Johnny Mathis & Deniece Williams.
John Royce Mathis (b. September 30… Read Full Bio ↴Johnny Mathis & Deniece Williams.
John Royce Mathis (b. September 30, 1935), known popularly as Johnny Mathis, is an American Grammy Award-winning singer and songwriter of popular music.
The last in a long line of traditional male vocalists who emerged before the rock-dominated 1960s, Mathis concentrated on romantic jazz and pop standards for the adult contemporary audience through to the 1980s. Starting his career with a standard flurry of singles, Mathis was far more popular as an album artist, with several dozen of his albums receiving gold and platinum status and seventy three making the Billboard charts to date.
Mathis was born fourth of seven children in Gilmer, Texas to Clem and Mildred Mathis. The family moved when he was young to San Francisco, California on Post Street, in the famous Fillmore district where he was raised. His father worked for a time in vaudeville, and when he saw the budding talent in his son, the elder Mathis bought an old upright piano for US$25 to encourage his efforts. Mathis began learning from his father songs and routines–his first song being, "My Blue Heaven." Mathis started out singing and dancing for visitors at home, and later publicly, at school and church events.
At thirteen, Mathis was taken to Connie Cox, a San Francisco Bay Area voice teacher, who accepted him as a student in exchange for work he would do around her house. He studied with Cox for six years, learning vocal scales and exercises, voice production, classical and operatic skills.He remains one of the few popular singers who has received years of professional voice training that included opera. At George Washington High School, Mathis was well known, not only for his singing abilities, but also as a star athlete. On the track and field team, he was a high jumper and hurdler, and on the basketball team, he earned four athletic letters. In 1954, Mathis enrolled at San Francisco State University on a scholarship with the intention of becoming an English and physical education teacher. Mathis remains an important part of San Francisco State University's sports history—in 1954 he broke future basketball great Bill Russell's high jump record by jumping 6 ft 5 in (1.96 meters).
He was spotted by Helen Noga, owner of The Black Hawk club, at a jam session and she became his manager. In September 1955, after Noga landed Mathis a job singing weekends at Ann Dee’s 440 Club, she ruthlessly pursued jazz producer George Avakian, who she found out was on vacation in the Bay Area. Avakian came to see him sing, and sent the now famous telegram to Columbia Records: Have found phenomenal 19-year old boy who could go all the way. Send blank contracts.[2]
Mathis now had to decide whether to go to the Olympic tryouts, to which he had been invited, or to keep an appointment in New York to make his first recordings, which were subsequently released in 1956. With his father's advice, Mathis opted for a recording career and the rest is history. He has never completely abandoned his enthusiasm for sports and today is an avid golfer who has achieved five holes-in-one, and has hosted several Johnny Mathis Golf Tournaments in the USA and the United Kingdom. Since 1985 he has been hosting a charity golf tournament in Belfast sponsored by Shell corporation, and the annual Johnny Mathis Invitational Track & Field Meet has continued at San Francisco State College since it started in 1982.
His first album Johnny Mathis: A New Sound In Popular Song was a slow selling jazz album, but Mathis stayed in New York to play the clubs. His second album was produced by Columbia records vice-president and producer Mitch Miller, who defined the Mathis sound - he preferred him to sing soft, romantic ballads. In late 1956, Mathis recorded two of his most popular songs - "Wonderful! Wonderful!" and "It's Not For Me To Say." That year MGM signed Mathis to sing the latter song in the 1957 film Lizzie, and shortly afterward he made his second film appearance for 20th Century Fox singing the title song in A Certain Smile -he had small acting roles in both movies as a bar singer. This early cinematic visibility in two successful movies gave him mass exposure. Next was his appearance on the very popular Ed Sullivan Show in 1957 and this helped to seal his stardom. Critics called him the velvet voice
In 1958, Mathis left San Francisco with the Nogas, and moved to Beverly Hills where he shared a home with them. In 1964, there was a severe downturn in sales for many artists due to The Beatles and the British invasion of the early 1960s, around the time Mathis and the Nogas ended their business relationship. Mathis purchased a mansion in the Hollywood Hills, that was originally built by billionaire Howard Hughes, and where he still maintains a residence.
Mathis established Jon Mat Records, Inc. to produce his recordings, and Rojon Productions, Inc. to handle all of his concert, theater, showroom and television appearances, and all promotional and charitable activities. His new manager and business partner was Ray Haughn, who helped guide his career until his death in September 1984. Since that time, Mathis has taken sole responsibility for his career, operating from office suites in Burbank. With the exception of a three-year break with Mercury Records in the mid-1960s, he has been with Columbia Records throughout his recording career.
