Johnny was 13 years old when Clem took him to see Connie Cox, a Bay Area voice teacher, who agreed to take on the youngster in exchange for his doing odd jobs around her house. Johnny studied with Connie for six years learning vocal scales and exercises, voice production, classical and operatic skills.
At George Washington High School, Johnny was known not only for his singing ability but his athleticism as well. He became a star athlete on the track and field team as a high jumper and hurdler and played on the basketball team.
In 1954, Johnny enrolled at San Francisco State College with the intention of being an English and Physical Education teacher. While there, Johnny set a high jump record of 6’-5 1/2”. This is still on the College’s Top 15 list and was only two inches short of the Olympic record of the time. Just as when he was in high school, Johnny’s name was frequently mentioned in the sports sections of the Northern California newspapers. He was often referred to as “the best all-around athlete to come out of the San Francisco Bay Area”.
A fellow student whose sextet was working at the Black Hawk nightclub brought Johnny in for a Sunday afternoon jam session. It was at the Black Hawk that Helen Noga, co-owner of the club, first heard him sing. She decided that she wanted to manage his career.
In early September of 1955, Johnny landed a job singing weekends at Ann Dee’s 440 Club. After repeated attempts, Helen convinced George Avakian, then head of Jazz A&R at Columbia, to see him. Avakian came to the club, heard Johnny sing and sent the now famous telegram to his record company: “Have found phenomenal 19 year old boy who could go all the way. Send blank contracts.”
Avakian left for New York after telling Johnny that he would eventually send for him. Johnny continued his studies at San Francisco State and gained additional fame as a high jumper. In early 1956, Johnny was asked to attend the trials for the 1956 Olympic teams that would travel to Melbourne, Australia that summer. At the same time, Columbia Records requested that Johnny come to New York to start arrangements for his first recording session. Clem helped his son decide that his future and best interests were with the recording company. So, Johnny gave up his chance to become a member of the USA Olympic Team. He went to New York to record his first album in March of 1956.
The first album was a collection of jazz oriented renditions of popular standards entitled: Johnny Mathis: A New Sound In Popular Song. It included jazz musicians Gil Evans, John Lewis and Teo Macero and songs like “Angel Eyes”, “Easy to Love” and “Babalu”. The album enjoyed only moderate success because jazz vocal albums were not good sellers. Nevertheless, Johnny remained in New York and landed bookings at some of the leading nightclubs such as the Village Vanguard, The Blue Angel and Basin Street East.
Soon, Columbia placed Johnny under the supervision of producer Mitch Miller. Mitch favored using Johnny’s voice to sing soft, romantic ballads. At his second recording session, in the fall of 1956, Johnny recorded two singles. These songs were to become among his most popular all-time greatest hits: “Wonderful, Wonderful” and “It’s Not For Me To Say.” Subsequently, MGM Studios signed Johnny to sing “It’s Not For Me To Say” in the film Lizzie . He played a tavern piano bar singer. In 1958, Johnny made another motion picture appearance. This time it was for 20th Century Fox in A Certain Smile. In this movie, he sang the title song playing himself in an elegant nightclub scene. Since then, Johnny’s voice has been used in countless Hollywood movies for theme songs, background music and to enhance a particular setting or segment.
“Wonderful, Wonderful” and “It’s Not For Me To Say” reached their peaks on the BILLBOARD pop chart in July of 1957. These successes were followed by the monumental single “Chances Are” which became Johnny’s first #1 hit.
In June of 1957, Johnny appeared on the Ed Sullivan Show where he was introduced to the record buying public and became a national celebrity and household name. Columbia Records continued to release albums of Johnny singing beautiful and romantic ballads, classic standards and the best songs from Broadway musicals. These albums, like the singles, became immediate successes with sales in the millions. It was not uncommon for Johnny to have as many as four albums on the BILLBOARD Top Albums chart at the same time. In late 1959, Johnny recorded another song that became synonymous with the name of Johnny Mathis, the Erroll Garner composition, “Misty”.
