Cash was known for his deep, calm bass-baritone voice, the distinctive sound of his Tennessee Three backing band characterized by train-sound guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark, all-black stage wardrobe, which earned him the nickname "The Man in Black." He traditionally began his concerts by simply introducing himself, "Hello, I'm Johnny Cash," followed by his signature song "Folsom Prison Blues".
Much of Cash's music contained themes of sorrow, moral tribulation, and redemption, especially in the later stages of his career. His other signature songs include "I Walk the Line", "Ring of Fire", "Get Rhythm", and "Man in Black". He also recorded humorous numbers like "One Piece at a Time" and "A Boy Named Sue"; a duet with his future wife, June Carter, called "Jackson" (followed by many further duets after their wedding); and railroad songs including "Hey, Porter", "Orange Blossom Special", and "Rock Island Line". During the last stage of his career, Cash covered songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Rusty Cage" by Soundgarden.
Johnny Cash was born on February 26, 1932, in Kingsland, Arkansas, to Ray Cash and Carrie Cloveree (née Rivers). He was the fourth of seven children, who were in birth order: Roy, Margaret Louise, Jack, J. R., Reba, Joanne, and Tommy (who also became a successful country artist). He was primarily of English and Scottish descent. As an adult he traced his surname to 11th-century Fife, after meeting with the then-laird of Falkland, Major Michael Crichton-Stuart. Cash Loch and other locations in Fife bear the name of his family.
At birth, Cash was named J. R. Cash. When Cash enlisted in the United States Air Force, he was not permitted to use initials as a first name, so he changed his name to John R. Cash. In 1955, when signing with Sun Records, he started going by Johnny Cash.
In March 1935, when Cash was three years old, the family settled in Dyess, Arkansas, a New Deal colony established to give poor families a chance to work land that they had a chance to own as a result. Cash started working in cotton fields at the age of five, singing along with his family while working. The Cash farm experienced a flood during the family's time in Dyess, which led Cash later to write the song "Five Feet High and Rising". His family's economic and personal struggles during the Great Depression inspired many of his songs, especially those about other people facing similar difficulties. Consequently, Cash had sympathy for the poor and working class throughout his life.
Cash was very close to his older brother, Jack. On Saturday May 12, 1944, Jack was pulled into an unguarded table saw at his high school while cutting oak into fence posts as his job and was almost cut in two. He lingered until the following Saturday, when he died. Cash often spoke of the horrible guilt he felt over this incident; according to Cash: The Autobiography, his father was away that morning, but Johnny, his mother, and even Jack himself, all had premonitions or a sense of foreboding about that day. His mother urged Jack to skip work and go fishing with his brother, but Jack insisted on working since the family needed the money at the time. On his deathbed, Jack said he had visions of Heaven and angels. Decades later, Cash spoke of looking forward to meeting his brother in Heaven.
Cash's early memories were dominated by gospel music and radio. Taught guitar by his mother and a childhood friend, Cash began playing and writing songs at the age of 12. When young, Cash had a high-tenor voice, before becoming a bass-baritone after his voice changed.
In high school, he sang on a local radio station. Decades later, he released an album of traditional gospel songs, called My Mother's Hymn Book. He was also significantly influenced by traditional Irish music, which he heard performed weekly by Dennis Day on the Jack Benny radio program.
In 1997, Cash was diagnosed with the neurodegenerative disease Shy–Drager syndrome, a form of multiple system atrophy. According to biographer Robert Hilburn, the disease was originally misdiagnosed as Parkinson's disease, and Cash even announced to his audience that he had Parkinson's after nearly collapsing on stage in Flint, Michigan, on October 25, 1997. Soon afterwards, his diagnosis was changed to Shy–Drager, and Cash was told he had about 18 months to live. The diagnosis was later again altered to autonomic neuropathy associated with diabetes. The illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs.
During the last stage of his career, Cash released the albums American III: Solitary Man (2000) and American IV: The Man Comes Around (2002). American IV included cover songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Personal Jesus" by Depeche Mode. Trent Reznor of Nine Inch Nails commented that he was initially skeptical about Cash's plan to cover "Hurt", but was later impressed and moved by the rendition. The video for "Hurt" received critical and popular acclaim, including a Grammy Award.
June Carter Cash died on May 15, 2003, at the age of 73. June had told Cash to keep working, so he continued to record, completing 60 more songs in the last four months of his life, and even performed a few surprise shows at the Carter Family Fold outside Bristol, Virginia. At the July 5, 2003, concert (his last public performance), before singing "Ring of Fire", Cash read a statement about his late wife that he had written shortly before taking the stage:
"The spirit of June Carter overshadows me tonight with the love she had for me and the love I have for her. We connect somewhere between here and Heaven. She came down for a short visit, I guess, from Heaven to visit with me tonight to give me courage and inspiration like she always has. She's never been one for me except courage and inspiration. I thank God for June Carter. I love her with all my heart. "
Cash continued to record until shortly before his death. His final recordings were made on August 21, 2003, and consisted of "Like the 309", which appeared on American V: A Hundred Highways in 2006, and the final song he completed, "Engine 143", which was recorded for his son John Carter Cash for a planned Carter Family tribute album.
