Goodbye Pork Pie Hat
Joni Mitchell Lyrics
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You know someone great has gone
The sweetest swinging music man
Had a Porkie Pig hat on
A bright star
In a dark age
When the bandstands had a thousand ways
Of refusing a black man admission
In those days they put him in an
Underdog position
Cellars and chittlins
When Lester took him a wife
Arm and arm went black and white
And some saw red
And drove them from their hotel bed
Love is never easy
It's short of the hope we have for happiness
Bright and sweet
Love is never easy street
Now we are black and white
Embracing out in the lunatic New York night
It's very unlikely we'll be driven out of town
Or be hung in a tree
That's unlikely!
Tonight these crowds
Are happy and loud
Children are up dancing in the streets
In the sticky middle of the night
Summer serenade
Of taxi horns and fun arcades
Where right or wrong
Under neon
Every feeling goes on
For you and me
The sidewalk is a history book
And a circus
Dangerous clowns
Balancing dreadful and wonderful perceptions
They have been handed
Day by day
Generations on down
We came up from the subway
On the music midnight makes
To Charlie's bass and Lester's saxophone
In taxi horns and brakes
Now Charlie's down in Mexico
With the healers
So the sidewalk leads us with music
To two little dancers
Dancing outside a black bar
There's a sign up on the awning
It says, "Pork Pie Hat Bar"
And there's black babies dancing
Tonight
The lyrics of Joni Mitchell's song "Goodbye Pork Pie Hat" pays homage to two jazz legends: saxophonist Lester Young and bassist Charles Mingus. When Charlie speaks of Lester, it's a tribute to Young, who was nicknamed "Prez" and was known for his smooth and soulful playing, and sometimes wore a pork pie hat. The song also references the struggles that black musicians faced during that time, a period when their talents were often overlooked, and they were relegated to underground clubs and chitlin' circuits.
As the song continues, Mitchell describes how love, too, was a struggle during that time. Young, who was black, famously married a white woman, which caused a scandal and led to the couple being driven out of their hotel room. Mitchell implies that love is never easy, especially when societal norms prevent the one you love from being accepted. The lyrics turn hopeful in the last verse, as Mitchell describes the joyous scene she and Mingus witnessed when they surfaced from the subway and heard music and children dancing in the streets. Despite the danger and oppression, music, dance, and culture always found a way to thrive.
Line by Line Meaning
When Charlie speaks of Lester
Whenever Charlie mentions Lester's name
You know someone great has gone
It is a sign that a great musician has passed away
The sweetest swinging music man
He was a musician who played the most melodic and smooth music
Had a Porkie Pig hat on
He wore a hat that looks similar to Porkie Pig's hat
A bright star
A shining luminary
In a dark age
At a time of social and political chaos
When the bandstands had a thousand ways
When places for musical performances exclusively catered to white musicians
Of refusing a black man admission
By which they would refuse black musicians from performing
Black musician
A musician of color
In those days they put him in an
Back then, they placed him in a
Underdog position
An unfavorable, disadvantaged position
Cellars and chittlins
Musicians of color had to perform in low-class environment and food arrangements
When Lester took him a wife
When Lester got married
Arm and arm went black and white
They, as an interracial couple, walked or stood close to each other with arms in arms
And some saw red
Some people became angry or upset
And drove them from their hotel bed
They were kicked out of their hotel room
Love is never easy
Love can be a challenging experience
It's short of the hope we have for happiness
It is not always what we expect or desire to be happy
Bright and sweet
It is a beautiful and enjoyable thing
Love is never easy street
Love is never a smooth or effortless experience
Now we are black and white
Now, including myself, there are people of different races
Embracing out in the lunatic New York night
We are loving each other in the crazy, mad New York night
It's very unlikely we'll be driven out of town
It is unlikely that we will be forced out of this town
Or be hung in a tree
Or be killed by lynching
That's unlikely!
