Cash was known for his deep, calm bass-baritone voice, the distinctive sound of his Tennessee Three backing band characterized by train-sound guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark, all-black stage wardrobe, which earned him the nickname "The Man in Black." He traditionally began his concerts by simply introducing himself, "Hello, I'm Johnny Cash," followed by his signature song "Folsom Prison Blues".
Much of Cash's music contained themes of sorrow, moral tribulation, and redemption, especially in the later stages of his career. His other signature songs include "I Walk the Line", "Ring of Fire", "Get Rhythm", and "Man in Black". He also recorded humorous numbers like "One Piece at a Time" and "A Boy Named Sue"; a duet with his future wife, June Carter, called "Jackson" (followed by many further duets after their wedding); and railroad songs including "Hey, Porter", "Orange Blossom Special", and "Rock Island Line". During the last stage of his career, Cash covered songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Rusty Cage" by Soundgarden.
Johnny Cash was born on February 26, 1932, in Kingsland, Arkansas, to Ray Cash and Carrie Cloveree (née Rivers). He was the fourth of seven children, who were in birth order: Roy, Margaret Louise, Jack, J. R., Reba, Joanne, and Tommy (who also became a successful country artist). He was primarily of English and Scottish descent. As an adult he traced his surname to 11th-century Fife, after meeting with the then-laird of Falkland, Major Michael Crichton-Stuart. Cash Loch and other locations in Fife bear the name of his family.
At birth, Cash was named J. R. Cash. When Cash enlisted in the United States Air Force, he was not permitted to use initials as a first name, so he changed his name to John R. Cash. In 1955, when signing with Sun Records, he started going by Johnny Cash.
In March 1935, when Cash was three years old, the family settled in Dyess, Arkansas, a New Deal colony established to give poor families a chance to work land that they had a chance to own as a result. Cash started working in cotton fields at the age of five, singing along with his family while working. The Cash farm experienced a flood during the family's time in Dyess, which led Cash later to write the song "Five Feet High and Rising". His family's economic and personal struggles during the Great Depression inspired many of his songs, especially those about other people facing similar difficulties. Consequently, Cash had sympathy for the poor and working class throughout his life.
Cash was very close to his older brother, Jack. On Saturday May 12, 1944, Jack was pulled into an unguarded table saw at his high school while cutting oak into fence posts as his job and was almost cut in two. He lingered until the following Saturday, when he died. Cash often spoke of the horrible guilt he felt over this incident; according to Cash: The Autobiography, his father was away that morning, but Johnny, his mother, and even Jack himself, all had premonitions or a sense of foreboding about that day. His mother urged Jack to skip work and go fishing with his brother, but Jack insisted on working since the family needed the money at the time. On his deathbed, Jack said he had visions of Heaven and angels. Decades later, Cash spoke of looking forward to meeting his brother in Heaven.
Cash's early memories were dominated by gospel music and radio. Taught guitar by his mother and a childhood friend, Cash began playing and writing songs at the age of 12. When young, Cash had a high-tenor voice, before becoming a bass-baritone after his voice changed.
In high school, he sang on a local radio station. Decades later, he released an album of traditional gospel songs, called My Mother's Hymn Book. He was also significantly influenced by traditional Irish music, which he heard performed weekly by Dennis Day on the Jack Benny radio program.
In 1997, Cash was diagnosed with the neurodegenerative disease Shy–Drager syndrome, a form of multiple system atrophy. According to biographer Robert Hilburn, the disease was originally misdiagnosed as Parkinson's disease, and Cash even announced to his audience that he had Parkinson's after nearly collapsing on stage in Flint, Michigan, on October 25, 1997. Soon afterwards, his diagnosis was changed to Shy–Drager, and Cash was told he had about 18 months to live. The diagnosis was later again altered to autonomic neuropathy associated with diabetes. The illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs.
During the last stage of his career, Cash released the albums American III: Solitary Man (2000) and American IV: The Man Comes Around (2002). American IV included cover songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Personal Jesus" by Depeche Mode. Trent Reznor of Nine Inch Nails commented that he was initially skeptical about Cash's plan to cover "Hurt", but was later impressed and moved by the rendition. The video for "Hurt" received critical and popular acclaim, including a Grammy Award.
June Carter Cash died on May 15, 2003, at the age of 73. June had told Cash to keep working, so he continued to record, completing 60 more songs in the last four months of his life, and even performed a few surprise shows at the Carter Family Fold outside Bristol, Virginia. At the July 5, 2003, concert (his last public performance), before singing "Ring of Fire", Cash read a statement about his late wife that he had written shortly before taking the stage:
"The spirit of June Carter overshadows me tonight with the love she had for me and the love I have for her. We connect somewhere between here and Heaven. She came down for a short visit, I guess, from Heaven to visit with me tonight to give me courage and inspiration like she always has. She's never been one for me except courage and inspiration. I thank God for June Carter. I love her with all my heart. "
Cash continued to record until shortly before his death. His final recordings were made on August 21, 2003, and consisted of "Like the 309", which appeared on American V: A Hundred Highways in 2006, and the final song he completed, "Engine 143", which was recorded for his son John Carter Cash for a planned Carter Family tribute album.
