Early life and childhood
Jon Anderson was born in the town of Accrington, Lancashire, England, in a family of Scottish and Irish ancestry, his parents being Albert and Kathleen Anderson. He was later to drop the "h" from his first name in 1971, as he had a dream where he was given the name "Jonathan". Thus, on The Yes Album he is still credited as "John", and on the next album Fragile, credited as "Jon".
He attended St. John's Infants School in Accrington, and made a tentative start to his musical career at an early age by playing the washboard in "Little John's Skiffle Group", which played songs by Lonnie Donegan among others. Anderson left school at the age of fifteen, and went through a series of jobs including working as a farm hand, lorry driver, and a milkman. He also tried to pursue a football career in the club he is still a fan of, Accrington Stanley F.C., but he was eventually turned down because of his frail constitution
Early career
In 1962, Anderson joined The Warriors (also known as The Electric Warriors), where he and his brother Tony shared the role of lead vocalist. He quit this band in 1967, released two solo singles in 1968 under the pseudonym Hans Christian Anderson, and then briefly sang for the bands The Gun and The Open Mind.
In the summer of 1968, Anderson met bassist Chris Squire and joined him in a group called Mabel Greer's Toyshop, which had previously included guitarist Peter Banks. Anderson fronted this band, but ended up leaving again before the summer was over. He remarks on his website that his time with the band consisted of "too many drugs, not enough fun!"
Yes
Anderson, Squire, and Banks went on to form Yes, with drummer Bill Bruford and keyboardist Tony Kaye. Their debut album was released in 1969. He stayed with the group until 1980, and this period is now known as the classic period of Yes. Jon was a major creative force and band leader throughout the period (describing himself as the 'team captain'; nicknamed by his bandmates "Napoleon" for his diminutive stature and leadership of the band)-- and is recognized as the main instigator of the series of epics produced by Yes at the time. His role in creating such complex pieces as Close to the Edge, Awaken, and especially The Gates of Delirium is central, despite his limited instrumental abilities
He rejoined a reformed Yes in 1983 which produced their most commercially successful album 90125 with newcomer Trevor Rabin, and departed again in 1988 over the band's continued pursuit of major commercial success and mainstream radio play. In 1989, Anderson and other former Yes members formed the group Anderson, Bruford, Wakeman, Howe (ABWH), augmented by bassist Tony Levin who had played with drummer Bill Bruford in King Crimson. After the successful first ABWH album, a bizarre series of business deals caused ABWH to reunite with the then-current members of Yes, who had been out of the public eye while searching for a new lead singer. The resulting eight-man band assumed the name Yes, and the album Union (1991) was assembled from various pieces of an in-progress second ABWH album as well as recordings that "Yes proper" had been working on, without Anderson. A successful tour followed, but the eight-man lineup of Yes never recorded a complete album together before splintering in 1992. Many more personnel changes followed, but Anderson has been with the band ever since. He appears on all Yes albums except their 1980 album Drama.
Anderson was fond of experimenting within the band, also adding to what were at times conflicted relationships within the band and with management. He originally wanted to record the album Tales from Topographic Oceans in the middle of the woods, and instead decided to put hay and animal cut-outs all over the recording studio, causing lice to infest one of Rick Wakeman's keyboards.[citation needed] In another incident, Anderson had tiles installed in the studio, to simulate the echo effect of one's vocals in a bathroom.
Anderson last performed with Yes in 2004. A tour planned for summer 2008 with Anderson was cancelled when he suffered acute respiratory failure. The band have since announced a tour without him and he has been replaced by Benoît David[4], singer in a Yes tribute act Close to the Edge.[5]
Vocal and lyrical style
It is a commonly held misconception that Jon Anderson sings falsetto, a vocal technique which artificially produces high, airy notes by using only the ligamentous edges of the vocal cords; however, Jon Anderson does not sing falsetto. His normal singing (and speaking) voice is naturally above the tenor range. In a 2008 interview with the Pittsburgh Post-Gazette, Jon stated, "I'm an alto tenor and I can sing certain high notes, but I could never sing falsetto, so I go and hit them high."[6]
Anderson is also responsible for most of the mystically-themed lyrics and concepts which are part of many Yes releases. These elements are crucial components of the classic Yes sound, but have occasionally alienated some members of the band (most notably Bruford and Rick Wakeman), contributing to their leaving the group. The lyrics are frequently inspired by various books Anderson has enjoyed, from Tolstoy's War and Peace to Hermann Hesse's Siddhartha. A footnote in Paramahansa Yogananda's Autobiography of a Yogi inspired an entire double album Tales from Topographic Oceans (1973). Recurring themes include environmentalism, pacifism and sun-worship.