Although he is frequently described as a romantic singer, his vast discography includes jazz, traditional pop, Brazilian and Spanish music, Soul, R&B, soft rock, Broadway, Tin Pan Alley standards, some blues and country songs, and even a few disco tunes for his album Mathis Magic (1979). In 1980/81 Mathis recorded an album with Chic's Bernard Edwards and Nile Rodgers, I Love My Lady, which remains unreleased. Mathis also remains highly associated with holiday music, having recorded nine Christmas albums. According to British recordings chart historian and Guinness Book of Records Music writer Paul Gambaccini, Mathis has recorded over 110 albums and sold more than 350 million records worldwide. His Merry Christmas album of 1958 has made the USA charts almost every year since its release and is now approaching 6 Million unit sales.[4] this makes Mathis the third most successful male recording artist ever.[5] He was given the title The Voice Of Romance. Mathis has the distinction of having the longest stay of any recording artist on the Columbia Record label, having been with the label from 1956 to 1963 and from 1968 to the present.In 1958, Johnny’s Greatest Hits was released and was the first ever Greatest Hits album in the music industry. It began the Greatest Hits tradition copied by every record company. Johnny's Greatest Hits spent an unprecedented 490 consecutive weeks (nine and a half years) on the Billboard Album Chart; a feat unmatched by any other recording artist in history, earning him a place in the Guinness Book Of World Records. He has had five of his albums on the Billboard charts simultaneously, an achievement equaled by only two other singers, Frank Sinatra and Barry Manilow. He released 200 singles and had 71 songs charted around the world. He is the third largest album seller and Frank Sinatra's main rival in sales from 1957 to 1987. Mathis is one of only a few recording artists whose career has spanned six decades and selling over 350 million records worldwide.
He has received three Grammy awards. In 1979, his hit duet "The Last Time I Felt Like This" from the film Same Time, Next Year was nominated for an Academy Award for Best Original Song. Mathis and Jane Olivor sang the song at the Oscar ceremony televised to over two billion people around the world. This was his second performance at the Oscar awards - another historic achievement. He has taped twelve of his own television specials and made over 300 television guests appearances with 33 of them being on The Tonight Show. Through the years his songs (or parts of them) have been heard in 100 plus television shows and films around the globe. His appearance on the Live By Request broadcast in May 1998 on the A&E Network had the largest television viewing audience of the series.
Mathis continues to perform but from 2000 onwards has limited his concert engagements to fifty to sixty appearances per year. For 2006, he is scheduled for a UK tour that includes his annual Scottish Golf vacation and attendance at the 2006 Ryder Cup, two stints at his favourite Hilton Hotel in Las Vegas. He still records occasionally and his latest album Isn't It Romantic: The Standards Album (2004) has been enthusiastically received by critics and music buyers. Tonight Show host Johnny Carson, who heard over 2000 singers on his show, said: "Johnny Mathis is the best ballad singer in the world." He appeared on the NBC Tonight Show with Jay Leno[6] as a guest on March 29th, 2007 performing the classic "Shadow of Your Smile" with Saxophonist Dave Koz.A 1982 Us Magazine article quoted Mathis as having said, "Homosexuality is a way of life that I've grown accustomed to." He further confirmed a sexual relationship with a male saxophonist. After more than twenty years of silence on the subject, in 2006, Mathis revealed in an interview his silence was due to death threats he received as a result of that 1982 article.[7][8] On April 13, 2006 Mathis granted a podcast interview with The Strip in which he touched on the subject once again.[9]
Mathis enjoys cooking, which he learned from his mother. He likes family gatherings with his six brothers and sisters and their families. In 1982 he published a cookbook, Cooking for You Alone.
He is an avid golfer, and in his earlier years he excelled at other sports including high jumping, tennis, and basketball.
Among the many organizations that have benefited from his generosity through the years are: The Cancer Society, March Of Dimes, YWCA, YMCA, the Muscular Dystrophy Association, and NAACP.
The following songs reached either the top 50 on the US Billboard Hot 100 or the top 10 on the Adult Contemporary singles chart. Billboard began publishing AC singles charts in 1961.
