-John (Macauley/Potger) Tossing and turning last night I was burn…
Paulini Hey good lookin', good tonight, and every girl has got…
Pete Rugolo and His Orchestra Try to think that love's not around Still it's uncomfortabl…
Peter & Ella I try to think that love's not around But it's uncomfortably…
Piano She woke me up when I was deep asleep Pulled me…
Play N Skillz Feat. Akon Akon, Plaaay-N-Skillz Yeaahh, Yeahhh, [Chorus: Ako…
Raghav There's no one above it We all need some lovin' Some kissin'…
Raghav Feat. Redman Ho... Oh... (Jucxi & Frankey Maxx Intro) There's no on…
Raghav Mathur feat. Jucxi, Frankey Maxx Oad "Angel Eyes" Ringtone "Angel Eyes" (Feat. Jucxi & Franke…
Raven Black Night She had gypsy eyes The type that make you want to…
Ray Brown Try to think that love's not around But it´s uncomfort…
Rebecka Törnqvist (E.Brent/M.Dennis) Try to think that love's not around, st…
Red Norvo Quintet Hey drink up all you people Order anything you see And hav…
RETROGLYPHS Are you not heaven sent Have you stopped wandering Where's m…
Riot Maybe nobody told you, you don'T know whi I am I'm…
Roberta Flack Try to think that love's not around Still it's uncomfortably…
Roxy Music Angel eyes, am I deceived or did you sigh? For all…
Rue du Soleil MLTR Blue Night Angel Eyes She blinded me with her light It…
Sadistik (Verse 1 - Sadistik) Try to find a place in lines…
Sadri Nachtsicht, Angel Eyes Flieg' durch Kreuzberg 3-6-1 Grüne We…
Sakura 愛しい恋人よ もう泣かないで 私のこの声が あなたには聞こえるでしょう? いつもと変わらない朝 生まれたての羽根…
Scapegoat Sinking in the eyes of an angel I fight to…
Shaggy Try to think that love's not around Still, it's uncomfortabl…
Shirley Bassey Try to think that love's not around Still it's uncomfortabl…
Skylar His name was Joe Sweet talk and flow They met by the…
Sonny Stitt Try to think that love's not around But it´s uncomfort…
Stan Kenton Try to think that love's not around Still it's uncomfortably…
Steelheart Angel Eyes (I'll Never Let You Go ) Ch1 I'll never let…
Steve Lawrence Try to think that love's not around Still it's uncomfortably…
Sting Have you ever had the feeling That the world's gone and…
Stitt Sonny Try to think that love's not around But it´s uncomfort…
Strypes The He walks inside, steals a wink, You try to explain, but…
Submotion Orchestra Time, without a purpose Sure found ways, to test my patienc…
Sugiyama Kiyotaka What a nice surprise Every time that I look into your eyes I…
Tamara Walker Angel eyes..see the glory. Angel eyes..know the story. The…
Taxicab Racers Hope is alive in these angel eyes tonight Are we bringing…
The Czars Last night I was taking a walk along the river When…
The Doe and the Scapegoat Sinking in the eyes of an angel I fight to rise…
The Four Freshmen Try to think that love's not around Still it's uncomfortably…
The J.J. Johnson Quintet Every moment I see you My heart skips a beat can…
The Jazz Passengers So drink up all you people. Order, order anything you pleas…
The Jeff Healey Band Girl, you're looking fine tonight And every guy has got you…
The Poll Winners: Barney Kessel Shelly Manne and Ray Brown Try to think that love's not around But it´s uncomfort…
The Sonny Stitt Quartet Try to think that love's not around But it´s uncomfor…
The Strypes He walks inside, steals a wink, You try to explain, but…
The Violet Stones All that's left it to fade away All that's done has…
Theresa Sokyrka Try to think that love's not around Still it's uncomfortably…
Tony Bennett Hey drink up all you people And order anything you see Hav…
Top Suzara There is no reason That I can think of Or I could…
Walker Tamara Angel eyes..see the glory. Angel eyes..know the story. The…
WANYI Cards all on the table Don’t have anything to lose You look…
Waterfall Angel eyes Angel eyes Angel eyes Angel eyes And if you need…
Wet Wet Wet I pay the price for cheap advice Sick of leaving in…
Willie Nelson Angel eyes angel eyes The ways of the world are feeble Don't…
Willie Nelson (with Emmylou Harris) Angel eyes angel eyes The ways of the world are feeble Don…
Willie Nelson feat. Ray Charles Angel eyes angel eyes The ways of the world are feeble Don't…
Willie Nelson;Emmylou Harris Angel eyes angel eyes The ways of the world are feeble Don…
Willis Alan Ramsey Look in any corner Look in any place Look in any city Fin…
Willy DeVille Angel baby, you're the strength in my life And when we…
Wilson Nancy Try to think that love's not around Still it's uncomfortably…
Worldwide Groove Corporation Try to think that love′s not around Still it's uncomfortably…
