John Parr's first entrance in to music was when he was 12-years-old and devised a band with two fellow schoolmates, which they named The Silence. The band enjoyed considerable success in the U.K. as the years went on. They eventually became professional and started to tour Europe. When Parr left the band, he joined a group called Ponders End. The progressive rock outfit picked up praise in the 70s as the 'best live act around' in Newcastle, along with the Dire Straits. In the end, however, they did not make a record deal, and the band's chapter in history closed, despite their local fame, without much fanfare.
Parr secured a publishing deal with Carlin Music in 1983, and American rocker and performer Meat Loaf asked him to write some songs for his new album in the same year. That led to the fateful meeting with John Wolfe (manager of The Who). Foreseeing the demise of The Who, a band that had been adrift upon the death of drummer Keith Moon, Wolfe was looking for a new venture and Parr seemed to be the one. The year of 1984 was Parr's first trip to America. He worked with Meat Loaf on the album 'Bad Attitude' while Wolfe was putting finishing touches on Parr's recording deal in New York.
The spirited arena rock track "Naughty Naughty" became Parr's first U.S. top 40 hit record, the single pushing his 1984 debut album, titled simply 'John Parr', up to #48 on the prestigious Billboard 200 chart. The song built his career up very quickly by achieving top three positions on rock station after rock station in America for up to six weeks. Then, 1985 saw him on the road with the band "The Business" (not to be confused with the British punk outfit of the same name), supporting fellow progressive rockers Toto and playing 10,000-seater venues across America. Though lightening didn't quite strike twice, Parr's tune "Magical" hit a respectable #28 on Billboard's Mainstream Rock chart, giving him some momentum. By the end of the tour, Parr had a call from one of the world's most successful producers, David Foster, that would be a key moment in his career
Foster requested Parr help with the soundtrack for the movie 'St. Elmo's Fire', a film featuring the popular 'brat pack' group of performers such as Demi Moore and Rob Lowe. "St. Elmo's Fire (Man in Motion)" was the result, a song that fit in well with the movie yet also had an important history as it was also written on behalf of Canadian wheelchair athlete Rick Hansen (the 'man in motion'). The song became a #1 hit for Parr in the United States while additionally reaching the top 40 in over six different nations. Though Parr would create many songs later on, over the years, the tune has become his 'signature song'.
Parr notably co-wrote "Under a Raging Moon" for Roger Daltrey, a song that paid tribute to the late Keith Moon while also telling the general story of The Who. The parent album became Roger Daltrey's biggest solo success in America. In 1986, Parr joined up with Marilyn Martin to sing the duet "Through the Night (Love Song from Quicksilver)", a part of the soundtrack to the cycling-themed Kevin Bacon movie of the same name. Though earning some critical praise, the album was only moderately successful commercially.
Parr additionally wrote and produced further tracks for Marylin's debut album, including her popular tune "Night Moves". After the success of Meat Loaf's mid-80s work, Parr got out in front once again with the song "Rock & Roll Mercenaries". From there, he began work with Albert Magnili (director of the film 'Purple Rain') on the movie 'American Anthem'; Parr wrote and performed the main theme, a number titled "Two Hearts". Though he maintained his own supportive fan base, he found mainstream commercial success to the degree of "St. Elmo's Fire" elusive.
The Pepsi Company and Jack Calmes Satellite TV Corporation wanted to try something new, specifically a gig from London beamed live across America, Japan & Australia on the college Satellite Network, in the late 1980s. Parr ended up serving as the featured act, having done two similar shows before (one from the Olympic Stadium in Los Angeles where the flame was lit for a special performance of St. Elmo's Fire and was beamed live for Japan as well as the New Year Christmas Show from London). The special ended up being a great success, reaching almost 50-million people and making broadcast history for the network.
Another dream came true for John Parr in 1988 when he was offered to collaborate with one of the most successful record producers ever. Robert John "Mutt" Lange, who had assisted with hard rock mega-hit albums such as AC/DC's 'Highway to Hell' and Def Leppard's 'Hysteria', agreed with work with Parr. Lange and Parr produced the self-titled debut album for the British blues rock outfit Romeo's Daughter, a work that earned mixed popular success yet had strong critical acclaim.
Nonetheless, when the 80s began to come to a close, Parr's fortunes declined as the arena-ready pop rock and progressive rock that he had produced fell out of style in favor of alternative rock and grunge music. Parr soldiered on, even trying his hand at commercial jingle writing in the 90s. Though saddled with the 'two hit wonder' label due to the outside success of his "Naughty Naughty" and "St. Elmo's Fire (Man in Motion)" singles commercially, Parr has kept on touring over the years, and he more recently joined the musical project known as Acoustic Fever alongside Herman Rarebell (from Scorpions), Bobby Kimball (from Toto), and others, touring in locations such as Hannover, Germany in 2014.
Website: http://www.johnparr.net/
Naughty Naughty
John Parr Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Let my fingers do the walking, and there ain't far to go
Don't tell me "I don't want to be a girl like that"
Do you want to see a grown man cry?