That is highly improbable
Tonight these crowds
This evening's crowds
Are happy and loud
The people are joyful and making a lot of noise
Children are up dancing in the streets
Little kids are dancing in the roads
In the sticky middle of the night
In the stuffy, humid time when it is dark outside
Summer serenade
A peaceful song in the summer season
Of taxi horns and fun arcades
Of taxi's honking and exciting alleys with games, foods, and fun activities
Where right or wrong
Where things are either acceptable or not
Under neon
Amidst brightly lit neon lights
Every feeling goes on
Any mood is expressed
For you and me
Both for us
The sidewalk is a history book
The pavement is a witness to past events
And a circus
It is an entertaining and fascinating spectacle
Dangerous clowns
Clowns who are risky or hazardous to deal with
Balancing dreadful and wonderful perceptions
Holding opposite and extreme views in an unstable equilibrium
They have been handed
They have been given or inherited
Day by day
Every day or over time
Generations on down
Passing down or from one generation to another
We came up from the subway
We rose up from the subway station
On the music midnight makes
With the music played in the midnight hours
To Charlie's bass and Lester's saxophone
To the sound of Charlie's bass and Lester's saxophone
In taxi horns and brakes
With the sound of taxi horns and brakes
Now Charlie's down in Mexico
Charlie is now in Mexico
With the healers
With the healers or medical practitioners
So the sidewalk leads us with music
So the pavement takes us along with the music
To two little dancers
To observe and see two small dance performers
Dancing outside a black bar
Dancing in front of a bar made for Black people
There's a sign up on the awning
An indication is displayed on the canopy
It says, "Pork Pie Hat Bar"
The name of that establishment is Pork Pie Hat Bar
And there's black babies dancing
And there are Black infants dancing
Tonight
On this particular evening
Lyrics © Reservoir Media Management, Inc.
Written by: Charles Mingus, Joni Mitchell
Lyrics Licensed & Provided by LyricFind
@straightawayproject
When Charlie speaks of Lester
You know someone great has gone
The sweetest swinging music man
Had a Porkie Pig hat on
A bright star
In a dark age
When the bandstands had a thousand ways
Of refusing a black man admission
Black musician
In those days they put him in an
Underdog position
Cellars and chittlins'
When Lester took him a wife
Arm and arm went black and white
And some saw red
And drove them from their hotel bed
Love is never easy
It's short of the hope we have for happiness
Bright and sweet
Love is never easy street!
Now we are black and white
Embracing out in the lunatic New York night
It's very unlikely we'll be driven out of town
Or be hung in a tree
That's unlikely!
Tonight these crowds
Are happy and loud
Children are up dancing in the streets
In the sticky middle of the night
Summer serenade
Of taxi horns and fun arcades
Where right or wrong
Under neon
Every feeling goes on!
For you and me
The sidewalk is a history book
And a circus
Dangerous clowns
Balancing dreadful and wonderful perceptions
They have been handed
Day by day
Generations on down
We came up from the subway
On the music midnight makes
To Charlie's bass and Lester's saxophone
In taxi horns and brakes
Now Charlie's down in Mexico
With the healers
So the sidewalk leads us with music
To two little dancers
Dancing outside a black bar
There's a sign up on the awning
It says "Pork Pie Hat Bar"
And there's black babies dancing...
Tonight!
@scottmatheson2390
We came up from the subway
On the music midnight makes
To Charlie's bass and Lester's saxophone
In taxi horns and brakes
Now Charlie's down in Mexico
With the healers
So the sidewalk leads us with music
To two little dancers
Dancing outside a black bar
There's a sign up on the awning
It says "Pork Pie Hat Bar"
And there's black babies dancing
Tonight
@williamlee8539
When Charlie speaks of Lester
You know someone great has gone
The sweetest swinging music man
Had a Porkie Pig hat on
A bright star
In a dark age
When the bandstands had a thousand ways
Of refusing a black man admission
Black musician
In those days they put him in an
Underdog position
Cellars and chittlins'
When Lester took him a wife
Arm and arm went black and white
And some saw red
And drove them from their hotel bed
Love is never easy
It's short of the hope we have for happiness
Bright and sweet
Love is never easy street!
