Groban originally studied acting, but moved to singing as his voice developed. Groban attended the Los Angeles County High School for the Arts, a free public school on the campus of California State University, Los Angeles, where students receive a conservatory-style education. David Foster called Groban to stand in for an ailing Andrea Bocelli to rehearse a duet, "The Prayer", with Celine Dion at the rehearsal for the 1998 Grammy Awards. Rosie O'Donnell immediately invited him to appear on her talk show. Foster asked him to sing at the California Governor's Gray Davis' 1999 inauguration. He was cast on Ally McBeal by the show's creator, David E. Kelley, performing "You're Still You" for the 2001 season four finale.
In 2016, he made his Broadway debut as Pierre Bezukhov in Natasha, Pierre & The Great Comet of 1812, to critical acclaim and nomination for a 2017 Tony Award for Best Actor in a Leading Role in a Musical. His performance at the 72nd Tony Awards earned him two Primetime Emmy nominations, one for Outstanding Live Variety Special and one for Original Music and Lyrics for the song "This One's for You". Groban co-starred as Tony Caruso Jr. in the Netflix original series, The Good Cop. Groban was also the host of Rising Star, he also appeared in the films, Coffee Town, Muppets Most Wanted, The Hollars and Crazy, Stupid, Love. He also appeared on TV such as Danny Chase in The Crazy Ones, as well as Walter Bernard Jr in The Office.
Career
1997–2001: Debut
In late 1997, the 16-year-old Groban was introduced by his vocal coach, Seth Riggs, to Grammy-winning producer and arranger David Foster and future manager Brian Avnet.[18][failed verification] At the time, Groban had no recording experience and was preparing for his studies at Carnegie Mellon.[18] Groban worked for David Foster as a rehearsal singer on a series of high-profile events, including the January 1999 California gubernatorial inauguration of Gray Davis and the 1999 Grammy Awards where—as a stand-in for Andrea Bocelli—he rehearsed Foster's "The Prayer" with Céline Dion. According to Avnet, Groban was very nervous about standing in for Bocelli and had to be talked into it; his performance prompted the show hostess, Rosie O'Donnell, to ask him to appear on her show the following week, which in turn led to an appearance on Ally McBeal.[18] Creator David E. Kelley wrote the character Malcolm Wyatt for Groban in the season finale, aired in May 2001. Groban as Malcolm Wyatt was so popular that the show received upwards of 8,000 emails from viewers;[19] thereafter, Groban was asked to return the next season to reprise his role as Wyatt and to perform "To Where You Are". Avnet claims this sequence of events effectively got Groban's career off the ground.[18]
Groban was offered a recording contract at Warner Bros. Records through Foster's 143 Records imprint. Avnet told HitQuarters that Warner Bros. initially proved resistant to the deal because "They were afraid they wouldn't be able to get a voice like that on radio."[18] Explaining his reasons for signing the artist, Foster said: "I love his natural ability in the pop and rock arena, but I love his sense of classics even more. He's a true musical force to be reckoned with."[19] Under Foster's influence, Groban's first album focused more on classics such as "Gira Con Me Questa Notte" and "Alla Luce Del Sole".
Groban performed "There For Me" with Sarah Brightman on her 2000–01 La Luna World Tour, and was featured on her "La Luna" concert DVD. He recorded "For Always" with Lara Fabian for the movie soundtrack of A.I. Artificial Intelligence (2001). Groban performed in many benefit shows, including "The Andre Agassi Grand Slam Event For Children," alongside Elton John, Stevie Wonder, Don Henley, and Robin Williams; "Muhammad Ali's Fight Night Foundation" which honored Michael J. Fox and others; "The Family Celebration" (2001), which was co-hosted by President Bill Clinton and Hillary Clinton, and David E. Kelley and Michelle Pfeiffer; and Michael Milken's CapCure event, which raised funds for cancer research.