"Wonderful! Wonderful!" (1957) #14 Pop (Gold)
"It's Not for Me to Say" (1957) #5 Pop (Gold)
"Chances Are" (1957) #1 Pop (Gold)
"The Twelfth of Never" (1957) #9 Pop
"Wild Is the Wind" (1957) #22 Pop
"No Love (But Your Love)" (1958) #21 Pop
"Come to Me" (1958) #22 Pop
"All the Time" (1958) #21 Pop
"Teacher, Teacher" (1958) #21 Pop
"A Certain Smile" (1958) #14 Pop
"Call Me" (1958) #21 Pop
"Let's Love" (1959) #44 Pop
"Someone" (1959) #35 Pop
"Small World" (1959) #20 Pop
"Misty" (1959) #12 Pop (Gold)
"Starbright" (1960) #25 Pop
"My Love for You" (1960) #47 Pop
"Gina" (1962) #6 Pop, #2 AC
"What Will Mary Say" (1963) #9 Pop, #3 AC
"Every Step of the Way" (1963) #30 Pop, #10 AC
"On a Clear Day You Can See Forever" (1965) #98 Pop, #6 AC
"Love Theme From Romeo & Juliet (A Time for Us)" (1969) #96 Pop, #8 AC
"Pieces of Dreams" (1970) #9 AC
"I'm Coming Home" (1973) #75 Pop, #1 AC
"Life Is a Song Worth Singing" (1974) #54 Pop, #8 AC
"Stardust" (1975) #4 AC
"Too Much, Too Little, Too Late" with
Deniece Williams (1978) #1 Pop, #1 AC (Gold)
"You're All I Need to Get By" with
Deniece Williams (1978) #47 Pop, #16 AC
"Friends In Love" with Dionne Warwick (1982) #38 Pop, #6 AC
"Simple" (1984) #81 Pop, #6 AC
Each of the above were issued under the Columbia Records label with the exception of the duet with Dionne Warwick, "Friends In Love," which was released under Warwick's label, Arista Records.
[edit] Other Noteworthy Songs
"Heavenly" (Platinum)
"Maria" (1960) #78, (1962) #88
"When Sunny Gets Blue"
"Fly Me To The Moon"
"My Funny Valentine"
"Moon River"
"The Impossible Dream"
"Somewhere My Love"
"When a Child Is Born" (Gold)
"Feelings" (Platinum)
"What I Did For Love"
"Gone, Gone, Gone"
"The Last Time I Felt Like This" with
Jane Olivor (1979) #15 AC
"Begin the Beguine"
"It's Beginning to Look a Lot Like Christmas"
"Sleigh Ride"
"That's All"
Mathis has had much more success as an albums artist. His albums achieved success in part due to their reputation as an accompaniment to lovemaking. Some of his celebrated early albums include:
Johnny Mathis Columbia CL-887
Wonderful, Wonderful Columbia CL-1028
Heavenly Columbia CS-8152 Multi (Platinum)
Faithfully (Gold)
Open Fire, Two Guitars Columbia CL-1270/CS-8056 (Gold)
Warm Columbia CL-1078/CS-8039 (Gold)
Swing Softly Columbia CL-1165/CS-8023 (Gold)
Johnny's Mood
Johnny's Greatest Hits Columbia CL-1133 (Multi-Platinum)
More Johnny's Greatest Hits Columbia CL-1344/CS-8150 (Gold)
I'll Buy You a Star
Merry Christmas Columbia CL-1195/CS-8021 (Multi-Platinum)
Those Were The Days
Theme From Romeo And Juliet
Close To You
Love Story
Sings The Music Of Bacharach & Kaempfert
The First Time Ever I Saw Your Face
Song Sung Blue
I'm Coming Home
Me And Mrs. Jones
Killing Me Softly
You Light Up My Life (Platinum)
Feelings (Platinum)
I Only Have Eyes For You
The Heart Of A Woman
The Best Days Of My Life
Deniece Williams
Born June Deniece Chandler in 1950 (some sources list her birth year as 1951) in Gary, Indiana, Williams' career began in the 1970s when she became a backup vocalist for Stevie Wonder as part of "Wonderlove", along with Minnie Riperton. She left Wonder in 1975 and teamed up with producer Maurice White, who was the leader of Earth, Wind & Fire. After signing to Columbia Records, her 1976 debut album entitled This Is Niecy was released. The single "Free" reached #2 on the Black Singles chart, #25 on the Billboard Hot 100, and #1 on the British Singles chart. The album also featured "Cause You Love Me Baby" (which charted separately on the R&B chart as the flip side of "Free") and "That's What Friends Are For". She also shared a #1 hit on the Billboard Hot 100 chart with pop singer Johnny Mathis in 1978 with the duet "Too Much, Too Little, Too Late". The duet also topped the Black Singles and Adult Contemporary charts.