You don't want to be a girl like that
Baby this could be the first time (this could be the first time)
Naughty naughty, loud and bawdy, tease me
Take it easy, hug and squeeze
A naughty naughty, naughty, I'm a naughty naughty guy
Bedroom eyes, they undress me, take me, cut me to the bone
Lace and satin pressed against me, should we call a chaperon
Don't tell me "I don't want to be a girl like that"
Do you want to see a grown man cry
You don't want to be a girl like that
Baby this could be the first time (this could be the first time)
Naughty naughty, cute and horny, tease me
Take it easy, hug and squeeze me, love outta line
With your hair hung down, and your dress ridin' high
And your eyes burning hot like the sun
Kiss me hard, squeeze me tight, gonna love you alright
Cause I'm a naughty, naughty, naughty guy
You don't want to be a girl like that
Baby this could be the first time (this could be the first time)
Naughty naughty, cute and horny, tease me
Take it easy, hug and squeeze
A naughty naughty, naughty, I'm a naughty naughty (guy)
Naughty naughty, cute and horny, tease me
Naughty naughty, loud and bawdy, love outta line
Naughty naughty, loud and bawdy, tease me
The lyrics to John Parr's song "Naughty Naughty" describe the singer's intentions towards a woman, as he approaches her with a playful and flirtatious attitude. In the first verse, he describes touching his partner's stocking and moving slowly with his fingers, indicating a tactile and sensual approach to seduction. He then addresses any possible resistance from his partner, telling her not to say she doesn't want to be "a girl like that" - a bold and confident woman who enjoys pleasure and adventure. He challenges her to take a chance with him, saying that "this could be the first time" they experience something exciting and new together.
In the chorus, Parr presents himself as a "naughty naughty" guy, a label he seems to relish and take pride in. He encourages his partner to tease him, to take it easy and hug and squeeze him. The second verse emphasizes the physical aspects of their encounter, as Parr admires his partner's bedroom eyes, lace and satin clothing, and high dress. He acknowledges the need for propriety by wondering if they should "call a chaperon", but ultimately revels in their shared excitement and passion.
Overall, the lyrics to "Naughty Naughty" convey a playful, flirty, and sexually charged energy, with Parr positioning himself as a confident and experienced lover who encourages his partner to embrace her own desires and fulfill her fantasies. The song is an example of the hair metal genre that was popular in the 1980s, characterized by its emphasis on glam rock elements, upbeat tempos, and catchy hooks.
Line by Line Meaning
I put my hand on your stocking, I was movin' nice and slow
I touched your leg gently while moving slowly
Let my fingers do the walking, and there ain't far to go
I'll let my fingers explore and it won't take long to find what I'm looking for
Don't tell me "I don't want to be a girl like that"
Don't reject me by saying you don't want to be promiscuous
Do you want to see a grown man cry?
Do you want to hurt me by rejecting my advances?
You don't want to be a girl like that
You don't want to be seen as promiscuous
Baby this could be the first time (this could be the first time)
This could be a new experience for you
Naughty naughty, loud and bawdy, tease me
I want you to be provocative and playful with me
Take it easy, hug and squeeze
Be gentle with me and hold me close
A naughty naughty, naughty, I'm a naughty naughty guy
I am a flirtatious and seductive man
Bedroom eyes, they undress me, take me, cut me to the bone
The way you look at me is arousing and intense
Lace and satin pressed against me, should we call a chaperon
Our sensual touch is so passionate that we might need a third party to intervene
Naughty naughty, cute and horny, tease me
I want you to flirt with me, as it's arousing
With your hair hung down, and your dress ridin' high
Your hair and dress suggest you're a seductive woman
And your eyes burning hot like the sun
Your gaze towards me is intense and passionate
Kiss me hard, squeeze me tight, gonna love you alright
I want to kiss you passionately and show you the love you deserve
You don't want to be a girl like that
You don't want to be seen as promiscuous
Baby this could be the first time (this could be the first time)
This could be your first experience of truly sensual love
Naughty naughty, cute and horny, tease me
I want you to be flirtatious with me and turn me on
Take it easy, hug and squeeze
Be gentle with me and hold me tightly
A naughty naughty, naughty, I'm a naughty naughty (guy)
I am a tempter and an irresistible man
Naughty naughty, cute and horny, tease me
I want you to be playful and seductive with me
Naughty naughty, loud and bawdy, love outta line
Our love is wild, crazy, and uncontrollable
Naughty naughty, loud and bawdy, tease me
Be wild and boisterous with me, it's both fun and arousing
Lyrics © Warner Chappell Music, Inc.
Written by: JOHN PARR
Lyrics Licensed & Provided by LyricFind
@SassyKaren68
Anyone else still listening to this awesome song in 2024??? ❤
@user-mh3ul7vl4p
🙋♀️ I haven't heard this song in at least 35 years. Just watched this video and sang along to every word. God I miss the 80s. What an amazing decade. We were so lucky to have experienced it.
@SassyKaren68
@@user-mh3ul7vl4p it’s amazing that I can remember the words to the songs of the 80’s but can’t remember what I did last week!!!
@jaynesavage4990
Yep! Just heard it in a movie so I put it on and cranked it up 😂
@doylecrisman8031
This song kicks ass
@m.y.o.b.724
👍
@rondavis630
The 80's will NEVER be duplicated.
@eriklarson9137
Which decade will be duplicated? Just curious.
@ronspeer
Thank God for that!
@Killthebatman87
and that’s a bad thing?