Though he was a primary guitarist, he also co-wrote eight Billboard Number One songs such as: "Sara Smile" (with Daryl Hall) , "You Make My Dreams" (with Sara Allen & Daryl Hall), "She's Gone" (with Daryl Hall), "I Can't Go For That (No Can Do)" (with Sara Allen & Daryl Hall), "Maneater" (with Sara Allen & Daryl Hall), "Out of Touch" (with Daryl Hall), "Everytime You Go Away" (with Daryl Hall - as covered by Paul Young) and "Adult Education" (with Daryl Hall & Sara Allen).
He also sang lead vocals and has written or co-written a few less popular singles that did not make it to the Billboard's Top 10 such as: "How Does It Feel to Be Back", "You've Lost That Loving Feeling" and "Possession Obsession" (with Sara Allen & Daryl Hall). In addition to his work with Hall, Oates co-wrote and sang back-up on the song "Electric Blue" by the band Icehouse which was a Billboard Top Ten hit.
Complete BIO From JohnOates.com
John Oates was destined to be a musician. Singing from the time he could talk and playing the guitar since the age of five, his calling in life was never in question. Born in New York City, his family moved to a small town outside of Philadelphia Pennsylvania in the early 50′s…. a move that would change the course of his life. Like most kids at that time, the impact of the early days of rock left an lasting impression on John. At the age of four he witnessed his first live concert: Bill Haley and the Comets playing their classic rockabilly hits at a local amusement park. Then there were the records…
He began to collect 45 rpm singles …treasures from Little Richard, Chuck Berry, the Everly Brothers, Gary U.S. Bonds and of course, Elvis. He spent countless hours twisting the dial on his AM transistor radio trying to tune in the local R&B stations and listening to DJs like Jerry Blavat spinning obscure Doo Wop records and B sides.
When it came to influences John was open to more than just the top 40 hits…his friends’ older brother turned him on to the nascent folk music scene that began to sweep the country in the early 60′s. John’s interest in traditional American music began and he immersed himself in the Child’s Ballads, Joan Baez, Rev. Gary Davis, Dave Von Ronk and all the rediscovered bluesmen who began to make appearances at the Newport and Philadelphia folk festivals. Absorbing it all developed a kind of musical split personality. One night he might be wearing a shark skin suit playing everything from Doo Wop covers to the big R&B hits of the day with his band and the next night he would be playing his acoustic guitar in a local coffee house singing Appalachian folk ballads…to this day the very same roots and influences still can be heard in John’s original playing and singing style.
In the late 60′s John moved to Philadelphia to attend Temple University and check out the city’s music scene. In 1966 he wrote and recorded his first single “I Need Your Love” which was released on the label owned by a local music store called the Record Museum. The song was arranged by Bobby Martin who at the time was producing and arranging for Gamble and Huff. The single received airplay on Philly’s R&B radio stations and John began to divide his time between being a student and a professional musician.
Around the same time he met an influential guitar player/ teacher named Jerry Ricks who had spent time on the road with Mississippi John Hurt and Son House. Jerry took John under his wing and introduced him to many of the newly rediscover folk performers, such as Doc Watson, Sonny Terry and Brownie McGee and Mississippi John for whom Philadelphia’s folk venues, like the Second Fret and Main Point, were frequent stops in their concert schedules.
John had the unique opportunity to play alongside some of these seminal musicians learning first hand, their finger picking and flat picking styles.
When John first met Daryl Hall it was their mutual love for urban rhythm and blues blended with the more rural roots of American music that created their unique sound.
Since the formation of their partnership in the early 70′s Hall & Oates have gone on to record 21 albums which have sold over 80 million units making them the most successful duo in rock history. They have scored 10 number one records, over 20 top 40 hits and have toured the world for decades. Their involvement in the original “Live Aid” concert and the ground breaking “We Are The World” charity recording have further established them as legendary artists who have personally and through their music, stood the test of time. Their influence on modern pop music has been cited by numerous contemporary bands, like the Gym Class Heroes and the Killers, who have credited and acknowledged H&O’s considerable contribution to American music.
In addition to their numerous American Music and MTV awards, in 2005 they were inducted into the American Songwriters Hall of Fame and in May of 2008 will were presented the prestigious BMI Icon Award for their outstanding career achievement in song writing.