Bottom Of The Mountain
Johnny Cash Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Where the land is black with coal
For a man to feed his family
It takes twelve hours a day a diggin' in a dirty black hole
Way down in the bottom of a mountain
Way down in the bottom of a hole
Way down in the bottom of a mountain
Some men give their wives jewelry
Some men give their wives gold
But all I can give to my sweet woman
Are the few dollars I make from diggin' out the dirty black coal
Way down in the bottom of a mountain
Way down in the bottom of a hole
Way down in the bottom of a mountain
I'm diggin' and a shovelin' and a loadin' out the dirty black coal
I draw script for most of my money
I never see a lot of that
I work all week and go to church on Sunday
Well the preacher gonna get what's left when they pass the hat
Way down in the bottom of a mountain
Way down in the bottom of a hole
Way down in the bottom of a mountain
I'm diggin' and a shovelin' and a loadin' out the dirty black coal
I'm diggin' and a shovelin' and a loadin' out the dirty black coal
Johnny Cash's "Bottom of the Mountain" is a song that speaks to the daily struggles of coal miners in West Virginia. The song begins with a vivid description of the landscape: the land is black with coal and a man must work long hours, digging in dirty and dangerous conditions just to provide for his family. Throughout the song, Cash gives voice to the frustration felt by miners who work tirelessly for very little in return.
The song's chorus - "way down in the bottom of a mountain, way down in the bottom of a hole" - speaks to the sense of isolation that miners feel. They are literally deep underground, far from the bright sunshine and open air. And while some men are able to provide for their wives with jewelry or gold, the singer of the song can only offer the few dollars he makes from his hard labor.
Cash also touches on the fraught relationship between miners and the church. While the preacher takes his cut from the meager wages of the miners, there is a sense that religion provides little comfort or respite from the bleakness of their daily lives. Ultimately, "Bottom of the Mountain" is a powerful tribute to the struggles and sacrifices of the miners of West Virginia.
Line by Line Meaning
I was born in West Virginia
I came into this world in West Virginia
Where the land is black with coal
Where the land is filled with coal
For a man to feed his family
To provide for a family
It takes twelve hours a day a diggin' in a dirty black hole
Working twelve hours every day digging coal from a dirty black hole
Way down in the bottom of a mountain
Deep in the depths of a mountain
Way down in the bottom of a hole
Deep down in a hole
I'm diggin' and a shovelin' and a loadin' out the dirty black coal
I'm working to extract and transport the dirty black coal
Some men give their wives jewelry
Some men give their wives precious ornaments
Some men give their wives gold
Some men give their wives gold
But all I can give to my sweet woman
But all I can offer my loving partner
Are the few dollars I make from diggin' out the dirty black coal
Are the meager earnings I receive from digging out the dirty black coal
I draw script for most of my money
I receive payment in the form of script for most of my earnings
I never see a lot of that
I never receive a large amount of that payment
I work all week and go to church on Sunday
I spend my entire week working and go to church on Sunday
Well the preacher gonna get what's left when they pass the hat
The remainder of my earnings will go to the preacher when the congregation circulates the hat
I'm diggin' and a shovelin' and a loadin' out the dirty black coal
I'm working hard to extract and transport the dirty black coal
Way down in the bottom of a mountain
Deep within the mountain
Way down in the bottom of a hole
Deep down in a hole
I'm diggin' and a shovelin' and a loadin' out the dirty black coal
I'm working tirelessly to extract and transport the dirty black coal
Contributed by Sophie G. Suggest a correction in the comments below.
Anonymous
on Wayfaring Stranger
Wayfaring Stranger - The New Appalachians - Lyrics
I am a poor wayfaring stranger
Traveling through this world alone
There will be no sickness, toil or danger
In that grand land to which I roam
Well I'm going home to see my mother
I'm going home to a morning rose
I'm only goin' over Jordan
I'm only goin' over home
Musical Interlude
I know dark clouds will gather 'round me
I know my way is rough and steep
And beautiful fields lie just before me
Where God's redeemed there vigils keep
Well I'm going home to see my brothers
I'm going home no more to roam
I'm only goin' over Jordan
I'm only goin' over home
Musical Interlude
I'm going home to see my Father
I'm going home no more to roam
I'm only goin' over Jordan
I’m only goin’ where no one roams
I want to wear that crown of glory
When I get to that good land
I want to shout out salvation story
In concert with that blood washed band.
I'm going there to see my saviour
I’ll see his face no more to roam
I'm only going over Jordan
I'm only going over home
I'm only goin' over home