Williams moved on to the American Recording Company (ARC) in the early 1980s where she scored the top ten R&B smash hit "Silly." in 1981. The following year, famed producer Thom Bell helped Williams score another #1 R&B chart-topper with her remake of The Royalettes' "It's Gonna Take a Miracle," which became a Top 10 pop hit as well. In 1984, Williams released the album Let's Hear It for the Boy, in which the title track reached #1 on the Billboard Hot 100 and was featured on the soundtrack to the motion picture, Footloose.
Williams continued releasing albums during the 1980s such as Hot On The Trail (1986), Water Under The Bridge (1987), and As Good As It Gets (1988), which featured her last Top Ten hit to date, "I Can't Wait", written by Skylark. However, in part due to a lack of promotion from her record company, her mainstream popularity faded.
Since 1996, Williams has presented her own BBC radio show in the UK, showcasing the best in new gospel and inspirational music.
[edit] Vocal profile
Deniece Williams's vocal range has also been pointed out by The New York Times, 'Miss Williams mounted a spectacular vocal display in which her penetrating, feline soprano soared effortlessly to E flat above high C, and she worked various vowel sounds into prolonged feats of vocal gymnastics'[1] . In pointing to Williams's similar vocal ability as her former musical icon and colleague (Minnie Riperton), Mark Anthony Neal in referencing Jill Scott's agility in displaying vocal acrobatics, states 'Scott Draws on her upper register recalling the artistry of the late "songbird" Minnie Riperton and Deniece Williams'[2]. According to Monica Haynes of Post-Gazette.com, Williams "has the kind of range that would make Mariah Carey quiver."[3]
John Royce Mathis (b. September 30… Read Full Bio ↴Johnny Mathis & Deniece Williams.
John Royce Mathis (b. September 30, 1935), known popularly as Johnny Mathis, is an American Grammy Award-winning singer and songwriter of popular music.
The last in a long line of traditional male vocalists who emerged before the rock-dominated 1960s, Mathis concentrated on romantic jazz and pop standards for the adult contemporary audience through to the 1980s. Starting his career with a standard flurry of singles, Mathis was far more popular as an album artist, with several dozen of his albums receiving gold and platinum status and seventy three making the Billboard charts to date.
Mathis was born fourth of seven children in Gilmer, Texas to Clem and Mildred Mathis. The family moved when he was young to San Francisco, California on Post Street, in the famous Fillmore district where he was raised. His father worked for a time in vaudeville, and when he saw the budding talent in his son, the elder Mathis bought an old upright piano for US$25 to encourage his efforts. Mathis began learning from his father songs and routines–his first song being, "My Blue Heaven." Mathis started out singing and dancing for visitors at home, and later publicly, at school and church events.
At thirteen, Mathis was taken to Connie Cox, a San Francisco Bay Area voice teacher, who accepted him as a student in exchange for work he would do around her house. He studied with Cox for six years, learning vocal scales and exercises, voice production, classical and operatic skills.He remains one of the few popular singers who has received years of professional voice training that included opera. At George Washington High School, Mathis was well known, not only for his singing abilities, but also as a star athlete. On the track and field team, he was a high jumper and hurdler, and on the basketball team, he earned four athletic letters. In 1954, Mathis enrolled at San Francisco State University on a scholarship with the intention of becoming an English and physical education teacher. Mathis remains an important part of San Francisco State University's sports history—in 1954 he broke future basketball great Bill Russell's high jump record by jumping 6 ft 5 in (1.96 meters).
He was spotted by Helen Noga, owner of The Black Hawk club, at a jam session and she became his manager. In September 1955, after Noga landed Mathis a job singing weekends at Ann Dee’s 440 Club, she ruthlessly pursued jazz producer George Avakian, who she found out was on vacation in the Bay Area. Avakian came to see him sing, and sent the now famous telegram to Columbia Records: Have found phenomenal 19-year old boy who could go all the way. Send blank contracts.[2]
Mathis now had to decide whether to go to the Olympic tryouts, to which he had been invited, or to keep an appointment in New York to make his first recordings, which were subsequently released in 1956. With his father's advice, Mathis opted for a recording career and the rest is history. He has never completely abandoned his enthusiasm for sports and today is an avid golfer who has achieved five holes-in-one, and has hosted several Johnny Mathis Golf Tournaments in the USA and the United Kingdom. Since 1985 he has been hosting a charity golf tournament in Belfast sponsored by Shell corporation, and the annual Johnny Mathis Invitational Track & Field Meet has continued at San Francisco State College since it started in 1982.