Beyond Yes
In 1970, Anderson sang as a session singer on King Crimson's Lizard album, on the track "Prince Rupert Awakes", as it was outside the range of the then Crimson vocalist, Gordon Haskell.
In September 1975, Anderson guested on the Vangelis album Heaven and Hell.
When Anderson and Wakeman left Yes early 1980, Anderson started recording again with Vangelis and by summer 1980 Jon & Vangelis had released Short Stories, followed in November by Jon's solo album Song of Seven and a major UK tour with The New Life Band.
Guested on Rick Wakeman's 1981 concept album 1984.
In 1983, Jon worked as vocalist for Mike Oldfield's release of "In High Places" from the album Crises, and the song "Shine". He has also guested with Bela Fleck and the Flecktones.
The song "Cage Of Freedom" was also featured on the 1984 soundtrack for the re-release of the classic black and white movie Metropolis.
In 1985, Anderson's song "This Time it Was Really Right" was featured on the soundtrack for the movie St. Elmo's Fire. He also sang "Silver Train" and "Christie" on the film soundtrack Scream for Help.
Also in 1985, along with Tangerine Dream he recorded the song "Loved by the Sun" for the film Legend directed by Ridley Scott.
The 1986 film Biggles: Adventures in Time features a song sung by Jon.
In 1987, Jon Anderson guest vocals on "Moonlight Desires" on Gowan's album Great Dirty World.
In 1988, Jon Anderson has a vocal appearance on "Stop Loving You" on Toto's album The Seventh One.
On the 1992 album Dream by Kitarō, Jon adds lyrics and vocals to the songs "Lady of Dreams", "Island of Life" and "Agreement".
In 1994 Jon Anderson sang on the 7th Level children's video game Tuneland.
In 1999 while 4Him was recording the song "The Only Thing I Need" for the special multi-group album "Streams", Jon Anderson offerd his assistance as vocalist for the main chorus.
In 2004, Anderson appeared with the Contemporary Youth Orchestra of Cleveland. The concert was recorded and released for the orchestra members, but was never publicly released, to the dismay of many concert attendees.
In 2006, Animation was finally released on CD but was sourced from a worn vinyl record. The mastering was also poorly done and was overly loud and distorted. The second pressing used a better source although the sound quality still leaves a lot to be desired. Voiceprint denies any differences between pressings.
In a 2006 tour, the Trans-Siberian Orchestra (East Coast Troupe) got Anderson to appear in 2 concerts on December 16 in Philadelphia, PA to play "Roundabout".
In 2007, Anderson toured with The Paul Green School of Rock Music, finishing the tour with two sold out shows at B. B. King's Bar and Grill in New York City.
He also contributed vocals to the new album from American Progressive rock group Glass Hammer "Culture of Ascent".
Currently Jon is on tour for a second time with The Paul Green School of Rock Music
Jon appears on the new Dream Theater album Systematic Chaos, as part of a vocal ensemble on the fifth track "Repentance". The album was released on June 5th, 2007.
On the 2008 album Namah by Peter Machajdik, Jon adds lyric and vocal to the song "Sadness of Flowing".
Jon also contributed lyrics, musical collaboration and vocals in 2008 on the remaster of the former Blue Oyster Cult keyboardist Tommy Zvoncheck's CD, titled "ZKG."
Family
Jon Anderson's children include daughter Deborah Anderson (who has done work singing for the French electronica band Télépopmusik on the album Angel Milk, released in summer 2005), Jade Anderson (who has released a solo album in Japan) and Damion Anderson (also a musician).
