Maddox's interest in the ragtime era was fueled by his great-aunt Zula Cothron. She played with an all-girls' orchestra at the 1904 Louisiana Purchase Exposition in St. Louis and later played in vaudeville. Maddox studied classical music for nineteen years with Margaret Neal and Prudence Simpson Dresser, who studied in Europe for a short time with Franz Liszt. One of his teachers of popular music, Lela Donoho, accompanied silent movies in his hometown of Gallatin, Tennessee. He played his first public concert when he was five and began his professional career in 1939 playing with a local dance band, the Rhythmasters, led by J. O. "Temp" Templeton.
Around 1946, Maddox started working for his friend Randy Wood at Randy's Record Shop in Gallatin, where Wood founded Dot Records. Maddox's first single, "St. Louis Tickle" with "Crazy Bone Rag" on the flip side (recorded May 19, 1950), sold over 22,000 copies in only a few weeks. He became the first successful artist on Dot, and his instant success helped build Dot into one of the most popular labels of the 1950s. He signed with MCA and began touring nightclubs across the country. In Dallas, Texas, he appeared with Sophie Tucker; in Las Vegas with Billy Eckstine and Elvis Presley; in Miami, Florida, with Eddy Arnold and the Duke of Paducah; and in Detroit, Michigan, with Pat Flowers, Dorothy Donegan, and Lawrence Welk. His first record to sell over a million copies was probably "San Antonio Rose by Bob Wills. Another one of his most popular early records was "In the Mood," and he performed the song on The Pee Wee King Show in February 1953.
After hearing him play in 1952, the "Father of the Blues," W. C. Handy, called Maddox "the white boy with the colored fingers."
In 1954, Maddox was declared the Number One Jukebox Artist in America by the MOA (Music Operators of America). In January 1955, he recorded "The Crazy Otto Medley," which was composed of Lou Busch's "Ivory Rag," several German folk songs, and Irving Berlin's "Play a Simple Melody." The medley was originally recorded on the Polydor label by German pianist Fritz Schulz-Reichel under the pseudonym "Otto der Schrage." Disc jockey Bill Randle of WERE in Cleveland, Ohio, suggested to Randy Wood that Maddox record a version of the song and use "The Crazy Otto Medley" as the title. Maddox's record was number one on Billboard magazine chart for fourteen weeks and became the first million-selling all-piano record, eventually selling more than two million copies. Schulz-Reichel then came to the United States and recorded for Decca under the name "Crazy Otto." The reference to "Crazy Otto" in the Grateful Dead song "Ramble on Rose" is a reference to Maddox's hit record. Maddox performed The Jack Paar Show in March 1955 and played "The Crazy Otto Medley" on Milton Berle's Texaco Star Theatre on May 31, 1955. He appeared with two other pianists, Hazel Scott and Joe Loco, on Patti Page's program The Big Record in November 1956. One of his later appearances was on The Soupy Sales Show.
Maddox continued to record for Dot Records through 1967, by which time he had earned nine gold singles, and his total sales were over eleven million.[2] One of the highlights of his was performing twice at New York's Stork Club, where he appeared on live television with Teresa Brewer. At the annual Hillbilly Homecoming in Maryville, Tennessee, in 1957, he worked with an up-and-coming young singer named Patsy Cline. Maddox toured fairgrounds across the country in the late 1950s and early '60s with Swenson's Thrillcade, playing on a piano placed on the back of a pickup truck that was lifted by a hydraulic lift as high as fifteen feet! His longest professional engagement was at the Red Slipper Room in Denver, Colorado's Cherry Creek Inn, where he played for seventeen years. Maddox befriended many more musicians and performers from the ragtime and vaudeville days in his travels, including Glover Compton, Butterbeans and Susie, Candy Candido, Ted Lewis, Gus Van, Glenn Rowell, and Joe Jordan.
Maddox began collecting antique sheet music, 78s, cylinders, piano rolls, photographs, and more at a very young age. He sold much of his first collection to Brigham Young University when he moved to Bad Ischl, Austria, in the 1970s. Tired of life on the road, he attempted to retire from show business forever. Soon, however, he was back performing in the United States and began a long residency at Il Porto Ristorante in Old Town Alexandria, Virginia.
He retired in 1992 but was then coaxed to perform at the Historic Strater Hotel's Diamond Belle Saloon in Durango, Colorado, where he played from 1996–2012. He owned one of the largest collections of popular sheet music in the world,[citation needed] likely totaling over 200,000 pieces.
He is the only ragtime pianist to earn a star on the Hollywood Walk of Fame, which was included when construction on the Walk of Fame began.
A caricature of Maddox was placed in the main dining room of the Hollywood Brown Derby Restaurant next to Paul Whiteman, Rudy Vallee, Hank Williams, and Bill Haley.
St. Louis Blues
Johnny Maddox Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I hate to see that evening sun go down
Cause my baby, he's gone left this town
Feelin' tomorrow like I feel today
If I'm feelin' tomorrow like I feel today
I'll pack my truck and make my give-a-way
Pulls that man around by her, if it wasn't for her and her
That man I love would have gone nowhere, nowhere
I got the St. Louis blues, blues as I can be
That man's got a heart like a rock cast in the sea
Or else he wouldn't have gone so far from me
I love my baby like a school boy loves his pie
Like a Kentucky colonel loves his mint 'n rye
I love my man till the day I die
The lyrics of Johnny Maddox's St. Louis Blues sings about a man who is lamenting the loss of his lover who has left town. He hates to see the evening sun go down because he knew that his lover would be gone. He feels tomorrow just like he feels today, and if he feels the same tomorrow, he will pack his truck and leave town too. The singer then talks about a St. Louis woman who has a diamond ring and is able to control her lover with it. If it weren't for her, the man that the singer loves would have gone nowhere. The chorus repeats the phrase "I got the St. Louis blues" which suggests that the singer is upset about his situation and he feels the blues deeply. The song concludes with the singer expressing his undying love for his man.
Line by Line Meaning
I hate to see that evening sun go down
I am sad to see the end of the day because my lover has left this town
Feelin' tomorrow like I feel today
If I feel tomorrow the same way I do today, I will leave this place
St. Louis woman with her diamond ring
A woman from St. Louis with her wealth and power
Pulls that man around by her, if it wasn't for her and her
If it weren't for her influence, the man I love would never have left
That man I love would have gone nowhere, nowhere
Without her, my love would have never left this place
I got the St. Louis blues, blues as I can be
I am filled with sadness and longing for my lost love
That man's got a heart like a rock cast in the sea
He has a heart that is unfeeling and unyielding
Or else he wouldn't have gone so far from me
If he didn't have such a heart, he would not have left my side
I love my baby like a school boy loves his pie
My love for him is pure and innocent, like a child's love for a treat
Like a Kentucky colonel loves his mint 'n rye
My love for him is strong and unwavering, like a southern gentleman's love for his liquor
I love my man till the day I die
I will love him without end, until the day I leave this earth
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC, Downtown Music Publishing, HANDY BROTHERS MUSIC CO.,INC., Peermusic Publishing, Warner Chappell Music, Inc.
Written by: William Christopher Handy
Lyrics Licensed & Provided by LyricFind