Mitchell began singing in small nightclubs in Saskatoon, Saskatchewan, and throughout western Canada, before moving on to the nightclubs of Toronto, Ontario. She moved to the United States and began touring in 1965. Some of her original songs ("Urge for Going", "Chelsea Morning", "Both Sides, Now", "The Circle Game") were recorded by other folk singers, allowing her to sign with Reprise Records and record her debut album, Song to a Seagull, in 1968. Settling in Southern California, Mitchell helped define an era and a generation with popular songs like "Big Yellow Taxi" and "Woodstock". Her 1971 album Blue is often cited as one of the best albums of all time; it was rated the 30th best album ever made in Rolling Stone's 2003 list of the "500 Greatest Albums of All Time", rising to number 3 in the 2020 edition. In 2000, The New York Times chose Blue as one of the 25 albums that represented "turning points and pinnacles in 20th-century popular music". NPR ranked Blue number 1 on a 2017 list of Greatest Albums Made by Women.
Mitchell switched labels and began exploring more jazz-influenced melodic ideas, by way of lush pop textures, on 1974's Court and Spark, which featured the radio hits "Help Me" and "Free Man in Paris" and became her best-selling album. Mitchell's vocal range began to shift from mezzo-soprano to more of a wide-ranging contralto around 1975. Her distinctive piano and open-tuned guitar compositions also grew more harmonically and rhythmically complex as she melded jazz with rock and roll, R&B, classical music and non-Western beats. In the late 1970s, she began working with noted jazz musicians including Jaco Pastorius, Wayne Shorter, Herbie Hancock, and Pat Metheny as well as Charles Mingus, who asked her to collaborate on his final recordings. She later turned to pop and electronic music and engaged in political protest. She was awarded a Lifetime Achievement Award at the 44th Annual Grammy Awards in 2002 and became a Kennedy Center Honoree in 2021.
Mitchell produced or co-produced most of her albums. A critic of the music industry, she quit touring and released her 17th and last album of original songs in 2007. Mitchell has designed most of her own album covers, describing herself as a "painter derailed by circumstance".
Blue
Joni Mitchell Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Songs are like tattoos
You know I've been to sea before
Crown and anchor me
Or let me sail away
Hey Blue
And there is a song for you
Ink on a pin
An empty space to fill in
Well there're so many sinking
Now you've got to keep thinking
You can make it thru these waves
Acid, booze, and ass
Needles, guns, and grass
Lots of laughs
Lots of laughs
Everybody's saying that hell's the hippest way to go well
I don't think so, but I'm
Gonna take a look around it though Blue
I love you
Blue
Here is a shell for you
Inside you'll hear a sigh
A foggy lullaby
There is your song from me
Joni Mitchell's "Blue" is a poignant reflection on past relationships and the emotions that come with falling out of love. The opening line, "Songs are like tattoos," suggests that these emotional experiences are etched into one's being forever. The following line, "You know I've been to sea before," may refer to the many relationships the singer has experienced, each one leaving its mark on her.
"Crown and anchor me/Or let me sail away" could be interpreted as a plea for security and stability in love or an acknowledgement of the temptation to run from one's problems. The repeated refrain, "Hey Blue/And there is a song for you/Ink on a pin/Underneath the skin/An empty space to fill in," could refer to the idea that every person has their own story, with their own unique experiences and struggles. The "ink on a pin" represents the emotions and memories that are held within.
The lines "Well, there're so many sinking/Now you've got to keep thinking/You can make it through these waves" acknowledge the hardships and difficulties that come with romantic relationships. The following lines, "Acid, booze, and ass/Needles, guns, and grass/Lots of laughs/Lots of laughs," speak to the wild and carefree nature of youth and the hedonistic behaviors that often accompany it. The final verse, "Blue/Here is a shell for you/Inside you'll hear a sigh/A foggy lullaby/There is your song from me," could be seen as a conclusion to the song, representing closure and acceptance of the past and the emotions that came with it.
Line by Line Meaning
Blue
The color blue is often associated with sadness or feeling down, which sets the tone for the rest of the song.