Health and spirituality
Anderson was a smoker in the 1960s and 70s but now prides himself on a much healthier lifestyle. In the mid 70s, Anderson became a vegetarian, as did most members of Yes; however in a recent interview he states, "I was a veggie for a while, but again I grew out of that. But I do eat very healthy." [7] In an 16 August 2006 interview on The Howard Stern Show Jon said he eats meat, mostly fish on occasion. In the interview, he also stated he had a spiritual adviser that "helped him see into the fourth dimension". To this day, before live performances he often meditates in a tent with crystals and dreamcatchers, a practise he started in the 1980s. He considers himself to be part of the "elf culture" and this revelation occurred during a trip on mushrooms, which he experimented with once a year until recent years. Jon attributes certain abilities, including being able to play the piano, to a back injury. Anderson now refers to the reason for Yes's breakup(s) to be from over-touring. His current projects include a rock fantasy camp. Anderson's religious beliefs are syncretic and varied, including respect for the Divine Mother Audrey Kitagawa.[8] He has worked with the Contemporary Christian music band 4HIM: in 1999, his vocal was featured on the song "The Only Thing I Need", which appeared on a various artists CD entitled Streams.
One of Anderson's passions is his painting and uses his art as yet another channel for his creativity and self expression. His artwork is available to view on his official website.
On May 13, 2008, Anderson suffered a severe asthma attack which required a stay in the hospital. According to Yes' website, he is "currently at home and resting comfortably."[9] Yes' planned summer 2008 tour was subsequently cancelled, with the press release saying, "Jon Anderson was admitted to the hospital last month after suffering a severe asthma attack. He has now been diagnosed with acute respiratory failure and was told by doctors this weekend that he needs to rest and not work for a period of at least six months or suffer further health complications."[10] In September 2008 John wrote that he's "so much better...so grateful and so blessed...I look forward to 2009 for the “Great Work” to come."
Posted January 2, 2010:
Since 2007, Jon has been collaborating with Alimar. Their repertoire includes orchestration of Jon's drafts by Alimar, brain-storming, and bringing to fruition new ideas and joint musical compositions, and the addition of Jon's vocals included on Alimar's songs.
Discography
With Yes:
Yes (1969)
Time and a Word (1970)
The Yes Album (1971)
Fragile (1971)
Close to the Edge (1972)
Tales from Topographic Oceans (1973)
Relayer (1974)
Going for the One (1977)
Tormato (1978)
90125 (1983)
Big Generator (1987)
Union (1991)
Talk (1994)
Keys to Ascension (1996)
Keys to Ascension 2 (1997)
Open Your Eyes (1997)
The Ladder (1999)
Magnification (2001)
With Anderson Bruford Wakeman Howe:
Anderson Bruford Wakeman Howe (1989)
An Evening of Yes Music Plus (1993)
Solo:
Olias of Sunhillow (1976)
Song of Seven (1980)
Animation (1982)
3 Ships (1985)
In The City of Angels (1988)
The Best of South America (1994)
Deseo (1994)
Change We Must (1994)
Angels Embrace (1995)
Toltec (1996)
Lost Tapes of Opio (1996)
The Promise Ring (1997)
Earth Mother Earth (1997)
The More You Know (1998)
Animation (Re-Release on CD) (2006)
The Lost Tapes (20 CD Box) (2006-2007)
With Kitaro:
Dream (a.k.a. Lady of Dreams) (1992)
With Mike Oldfield:
Crises (1983)
"Shine" (1986)
With Tangerine Dream:
Legend (1986)
With King Crimson:
Lizard (1970)
With Vangelis:
Heaven and Hell (1975) - Vangelis album with Anderson vocals on one track
See You Later (1980)
Jon & Vangelis:
Short Stories (1980)
The Friends of Mr. Cairo (1981)
Private Collection (1983)
The Best of Jon & Vangelis (1984)
Page of Life (1991)
Chronicles (1994)
Page Of Life (1998) - alternate version not approved by Vangelis
With The Fellowship
In Elven Lands (2006)
For You
Jon Anderson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Suspended in the realm of infinity
Soul and light charged together
In form called life adorned
To which the world offered a home
Once made for love
And love alone
For you, for me
It did not stop there, we are form
The magic body, that soft machine
Acclimatised with vision
And just enough thought to begin the test
To learn and just in front
The source of indifference
To the song of knowledge ever sung
For you, for me
For you, for me
The climate in itself creates a sound so volatile
