Career:
Jon Batiste was born in Kenner, Louisiana, into a long line of musicians, including Lionel Batiste and Harold Battiste. At the age of 8, he played percussion and drums with his family's band, the Batiste Brothers Band. At his mother's suggestion, he switched to piano at the age of 11. Jon developed his piano skills by taking classical music lessons and transcribing songs from video games such as Street Fighter Alpha, Final Fantasy VII and Sonic the Hedgehog.
At 17, Batiste released Times in New Orleans. He attended the New Orleans Center for Creative Arts with Trombone Shorty and graduated in 2004 before going on to receive a bachelor's and master's degree from the Juilliard School. While at Juilliard, he released his second album Live in New York: At the Rubin Museum of Art, and by the end of 2006, had been a featured performer in South Africa, London, Lisbon, Spain, Paris and the United States.
In 2007, Batiste made his debut at the Concertgebouw in Amsterdam at the age of 20, both producing and performing his own show. He conducted music clinics, classes and workshops throughout Netherlands in inner city schools and underprivileged neighborhoods. He was invited back to Carnegie Hall to produce and perform in his own show including six young musicians from the Netherlands. The performance concluded with a finale he composed for choir, jazz combo and orchestral instruments. In the year following, Batiste released a number of music projects including Social Music (2013) which spent over a month at the top of the Billboard and iTunes jazz charts, "The Late Show EP" (2016) with Stay Human and a holiday album "Christmas with Jon Batiste" (2016). In 2017, he released the singles "Ohio" with Leon Bridges and Gary Clark Jr. as well as "Battle Hymn of the Republic" for The Atlantic. Batise's debut solo album Hollywood Africans was released under Verve Records in September 2018. "Don't Stop" served as the lead single. Leading up to the album release, Batiste completed a Summer Festival tour across the U.S. with The Dap-Kings.
Batiste's notable career performances include a tribute to Chuck Berry and Fats Domino during the 60th annual Grammy Awards (performing alongside Gary Clark Jr.), the Kennedy Center Honors in tribute to Carmen De Lavallade, the Concert for Peace and Justice in Montgomery, Alabama as well as the National Anthem at the 2017 NBA All Star Game and Opening Night of the 2017 US Open. He has curated the Global Citizen Advocacy Concert with Tom Morello and the Louis Armstrong Wonderful World Festival in Queens, N.Y. Batiste is currently signed with Mick Management.
Stay Human.
In 2005, Batiste began performing regularly around the New York music scene with his Juilliard peers, bassist Phil Kuehn and drummer Joe Saylor. He later added Eddie Barbash on alto saxophone and Ibanda Ruhumbika on tuba. Batiste named the band Stay Human, which draws its moniker from the belief that human interaction during a live musical performance can uplift humanity in the midst of the "plug in/tune out" nature of modern society. The band leads impromptu street performances, which Batiste calls "love riots."
In 2011, Stay Human released the album MY N.Y., which was recorded in its entirety on New York City Subway trains, an idea that came to Batiste after questioning how to connect with people.
On April 22, 2017, the band played for the March for Science rally at the Washington Monument in Washington D.C.
Television and film:
In 2014, Batiste and Stay Human appeared on The Colbert Report to perform the group's single, "Express Yourself", written and produced with Austin Bis. On June 4, 2015, it was announced that the group would serve as house band on The Late Show with Stephen Colbert. The show premiered on CBS on September 8, 2015. On the show, Batiste and Stay Human have performed alongside Billy Joel, Will Smith, Wynton Marsalis, John Legend, Grace Vanderwaal, and Nas.
Batiste was cast in the HBO television series Treme, appearing in seasons 2, 3 and 4. He was also cast as T.K. Hazelton in director Spike Lee's film Red Hook Summer and composed and performed the Hammond B-3 organ music that was a part of the film score. Other film scores composed by Batiste include the television documentary Duke 91 & 92: Back to Back and the short film Melody of Choice. He also appears in the film Thrive by Paul Szynol.
Miscellaneous.
