Cash was known for his deep, calm bass-baritone voice, the distinctive sound of his Tennessee Three backing band characterized by train-sound guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark, all-black stage wardrobe, which earned him the nickname "The Man in Black." He traditionally began his concerts by simply introducing himself, "Hello, I'm Johnny Cash," followed by his signature song "Folsom Prison Blues".
Much of Cash's music contained themes of sorrow, moral tribulation, and redemption, especially in the later stages of his career. His other signature songs include "I Walk the Line", "Ring of Fire", "Get Rhythm", and "Man in Black". He also recorded humorous numbers like "One Piece at a Time" and "A Boy Named Sue"; a duet with his future wife, June Carter, called "Jackson" (followed by many further duets after their wedding); and railroad songs including "Hey, Porter", "Orange Blossom Special", and "Rock Island Line". During the last stage of his career, Cash covered songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Rusty Cage" by Soundgarden.
Johnny Cash was born on February 26, 1932, in Kingsland, Arkansas, to Ray Cash and Carrie Cloveree (née Rivers). He was the fourth of seven children, who were in birth order: Roy, Margaret Louise, Jack, J. R., Reba, Joanne, and Tommy (who also became a successful country artist). He was primarily of English and Scottish descent. As an adult he traced his surname to 11th-century Fife, after meeting with the then-laird of Falkland, Major Michael Crichton-Stuart. Cash Loch and other locations in Fife bear the name of his family.
At birth, Cash was named J. R. Cash. When Cash enlisted in the United States Air Force, he was not permitted to use initials as a first name, so he changed his name to John R. Cash. In 1955, when signing with Sun Records, he started going by Johnny Cash.
In March 1935, when Cash was three years old, the family settled in Dyess, Arkansas, a New Deal colony established to give poor families a chance to work land that they had a chance to own as a result. Cash started working in cotton fields at the age of five, singing along with his family while working. The Cash farm experienced a flood during the family's time in Dyess, which led Cash later to write the song "Five Feet High and Rising". His family's economic and personal struggles during the Great Depression inspired many of his songs, especially those about other people facing similar difficulties. Consequently, Cash had sympathy for the poor and working class throughout his life.
Cash was very close to his older brother, Jack. On Saturday May 12, 1944, Jack was pulled into an unguarded table saw at his high school while cutting oak into fence posts as his job and was almost cut in two. He lingered until the following Saturday, when he died. Cash often spoke of the horrible guilt he felt over this incident; according to Cash: The Autobiography, his father was away that morning, but Johnny, his mother, and even Jack himself, all had premonitions or a sense of foreboding about that day. His mother urged Jack to skip work and go fishing with his brother, but Jack insisted on working since the family needed the money at the time. On his deathbed, Jack said he had visions of Heaven and angels. Decades later, Cash spoke of looking forward to meeting his brother in Heaven.
Cash's early memories were dominated by gospel music and radio. Taught guitar by his mother and a childhood friend, Cash began playing and writing songs at the age of 12. When young, Cash had a high-tenor voice, before becoming a bass-baritone after his voice changed.
In high school, he sang on a local radio station. Decades later, he released an album of traditional gospel songs, called My Mother's Hymn Book. He was also significantly influenced by traditional Irish music, which he heard performed weekly by Dennis Day on the Jack Benny radio program.
In 1997, Cash was diagnosed with the neurodegenerative disease Shy–Drager syndrome, a form of multiple system atrophy. According to biographer Robert Hilburn, the disease was originally misdiagnosed as Parkinson's disease, and Cash even announced to his audience that he had Parkinson's after nearly collapsing on stage in Flint, Michigan, on October 25, 1997. Soon afterwards, his diagnosis was changed to Shy–Drager, and Cash was told he had about 18 months to live. The diagnosis was later again altered to autonomic neuropathy associated with diabetes. The illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs.
During the last stage of his career, Cash released the albums American III: Solitary Man (2000) and American IV: The Man Comes Around (2002). American IV included cover songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Personal Jesus" by Depeche Mode. Trent Reznor of Nine Inch Nails commented that he was initially skeptical about Cash's plan to cover "Hurt", but was later impressed and moved by the rendition. The video for "Hurt" received critical and popular acclaim, including a Grammy Award.