His self-titled debut album Josh Groban was released on November 20, 2001. Over the next year it went from gold to double-platinum.[20]
2002–2005: Closer
Groban in concert at the Verizon Wireless Arena in Manchester, New Hampshire in 2007
On February 24, 2002, Groban performed "The Prayer" with Charlotte Church at the closing ceremonies of the Winter Olympics in Salt Lake City, and by November, he had his own PBS special titled "Josh Groban In Concert" (2002). In December 2002, he performed "To Where You Are" and sang "The Prayer" in a duet with Sissel Kyrkjebø at the Nobel Peace Prize Concert in Oslo, Norway. He joined The Corrs, Ronan Keating, Sting, Lionel Richie, and others for a Christmas performance at the Vatican. In 2003, Groban performed at the David Foster concert for World Children's Day, singing "The Prayer" with Celine Dion and the finale song, "Aren't They All Our Children?" with artists including Yolanda Adams, Nick Carter, Enrique Iglesias, and Celine Dion.
Groban's second album Closer, produced and written by Foster, was released on November 11, 2003. Groban said he believed that his second album was a better reflection of him, and that his audience would be able to get a better idea of his personality from listening to it.
What most people know about me, they know through my music. This time, I've tried to open that door as wide as possible. These songs are a giant step closer to who I really am and what my music is all about. Hence the title.[19]
Two months after Closer was released, it rose on the Billboard charts from number 11 to number one.[21] Groban's cover of "You Raise Me Up" became his third most popular song on the adult contemporary charts as of March 2004. Later that year, he also performed the song "Remember" (with Tanja Tzarovska) on the Troy soundtrack, "Believe" on the soundtrack to the 2004 animated film The Polar Express and a cover of Linkin Park's "My December".
In the summer of 2004, Groban returned to Interlochen, performing and discussing his earlier experiences with local residents and campers. On November 30, 2004, his second live DVD, Live At The Greek, was released; it was also shown as a Great Performances special on PBS. That same year, Groban performed "Remember When It Rained", backed by a full orchestra, at the American Music Awards, where he was nominated for Favorite Male Artist in the pop category; he was also nominated for a People's Choice Award. His recording of "Believe" secured an Academy Award nomination in 2005 for the songwriters Glen Ballard and Alan Silvestri,[22] and earned them a Grammy in the category Best Song Written for a Motion Picture, Television or Other Visual Media at the ceremony held in February 2006.[23]
2005–2010: Awake
Groban earned his first Grammy nomination in 2005 for his single "You Raise Me Up" in the Best Male Pop Vocal Performance category. During the first week of September 2006, Groban's single entitled "You Are Loved (Don't Give Up)" was released exclusively on AOL's First Listen. His third studio album Awake was officially released on November 7, 2006. Groban performed "You Are Loved (Don't Give Up)" as well as two other tracks from Awake at his recording session for Live from Abbey Road at Abbey Road Studios on 26 October 2006. On that album, Groban also collaborated on the single "Now or Never" with British musician and songwriter Imogen Heap. He performed two tracks with the South African group Ladysmith Black Mambazo, "Lullaby" and "Weeping". Groban's "Awake" world tour visited 71 cities between February and August 2007, and toured Australia and the Philippines with Lani Misalucha as his special guest in October 2007. He performed a duet with Barbra Streisand ("All I Know of Love") and with Mireille Mathieu ("Over the Rainbow"). As to his future, Groban was open to a plethora of possibilities. He said, "I am fortunate enough to have had many really big moments in my career. I think the mistake a lot of people in my position make is to always search for the next big thing. I am looking forward to playing some small theaters. I'm looking forward to writing more. I want to delve further into my acting career and explore some of the film and TV opportunities that I haven't had time for. My outlook is to expect the unexpected. And when the next step comes, I'm prepared to take it."[9]
2010–2015: Illuminations; All That Echoes
Groban finished his fifth studio album, entitled Illuminations, and the album was released on November 15, 2010.[24] Most of the songs on the album are about "specific situations that I've had where love has existed and ultimately failed," Groban told The New York Times, adding: "And other songs are about the quest, and it just not working out." Groban wrote 11 of the 13 songs on the album.[25] The first single from the album, "Hidden Away", was made available for free download via Facebook on September 8.[26] "For me to sit in a room with a piano in one take with some of Johnny Cash's musicians—that was totally new for me." Josh added. "and I think that excitement is on the record."[25] On October 12, a second single from the upcoming album, "Você Existe Em Mim", was made available on iTunes.[27] This song is sung in Portuguese and was written by Brazilian artist Carlinhos Brown. The Washington Post said: "Illuminations" is not a revelation, but it offers a perfectly fine, and often quite lovely, glimpse at a pop-classical crossover artist in the middle of crossing over."[28] Groban plans on making one more record with Rick Rubin.[29] Beginning May 12, 2011 and continuing through December of that year, Groban undertook the 81-city Straight to You Tour to promote Illuminations, encompassing appearances in North America, Europe, and South Africa.[30]