Batiste was included in the 2016 Forbes 30 Under 30 music list and was named Grand Marshal of Endymion Parade in New Orleans in 2018. He has been awarded the American Jazz Museum Lifetime Achievement Award, the Harry Chapin ASCAP Humanitarian Award and the Movado Future Legend Award. In May 2017, Batiste received an honorary degree from Salve Regina University for his musical achievements and contributions to Newport's 2014 International Jazz Day.
Batiste has been featured in campaigns for Chase Bank, Apple Watch, Lincoln Continental, and numerous fashion brands including Ralph Lauren, Barneys, Nordstrom, Frye Boots and Bonobos.
In April 2022, his album 'We Are' won Album of the Year at the 64th Annual Grammy Awards, making Batiste the first Black artist to win the award since Herbie Hancock in 2008.
Discography
Times in New Orleans (2005)
Live in New York: At the Rubin Museum of Art (2006)
In the Night (2008)
The Amazing Jon Batiste! (2009)
MY N.Y. EP (2011) with Stay Human
Social Music (2013) with Stay Human
The Process (2014) with Chad Smith and Bill Laswell
The Late Show EP (2016) with Stay Human
Christmas with Jon Batiste (2016)
Music of Johny Lewis (2017) with Wynton Marsalis
Hollywood Africans (2018)
BOY HOOD
Jon Batiste Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Like, he seen you come along
Like, boy, I see you
You shinning like new money
Shine like new money
You doing good for yourself, huh?
I'm proud of you, boy
But, that's the energy you know?
Candy cane
Jump rope
Cornbread and pig lip
Hot fries
Holy water
Superdome cheese dip (that's right)
Perched on da fence (uh huh)
Po'boys in da yard
Don't mess with my rug
Or my season salt, boy
I know where he be, know where he come from
Hot boy, taking over for the twenty-two thousands
Uh, na na, na na, No Limit soldier
Home is where the heart stay
Where the Pelicans and the Saints play
The eagle land on Frenchmen
And the sparrow land on Sunday (I know he watching over me)
When Pop Pop wouldn't give me ends (wouldn't give me ends)
Grandma was a ATM (was a ATM)
Buying bubble gum and M&M's (M&M's)
I just had to rot my teeth out
Basketball under the treehouse
Too short to catch a rebound
Maybe that wasn't my callin'
But you could still see me ballin'
(See me ba-ball)
You could still see me ballin'
(See me ba-ball)
From New York down to New Orleans
(See me ba-ball)
Could still see me ballin'
(See me ba-ball)
You could still see (yeah, yeah, yeah)
Popeyes when they had that red white and blue bag
Puttin' on that Sportin' Waves underneath my durag
If yo' line pushed back, or your shoes dirty
Don't come around here, best stay home, heard me?
It's the time of dem naturals, Priestly, Satchel
Bayou Maharajahs, Nat King and Satchmo
If you see him then and even if you see him now
It's the same Jon Jon
With that same gold crown, you heard me?
When Pop Pop wouldn't give me ends (wouldn't give me ends)
Grandma was a ATM (was a ATM)
Buying bubble gum and M&M's (M&M's)
I just had to rot my teeth out
Basketball under the treehouse
Too short to catch a rebound
Maybe that wasn't my callin'
But you could still see me ballin'
(See me ba-ball)
You could still see me ballin'
(See me ba-ball)
New York down to New Orleans
(See me ba-ball)
Could still see me ballin' (yeah)
(See me ba-ball)
You could still see (go ahead P.J.)
I can still remember the mornings (yeah, yeah)
Breakfast cooking, half asleep and still yawnin'
Yeah, yeah, yeah
It's time for Zulu so we better get goin'
No place like New Orleans, yeah
Ayy, I said I'm far from home but I always represent, yeah, huh
I thought I had so much time, I don't know where it went
But now that I'm grown I know what it all meant, ayy
No place like New Orleans, yeah, yeah
(Trombone Shorty and them boys)
(Haha)
You could still see me ballin'
You could still see me ballin'
You could still see me ballin'
The song "Boy Hood" by Jon Batiste feat. PJ Morton Trombone Shorty is an ode to growing up in New Orleans and the nostalgia associated with it. The first verse is about acknowledging how far someone has come and how proud the singer is of them. The second verse is a list of New Orleans-specific foods, locations, and experiences, set to a simple and catchy melody. The third verse talks about the experience of growing up in New Orleans, with references to family and cultural icons. The chorus repeats the phrase "you can still see me ballin'" which can be interpreted both literally as playing basketball, and metaphorically as succeeding in life despite the odds.