It makes these words seem clueless forever more
But if in honesty it takes just one dream
To evaluate the chance of choice
Dispelling the clear light
Invincible
Impregnable
For you, for me
For you, for me
Hear it
Down through the age of time
The moment is not and never shall be time
We each revolve around the magnitude
Of time and motion
The point of all is of course not for our earthly talk
For we stand, we walkk, we kick, we provoke
We council, we destroy, we look, we employ
We say, here we are and why
No ther life form asks why
Hear me
Hear me
Oh yes! you critics of life and love
You stallions of the pen and more
While you spew your dry thoughts
On poets of nature, hang them low
Scoff with glee the unfortunate mass
You say stil lclings to the treasures of the past
And music
For you, for me
For you, for me
You hear it now
You hear it now
I hear you now
The lyrics of Jon Anderson's "For You" reflect on life's journey and the interconnectedness of individuals with the universe. The song starts with the description of the universe as a magnificent space where life is formed and endowed with light and soul. Life is shown as a beautiful experiment and an opportunity to learn from the world.
Anderson highlights the importance of the human mind and how it has the power to explore and learn from the world around us. Every experience is a chance to learn something new, and every passing moment is a lesson, which guides us towards the right path. Life is shown as an endless journey with unceasing learning opportunities.
Furthermore, Anderson also condemns the critics of life and music who are constantly seeking to diminish its importance, and portrays them as unenlightened individuals who fail to see the significance of art and music in the world.
Overall, the song "For You" conveys a sense of awe and wonder about life and its existence, stressing the importance of cherishing each moment and learning from the world around us.
Line by Line Meaning
First the planet, a star
At the beginning of creation, a star was formed, which eventually led to the birth of the planet.
Suspended in the realm of infinity
The planet exists in an infinite universe and is held in its position by natural forces.
Soul and light charged together
The components of life, the soul and light, were united to create life on the planet.
In form called life adorned
Life on the planet is decorated by the beauty of natural resources.
To which the world offered a home
The planet provides a dwelling place for life to reside and thrive.
Once made for love
The planet was created to harbor life which could love and be loved.
And love alone
The central purpose of life on the planet is to love.
It did not stop there, we are form
The formation of life did not end with the creation of the planet but continued to include various life forms.
The magic body, that soft machine
The human body is a spectacular work of nature, intricately designed to perform multiple tasks.
Acclimatised with vision
Humans are provided with the ability to see their surroundings and interact with them accordingly.
And just enough thought to begin the test
Humans are given enough cognitive abilities to explore the surroundings and understand the world around them.
To learn and just in front
To understand the world around us, it is crucial to continually learn and adapt.
The source of indifference
Despite learning and understanding, there's still a vast amount of knowledge existing that we are unaware of.
To the song of knowledge ever sung
Knowledge is continuous and never-ending, like a song that's always being sung.
The climate in itself creates a sound so volatile
The climate on the planet can be quite unpredictable and unstable, resulting in unexpected sounds.
It makes these words seem clueless forever more
The unpredictability of the climate can make it difficult to predict or understand the natural world around us.
But if in honesty it takes just one dream
Despite the unpredictability, if we remain honest and true to ourselves, we can still have hope and dreams.
To evaluate the chance of choice
Through introspection we can examine our options and make choices that can change our lives.
Dispelling the clear light
We can dissolve the doubts or fears and increase our clarity by following our dreams.
Invincible
When we remain true to ourselves, we become invincible and nothing can deter us from achieving our goals.
Impregnable
We become so strong and unassailable that nothing can shake our confidence.