Ain't No Grave
Johnny Cash Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
There ain't no grave can hold my body down
When I hear that trumpet sound I'm gonna rise right out of the ground
Ain't no grave can hold my body down
Well, look way down the river, what do you think I see?
I see a band of angels and they're coming after me
Ain't no grave can hold my body down
Well, look down yonder Gabriel, put your feet on the land and see
But Gabriel don't you blow your trumpet 'til you hear it from me
There ain't no grave can hold my body down
Ain't no grave can hold my body down
Well, meet me Jesus, meet me. Meet me in the middle of the air
And if these wings don't fail me I will meet you anywhere
Ain't no grave can hold my body down
There ain't no grave can hold my body down
Well, meet me mother and father, meet me down the river road
And momma you know that I'll be there when I check in my load
Ain't no grave can hold my body down
There ain't no grave can hold my body down
There ain't no grave can hold my body down
In Johnny Cash's song "Ain't No Grave," the lyrics express a powerful message of hope and transcendence. The repeated line "There ain't no grave can hold my body down" highlights the idea that physical death is not the end, and that the spirit can triumph over mortality. The reference to the trumpet sound and rising out of the ground allude to religious concepts of the afterlife, as well as the possibility of a spiritual rebirth or awakening. The image of a band of angels coming to retrieve the singer's soul implies a sense of divine guidance and protection, while the instruction to Gabriel not to blow his trumpet until the singer gives the signal suggests an element of control or agency over one's own afterlife.
The song's lyrics also convey a sense of connection and reunion with loved ones who have passed on. The singer looks forward to being reunited with Jesus, as well as their mother and father. The idea of "checking in my load" suggests that this reunion will take place after the singer's own death, further emphasizing the theme of overcoming death and separation. The message of the song can be interpreted as a metaphor for overcoming struggles and obstacles in life, and finding hope and resilience in the face of adversity.
Line by Line Meaning
There ain't no grave can hold my body down
I am so powerful that even death can't contain me. The grave can't hold me.
When I hear that trumpet sound I'm gonna rise right out of the ground
When the time comes for me to come back, I'll be there in the blink of an eye, rising from the earth as a testament to my power.
Well, look way down the river, what do you think I see?
I see that even from far away, my legacy is still present and people are coming to pay homage to me.
I see a band of angels and they're coming after me
The heavenly guardians are coming to fetch me to make sure I'm there when the trumpet blow is heard and time is up.
Well, look down yonder Gabriel, put your feet on the land and see
I see that even divine beings are beholden to me, and I admire their power from down below.
But Gabriel don't you blow your trumpet 'til you hear it from me
I am so powerful that even my heavenly hosts can't work their own magic without my words of affirmation.
Well, meet me Jesus, meet me. Meet me in the middle of the air
I am so powerful that I can summon Jesus himself, and we can meet anywhere, even mid-air.
And if these wings don't fail me I will meet you anywhere
I don't even need a physical form, just the power of my being can carry me anywhere.
Well, meet me mother and father, meet me down the river road
Even my loved ones will recognize and appreciate my incomparable abilities.
And momma you know that I'll be there when I check in my load
Even when it's time to leave this life for good, I will always be remembered and respected for my supernatural strength.
There ain't no grave can hold my body down
Even in death, my power lives on. The grave can't contain me, and my legacy will be remembered forever.
Lyrics © BMG Rights Management, Songtrust Ave
Written by: Traditional, Claude Ely, John Cash
Lyrics Licensed & Provided by LyricFind
Anonymous
on Wayfaring Stranger
Wayfaring Stranger - The New Appalachians - Lyrics
I am a poor wayfaring stranger
Traveling through this world alone
There will be no sickness, toil or danger
In that grand land to which I roam
Well I'm going home to see my mother
I'm going home to a morning rose
I'm only goin' over Jordan
I'm only goin' over home
Musical Interlude
I know dark clouds will gather 'round me
I know my way is rough and steep
And beautiful fields lie just before me
Where God's redeemed there vigils keep
Well I'm going home to see my brothers
I'm going home no more to roam
I'm only goin' over Jordan
I'm only goin' over home
Musical Interlude
I'm going home to see my Father
I'm going home no more to roam
I'm only goin' over Jordan
I’m only goin’ where no one roams
I want to wear that crown of glory
When I get to that good land
I want to shout out salvation story
In concert with that blood washed band.
I'm going there to see my saviour
I’ll see his face no more to roam
I'm only going over Jordan
I'm only going over home
I'm only goin' over home