His first album Johnny Mathis: A New Sound In Popular Song was a slow selling jazz album, but Mathis stayed in New York to play the clubs. His second album was produced by Columbia records vice-president and producer Mitch Miller, who defined the Mathis sound - he preferred him to sing soft, romantic ballads. In late 1956, Mathis recorded two of his most popular songs - "Wonderful! Wonderful!" and "It's Not For Me To Say." That year MGM signed Mathis to sing the latter song in the 1957 film Lizzie, and shortly afterward he made his second film appearance for 20th Century Fox singing the title song in A Certain Smile -he had small acting roles in both movies as a bar singer. This early cinematic visibility in two successful movies gave him mass exposure. Next was his appearance on the very popular Ed Sullivan Show in 1957 and this helped to seal his stardom. Critics called him the velvet voice
In 1958, Mathis left San Francisco with the Nogas, and moved to Beverly Hills where he shared a home with them. In 1964, there was a severe downturn in sales for many artists due to The Beatles and the British invasion of the early 1960s, around the time Mathis and the Nogas ended their business relationship. Mathis purchased a mansion in the Hollywood Hills, that was originally built by billionaire Howard Hughes, and where he still maintains a residence.
Mathis established Jon Mat Records, Inc. to produce his recordings, and Rojon Productions, Inc. to handle all of his concert, theater, showroom and television appearances, and all promotional and charitable activities. His new manager and business partner was Ray Haughn, who helped guide his career until his death in September 1984. Since that time, Mathis has taken sole responsibility for his career, operating from office suites in Burbank. With the exception of a three-year break with Mercury Records in the mid-1960s, he has been with Columbia Records throughout his recording career.
Although he is frequently described as a romantic singer, his vast discography includes jazz, traditional pop, Brazilian and Spanish music, Soul, R&B, soft rock, Broadway, Tin Pan Alley standards, some blues and country songs, and even a few disco tunes for his album Mathis Magic (1979). In 1980/81 Mathis recorded an album with Chic's Bernard Edwards and Nile Rodgers, I Love My Lady, which remains unreleased. Mathis also remains highly associated with holiday music, having recorded nine Christmas albums. According to British recordings chart historian and Guinness Book of Records Music writer Paul Gambaccini, Mathis has recorded over 110 albums and sold more than 350 million records worldwide. His Merry Christmas album of 1958 has made the USA charts almost every year since its release and is now approaching 6 Million unit sales.[4] this makes Mathis the third most successful male recording artist ever.[5] He was given the title The Voice Of Romance. Mathis has the distinction of having the longest stay of any recording artist on the Columbia Record label, having been with the label from 1956 to 1963 and from 1968 to the present.In 1958, Johnny’s Greatest Hits was released and was the first ever Greatest Hits album in the music industry. It began the Greatest Hits tradition copied by every record company. Johnny's Greatest Hits spent an unprecedented 490 consecutive weeks (nine and a half years) on the Billboard Album Chart; a feat unmatched by any other recording artist in history, earning him a place in the Guinness Book Of World Records. He has had five of his albums on the Billboard charts simultaneously, an achievement equaled by only two other singers, Frank Sinatra and Barry Manilow. He released 200 singles and had 71 songs charted around the world. He is the third largest album seller and Frank Sinatra's main rival in sales from 1957 to 1987. Mathis is one of only a few recording artists whose career has spanned six decades and selling over 350 million records worldwide.
He has received three Grammy awards. In 1979, his hit duet "The Last Time I Felt Like This" from the film Same Time, Next Year was nominated for an Academy Award for Best Original Song. Mathis and Jane Olivor sang the song at the Oscar ceremony televised to over two billion people around the world. This was his second performance at the Oscar awards - another historic achievement. He has taped twelve of his own television specials and made over 300 television guests appearances with 33 of them being on The Tonight Show. Through the years his songs (or parts of them) have been heard in 100 plus television shows and films around the globe. His appearance on the Live By Request broadcast in May 1998 on the A&E Network had the largest television viewing audience of the series.