Johnny’s accomplishments are numerous and varied. He holds many records and has set many precedents in the music industry. In 1958, two years after being signed by Columbia Records, Johnny’s Greatest Hits was released. It began a “Greatest Hits” tradition copied by every record company since then. Johnny’s Greatest Hits went on to become one of the most popular albums of all time and spent an unprecedented 490 continuous weeks (almost ten years) on the BILLBOARD Top Albums Chart. This record has been noted in the GUINNESS BOOK OF WORLD RECORDS.
According to record historian Joel Whitburn, Johnny is one of only five recording artists to have Top 40 Hits spanning each of the four decades since 1955. Amazingly, his second #1 Hit Single, “Too Much, Too Little, Too Late” (recorded with Deniece Williams), came almost 21 years after his very first #1 Hit Single, “Chances Are”.
Johnny has been honored to make several appearances before various heads of state. Starting in June of 1973, he sang at a State Dinner held in honor of the President of Liberia. In 1978, Johnny sang for the British Royal Family at A Command Performance held at The London Palladium. He performed for President and Mrs. Reagan at the State Dinner held in honor of the Prime Minister of Japan in April of 1987. Four years later in April of 1991, he sang for President and Mrs. Bush in honor of the President of Nicaragua. Most recently, in May of 1994, Johnny sang for President and Mrs. Clinton (along with the other five living First Ladies) at a very special First Ladies Tribute.
Johnny has also been honored by entertainment heads of state. In June of 1972, he was awarded his own star on the famous Hollywood Walk of Fame. He has participated in the Academy Awards presentation many times to sing the song nominated in the “Best Song” category. He has received two Grammy nominations. The first was for “Misty” in 1960 in the category of Best Vocal Performance Single Record or Track Male. The second came in 1992 for In a Sentimental Mood/Mathis Sings Ellington in the category of Best Traditional Pop Performance.
1996 marked Johnny’s 40th Anniversary as a recording artist. He celebrated by releasing All About Love. He then released The Global Masters (songs from his three year contract at Mercury Records) in 1997, and 1998 saw the release of The Ultimate Hits and Because You Loved Me.
In his free time, Johnny loves to golf. He plays golf almost every day when he’s not traveling and has sung at many golf banquets such as the Ryder Cup. In 1985 and 1986, Johnny hosted his own golf tournament, The Johnny Mathis Seniors PGA Classic which was held in Los Angeles, California.
Johnny’s other favorite avocation is cooking. He is a gourmet cook who cooks for himself and often others when he’s home or traveling. His mother taught him at an early age how to cook up a storm and do it well. He’s enjoyed doing so all his life.
Wild the Wind
Johnny Mathis Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Let me fly away with you
For my love is like the wind
And wild is the wind
Give me more than one caress
Satisfy this hungriness
Let the wind blow through your heartFor wild is the wind
You touch me, I hear the sound of mandolins
You kiss me, and with your kiss the world begins
You're Spring to me, all things to me
You're life itself
Like a leaf clings to a tree
Oh, my darling, cling to me
For we're creatures of the wind
And wild is the wind, the wind
Wild is my love for you
In Johnny Mathis’s song Wild Is The Wind, the lyrics speak of a love that is wild and free, much like the wind. The singer is urging their lover to love them and fly away with them, for their love is like the wind. It’s untamed, unpredictable, and can change direction at any moment. The singer is hungry for love and wants more than just a single caress. They want their lover to fully embrace them and let the wind blow through their heart, for their love is wild and uncontrollable.
The second verse speaks of the power of their lover’s touch and kiss. The touch of their lover sends shivers down their spine and fills them with a sense of joy and fulfillment. The kiss of their lover is like the beginning of a new world, full of possibilities and potential. The singer sees their lover as their everything, their life itself, and their love for them is as wild and uncontrollable as the wind. They urge their lover to cling to them, for they are both creatures of the wind, and their love is just as wild and unpredictable.
Line by Line Meaning
Love me, love me, say you do
Express your love for me and tell me that you love me.
Let me fly away with you
Take me with you wherever you go and let us embark on a journey together.
For my love is like the wind
My love is gentle yet powerful, with the propensity to sway and move like the wind.
And wild is the wind
My love goes beyond the bounds of normalcy, much like the erratic nature of the wind.
Give me more than one caress
Do not limit your affection to a singular gesture; I crave more.
Satisfy this hungriness
Quell the yearning inside me with your love and attention.
