Cash was known for his deep, calm bass-baritone voice, the distinctive sound of his Tennessee Three backing band characterized by train-sound guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark, all-black stage wardrobe, which earned him the nickname "The Man in Black." He traditionally began his concerts by simply introducing himself, "Hello, I'm Johnny Cash," followed by his signature song "Folsom Prison Blues".
Much of Cash's music contained themes of sorrow, moral tribulation, and redemption, especially in the later stages of his career. His other signature songs include "I Walk the Line", "Ring of Fire", "Get Rhythm", and "Man in Black". He also recorded humorous numbers like "One Piece at a Time" and "A Boy Named Sue"; a duet with his future wife, June Carter, called "Jackson" (followed by many further duets after their wedding); and railroad songs including "Hey, Porter", "Orange Blossom Special", and "Rock Island Line". During the last stage of his career, Cash covered songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Rusty Cage" by Soundgarden.
Johnny Cash was born on February 26, 1932, in Kingsland, Arkansas, to Ray Cash and Carrie Cloveree (née Rivers). He was the fourth of seven children, who were in birth order: Roy, Margaret Louise, Jack, J. R., Reba, Joanne, and Tommy (who also became a successful country artist). He was primarily of English and Scottish descent. As an adult he traced his surname to 11th-century Fife, after meeting with the then-laird of Falkland, Major Michael Crichton-Stuart. Cash Loch and other locations in Fife bear the name of his family.
At birth, Cash was named J. R. Cash. When Cash enlisted in the United States Air Force, he was not permitted to use initials as a first name, so he changed his name to John R. Cash. In 1955, when signing with Sun Records, he started going by Johnny Cash.
In March 1935, when Cash was three years old, the family settled in Dyess, Arkansas, a New Deal colony established to give poor families a chance to work land that they had a chance to own as a result. Cash started working in cotton fields at the age of five, singing along with his family while working. The Cash farm experienced a flood during the family's time in Dyess, which led Cash later to write the song "Five Feet High and Rising". His family's economic and personal struggles during the Great Depression inspired many of his songs, especially those about other people facing similar difficulties. Consequently, Cash had sympathy for the poor and working class throughout his life.
Cash was very close to his older brother, Jack. On Saturday May 12, 1944, Jack was pulled into an unguarded table saw at his high school while cutting oak into fence posts as his job and was almost cut in two. He lingered until the following Saturday, when he died. Cash often spoke of the horrible guilt he felt over this incident; according to Cash: The Autobiography, his father was away that morning, but Johnny, his mother, and even Jack himself, all had premonitions or a sense of foreboding about that day. His mother urged Jack to skip work and go fishing with his brother, but Jack insisted on working since the family needed the money at the time. On his deathbed, Jack said he had visions of Heaven and angels. Decades later, Cash spoke of looking forward to meeting his brother in Heaven.
Cash's early memories were dominated by gospel music and radio. Taught guitar by his mother and a childhood friend, Cash began playing and writing songs at the age of 12. When young, Cash had a high-tenor voice, before becoming a bass-baritone after his voice changed.
In high school, he sang on a local radio station. Decades later, he released an album of traditional gospel songs, called My Mother's Hymn Book. He was also significantly influenced by traditional Irish music, which he heard performed weekly by Dennis Day on the Jack Benny radio program.
In 1997, Cash was diagnosed with the neurodegenerative disease Shy–Drager syndrome, a form of multiple system atrophy. According to biographer Robert Hilburn, the disease was originally misdiagnosed as Parkinson's disease, and Cash even announced to his audience that he had Parkinson's after nearly collapsing on stage in Flint, Michigan, on October 25, 1997. Soon afterwards, his diagnosis was changed to Shy–Drager, and Cash was told he had about 18 months to live. The diagnosis was later again altered to autonomic neuropathy associated with diabetes. The illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs.
During the last stage of his career, Cash released the albums American III: Solitary Man (2000) and American IV: The Man Comes Around (2002). American IV included cover songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Personal Jesus" by Depeche Mode. Trent Reznor of Nine Inch Nails commented that he was initially skeptical about Cash's plan to cover "Hurt", but was later impressed and moved by the rendition. The video for "Hurt" received critical and popular acclaim, including a Grammy Award.
June Carter Cash died on May 15, 2003, at the age of 73. June had told Cash to keep working, so he continued to record, completing 60 more songs in the last four months of his life, and even performed a few surprise shows at the Carter Family Fold outside Bristol, Virginia. At the July 5, 2003, concert (his last public performance), before singing "Ring of Fire", Cash read a statement about his late wife that he had written shortly before taking the stage:
"The spirit of June Carter overshadows me tonight with the love she had for me and the love I have for her. We connect somewhere between here and Heaven. She came down for a short visit, I guess, from Heaven to visit with me tonight to give me courage and inspiration like she always has. She's never been one for me except courage and inspiration. I thank God for June Carter. I love her with all my heart. "
Cash continued to record until shortly before his death. His final recordings were made on August 21, 2003, and consisted of "Like the 309", which appeared on American V: A Hundred Highways in 2006, and the final song he completed, "Engine 143", which was recorded for his son John Carter Cash for a planned Carter Family tribute album.
