Cash was known for his deep, calm bass-baritone voice, the distinctive sound of his Tennessee Three backing band characterized by train-sound guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark, all-black stage wardrobe, which earned him the nickname "The Man in Black." He traditionally began his concerts by simply introducing himself, "Hello, I'm Johnny Cash," followed by his signature song "Folsom Prison Blues".
Much of Cash's music contained themes of sorrow, moral tribulation, and redemption, especially in the later stages of his career. His other signature songs include "I Walk the Line", "Ring of Fire", "Get Rhythm", and "Man in Black". He also recorded humorous numbers like "One Piece at a Time" and "A Boy Named Sue"; a duet with his future wife, June Carter, called "Jackson" (followed by many further duets after their wedding); and railroad songs including "Hey, Porter", "Orange Blossom Special", and "Rock Island Line". During the last stage of his career, Cash covered songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Rusty Cage" by Soundgarden.
Johnny Cash was born on February 26, 1932, in Kingsland, Arkansas, to Ray Cash and Carrie Cloveree (née Rivers). He was the fourth of seven children, who were in birth order: Roy, Margaret Louise, Jack, J. R., Reba, Joanne, and Tommy (who also became a successful country artist). He was primarily of English and Scottish descent. As an adult he traced his surname to 11th-century Fife, after meeting with the then-laird of Falkland, Major Michael Crichton-Stuart. Cash Loch and other locations in Fife bear the name of his family.
At birth, Cash was named J. R. Cash. When Cash enlisted in the United States Air Force, he was not permitted to use initials as a first name, so he changed his name to John R. Cash. In 1955, when signing with Sun Records, he started going by Johnny Cash.
In March 1935, when Cash was three years old, the family settled in Dyess, Arkansas, a New Deal colony established to give poor families a chance to work land that they had a chance to own as a result. Cash started working in cotton fields at the age of five, singing along with his family while working. The Cash farm experienced a flood during the family's time in Dyess, which led Cash later to write the song "Five Feet High and Rising". His family's economic and personal struggles during the Great Depression inspired many of his songs, especially those about other people facing similar difficulties. Consequently, Cash had sympathy for the poor and working class throughout his life.
Cash was very close to his older brother, Jack. On Saturday May 12, 1944, Jack was pulled into an unguarded table saw at his high school while cutting oak into fence posts as his job and was almost cut in two. He lingered until the following Saturday, when he died. Cash often spoke of the horrible guilt he felt over this incident; according to Cash: The Autobiography, his father was away that morning, but Johnny, his mother, and even Jack himself, all had premonitions or a sense of foreboding about that day. His mother urged Jack to skip work and go fishing with his brother, but Jack insisted on working since the family needed the money at the time. On his deathbed, Jack said he had visions of Heaven and angels. Decades later, Cash spoke of looking forward to meeting his brother in Heaven.
Cash's early memories were dominated by gospel music and radio. Taught guitar by his mother and a childhood friend, Cash began playing and writing songs at the age of 12. When young, Cash had a high-tenor voice, before becoming a bass-baritone after his voice changed.
In high school, he sang on a local radio station. Decades later, he released an album of traditional gospel songs, called My Mother's Hymn Book. He was also significantly influenced by traditional Irish music, which he heard performed weekly by Dennis Day on the Jack Benny radio program.
In 1997, Cash was diagnosed with the neurodegenerative disease Shy–Drager syndrome, a form of multiple system atrophy. According to biographer Robert Hilburn, the disease was originally misdiagnosed as Parkinson's disease, and Cash even announced to his audience that he had Parkinson's after nearly collapsing on stage in Flint, Michigan, on October 25, 1997. Soon afterwards, his diagnosis was changed to Shy–Drager, and Cash was told he had about 18 months to live. The diagnosis was later again altered to autonomic neuropathy associated with diabetes. The illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs.
During the last stage of his career, Cash released the albums American III: Solitary Man (2000) and American IV: The Man Comes Around (2002). American IV included cover songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Personal Jesus" by Depeche Mode. Trent Reznor of Nine Inch Nails commented that he was initially skeptical about Cash's plan to cover "Hurt", but was later impressed and moved by the rendition. The video for "Hurt" received critical and popular acclaim, including a Grammy Award.