Mathis continues to perform but from 2000 onwards has limited his concert engagements to fifty to sixty appearances per year. For 2006, he is scheduled for a UK tour that includes his annual Scottish Golf vacation and attendance at the 2006 Ryder Cup, two stints at his favourite Hilton Hotel in Las Vegas. He still records occasionally and his latest album Isn't It Romantic: The Standards Album (2004) has been enthusiastically received by critics and music buyers. Tonight Show host Johnny Carson, who heard over 2000 singers on his show, said: "Johnny Mathis is the best ballad singer in the world." He appeared on the NBC Tonight Show with Jay Leno[6] as a guest on March 29th, 2007 performing the classic "Shadow of Your Smile" with Saxophonist Dave Koz.A 1982 Us Magazine article quoted Mathis as having said, "Homosexuality is a way of life that I've grown accustomed to." He further confirmed a sexual relationship with a male saxophonist. After more than twenty years of silence on the subject, in 2006, Mathis revealed in an interview his silence was due to death threats he received as a result of that 1982 article.[7][8] On April 13, 2006 Mathis granted a podcast interview with The Strip in which he touched on the subject once again.[9]
Mathis enjoys cooking, which he learned from his mother. He likes family gatherings with his six brothers and sisters and their families. In 1982 he published a cookbook, Cooking for You Alone.
He is an avid golfer, and in his earlier years he excelled at other sports including high jumping, tennis, and basketball.
Among the many organizations that have benefited from his generosity through the years are: The Cancer Society, March Of Dimes, YWCA, YMCA, the Muscular Dystrophy Association, and NAACP.
The following songs reached either the top 50 on the US Billboard Hot 100 or the top 10 on the Adult Contemporary singles chart. Billboard began publishing AC singles charts in 1961.
"Wonderful! Wonderful!" (1957) #14 Pop (Gold)
"It's Not for Me to Say" (1957) #5 Pop (Gold)
"Chances Are" (1957) #1 Pop (Gold)
"The Twelfth of Never" (1957) #9 Pop
"Wild Is the Wind" (1957) #22 Pop
"No Love (But Your Love)" (1958) #21 Pop
"Come to Me" (1958) #22 Pop
"All the Time" (1958) #21 Pop
"Teacher, Teacher" (1958) #21 Pop
"A Certain Smile" (1958) #14 Pop
"Call Me" (1958) #21 Pop
"Let's Love" (1959) #44 Pop
"Someone" (1959) #35 Pop
"Small World" (1959) #20 Pop
"Misty" (1959) #12 Pop (Gold)
"Starbright" (1960) #25 Pop
"My Love for You" (1960) #47 Pop
"Gina" (1962) #6 Pop, #2 AC
"What Will Mary Say" (1963) #9 Pop, #3 AC
"Every Step of the Way" (1963) #30 Pop, #10 AC
"On a Clear Day You Can See Forever" (1965) #98 Pop, #6 AC
"Love Theme From Romeo & Juliet (A Time for Us)" (1969) #96 Pop, #8 AC
"Pieces of Dreams" (1970) #9 AC
"I'm Coming Home" (1973) #75 Pop, #1 AC
"Life Is a Song Worth Singing" (1974) #54 Pop, #8 AC
"Stardust" (1975) #4 AC
"Too Much, Too Little, Too Late" with
Deniece Williams (1978) #1 Pop, #1 AC (Gold)
"You're All I Need to Get By" with
Deniece Williams (1978) #47 Pop, #16 AC
"Friends In Love" with Dionne Warwick (1982) #38 Pop, #6 AC
"Simple" (1984) #81 Pop, #6 AC
Each of the above were issued under the Columbia Records label with the exception of the duet with Dionne Warwick, "Friends In Love," which was released under Warwick's label, Arista Records.