Groban's sixth studio album, All That Echoes, was released on February 5, 2013, debuting at number one by selling 141,000 copies.[31][32] Groban promoted the album with the All That Echoes World Tour in 2013. A year later, he embarked on his Summer Symphony Tour.[33]
2015–2017: Stages and Broadway debut
In early March 2015, Josh Groban's Facebook page announced the release of the album Stages, consisting of covers of songs from Broadway musicals. The album was released on April 28, 2015.[34]
Starting October 18, 2016, Groban performed on Broadway as Pierre Bezukhov in Natasha, Pierre & The Great Comet of 1812, an electropop opera by composer Dave Malloy based on War and Peace.[35] For his performance as Pierre, Groban was nominated for the 2017 Tony Award for Best Actor in a Leading Role in a Musical. His final performance as Pierre was on July 2, 2017.[36] Groban also performed the song "Evermore" during the end credits of the 2017 Disney film Beauty and the Beast.[37]
2018: Bridges
On March 12, 2018, tour dates were announced for Groban's Bridges Tour with special guest Idina Menzel. The US leg of the tour began on October 18, 2018, in Duluth, Georgia and concluded at Madison Square Garden in New York City on November 18. The European leg of the tour began on December 12 at the O2 Arena in London and concluded on December 18 in Poland.[38]
On June 26, 2018, Groban announced via social media that his album Bridges would be released on September 21 and would contain a cover of Céline Dion's song "S'il suffisait d'aimer" along with new tracks.[39] The album debuted at number two in the US[40] and in the top 10 in the UK[41] and Scotland.[42]
2020: Harmony
On August 17, 2020, Groban's album Harmony was announced to release in November 2020. Groban will also offer a virtual livestreamed concert series in the fall and winter of 2020.[43] On October 2, the album was announced to be released on November 20, 2020. The album is now available in all the platforms from the regular to deluxe edition.
Voice
Various music critics have described Groban's voice in different ways, with some referring to him as a tenor[62] and others as a baritone.[63][64] In performance, Groban's music goes as low as G2 (as in the songs "To Where You Are", "Higher Window", and "The World We Knew (Over and Over)") and extends up to at least B4 (as heard in "The Duel" from Natasha, Pierre & The Great Comet of 1812[65]). This places his voice lower than the usual tenor range on the low end (although still within the vocal fry register of a tenor), and just short of tenor C, and therefore above the baritone range, on the high end.[66][67]
War At Home
Josh Groban Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
He's about to be woken in his hospital bed
He doesn't want to rest
He just wants to run
And he's tired of being told that he's the lucky one
Caped crusader, she's a newborn leader
But you should see her when her daughter's on the phone
And she laces up because there's still hell to pay
And it sure feels like hell today, today
And she says
You see these hands they're bruised and brown
They're yours alone
Hold on love we're still going down
Hold on love we're still fighting at home
The war at home
Innocence behind his broken expression
He's a child of mercy he's our unlearned lesson
And he's trying to wake up
From this wilderness his world has now become
He's reaching out to those he's running from
And he says
You see these hands they're bruised and brown
They're yours alone
Hold on now we're still going down
Hold on now we're still fighting
And it's (one step forward and two steps back)
This is all who are marching
(One step forward two steps back)
This is young and old
(One step forward two steps back)
Through the void of silence
You are not alone
You see these hands they're a million strong
They are yours now
Hold on now we're all going down
Hold on now we're all fighting at home
The war at home
The lyrics to Josh Groban's song War At Home references the struggles of soldiers who have gone to war and come back wounded, both physically and emotionally. The first stanza describes a fallen soldier who doesn't want to rest, but rather wants to keep running, tired of being told he's the lucky one. The next stanza speaks about a mother who is trying to lead a movement, but feels the weight of the world on her shoulders. The chorus speaks about the struggle and pain that many soldiers and their families go through, and the need to hold on and keep fighting.
