Josquin des Prez [Josquin Lebloitte dit Desprez] (French pronunciation: [ʒɔ… Read Full Bio ↴Josquin des Prez [Josquin Lebloitte dit Desprez] (French pronunciation: [ʒɔskɛ̃ depʁe]; c. 1450/1455 – 27 August 1521), often referred to simply as Josquin, was a Franco-Flemish composer of the Renaissance. He is also known as Josquin Desprez and Latinized as Josquinus Pratensis, alternatively Jodocus Pratensis, although he himself expressed his preferred spelling of his name, Josquin des Prez, in an acrostic in his motet Illibata Dei virgo nutrix. He was the most famous European composer between Guillaume Dufay and Palestrina, and is usually considered to be the central figure of the Franco-Flemish School. Josquin is widely considered by music scholars to be the first master of the high Renaissance style of polyphonic vocal music that was emerging during his lifetime.
During the 16th century, Josquin gradually acquired the reputation as the greatest composer of the age, his mastery of technique and expression universally imitated and admired. Writers as diverse as Baldassare Castiglione and Martin Luther wrote about his reputation and fame; theorists such as Heinrich Glarean and Gioseffo Zarlino held his style as that best representing perfection. He was so admired that many anonymous compositions were attributed to him by copyists, probably to increase their sales. More than 370 works are attributed to him; it was only after the advent of modern analytical scholarship that some of these mistaken attributions have been challenged, on the basis of stylistic features and manuscript evidence. Yet in spite of Josquin's colossal reputation, which endured until the beginning of the Baroque era and was revived in the 20th century, his biography is shadowy, and we know next to nothing about his personality. The only surviving work which may be in his own hand is a graffito on the wall of the Sistine Chapel, and only one contemporary mention of his character is known, in a letter to Duke Ercole I of Ferrara. The lives of dozens of minor composers of the Renaissance are better documented than the life of Josquin.
Josquin wrote both sacred and secular music, and in all of the significant vocal forms of the age, including masses, motets, chansons and frottole. During the 16th century, he was praised for both his supreme melodic gift and his use of ingenious technical devices. In modern times, scholars have attempted to ascertain the basic details of his biography, and have tried to define the key characteristics of his style to correct misattributions, a task that has proved difficult, as Josquin liked to solve compositional problems in different ways in successive compositions—sometimes he wrote in an austere style devoid of ornamentation, and at other times he wrote music requiring considerable virtuosity. Heinrich Glarean wrote in 1547 that Josquin was not only a "magnificent virtuoso" (the Latin can be translated also as "show-off") but capable of being a "mocker", using satire effectively. While the focus of scholarship in recent years has been to remove music from the "Josquin canon" (including some of his most famous pieces) and to reattribute it to his contemporaries, the remaining music represents some of the most famous and enduring of the Renaissance.
During the 16th century, Josquin gradually acquired the reputation as the greatest composer of the age, his mastery of technique and expression universally imitated and admired. Writers as diverse as Baldassare Castiglione and Martin Luther wrote about his reputation and fame; theorists such as Heinrich Glarean and Gioseffo Zarlino held his style as that best representing perfection. He was so admired that many anonymous compositions were attributed to him by copyists, probably to increase their sales. More than 370 works are attributed to him; it was only after the advent of modern analytical scholarship that some of these mistaken attributions have been challenged, on the basis of stylistic features and manuscript evidence. Yet in spite of Josquin's colossal reputation, which endured until the beginning of the Baroque era and was revived in the 20th century, his biography is shadowy, and we know next to nothing about his personality. The only surviving work which may be in his own hand is a graffito on the wall of the Sistine Chapel, and only one contemporary mention of his character is known, in a letter to Duke Ercole I of Ferrara. The lives of dozens of minor composers of the Renaissance are better documented than the life of Josquin.
Josquin wrote both sacred and secular music, and in all of the significant vocal forms of the age, including masses, motets, chansons and frottole. During the 16th century, he was praised for both his supreme melodic gift and his use of ingenious technical devices. In modern times, scholars have attempted to ascertain the basic details of his biography, and have tried to define the key characteristics of his style to correct misattributions, a task that has proved difficult, as Josquin liked to solve compositional problems in different ways in successive compositions—sometimes he wrote in an austere style devoid of ornamentation, and at other times he wrote music requiring considerable virtuosity. Heinrich Glarean wrote in 1547 that Josquin was not only a "magnificent virtuoso" (the Latin can be translated also as "show-off") but capable of being a "mocker", using satire effectively. While the focus of scholarship in recent years has been to remove music from the "Josquin canon" (including some of his most famous pieces) and to reattribute it to his contemporaries, the remaining music represents some of the most famous and enduring of the Renaissance.
Nunc dimittis
Josquin des Prez Lyrics
We have lyrics for 'Nunc dimittis' by these artists:
Aled Jones Lord, now lettest thou thy servant depart in peace, (Depart…
Arvo Pärt Nunc dimittis servum tuum, Domine, secundum verbum tuum in p…
Benjamin Nicholas Lord, now lettest thou thy servant depart in …
Cathedral Choir Lord, now lettest thou thy servant depart in peace According…
Choir and Orchestra of the Gabrieli Festival Lord, now lettest thou thy servant depart in peace Accordin…
Choir of Clare College Cambridge / Graham Ross / The Dmitri Ensemble "Nunc dimittis servum tuum, Domine, secundum verbum tuum in …
Choir of Merton College Oxford Lord, now lettest thou thy servant depart in peace: accordi…
Choir Of St. John's College Cambridge "Lord now lettest thou thy servant depart in peace According…
Graham Ross Mary Bevan Harry Bevan & The Bevan Family Consort "Nunc dimittis servum tuum, Domine, secundum verbum tuum in …
Magdalen College Choir Oxford - Bill Ives Nunc dimittis servum tuum, Domine, secundum verbum tuum in p…
St. Martin's Chamber Choir "Lord now lettest thou thy servant depart in peace According…
Taizé Nunc dimittis servum tuum, Domine, Domine, Secundum verbum t…
The Abbey School Choir Tewkesbury / Andrew Swait / Benjamin Nicholas Lord, now lettest thou thy servant depart in peace: accordi…
The Choir of St. John's College Cambridge & Andrew Nethsingha "Lord now lettest thou thy servant depart in peace According…
The Kings College Choir Lord, now lettest thou thy servant depart in peace:…
The St. Olaf Choir "Lord now lettest thou thy servant depart in peace According…
The St. Philips Boy's Choir Lord now lettest thou thy servant depart in peace according …
VOCES8 Nunc dimittis servum tuum. Nunc dimittis servum tuum. Domine…
We have lyrics for these tracks by Josquin des Prez:
Ave Maria Ave Maria, Gratia plena, Dominus tecum, Benedicta tu. As I …
ave maria ... virgo serena Ave Maria, gratia plena, Dominus tecum, Virgo serena. Ave c…
El grillo El grillo è buon cantore Che tiene longo verso. Dalle beve g…
El grillo è buon cantore El grillo è buon cantore che tiene longo verso. ¡Dale beve…
Inviolata integra et casta es Maria Inviolata, integra et casta es Maria: Quae es effecta fulgid…
Pange lingua Pange, lingua, gloriósi Córporis mystérium, Sanguinísque pre…
Tu solus qui facis mirabilia Tu solus qui facis mirabilia, Tu solus Creator, qui creasti …
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