[edit] Other Noteworthy Songs
"Heavenly" (Platinum)
"Maria" (1960) #78, (1962) #88
"When Sunny Gets Blue"
"Fly Me To The Moon"
"My Funny Valentine"
"Moon River"
"The Impossible Dream"
"Somewhere My Love"
"When a Child Is Born" (Gold)
"Feelings" (Platinum)
"What I Did For Love"
"Gone, Gone, Gone"
"The Last Time I Felt Like This" with
Jane Olivor (1979) #15 AC
"Begin the Beguine"
"It's Beginning to Look a Lot Like Christmas"
"Sleigh Ride"
"That's All"
Mathis has had much more success as an albums artist. His albums achieved success in part due to their reputation as an accompaniment to lovemaking. Some of his celebrated early albums include:
Johnny Mathis Columbia CL-887
Wonderful, Wonderful Columbia CL-1028
Heavenly Columbia CS-8152 Multi (Platinum)
Faithfully (Gold)
Open Fire, Two Guitars Columbia CL-1270/CS-8056 (Gold)
Warm Columbia CL-1078/CS-8039 (Gold)
Swing Softly Columbia CL-1165/CS-8023 (Gold)
Johnny's Mood
Johnny's Greatest Hits Columbia CL-1133 (Multi-Platinum)
More Johnny's Greatest Hits Columbia CL-1344/CS-8150 (Gold)
I'll Buy You a Star
Merry Christmas Columbia CL-1195/CS-8021 (Multi-Platinum)
Those Were The Days
Theme From Romeo And Juliet
Close To You
Love Story
Sings The Music Of Bacharach & Kaempfert
The First Time Ever I Saw Your Face
Song Sung Blue
I'm Coming Home
Me And Mrs. Jones
Killing Me Softly
You Light Up My Life (Platinum)
Feelings (Platinum)
I Only Have Eyes For You
The Heart Of A Woman
The Best Days Of My Life
Deniece Williams
Born June Deniece Chandler in 1950 (some sources list her birth year as 1951) in Gary, Indiana, Williams' career began in the 1970s when she became a backup vocalist for Stevie Wonder as part of "Wonderlove", along with Minnie Riperton. She left Wonder in 1975 and teamed up with producer Maurice White, who was the leader of Earth, Wind & Fire. After signing to Columbia Records, her 1976 debut album entitled This Is Niecy was released. The single "Free" reached #2 on the Black Singles chart, #25 on the Billboard Hot 100, and #1 on the British Singles chart. The album also featured "Cause You Love Me Baby" (which charted separately on the R&B chart as the flip side of "Free") and "That's What Friends Are For". She also shared a #1 hit on the Billboard Hot 100 chart with pop singer Johnny Mathis in 1978 with the duet "Too Much, Too Little, Too Late". The duet also topped the Black Singles and Adult Contemporary charts.
Williams moved on to the American Recording Company (ARC) in the early 1980s where she scored the top ten R&B smash hit "Silly." in 1981. The following year, famed producer Thom Bell helped Williams score another #1 R&B chart-topper with her remake of The Royalettes' "It's Gonna Take a Miracle," which became a Top 10 pop hit as well. In 1984, Williams released the album Let's Hear It for the Boy, in which the title track reached #1 on the Billboard Hot 100 and was featured on the soundtrack to the motion picture, Footloose.
Williams continued releasing albums during the 1980s such as Hot On The Trail (1986), Water Under The Bridge (1987), and As Good As It Gets (1988), which featured her last Top Ten hit to date, "I Can't Wait", written by Skylark. However, in part due to a lack of promotion from her record company, her mainstream popularity faded.
Since 1996, Williams has presented her own BBC radio show in the UK, showcasing the best in new gospel and inspirational music.
[edit] Vocal profile
Deniece Williams's vocal range has also been pointed out by The New York Times, 'Miss Williams mounted a spectacular vocal display in which her penetrating, feline soprano soared effortlessly to E flat above high C, and she worked various vowel sounds into prolonged feats of vocal gymnastics'[1] . In pointing to Williams's similar vocal ability as her former musical icon and colleague (Minnie Riperton), Mark Anthony Neal in referencing Jill Scott's agility in displaying vocal acrobatics, states 'Scott Draws on her upper register recalling the artistry of the late "songbird" Minnie Riperton and Deniece Williams'[2]. According to Monica Haynes of Post-Gazette.com, Williams "has the kind of range that would make Mariah Carey quiver."[3]
Family Ties
Johnny Mathis & Deniece Williams Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I bet we've been together for a million years
And I'll bet we'll be together for a million more
Oh It's like I started breathing on the night we kissed
And I can't remember what I ever did before
What would we do baby without us
What would we do baby without us
And there ain't no nothing we can't help each other through
What would we do baby without us. Sha-la-la-la
If it's absolutely perfect, the last puzzle piece
And it all just comes together like we had it planned
Ooh, It's like when we share a secret we could never tell
'Cause no one else but you and me could understand
What would we do baby without us
What would we do baby without us
And there ain't no nothing we can't help each other through
What would we do baby without us. Sha-la-la-la
You've got my number, and I know you know it
And I'm stickin' with you 'til the end
Ooh, I'm in trouble if I ever lost you
I'd spend my whole life looking for you again
You've got my number, you've got my number, you've got my number
What would we do baby without us
What would we do baby without us