Now we are black and white
Embracing out in the lunatic New York night
It's very unlikely we'll be driven out of town
Or be hung in a tree
That's unlikely!
Tonight these crowds
Are happy and loud
Children are up dancing in the streets
In the sticky middle of the night
Summer serenade
Of taxi horns and fun arcades
Where right or wrong
Under neon
Every feeling goes on!
For you and me
The sidewalk is a history book
And a circus
Dangerous clowns
Balancing dreadful and wonderful perceptions
They have been handed
Day by day
Generations on down
We came up from the subway
On the music midnight makes
To Charlie's bass and Lester's saxophone
In taxi horns and brakes
Now Charlie's down in Mexico
With the healers
So the sidewalk leads us with music
To two little dancers
Dancing outside a black bar
There's a sign up on the awning
It says "Pork Pie Hat Bar"
And there's black babies dancing
Tonight!
@DonQuijoteMurgez
When Charlie speaks of Lester
You know someone great has gone
The sweetest swinging music man
Had a Porkie Pig hat on
A bright star
In a dark age
When the bandstands had a thousand ways
Of refusing a black man admission
Black musician
In those days they put him in an
Underdog position
Cellars and chittlins'
When Lester took him a wife
Arm and arm went black and white
And some saw red
And drove them from their hotel bed
Love is never easy
It's short of the hope we have for happiness
Bright and sweet
Love is never easy street!
Now we are black and white
Embracing out in the lunatic New York night
It's very unlikely we'll be driven out of town
Or be hung in a tree
That's unlikely!
Tonight these crowds
Are happy and loud
Children are up dancing in the streets
In the sticky middle of the night
Summer serenade
Of taxi horns and fun arcades
Where right or wrong
Under neon
Every feeling goes on!
For you and me
The sidewalk is a history book
And a circus
Dangerous clowns
Balancing dreadful and wonderful perceptions
They have been handed
Day by day
Generations on down
We came up from the subway
On the music midnight makes
To Charlie's bass and Lester's saxophone
In taxi horns and brakes
Now Charlie's down in Mexico
With the healers
So the sidewalk leads us with music
To two little dancers
Dancing outside a black bar
There's a sign up on the awning
It says "Pork Pie Hat Bar"
And there's black babies dancing
Tonight!
@spemer12
For the people who appreciate this record, if you didn't know: The melody that Joni has written the lyrics to is a transcription of John Handy's improvisation on this tune from the seminal album Mingus Ah Um. Go listen, it's a beautiful solo and Joni's poetry fits it equally beautifully.
@sierramike5259
One of my favorites both Mingus, AH UM in particular as well as Joni. Mixing them together is sublime...AH UM is a Jazz treasure on par with Miles ,"Kind of Blue"...it is amazing that we the audience are so lucky to have had these artists and have the appreciation of listening to them....
@eileenolanghaim8855
@@sierramike5259 Mingus Ah Um is a seminal jazz album, although personally I think The Black Saint & The Sinner Lady was better. That being said this is a wonderful rendition and Jodi did it justice.
@sierramike5259
@@eileenolanghaim8855 This album was a big risk for both of them musically. Joni always considered her voice to be an instrument and part of the composition which I think is why she had strange turnings on her guitars and probably didn't do instrumentals. I guess somehow Mingus felt this would translate into his music (as he picked her to do this last project) and he was right. The appreciation of this album grows as time goes by...PS: wouldn't be great to be sitting in a little club somewhere late at night listening to her sing this...wow...
@kuuntelia10
So many lonely nights in the seventies in my bed...deep listening...headset.Love You Joni.
@djizzah
music to slit your wrists to, exactly
@AlexandrePfeiffer
If midnight had a sound, it woul sound like this!
@browning1025
Alex Pfeiffer exactly
@sacfc9050
Alex Pfeiffer - exactly
@LITTLEMAMAMEMA
WOOOOOOW!!! I WISH I HAD THOUGHT OF THAT IMAGERY!!!!!