John continues to support many national and local charities. He has recorded three solo albums, the most recent entitled “Mississippi Mile”, in Nashville featuring an amazing collection of some of the world’s top musicians.
In 2009, in association with the Historic Wheeler Opera House in Aspen Colorado, John created a singer/songwriter series entitled: The Stories Behind the Songs”. Performing with Patty Griffin, Tift Merritt, Jimmy Wayne and other well known songwriters in an acoustic setting. The series was such an overwhelming success that it has been expanded into an annual event.
7908 THE ASPEN SONGWRITERS FESTIVAL
The festival, now in its third year, takes place in Aspen Colorado and has featured songwriters such as: Keb Mo, Shawn Colvin, Allen Toussaint, Matt Nathenson, Jim Lauderdale, Kenny Loggins, Gary Burr and many others.
When, not touring with his solo show or with Daryl Hall, he divides his time between Nashville and his ranch in the Rocky Mountains of Colorado, with his wife and son along with 3 dogs, a flock of Emus, Llamas and Alpacas. In his free time he enjoys driving his tractor, riding his mountain bike, hiking the backcountry and telemark skiing.
People Get Ready
John Oates Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You don't need no baggage you just get on board
All you need is faith to hear diesels a-humming
You don't need no ticket you just thank the Lord
Yeah yeah yeah
People get ready for the train to Jordan
Picking up passengers from coast to coast
There's room for all of the loved and lost
Yeah yeah
Now there ain't no room for the hopeless sinner
Who's hard on mankind just to save his own
Have pity on those whose chances are thinner
'Cause there's no hiding place from the Kingdom's Throne
Oh people get ready there's a train a-comin'
You don't need no baggage you just get on board
All you need is faith to hear diesels a-humming
Don't need no ticket you just thank the Lord
Yeah yeah yeah
I'm getting ready I'm ready
Oh I'm getting ready I'm ready
John Oates's "People Get Ready" song was originally written and performed by the famous gospel singer Curtis Mayfield. The song lyrics invite all people, with no exclusion, to ready themselves for the coming of the train, which symbolizes the rapture, and do not discriminate or prepare only for themselves. The train is headed for Jordan, picking up passengers across the country. The singer emphasizes that all one needs to do to board the train is to have faith and trust in the Lord without the need for any ticket or baggage. Those who have heavily sinned may not find any space on the train, and they should pity those with less chance, as no place can shield them from the judgment day.
The song portrays a message of hope and a reminder of the importance of living right and having faith. The idea of the song is based on a prevalent spiritual metaphor in African American churches, which alludes to the rapture, the day of the second coming of Christ. "People get ready" implies that people should prepare for the rapture and that it is critical to lead a righteous and faithful life.
Line by Line Meaning
People get ready there's a train a-comin'
Everybody needs to prepare for the arrival of the train that is on its way.
You don't need no baggage you just get on board
You do not have to carry anything with you, simply step on the train.
All you need is faith to hear diesels a-humming
You only have to believe to hear the sound of the engine of the train.
You don't need no ticket you just thank the Lord
You do not have to pay any money to get on the train, just be grateful.
People get ready for the train to Jordan
Everybody should get excited for the train that is going to Jordan.
Picking up passengers from coast to coast
The train will stop at various locations to pick up more passengers from all over the country.
Faith is the key open the doors and board them
Believing is the answer to unlocking the doors that lead onto the train.
There's room for all of the loved and lost
The train has enough space to accommodate everyone, regardless of their background or circumstances.
Now there ain't no room for the hopeless sinner
People who have given up on themselves and others will not find room on the train.
Who's hard on mankind just to save his own
People who only care about themselves at the expense of others will not be allowed on the train.
Have pity on those whose chances are thinner
We should feel sympathy for those who have fewer opportunities to get on the train.
'Cause there's no hiding place from the Kingdom's Throne
There is no place to hide from the authority of the Kingdom, so we must make the right choices.
I'm getting ready I'm ready
The singer is preparing and eager to get on the train.
Oh I'm getting ready I'm ready
The singer is emphasizing their enthusiasm and readiness to board the train.
Contributed by Camden N. Suggest a correction in the comments below.
Marie Boide
Thank you for this very good sharing, i love it😍😍😍💓💓💓💓💖💖💖💥💥