And there ain't no nothing we can't help each other through
What would we do baby without us. Sha-la-la-la
You've got my number, you've got my number, you've got my number. Sha-la-la-la
You've got my number, you've got my number, you've got my number. Sha-la-la-la
You've got my number, you've got my number, you've got my number. Sha-la-la-la
And I'll bet we'll be together for a million more
Oh It's like I started breathing on the night we kissed
And I can't remember what I ever did before
What would we do baby without us
What would we do baby without us
And there ain't no nothing we can't help each other through
If it's absolutely perfect, the last puzzle piece
And it all just comes together like we had it planned
Ooh, It's like when we share a secret we could never tell
'Cause no one else but you and me could understand
What would we do baby without us
What would we do baby without us
And there ain't no nothing we can't help each other through
What would we do baby without us. Sha-la-la-la
You've got my number, and I know you know it
And I'm stickin' with you 'til the end
Ooh, I'm in trouble if I ever lost you
I'd spend my whole life looking for you again
You've got my number, you've got my number, you've got my number
What would we do baby without us
What would we do baby without us
And there ain't no nothing we can't help each other through
What would we do baby without us. Sha-la-la-la
You've got my number, you've got my number, you've got my number. Sha-la-la-la
You've got my number, you've got my number, you've got my number. Sha-la-la-la
You've got my number, you've got my number, you've got my number. Sha-la-la-la
The song "Family Ties" by Johnny Mathis and Deniece Williams is a sweet and nostalgic love song dedicated to a long-lasting and cherished relationship. The opening lines refer to the longevity of the relationship, expressing the certainty that they will both be together for a million years more. The following lines show how the relationship has transformed their individual lives, stating how the night they kissed was when the singer's life began, and they can't even remember what life was like before.
The chorus of the song talks about the importance of the bond they share and the strength that it gives them. They wonder what they would do without each other and mention that there is nothing they can't help each other through. The bridge of the song adds further depth to the relationship, talking about how they share secrets that no one else can understand, and even if they were to ever lose each other, they would spend their entire life searching for each other once again.
Overall, "Family Ties" emphasizes the importance of a deep and lasting relationship that can be counted on through thick and thin. It celebrates the joy and security that such a bond can bring and reminds us of how important it is to cherish and nurture the relationships in our lives.
Line by Line Meaning
I bet we've been together for a million years
We have been together for a long time
And I'll bet we'll be together for a million more
We will be together for an even longer time
Oh It's like I started breathing on the night we kissed
Being with you is like the reason I am alive
And I can't remember what I ever did before
I cannot imagine my life without you
What would we do baby without us
We need each other to get through life
And there ain't no nothing we can't help each other through
We can overcome any obstacle by working together
Sha-la-la-la
A happy, upbeat expression of our love and support for each other
If it's absolutely perfect, the last puzzle piece
When we are together, everything falls perfectly into place
And it all just comes together like we had it planned
Our love is destiny
Ooh, It's like when we share a secret we could never tell
We have a deep, unbreakable bond
'Cause no one else but you and me could understand
Our love is unique and special
You've got my number, and I know you know it
We have a deep understanding of each other
And I'm stickin' with you 'til the end
I will always be by your side
I'd spend my whole life looking for you again
If I lost you, I would never give up searching for you
Lyrics © O/B/O APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
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@samrosem9127
One of the greatest themes of all-time right here.
@MrGabeanator
yep
@jorgeisidro7627
No doubt about that, so good memories
@karfri6026
My favorite ever!!
@Dave998100
The 80s was the best decade EVER for television, & music.
@firstclass82ad79
David Isaacson Yes 80s baby.
@SrAnonymousMx-788
The 80s were the best years for the music the sience and the arts. The best time for the human creativity.
@spicynomad
ditto. then came reality tv. everyone is thirsty these days.
@michaelsinclair3321
Compared to all the crap going on now and how the world is now yes many things were much better, was it a perfect world and time?😳, 😃 No not by any means but it was better than what its become
@electrictroy2010
DISAGREE. My favorite decade was 90s because it had good sitcoms on NBC, ABC, etc but also Quantum Leap, X-Files, Simpsons on FOX and syndicated shows like Xena, Hercules, Baywatch, Babylon 5, Star Trek TNG/DS9/Voyager, Gene Roddenberry's Final Conflict, and so on. The 90s was overflowing with great shows.