June Carter Cash died on May 15, 2003, at the age of 73. June had told Cash to keep working, so he continued to record, completing 60 more songs in the last four months of his life, and even performed a few surprise shows at the Carter Family Fold outside Bristol, Virginia. At the July 5, 2003, concert (his last public performance), before singing "Ring of Fire", Cash read a statement about his late wife that he had written shortly before taking the stage:
"The spirit of June Carter overshadows me tonight with the love she had for me and the love I have for her. We connect somewhere between here and Heaven. She came down for a short visit, I guess, from Heaven to visit with me tonight to give me courage and inspiration like she always has. She's never been one for me except courage and inspiration. I thank God for June Carter. I love her with all my heart. "
Cash continued to record until shortly before his death. His final recordings were made on August 21, 2003, and consisted of "Like the 309", which appeared on American V: A Hundred Highways in 2006, and the final song he completed, "Engine 143", which was recorded for his son John Carter Cash for a planned Carter Family tribute album.
El Matador
Johnny Cash Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Matador
My final fight the place is packed once more
But Anita won't throw me a rose this fight
The one she wears is not for me tonight
She's watching now with her new love I know
Walk proud and slow
They want blood you know!
You're still their idol as you were before
Kill just one more!
Remind Anita, you're the greatest Matador
The time is come, forget Anita in the stands
Be a tall and strong and brave and noble man
Be better than you've never been before
Make this your greatest moment Matador
She's watching now with her new love I know
Walk proud and slow
Be strong and sure give the crowd a show
They want blood you know!
You're still their idol as you were before
Kill just one more!
Remind Anita, you're the greatest Matador
In Johnny Cash's song "El Matador," the singer is a bullfighter in his final fight. The bullring is packed with a crowd eagerly anticipating the show, but the singer is aware that Anita, the woman he loves, is no longer supporting him. She watches from the stands with her new lover, and the rose she wears is not for him. Despite this, the singer must still perform, and the crowd still sees him as their idol. He is urged to be strong and sure, to walk proud and slow, and to give the crowd what they want: blood. He must kill one more bull to remind Anita and everyone else that he is the greatest matador.
The lyrics are a poignant commentary on the expectations and pressures placed on public figures, regardless of their personal lives. Despite his love for Anita and her lack of support, the singer must go on and perform for the crowd, to maintain his position as their hero. The song also highlights the violent, destructive nature of bullfighting and the glorification of bloodshed in public entertainment.
Line by Line Meaning
The crowd is waiting for the bullfight
People are eagerly anticipating the bullfight performance.
Matador
The one who confronts the bull is the matador.
My final fight the place is packed once more
It's the last fight of the matador, and there is a full house.
But Anita won't throw me a rose this fight
Anita, the lover of the matador, won't cheer him on this time.
The one she wears is not for me tonight
Anita's affection is for someone else today.
She's watching now with her new love I know
The matador is aware that Anita is present with her new partner.
Walk proud and slow
Matador should showcase confidence and grace when walking to the performance area.
Be strong and sure give the crowd a show
Matador should boldly display their courage and entertain the audience.
They want blood you know!
The audience wants to see the matador triumphant over the bull.
You're still their idol as you were before
Matador is still an iconic figure for the audience.
Kill just one more!
The matador should win one last time.
Remind Anita, you're the greatest Matador
The matador wants to prove their skill to Anita, their former lover.
The time is come, forget Anita in the stands
It's time to put aside all distractions and focus on the performance.
Be a tall and strong and brave and noble man
The matador should portray exceptional qualities of height, strength, bravery, and nobility.
Be better than you've never been before
The matador should not only meet but exceed the audience's expectations.
Make this your greatest moment Matador
This is the last opportunity for the matador to display their skills, so they should make the most of it.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
Anonymous
on Wayfaring Stranger
Wayfaring Stranger - The New Appalachians - Lyrics
I am a poor wayfaring stranger
Traveling through this world alone
There will be no sickness, toil or danger
In that grand land to which I roam
Well I'm going home to see my mother
I'm going home to a morning rose
I'm only goin' over Jordan
I'm only goin' over home
Musical Interlude
I know dark clouds will gather 'round me
I know my way is rough and steep
And beautiful fields lie just before me
Where God's redeemed there vigils keep
Well I'm going home to see my brothers
I'm going home no more to roam
I'm only goin' over Jordan
I'm only goin' over home
Musical Interlude
I'm going home to see my Father
I'm going home no more to roam
I'm only goin' over Jordan
I’m only goin’ where no one roams
I want to wear that crown of glory
When I get to that good land
I want to shout out salvation story
In concert with that blood washed band.
I'm going there to see my saviour
I’ll see his face no more to roam
I'm only going over Jordan
I'm only going over home
I'm only goin' over home