Johnny and the Hurricanes were an American instrumental rock and roll band … Read Full Bio ↴Johnny and the Hurricanes were an American instrumental rock and roll band from Toledo, Ohio, that had a number of hits, especially in the UK, in the 1950s and early 1960s.

They began as the Orbits in Toledo in 1957. Led by saxophonist Johnny Paris (born John Matthew Pocisk in Walbridge, Ohio, 29 August 1940 - 1 May 2006, Ann Arbor, Michigan), they were school friends who played on a few recordings behind Mack Vickery, a local rockabilly singer.

They signed with Harry Balk and Irving Micahnik of Twirl Records, which led to national engagements in 1959. Johnny and the Hurricanes recorded "Crossfire" in a vacant cinema to provide echo. It became a nationwide U.S. hit, and ranked No. 23 in the U.S. chart in the summer of 1959.

Johnny and the Hurricanes followed with "Red River Rock", an instrumental version of "Red River Valley", on Warwick Records, that became a top ten hit on both sides of the Atlantic (No. 5 in the U.S., No. 3 in the UK), and sold over a million copies. The musicians in the band then were Paris on saxophone, Paul Tesluk on a Hammond Chord organ, Dave Yorko on guitar, Lionel "Butch" Mattice on bass, and Bill "Little Bo" Savich on drums.

They specialised in versions of old tunes with a rock and roll beat. They chose these songs because they were well recognized and easier to accept with the beat. Tunes were credited to 'King, Mack' and usually one other name: King and Mack were in fact pseudonyms for Harry Balk and Irving Micahnik, the band's managers. In 1960, they recorded the United States Army bugle call, "Reveille", as "Reveille Rock", and turned "Blue Tail Fly" into "Beatnik Fly". Both tunes made the Top 40 achieving number 15 and 25 respectively. The band also recorded "Down Yonder" for Big Top Records. In the same year, they recorded "When The Saints Go Marching In" as "Revival", but it ranked in the charts for just one week, peaking at No. 97. The record was flipped over in the UK, where "Rocking Goose" reached No. 3 in the UK Singles Chart.

The band developed a following in Europe. In 1962, they played at the Star-Club in Hamburg, where the Beatles, then a little-known band, served as an opening act. Johnny and the Hurricanes cut records until 1987, with "Old Smokie" (their cover of "On Top of Old Smokey"), and an original tune, "Traffic Jam", both on Big Top Records, being their last releases to chart in America. Johnny Paris, the only constant member of the band, continued to tour with his Hurricanes in Europe and the United States until his death. He had an uncle, a realtor, in Rossford, Ohio, Johnny's home town, who owned a building on the main street and offered Johnny's first wife, Sharon Venier-Pocisk, space for an antique shop. When not on the road he helped out with the antique shop and vending machine business as payment for the store front for his first wife.

Johnny Paris and his band toured Europe occasionally until the end of 2005. He died on 1 May 2006 at the University Clinic of Ann Arbor, Michigan, of hospital-borne infections after an operation. Paris's second wife and widow, the German journalist, novelist and vocalist Sonja Verena (Reuter) Paris, took over his business (Atila Records, Sirius 1 Music and Johnny and the Hurricanes Incorporated) and the rights to his songs and trademarks. Paris claimed that over 300 musicians played in the band in its fifty-year existence.

The band inspired the song "Johnny and the Hurricanes" on the album How I Learned to Love the Bootboys, by the band the Auteurs. They were also namechecked in the Kinks' 1973 song "One of the Survivors", and in "Bridge in Time" on the 1990 Burton Cummings album Plus Signs.

Drummer Bill "Little Bo" Savich died on 4 January 2002. Bassist Lionel "Butch" Mattice died on October 16, 2006. Guitarist David Yorko died on 17 February 2017 at the age of 73.

Cut Out
Johnny & The Hurricanes Lyrics

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ohhhhh
(repeat)

cut out, cut out
(repeat)

Overall Meaning

The lyrics to Johnny & The Hurricanes's song "Cut Out" are incredibly simple and repetitive, with just two lines being repeated over and over: "ohhhhh" and "cut out, cut out." The use of this repetition creates a sort of hypnotic effect, drawing the listener into the song and focusing their attention on the driving beat and energetic music.

Despite the lack of complex lyrics, the song still manages to convey a sense of urgency and excitement. The repetition of "cut out" may be interpreted as a call to action, urging the listener to break free from whatever might be holding them back or slowing them down. The use of the word "cut" could also suggest an aggressive or violent approach to achieving one's goals.

Overall, the lyrics to "Cut Out" may be fairly minimalistic, but they still manage to convey a strong sense of energy and determination. The use of repetition and simple language helps to create a catchy, upbeat anthem that's perfect for dancing or working up a sweat.

Line by Line Meaning

ohhhhh
The singer is making a vocalization expressing excitement or anticipation.

cut out, cut out
The repetition of this phrase serves as a command or request to stop or cease an action, possibly in reference to a noisy interruption or a malfunctioning device.

Lyrics © BMG Rights Management
Written by: IRA MACK, T J. FOWLER, TOM KING

Lyrics Licensed & Provided by LyricFind

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