June Carter Cash died on May 15, 2003, at the age of 73. June had told Cash to keep working, so he continued to record, completing 60 more songs in the last four months of his life, and even performed a few surprise shows at the Carter Family Fold outside Bristol, Virginia. At the July 5, 2003, concert (his last public performance), before singing "Ring of Fire", Cash read a statement about his late wife that he had written shortly before taking the stage:
"The spirit of June Carter overshadows me tonight with the love she had for me and the love I have for her. We connect somewhere between here and Heaven. She came down for a short visit, I guess, from Heaven to visit with me tonight to give me courage and inspiration like she always has. She's never been one for me except courage and inspiration. I thank God for June Carter. I love her with all my heart. "
Cash continued to record until shortly before his death. His final recordings were made on August 21, 2003, and consisted of "Like the 309", which appeared on American V: A Hundred Highways in 2006, and the final song he completed, "Engine 143", which was recorded for his son John Carter Cash for a planned Carter Family tribute album.
Clean Your Own Tables
Johnny Cash Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And some too many truckers took her home
And I'll admid her life would read just like a paperback
And some of what she's done I've said it's wrong
But I said clean your own tables boys and bring out your beer
Cause she ain't gonna do it this time
And drink to a use to be barmaid cause she's a lady I choose to be mine
And I ain't exactly been what you call your all American boy
I've done my time in Frisco in LA
How some of youth are taking pride in what I am
I heard you cussing this decision that I've made
But I said clean your own tables...
And I'll admid her life would read just like a paperback
And some of what she's done well I say is wrong
But I said clean your own tables...
Boys if you're able clean your own tables and let me take care of mine
In Johnny Cash's song "Clean Your Own Tables," he tells the story of a woman who has led a less than virtuous life, having been with numerous truckers, and made mistakes along the way. However, despite this fact, Johnny Cash declares that she is still deserving of respect and care. He tells the bar patrons to clean their own tables, bring out their own beer and to drink to the "use-to-be barmaid," as she is now a "lady" that he has chosen to be with.
The song is a commentary on the prejudices that exist in society towards those who have not lived "perfect" lives. Society often judges people based on their past, and this song portrays a strong message of acceptance and forgiveness. Cash's lyrics underscore that people who have made mistakes or led difficult lives still have value and should not be discounted or looked down upon.
The chorus is catchy and memorable, urging the crowd to clean their own tables and to let the singer take care of his own problems. This can be interpreted as the singer's way of saying that he is choosing to be with this woman, regardless of her past, and that he does not need the approval or judgment of others to make that decision.
Line by Line Meaning
Well now she ain't exactly what you'd call your all American girl
She doesn't quite adhere to the ideal American woman.
And some too many truckers took her home
Many truckers took advantage of her.
And I'll admit her life would read just like a paperback
Her life has been filled with drama and would make a good book.
And some of what she's done I've said it's wrong
Some of her actions are morally questionable and may not sit well with me.
But I said clean your own tables boys and bring out your beer
I told the boys to handle their own mess and get their drinks themselves.
Cause she ain't gonna do it this time
She is not going to wait on them this time around.
And drink to a use to be barmaid cause she's a lady I choose to be mine
Let's raise a glass to the former barmaid, who is now the lady I have chosen as mine.
And I ain't exactly been what you call your all American boy
I don't quite fit the American ideal of a boy.
I've done my time in Frisco in LA
I have spent time in both San Francisco and Los Angeles.
How some of youth are taking pride in what I am
Some young people admire who I am and what I stand for.
I heard you cussing this decision that I've made
I overheard you cursing my decision.
Boys if you're able clean your own tables and let me take care of mine
Boys, if you are capable, clean your own tables and let me handle mine.
Contributed by Anthony H. Suggest a correction in the comments below.
Anonymous
on Wayfaring Stranger
Wayfaring Stranger - The New Appalachians - Lyrics
I am a poor wayfaring stranger
Traveling through this world alone
There will be no sickness, toil or danger
In that grand land to which I roam
Well I'm going home to see my mother
I'm going home to a morning rose
I'm only goin' over Jordan
I'm only goin' over home
Musical Interlude
I know dark clouds will gather 'round me
I know my way is rough and steep
And beautiful fields lie just before me
Where God's redeemed there vigils keep
Well I'm going home to see my brothers
I'm going home no more to roam
I'm only goin' over Jordan
I'm only goin' over home
Musical Interlude
I'm going home to see my Father
I'm going home no more to roam
I'm only goin' over Jordan
I’m only goin’ where no one roams
I want to wear that crown of glory
When I get to that good land
I want to shout out salvation story
In concert with that blood washed band.
I'm going there to see my saviour
I’ll see his face no more to roam
I'm only going over Jordan
I'm only going over home
I'm only goin' over home