Johnny Winter, along with his brother Edgar Winter, were nurtured at an early age by their parents in musical pursuits. Both he and his brother, who were born with albinism, began performing at an early age. When he was ten-years old, Winter appeared on a local children's show, playing ukelele and singing Everly Brothers songs with his brother.
His recording career began at the age of fifteen, when his band Johnny and the Jammers released "School Day Blues" on a Houston record label. During this same period, he was able to see performances by classic blues artists such as Muddy Waters, B.B. King, and Bobby Bland. In the early days Winter would sometimes sit in with Roy Head and The Traits when they performed in the Beaumont, Texas area, and in 1967, Winter recorded a single with The Traits: "Tramp" backed with "Parchman Farm" (Universal Records 30496). In 1968, he released his first album The Progressive Blues Experiment, on Austin's Sonobeat Records.
Winter caught his biggest break in December 1968, when Mike Bloomfield, whom he met and jammed with in Chicago, invited him to sing and play a song during a Bloomfield and Al Kooper concert at the Fillmore East in New York. As it happened, representatives of Columbia Records (which had released the Top Ten Bloomfield/Kooper Super Session album) were at the concert. Winter played and sang B.B. King's "It's My Own Fault" to loud applause and, within a few days, was signed to reportedly what was then the largest advance in the history of the recording industry–$600,000.
Winter's first Columbia album, Johnny Winter was recorded and released in 1969. It featured the same backing musicians with whom he recorded The Progressive Blues Experiment, bassist Tommy Shannon and drummer Uncle John Turner, plus Edgar Winter on keyboards and saxophone, and (for his "Mean Mistreater") blues legends Willie Dixon on upright bass and Big Walter Horton on harmonica. The album featured a few selections that became Winter signature songs, including his composition "Dallas" (an acoustic blues, on which Winter played a steel-bodied, resonator guitar), John Lee "Sonny Boy" Williamson's "Good Morning Little School Girl", and B.B. King's "Be Careful With A Fool".
The album's success coincided with Imperial Records picking up The Progressive Blues Experiment for wider release. The same year, the Winter trio toured and performed at several rock festivals, including Woodstock. With brother Edgar added as a full member of the group, Winter also recorded his second album, Second Winter in Nashville in 1969. The two-record album, which only had three recorded sides (the fourth was blank), introduced a couple more staples of Winter's concerts, including Chuck Berry's "Johnny B. Goode" and Bob Dylan's "Highway 61 Revisited".
In 1984, Winter began recording for several labels, including Alligator Records and Point Blank Records, where he has focused on blues-oriented material. He continues to perform live, including festivals throughout North America and Europe. Winter has headlined such prestigious events as the New Orleans Jazz & Heritage Festival, Chicago Blues Festival, Swedish Rock Fest, Warren Haynes X-mas jam, and Europe’s Rockpalast. He also performed with the Allman Brothers at the Beacon Theater in Manhattan on the 40th anniversary of their debut. In 2007 and 2010, Winter performed at Eric Clapton’s Crossroads Guitar Festivals. Two guitar instructional DVDs have been produced by Cherry Lane Music and the Hal Leonard Corporation. The Gibson Guitar Company released the signature Johnny Winter Firebird guitar in a ceremony in Nashville with Slash presenting.
In 2004, Winter received a Grammy nomination for his I’m a Bluesman album. Backing him are guitarist Paul Nelson, bassist Scott Spray, and drummer Vito Liuzzi. Beginning in 2007, a series of live Winter albums titled the Live Bootleg Series and a live DVD have all entered the Top 10 Billboard Blues charts. In 2009, The Woodstock Experience album was released, which includes eight songs that Winter performed at the 1969 festival. Johnny Winter is signed to Megaforce Records, who will release a new studio album titled Roots on September 27, 2011. It will include Winter's interpretation of eleven early blues and rock 'n' roll classics and feature several guest artists.
Winter produced three Grammy Award-winning albums by Muddy Waters, Hard Again (1977), I'm Ready (1978), and Muddy "Mississippi" Waters – Live (1979). Several Winter albums were also nominated for Grammy Awards. In 1980, Winter was on the cover of the first issue of Guitar World and in 1988, he was inducted into the Blues Foundation Hall of Fame.
Out Of Sight
Johnny Winter Lyrics
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And your slip in mules
Got your high heeled sneakers on
And your slip in mules
You're more than all right now
I know know you're out of sight
You got a shapely figure, mama
Got a shapely figure, mama
You know it keep me uptight
You're my heart's delight just about right now
I believe you're out of sight
Hey, the wee little things you do
The way you kiss me too
Lord, the wee little things you do
I know the way you kiss me, too
Oh, you're too much
I know you're out of sight, hey
You got a sweet disposition
Lord, you know you're always right
You got a sweet disposition, yeah
I know you're always right
You know just where it's at, mother
You know you're out of sight
Hey
You're too much, you're the end
So hip, baby
I know you know just where it's at more than I
There ain't no doubt you're, you're out of sight
Woo, hoo, too much
The lyrics of Johnny Winter's "Out of Sight" describe the singer's admiration for a woman with whom he is infatuated. He describes her physical appearance in detail, mentioning her high-heeled sneakers and slip-in mules which accentuate her shapely figure. He emphasizes the woman's attractiveness by stating that she is "more than all right now", and that she keeps him "uptight". The singer also appreciates the woman's personality, referring to her as having a sweet disposition and being always right. He is enamored by her actions and the way she kisses him, believing that she is "out of sight".
The song is an ode to the physical and emotional attraction that the singer feels towards this woman. It highlights both her physical beauty and her commendable character, indicating that she is a rare find. The lyrics are straightforward and emphasize the singer's appreciation for every aspect of the woman who has captured his heart. This song illustrates how romantic attraction can be a combination of superficial and deep qualities that make that person unique and special.
Line by Line Meaning
You got your high heeled sneakers on
You are wearing high heeled sneakers
And your slip in mules
You are also wearing slip-in mules
Got your high heeled sneakers on
You are wearing high heeled sneakers
And your slip in mules
You are also wearing slip-in mules
You're more than all right now
You are doing really well
I know know you're out of sight
You are incredible
You got a shapely figure, mama
You have a nicely shaped body
That keep me uptight, hey
It makes me nervous
Got a shapely figure, mama
You have a nicely shaped body
You know it keep me uptight
It makes me nervous
You're my heart's delight just about right now
You are really making me happy
I believe you're out of sight
I think you are amazing
Hey, the wee little things you do
The small things you do
The way you kiss me too
The way you kiss me is great
Lord, the wee little things you do
The small things you do
I know the way you kiss me, too
I really like the way you kiss me
Oh, you're too much
You are amazing
I know you're out of sight, hey
I think you are incredible
You got a sweet disposition
You have a nice personality
Lord, you know you're always right
You always know what to do
You got a sweet disposition, yeah
You have a nice personality
I know you're always right
You always know what to do
You know just where it's at, mother
You always know what's going on
You know you're out of sight
You are amazing
Hey
You're too much, you're the end
You are incredible
So hip, baby
You are very cool
I know you know just where it's at more than I
You know more than I do
There ain't no doubt you're, you're out of sight
You are amazing
Woo, hoo, too much
You are really incredible
Lyrics © CARLIN AMERICA INC
Written by: JAMES BROWN
Lyrics Licensed & Provided by LyricFind