Songs are like tattoos
Songs are indelible marks left on our psyche, like tattoos on the skin.
You know I've been to sea before
The singer has been through difficult times before, suggesting experience and resilience.
Crown and anchor me
The artist is asking to be supported and held down through difficult times like a sailor anchored at sea.
Or let me sail away
Alternatively, the artist could be asking for freedom to leave and be on their own, free from ties that bind.
Hey Blue
The singer is addressing someone or something named 'Blue,' perhaps an embodiment of their emotions or a metaphorical representation of their state of mind.
And there is a song for you
There is a song that encapsulates the feelings and emotions associated with 'Blue.'
Ink on a pin
The song is something tangible and real, like ink on a pin.
Underneath the skin
The song is something deeply personal and internal, hidden beneath the surface of the artist's emotions.
An empty space to fill in
The artist is looking for something to fill the void or emptiness inside them, perhaps through the power of music.
Well there're so many sinking
The singer is acknowledging the difficult world around them, where so many people are struggling and failing.
Now you've got to keep thinking
Despite this, the artist urges the listener to keep thinking and pushing forward, to avoid the same fate as those who are sinking.
You can make it thru these waves
The singer is offering words of encouragement, suggesting that the listener can overcome life's challenges like a sailor navigating rough waters.
Acid, booze, and ass
These vices are alluring but ultimately offer nothing substantial or meaningful.
Needles, guns, and grass
Similarly, these vices are temporary and do not lead to long-term happiness or fulfillment.
Lots of laughs
Despite the above, the artist acknowledges moments of joy and laughter.
Lots of laughs
Repetition of the above line further emphasizes this point, perhaps suggesting a longing for more moments of happiness.
Everybody's saying that hell's the hippest way to go well
The singer is calling out the dangerous trend of glorifying harmful behavior or lifestyles, such as 'living fast and dying young.'
I don't think so, but I'm
The singer does not agree with this trend, but they are open to exploring it further or observing it from a distance.
Gonna take a look around it though Blue
The artist plans to examine this trend more closely, perhaps out of curiosity or in an effort to better understand the world around them.
I love you
The artist expresses love towards 'Blue,' whether this is a person, emotion, or state of mind.
Blue
Repetition of the opening line serves as a bookend, reinforcing the theme of sadness and emotional turmoil throughout the song.
Here is a shell for you
The singer is offering a gift, a symbol of their affection or appreciation for 'Blue.'
Inside you'll hear a sigh
The shell contains a sound, perhaps representing the artist's emotional state or the feeling of the song itself.
A foggy lullaby
This sound is described as a lullaby, soothing and calming, but also 'foggy' or unclear, further emphasizing the ambiguity and complexity of the song's emotions.
There is your song from me
The song referenced earlier is revealed to be a gift, created by the singer for 'Blue.'
Lyrics © Reservoir Media Management, Inc.
Written by: Joni Mitchell
Lyrics Licensed & Provided by LyricFind
@bruh-rh9ig
i cry every time Spotify tells me I can no longer listen to this album
@scottcraig5640
Just buy the album. I got a load of Joni stuff pretty cheap.
@garytube1955
Spotify sucks
@Saffarts
It's back on Spotify!
@bruh-rh9ig
@@Saffarts I saw!! 🥳🥳🥳🥳 Neil Young, CSNY and Joni!! My life is back on track 😂
@joyceglasgow2356
I love that Joni’s full albums are being posted but it is pure sacrilege that they are interrupted by YouTube’s advertisements. Please stop interrupting Joni’s beautiful and profound albums with your crass commercial advertising. The insensitivity to beauty, soul, music, and spirit seems to be its own kind of epidemic.
@joyceglasgow2356
@@isabellehaim Thank you! I do have Prime but did not know that before! I also did not know about the free ad block on Google!
@MickHuerta
@@isabellehaim well said... "AD BLOCK" is key.
@model3m
@@johnkaveski5922 youtube's censorship is why they won't get a penny from me.
@gardenwonder7977
The ads make her money. There on for a reason.