The song is a celebration of the unique culture of New Orleans and the impact it has on the people who grow up there. Through specific references to food, music, and even specific places like the Superdome, the song paints a vivid picture of the city. The repetition of the phrase "you could still see me ballin'" emphasizes the resilience and determination that is instilled in those who grow up in New Orleans.
Overall, "Boy Hood" is not just a song about nostalgia or growing up, but a tribute to the strength and vibrancy of New Orleans and the people who call it home.
Line by Line Meaning
Like, you, he seen come along way
He has witnessed your progress and development over time, just as you have seen his growth and evolution
Like, he seen you come along
He has observed your journey and change, just as you have seen his experience and transformation
Like, boy, I see you
I recognize and acknowledge your achievements and success, young man
You shinning like new money
You are sparkling and shining like freshly printed dollars, radiating with success and prosperity
Shine like new money
Keep shining and glowing like a newly minted currency, displaying your hard-earned wealth and abundance
You doing good for yourself, huh?
You are doing extremely well for yourself, aren't you?
I'm proud of you, boy
I am filled with pride and admiration for you, young man
But, that's the energy you know?
However, that is simply the vibe and aura you exude, isn't it?
Candy cane
A sweet, striped confectionery often enjoyed during Christmas time
Jump rope
A rope used for jumping and exercising, often associated with children's games and activities
Cornbread and pig lip
A dish that combines cornbread with pig lips, often found in Southern cuisine
Hot fries
A popular snack food consisting of fried potatoes flavored with spices and seasoning
Holy water
Water blessed by a priest or religious figure, often used in various religious ceremonies and rituals
Superdome cheese dip (that's right)
A cheese dip served at the Superdome stadium in New Orleans, renowned for its deliciousness
Perched on da fence (uh huh)
Sitting atop a fence, perhaps observing or waiting for something to happen
Po'boys in da yard
A type of sandwich typically consisting of meat or seafood served on French bread, enjoyed in a backyard setting
Don't mess with my rug
Do not disturb or interfere with my carpet, which may hold sentimental or emotional value
Or my season salt, boy
Likewise, do not touch or tamper with my seasoning salt, young man
I know where he be, know where he come from
I am familiar with his whereabouts and origins
Hot boy, taking over for the twenty-two thousands
A talented and successful individual who is dominating and leading the way for others
Uh, na na, na na, No Limit soldier
A reference to the No Limit music group and their hit song 'No Limit', incorporating their signature vocalizations
Home is where the heart stay
One's true home is where their heart resides, where they feel loved and comfortable
Where the Pelicans and the Saints play
Referring to the professional sports teams in New Orleans, highlighting the local pride and spirit
The eagle land on Frenchmen
An eagle perching on the street named Frenchmen, perhaps as a metaphor for the freedom and beauty of New Orleans
And the sparrow land on Sunday (I know he watching over me)
A sparrow landing on Sunday, symbolizing the idea of divine providence and protection
When Pop Pop wouldn't give me ends (wouldn't give me ends)
When my grandfather refused to give me money or financial assistance
Grandma was a ATM (was a ATM)
My grandmother served as an automatic teller machine, always having money for me when I needed it
Buying bubble gum and M&M's (M&M's)
Purchasing treats like bubble gum and M&Ms for me to enjoy
I just had to rot my teeth out
I consumed so much candy and other sugary foods that it led to tooth decay
Basketball under the treehouse
Playing basketball beneath the treehouse, a common childhood activity
Too short to catch a rebound
Being too small and not tall enough to successfully retrieve the ball after a missed shot
Maybe that wasn't my callin'
Perhaps basketball was not my true calling or passion
But you could still see me ballin'
Regardless, you could still witness me playing basketball and enjoying myself
From New York down to New Orleans
From the northern city of New York to the southern city of New Orleans
Could still see me ballin'
You could still observe me playing basketball, no matter where I was
Popeyes when they had that red white and blue bag
Referring to a particular era of packaging for the popular fast food restaurant Popeyes
Puttin' on that Sportin' Waves underneath my durag
Using a specific brand of hair product called Sportin' Waves, which was applied before putting on a durag for styling and maintenance purposes
If yo' line pushed back, or your shoes dirty
If your hairline was receding or your shoes were unclean and worn out
Don't come around here, best stay home, heard me?