Let the wind blow through your heart
Allow yourself to be swept away by emotions and passion, unencumbered by convention.
For wild is the wind
For only when we give ourselves the freedom to feel uninhibited can we truly experience the fullness of passion and excitement.
You touch me, I hear the sound of mandolins
Your touch is romantic and evokes pleasant feelings akin to the beautiful sound of the mandolin.
You kiss me, and with your kiss the world begins
With your kiss, you breathe life and meaning into every aspect of my existence.
You're Spring to me, all things to me
You bring a sense of renewal and rejuvenation to my life, and are the source of all that is good in my world.
You're life itself
You are not just a part of my life, but my very existence revolves entirely around you.
Like a leaf clings to a tree
Just as a leaf struggles to stay attached to a tree in spite of the wind, I too will cling to you even in the face of adversity.
Oh, my darling, cling to me
Oh, my love, hold onto me tightly and never let me go.
For we're creatures of the wind
Our natures are free-spirited and untamed, much like the spirit of the wind.
And wild is the wind, the wind
Our love is passionate and exciting, full of the same unpredictability and potential for wonder as the wind.
Wild is my love for you
My love for you is wild, uncontrollable, and all-consuming, defined by an insatiable desire to be with you at all times.
Lyrics © Universal Music Publishing Group, Reservoir Media Management, Inc., Warner Chappell Music, Inc.
Written by: Ned Washington, Dimitri Tiomkin
Lyrics Licensed & Provided by LyricFind
@miltonmoore7687
For me, every movie
theme song Johnny
Mathis sung was greater than the film
itself. (thanks for giving the song writing credits in the
description; I wish every
channel was this
considerate and atten
tive to important details. The poor song writers who are
the God-inspired founts that make
all this possible are
so often overlooked.)
@elimarco
Thanks Serenata 20101 for post this wonder!
As a thank you, I'm posting her lyrics and their translation into Brazilian Portuguese, language of my country
WILD IS THE WIND
Love me, love me, say you do
Let me fly away with you
For my love is like the wind
And wild is the wind
Give me more than one caress
Satisfy this hungriness
Let the wind blow through your heart
For wild is the wind
You touch me, I hear the sound of mandolins
You kiss me, and with your kiss the world begins
You’re Spring to me, all things to me
You’re life itself
Like a leaf clings to a tree
Oh, my darling, cling to me
For we’re creatures of the wind
And wild is the wind, the wind
Wild is my love for you
SELVAGEM É O VENTO
Ama-me, ama-me, diz que que ama
Deixa-me voar com você
Pois o meu amor é como o vento
E o vento é selvagem
Dá-me mais que uma carícia.
Satisfaça esta fome
Deixa o vento soprar através do teu coração
Pois o vento é selvagem
Você me toca, eu ouço o som dos bandolins
Você me beija e com o teu beijo o mundo começa
Você é a Primavera e todas as coisas para mim
É a própria vida.
Como uma folha se agarra a uma árvore
Oh, minha querida, agarre-se a mim
Pois somos criaturas do vento
E selvagem é o vento, o vento
Selvagem é o meu amor por você
@smr61754
One of the most hauntingly, beautiful songs ever recorded.
@rhpositive2002
I agree.
@rhpositive2002
If you like hauntingly, beautiful songs, listen to Wuthering Heights by Kate Bush
@saffronsworld1508
Frank....You've got to be kidding!!! I know her song was number 1 in the UK, but "hauntingly beautiful"?
@ojshilinski8358
He's wonderful, but I just listened to Nina Simone's rendition and wanted to go back to Nina's -- hers has a more haunting feeling
@jessicastanley8913
@@saffronsworld1508 I looked it up just now. This is a gag, right?
@carpediemfriends
This song owns itself! Any great singer can sing it because of the sheer brilliance of the hauntingly beautiful melody and achingly profound words. Mathis, Simone, Bowie, George Michael; all are elevated to the top of their game simply by paying homage to this timeless masterpiece. The song owns itself!
@hunky-doris
this is very well put, I agree
@JohnChilton1
couldn't agree more...it's the quality of the song which allows good singers the chance to shine
@40shaffer
@@JohnChilton1 Listen to Randy Crawford's version -- also beautiful.