Another Man Done Gone
Johnny Cash Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Another man done gone another man done gone another man done gone
Another man done gone (another man done gone
Another man done gone another man done gone)
He had a long chain on (he had a long chain on
He had a long chain on he had a long chain on)
They hung him in a tree they hung him in a tree
They let his children see they let his children see (When he was hangin' dead) when he was hangin' dead
The captain turn his head the captain turn his head
He's from the county farm (he's from the county farm
He's from the county farm he's from the county farm)
I didn't know his name (I didn't know his name
I didn't know his name I didn't know his name)
Another man done gone another man done gone another man done gone
Another man done gone (another man done gone
Another man done gone another man done gone)
Another man done gone another man done gone another man done gone
The song "Another Man Done Gone" by Johnny Cash is a poignant portrayal of the injustices and atrocities committed against African Americans in the Deep South during the Jim Crow era. The song follows the story of a man who has been lynched and hung in a tree, his long chain still attached to his body. The lyrics describe the cruelty and indifference of the people who carried out the lynching, as well as the callousness of the authorities who allowed it to happen, even in front of the man's children.
The song's opening line, "another man done gone", is a reference to the countless African Americans who were lynched or otherwise murdered during this time period. The repetition of this line throughout the song emphasizes the shocking frequency and brutality of these crimes. The line "he had a long chain on" is another powerful image, symbolizing the way in which African Americans were often literally and metaphorically shackled by the systemic racism of the time. The captain's act of turning his head away from the hanging reflects the complicity of white authorities in allowing these crimes to go unpunished.
Line by Line Meaning
Another man done gone (another man done gone)
This song is about the tragic death of yet another man.
Another man done gone another man done gone another man done gone
The repetition of this line emphasizes the frequency of these types of occurrences and the dehumanization of these men as just another in a long line of victims.
Another man done gone (another man done gone
Once again, a man has been taken from this world by a senseless act of violence.
Another man done gone another man done gone)
This line reiterates the tragic loss of another human life and the seeming indifference of those in power.
He had a long chain on (he had a long chain on
The victim of this violence was likely a former slave or convict, as indicated by his long chain.
He had a long chain on he had a long chain on)
The repetition of this line serves as a haunting reminder of the institutionalized racism and oppression that existed at the time.
They hung him in a tree they hung him in a tree
The brutal act of hanging this man in a public place serves as a warning to others who might dare to challenge the status quo.
They let his children see they let his children see
The fact that the victim's children were forced to witness this horrific act underscores the generational impact of racism and violence upon African American families.
(When he was hangin' dead) when he was hangin' dead
The mention of the victim's state when he died serves as a gruesome reminder of the brutality of the act committed against him.
The captain turn his head the captain turn his head
The captain's refusal to witness or acknowledge the act being committed highlights the complicity of those who refuse to speak out against systemic violence and oppression.
He's from the county farm (he's from the county farm
The victim was likely poor and marginalized, as indicated by his origins in a county farm.
He's from the county farm he's from the county farm)
This line serves as another reminder of the injustices faced by those who are already struggling to make ends meet.
I didn't know his name (I didn't know his name
The singer did not know the victim personally, but recognizes the tragedy of his death nonetheless.
I didn't know his name I didn't know his name)
This line emphasizes that the victim was just one of many anonymous victims of systemic racism and violence.
Another man done gone another man done gone another man done gone
The repetition of this line once again highlights the frequency of these types of atrocities.
Another man done gone (another man done gone
The artist repeats the opening line to signify the cyclical and ongoing nature of these tragedies.
Another man done gone another man done gone another man done gone)
This line serves as a stark reminder that the loss of human life cannot be ignored or forgotten.
Lyrics © NEXT DECADE ENTERTAINMENT,INC.
Written by: C.C. CARTER
Lyrics Licensed & Provided by LyricFind
Anonymous
on Wayfaring Stranger
Wayfaring Stranger - The New Appalachians - Lyrics
I am a poor wayfaring stranger
Traveling through this world alone
There will be no sickness, toil or danger
In that grand land to which I roam
Well I'm going home to see my mother
I'm going home to a morning rose
I'm only goin' over Jordan
I'm only goin' over home
Musical Interlude
I know dark clouds will gather 'round me
I know my way is rough and steep
And beautiful fields lie just before me
Where God's redeemed there vigils keep
Well I'm going home to see my brothers
I'm going home no more to roam
I'm only goin' over Jordan
I'm only goin' over home
Musical Interlude
I'm going home to see my Father
I'm going home no more to roam
I'm only goin' over Jordan
I’m only goin’ where no one roams
I want to wear that crown of glory
When I get to that good land
I want to shout out salvation story
In concert with that blood washed band.
I'm going there to see my saviour
I’ll see his face no more to roam
I'm only going over Jordan
I'm only going over home
I'm only goin' over home