Worldwide Groove Corporation feat. Ingrid DuMosch Try to think that love's not around Still it's uncomfortably…
Wynton Marsalis She blinded me with her light It's such a beautiful sight …
Yore I remember the first time you caught me With every breath…
Лучшая новогодняя музыка - ABBA Ah-ha-ha, ah-aaaah Ah-ha-ha, ah-aaaah Ah-ha-ha, keep thinkin…
Новогодние и рождественские песни Frank Sinatra Hey drink up all you people Order anything you see And hav…
♪ Barry Manilow Try to think that love's not around Still it's uncomfortab…
中森明菜 青い夜明けを流れる あの雲の群れ どんな空へ たどり着くか知らない まだ名前もない気持ち あふれる胸は …
杉山清貴 What a nice surprise Every time that I look into your eyes I…
荻野目洋子 こわれかけた瞬間に 想いが夢にのぼりつめた 肩をそらす仕草から 過ぎ行くシーン確かめていた いつの間に OH OH 別れ…
趙寬友 Last night I was Taking a walk along the river And I…
We have lyrics for these tracks by John Coltrane:
'Round Midnight It begins to tell, 'round midnight, midnight. I do pretty we…
01. Stairway to the Stars Let's build a stairway to the stars And climb that stairway…
09 Spring Is Here Spring is here! Why doesn't my heart go dancing? Spring is…
1Bye Bye Blackbird No one here can love or understand me Oh, what hard…
4 Of the wonderful things that you get out of life…
A Love Supreme A love supreme…
A Love Supreme Pt. 3: Pursuance Chant-like: A love supreme Supreme, supreme…
A Love Supreme Pt. I A love supreme…
Africa I hear the drums echoing tonight But she hears only whisper…
Afro Blue Newton-John Olivia Xanadu Magic (Olivia Newton-John) Come…
After the Rain Behind your eyes, dark clouds are formin' I see his memory…
Ain Though folks with good intentions Tell me to save my tears W…
Alabama Moonlight and magnolia, starlight in your hair All the world…
All or Nothing At All All or nothing at all Half a love, never appealed to…
Angelica Angelica cuando te nombro Me vuelve a la memoria Un…
Ascension Part I A love supreme…
Autumn Leaves The falling leaves drift by the window The autumn leaves of…
Autumn Serenade Through the trees comes autumn with her serenade. Melodies t…
Bakai John Coltrane - tenor saxophone Johnnie Splawn - trumpet S…
Black Pearls Hey I've been runnin' Since I don't know when Runnin' i…
Body and Soul My heart is sad and lonely For you I sigh, for…
But Not for Me Old man sunshine listen you Never tell me dreams come true J…
Bye No one here can love or understand me Oh, what hard…
Bye_Bye_Blackbird No one here can love or understand me Oh, what hard…
Centerpiece The more I'm with you pretty baby The more I feel…
Chronic Blues There's no point in asking You'll get no reply Oh just rem…
Could Write A Book If they ask me, I could write a book About the…
Countdown [Instrumental]…
Dear Old Stockholm Dear old Southland I hear you calling me. And I long…
Dear Old Stockholm* Dear old Southland I hear you calling me. And I long…
Dedicated to You If I should write a book for you That brought me…
Don Ever since the lucky night I found you I've hung around…
Don't Blame Me Ever since the lucky night I found you I've hung around…
Easy to Love I know too well that I'm just wasting precious time In…
Equinox Meet me on the Equinox Meet me half way When the sun…
Exactly Like You I used to have a perfect sweetheart Not a real one,…
Falling In Love With Love I weave with brightly colored strings To keep my mind off…
Four Of the wonderful things that you get out of life…
From this moment on From this moment on You for me, dear Only two for tea,…
Giant Steps [Instrumental]…
How Deep Is the Ocean How much do I love you? I'll tell you no lie How…
How Deep Is the Ocean? How much do I love you? I'll tell you no lie How…
Hown Long Has This Been Going on As a tot, when I trotted in little velvet panties, I…
I I wish I knew someone like you could love me I…
I Could Write A Book If they ask me, I could write a book About the…
I got it bad Though folks with good intentions Tell me to save my tears W…
i mean you I'll get by As long as I have you Though there be…
I Never Knew You, get me feelin' crazy There always on my mind And I…
I Wish I Knew I wish I knew someone like you could love me I…
I'll Get By I'll get by As long as I have you Though there be…
If I Ask me how do I feel, Now that we're cosy and…
If There Is Someone Lovelier Than You If there is someone lovelier than you Then I am blind,…
If There is Someone Lovelier You If there is someone lovelier than you Then I am blind,…
In a Sentimental Mood In a Sentimental Mood I can see The stars come through…
It Might as Well Be Spring I'm as restless as a willow in a windstorm I'm as…
It's a Good Day Though folks with good intentions Tell me to save my tears W…