Do not come to this location or interact with me if you do not meet certain appearance standards
It's the time of dem naturals, Priestly, Satchel
Referring to a certain fashion style that values natural hair and wearing spiritual or religious clothing items like Priestly robes and Satchels
Bayou Maharajahs, Nat King and Satchmo
Mentions several legendary musicians from Louisiana, including jazz pianist James Booker (known as the Bayou Maharajah), Nat King Cole, and Louis Armstrong (known as Satchmo)
If you see him then and even if you see him now
Whether you saw him in the past or you see him currently
It's the same Jon Jon
Referring to the artist Jon Batiste himself and how he has remained true to himself over time
With that same gold crown, you heard me?
Having a similar level of success and honor, represented by a symbolic gold crown
I can still remember the mornings (yeah, yeah)
I can still recall and cherish the memories of the mornings in my childhood
Breakfast cooking, half asleep and still yawnin'
The comforting and familiar experience of waking up to the smell of breakfast being cooked, feeling groggy and drowsy
It's time for Zulu so we better get goin'
A reference to the Zulu Social Aid and Pleasure Club and their Mardi Gras parade, signaling the need to hurry and prepare for the celebration
No place like New Orleans, yeah
There is no other city or location that compares to New Orleans in terms of culture, tradition, and spirit
Ayy, I said I'm far from home but I always represent, yeah, huh
While he may not currently reside in his hometown, he always stays true to his roots and proudly represents where he comes from
I thought I had so much time, I don't know where it went
He used to believe that he had an abundant amount of time to achieve his goals and pursue his dreams, but he is now unsure where all that time has gone
But now that I'm grown I know what it all meant, ayy
Having matured and gained more perspective, he now understands the significance and purpose of his experiences and accomplishments
You could still see me ballin'
Reiterating that regardless of where he is, he still enjoys playing basketball and demonstrating his skills
Go ahead P.J.
Encouraging his collaborator PJ Morton to take the lead and continue the energy and vibe of the song
Trombone Shorty and them boys
Acknowledging and giving credit to musician Trombone Shorty and others who may have contributed to the song
Haha
An exclamation of amusement or joy, perhaps reflecting the fun and light-hearted nature of the song
You could still see me ballin'
Emphasizing once again that he enjoys playing basketball and showcasing his abilities, no matter where he may be
Lyrics Β© Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: Jahaan Sweet, Jonathan Batiste, Paul Morton, Sunny Levine, Troy Andrews
Lyrics Licensed & Provided by LyricFind
@Teaganbear
According to YouTube's subtitle generator, the real lyrics of this song are:
"while using round-up fighters head classes
owls if only izovol
but a breakthrough
pepito base
I drank and cook
peaceful using a stick without a sense of humor
daddy make me in pm oh base these and apples and here I am any motive
until
hair on end
arrow type 7 7
suit teeth and
take easter eggs avast I did it and you yourself went well, sho you dear naked well, belittle and and
and
new union
me and what was share my boy a
you stole the balloon families
but
and set off
and fasted"
@katedagreat9628
I need him in every morning to make me feel like striving for love of life !! He just makes the best feeling come over and make everything good
@lailafrances1
True true ! I feel the same β¦. πΈπ
@soundmarked
Exactly!
@theogoldberg8919
Youβre shining and beautiful Kate
@KONEKOPHOTOGRAPHY
Jon can do it all! Album of the year!
@jorgebarrientos3380
You called it
@viniciusglima
Yes
@xenan1260
And.. he did it!
@jm-je4tl
When will the Ukraine war end?
@KONEKOPHOTOGRAPHY
@@jorgebarrientos3380 :D