The second half of the song shifts gears, describing a child who has been impacted by war and is trying to find his way back to a peaceful existence. The lyrics describe his broken expression and the fact that he's trying to wake up from this wilderness that is now his world. The chorus repeats, emphasizing that everyone is feeling the effects of war, and that we must all hold on and keep fighting.
Overall, the lyrics speak to the emotional and physical struggles that many soldiers and their families face, and the importance of continuing to fight for a better future.
Line by Line Meaning
Fallen brother, he's a fallen husband
Referring to a soldier who has died on the battlefield and left behind a wife or family
He's about to be woken in his hospital bed
The soldier is about to wake up to a different reality after being wounded and hospitalized
He doesn't want to rest
The soldier wants to get back to fighting and defending his country as soon as possible
He just wants to run
The soldier wants to escape the negative emotions and memories that come with being in war
And he's tired of being told that he's the lucky one
Despite surviving when others didn't, the soldier is not feeling lucky due to the physical, emotional and psychological scars he carries
Caped crusader, she's a newborn leader
Referring to a woman who has taken a leadership role despite being inexperienced
But you should see her when her daughter's on the phone
The woman's strength and resolve wavers when communicating with her child who's longing for her mother's presence and protection
And she wipes the tears away
Trying to maintain a brave face even when it's challenging to do so
And she laces up because there's still hell to pay
The woman continues to prepare for battle despite knowing the sacrifices it will require
And it sure feels like hell today, today
The current state of fighting strikes her as unbearable and intense
You see these hands they're bruised and brown
The physical toll and exhaustion of fighting is illustrated by the mention of these specific hand qualities
They're yours alone
The person speaking is fighting for something that is shared or common to all humans
Hold on love we're still going down
Despite facing setbacks and difficulties, the singer is urging perseverance and persistence while continuing to fight
Hold on love we're still fighting at home
The fighting is not just on the battlefield but also within the personal lives and relationships of those involved
Innocence behind his broken expression
Despite a façade of toughness, the destruction and devastation of war has left a profound impact on the victim
He's a child of mercy he's our unlearned lesson
The artist is trying to evoke a sense of empathy by emphasizing that the victim is someone's child and that war has yet to teach the lesson that it should
And he's trying to wake up
The victim is struggling to comprehend the reality of what's happened to him and his country
From this wilderness his world has now become
The victim's life and surroundings that were once familiar have become unrecognizable and unfamiliar due to the effects of war
He's reaching out to those he's running from
The victim is trying to break down the barriers between himself and those he considers his enemies
And it's (one step forward and two steps back)
The situation and progress in the war is slow and arduous
This is all who are marching
Acknowledging that all who are involved in war - on both sides - march towards a common goal of peace
Through the void of silence
There are those who are silenced or voiceless and unable to speak out about the injustices and horrors they encounter during war
You are not alone
Despite the difficulties faced during war, the singer wants to emphasize the support and connection felt between all humans
You see these hands they're a million strong
The fighting is not done alone; it's done in unison with others who have a shared purpose
They are yours now
The people fighting and doing the work of war belong to all of humanity and not just one individual
Hold on now we're all going down
The shared experience of loss and pain connects all people fighting the war and prompts a sense of camaraderie
Hold on now we're all fighting at home
The fight is not just abroad but is also taking place within the hearts and minds of individuals affected by war
Lyrics © Warner/Chappell Music, Inc., Universal Music Publishing Group
Written by: DANIEL D. WILSON, JOSH GROBAN
Lyrics Licensed & Provided by LyricFind