Jupiter Searching in the sky one night, while looking for the…
Just for the Love Love for sale Appetizing young love for sale Love that's fre…
Just Friends Just friends, lovers no more Just friends, but not like befo…
Just Squeeze Me Want you to know I go for your squeezin' Want you…
Just You Just you, just me Let's find a cozy spot To cuddle and…
Just You Just Me Just you, just me Let's find a cozy spot To cuddle and…
Just YouJust Me Just you, just me Let's find a cozy spot To cuddle and…
Like Someone in Love Lately, I find myself out gazing at stars, Hearing guitars…
Limehouse Blues And those weird China blues Never go away Sad, mad blues For…
Little Old Lady Little old lady passing by Catching everyone's eye You hav…
Love The very thought of you makes my heart sing Like an…
Love for Sale Love for sale Appetizing young love for sale Love that's fre…
Love Is Everywhere There is no greater love Than what I feel for you No…
Love Supreme Pt. 1: Acknowledgement Chant-like: A love supreme Supreme, supreme…
Love Thy Neigbor Love thy neighbor, Walk up and say "How be ya Gee! But…
Love Thy Neighbour "Love thy neighbor and you will find your labor A great…
Lover You went away I let you We broke the ties that bind I…
Lush Life I used to visit all the very gay places Those come-what-may…
Miles Point me at the red planet I want to get my…
Moment From this moment on You for me, dear Only two for tea,…
Mr. P.C. [Instrumental]…
My Favorite Things Raindrops on roses and Whiskers on kittens Bright copper ket…
My Little Brown Book ""My little brown book With the silver binding How it…
My One And Only Love The very thought of you makes my heart sing Like an…
Naima [Instrumental]…
Nature Boy There was a boy A very strange Enchanted boy They say he…
On Green Dolphin Street It seems like a dream, yet I know it happened A…
On It They say that falling love is wonderful It's wonderful, so t…
Once in a While Once in a while will you try to give One little…
One And Only Love The very thought of you makes my heart sing Like an…
One By One I wish I knew someone like you could love me I…
Part 1 A love supreme…
Polka Dots and Moonbeams A country dance was being held in a garden I felt…
Rise Rise 'n' shine, Stand up and take it! Rise 'n' shine, Lif…
Round About Midnight It begins to tell, 'round midnight, midnight. I do pretty we…
Saturn I ask Him when will I be free He said…
Solitude In my solitude You haunt me With dreadful ease Of days gone …
Something I Dreamed Last Night I can't believe that you're not here with me To have…
Speak Low Speak low when you speak, love, Our summer day withers away…
Spiral [Instrumental]…
Spiritual Jesus I don't wanna die alone Jesus, oh Jesus I don't wan…
Spring Is Here Spring is here! Why doesn't my heart go dancing? Spring is…
Stairway To The Stars Let's build a stairway to the stars And climb that stairway…
Stardust And now the purple dusk of twilight time Steals across the…
Stars Fell on Alabama Moonlight and magnolia, starlight in your hair All the world…
Stella By Stardust The song a robin sings Through years of endless springs The …
Summertime Summertime and the livin' is easy Fish are jumpin' and the…
Sweet and Lovely Sweet and lovely sweeter than the roses in May Sweet and…
Syeeda's Song Flute [Instrumental]…
The Believer Never mind all the things you heard about me You're never…
The Way You Look Tonight There was a time I was everything and nothing all in…
Then I You look at me and wonder, you look at me…
There Is No Greater Love There is no greater love Than what I feel for you No…
They Say It They say that falling love is wonderful It's wonderful, so …
They Say It's Wonderful They say that falling love is wonderful So wonderful, so the…
To Be You look at me and wonder, you look at me…
Vigil Our father thy will be done. I have denied this life…
Violets for Your Furs [Instrumental]…
When Lights Are Low Listen to the melody entrancing Blending in a soft and sweet…
Why Was I Born Spending these lonesome evenings With nothing to do But to l…
Why Was I Born? Spending these lonesome evenings With nothing to do But to…
You Are Too Beautiful You are too beautiful, my dear, to be true And I…
You are too beautifull You are too beautiful, my dear, to be true And I…
You Go to My Head You go to my head And you linger like a haunting…
You Leave Me Breathless If our love was a fairy tale I would charge in…
You're A Weaver Of Dreams You're a weaver of dreams You and your strange fascination …
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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