Down through the age of time
Throughout history, humanity has persevered and adapted to different circumstances.
The moment is not and never shall be time
Time is relative, and the present moment is subject to interpretation which might bring about different outcomes in the future.
We each revolve around the magnitude
We interact with the vastness of the universe and are insignificant when compared to the big picture.
Of time and motion
The universe is always in motion, and this motion is what sets up the foundation of time.
The point of all is of course not for our earthly talk
There could be a grand scheme of things beyond what we can discuss and conceptualize in human language.
For we stand, we walk, we kick, we provoke
In our daily lives, we engage our surrounding by standing, walking, and acting in many different forms.
We council, we destroy, we look, we employ
We interact with the environment in diverse ways, sometimes for good, sometimes harmful.
We say, here we are and why
As humans we often question our existence and seek the reason for our being.
No ther life form asks why
No other species care about their purpose of existence and are happy with living in the moment.
Oh yes! you critics of life and love
Addressing the critics who object to the idea of leading a life centered around love and human emotions.
You stallions of the pen and more
Referring to intellectuals and writers who create rules and norms around how we should live our lives.
While you spew your dry thoughts
The critics often express their views devoid of any emotional attachment, leading to dry and devoid discussion.
On poets of nature, hang them low
The high thinkers often discourage and discredit those who write about emotions and nature.
Scoff with glee the unfortunate mass
The critics take pride in ridiculing those who still cherish and hold onto traditional values and empathy.
You say stil lclings to the treasures of the past
The critics believe that we must let go of the past to move forward and progress to a better future.
And music
In their view, music is nothing but a waste of time that does not have any meaningful contribution to the world.
You hear it now
As a response to the critics' conflicting views, Jon Anderson reiterates the essence of his song.
Hear me
Requesting the critics to hear his voice and understand the message he is trying to convey.
I hear you now
Acknowledging that everyone is entitled to their own opinions and views, Jon Anderson is ready to listen but emphasizes the significance of love, empathy, and emotion in human life.
Lyrics © Warner Chappell Music, Inc.
Written by: JON ANDERSON
Lyrics Licensed & Provided by LyricFind
Gustavo Campos
Tell me that I would sing
Soft as a song would bring
All of a union together in my life
Tell me I'm everyone
As where my heart is searching
Now is finally resting again
Oh, for the perfect sound
Jon, Jon, for my life
As it's something that I must
Explain this and all to you
Haven't you guessed it
Haven't you guessed it at all
This song is for you
This song is for you
- Solo -
Oh, for the perfect sound
Jah, Jah, for my life
As it's something that I must
Explain this and all to you
Haven't you guessed it
Haven't you guessed it at all
This song is for you
This song is for you
Jeff Schielka
Jon Anderson THE VOICE. THE MASTER. FOREVER YES!!!🎤🎤🎤
José Higino da Silva
Jon Anderson é um gênio 👐👐👐👐
Gustavo Campos
Tell me that I would sing
Soft as a song would bring
All of a union together in my life
Tell me I'm everyone
As where my heart is searching
Now is finally resting again
Oh, for the perfect sound
Jon, Jon, for my life
As it's something that I must
Explain this and all to you
Haven't you guessed it
Haven't you guessed it at all
This song is for you
This song is for you
- Solo -
Oh, for the perfect sound
Jah, Jah, for my life
As it's something that I must
Explain this and all to you
Haven't you guessed it
Haven't you guessed it at all
This song is for you
This song is for you
Wayne Collins
Just beautiful Jon Anderson. The heart and soul of YES
Dariusz Grala
my favourite song for good morning. Jon ! You are holy man:)
Lucifer
Ja tez kocham Jona
Wilson Padilla
Jon Anderson sings as he were an angel even though I have never seen one. Really beautiful voice
Mike Yriart
You are right Wilson
He is like an angel singing.
And with Vangelis (RIP) they both Made a " Heavenly Duo" ....
A "Musical Orgasm".....
🥲🥲
José Albino Gonçalves Filho
Beleza pura, essencial Jon. ❤
Synthpopfreak
John's LP album at one of his best...TOTALLY soothing!