Juan D'Arienzo (December 14, 1900-January 14, 1976) was an Argentine tango … Read Full Bio ↴Juan D'Arienzo (December 14, 1900-January 14, 1976) was an Argentine tango musician, also known as "El Rey del Compas" (King of the Beat). Departing from other orchestras of the golden age, D'Arienzo returned to the 2x4 feel that characterized music of the old guard, but he used more modern arrangements and instrumentation. His popular group produced hundreds of recordings.
His music is played often at milongas in Buenos Aires, and the instrumentals are the classic harder rhythmic tangos with a strong staccato dance rhythm. He also recorded many great milongas and fast valses.
More detail.....
(December 14, 1900 – January 14, 1976)
D'Arienzo was born on 14 December 1900 in the Buenos Aires neighborhood of Balvanera.
By 1936 Juan D'Arienzo was at the height of his popularity. He was just 35 years old, one less than Julio De Caro –but stylistically at the other end of the musical horizon of tango. De Caro was already a star in 1924 when D'Arienzo began his rise to popularity when Pablo Osvaldo Valle took him to the brand new El Mundo radio station.
Like almost all the musicians in those days, he started in tango as a boy. He played violin in local venues at a very early age with Angel D'Agostino on piano, the bandoneon player Ernesto Bianchi (Lechuguita) and Ennio Bolognini, Remo and Astor´s brother. His first known performance goes back to 1919. In that year, he played with the Arata-Simari-Franco theater company when they presented the comic play by Alberto Novión, "El cabaret Montmartre" at the Nacional theater.
In an interview in 1949 with Andrés Muñoz,he said “We, D'Agostino and I on the violin, took part in the opening night of Alberto Novión´s sainete "El cabaret Montmartre". At the play a small tango orchestra appeared, led by us, and which accompanied Los Undar's, a famous dancing number formed by the partners la Portuguesa and El Morocho, two stars of tango canyengue”.
Doctor Luis Adolfo Sierra has established, however, that Roberto Firpo's orchestra premiered that show (Firpo, on piano; Cayetano Puglisi, on violin; Pedro Maffia and Juan Bautista Deambroggio, on bandoneons, and Alejandro Michetti, on drums) until September 1 of that year, when it was replaced by that of D'Arienzo-D'Agostino.
D'Arienzo remained linked to theater. Always with D'Agostino on piano, he accompanied Evita Franco, who beautifully sang tangos like "Loca", "Entra nomás" or "Pobre milonga".
He also played violin in the Frederickson jazz band and assembled a sextet with D'Agostino on piano; the other violin was Mazzeo. On bandoneons were Anselmo Aieta and Ernesto Bianchi, and Juan Puglisi on bass.
When D'Agostino left, he was replaced by Luis Visca, who was then composing "Compadrón".
1935 is the key year in D'Arienzo´s career. This is the year when the D'Arienzo we all remember really appeared. That happened when Rodolfo Biagi joined the orchestra. Biagi was a pianist who had played with Pacho, who had accompanied Gardel on some recordings, and had played with Juan Guido and Juan Canaro. By then, D'Arienzo was performing at the Chantecler. Biagi´s inclusion meant a change of time signature for D'Arienzo orchestra, which changed the four-eight for the two-four; that is to say, he returned to two-four, the fast frolic beat of the early tangos.
When Biagi left him in 1938 to assemble his own orchestra, D'Arienzo had already identified himself with the two-four definitively. Facing the martial rhythm by Canaro, the somewhat street band-like platitude of Francisco Lomuto, and De Caro´s symphonic attempts, D'Arienzo contributed a fresh, juvenile, enlivening air to tango.
Tango, which had been an ostentatious, challenging almost gymnastic dance, turned one day, according to Discépolo, into a sad thought which can be danced to. The dance had become subsidiary, displaced by lyrics and the singers, and then by the arrangement. D'Arienzo gave tango back to the dancers´feet and with that he revived the interst of the young in tango.
This nickname "king of beat", given by Príncipe cubano (Angel Sanchez Carreño), an MC at the cabaret Chantecler, turned into the king of the dance, and by getting people to the dance he earned a lot of money.
Tango lovers despise D'Arienzo. He is considered as a sort of tango demagogue. But D'Arienzo, as José Luis Macaggi has very well said, made possible that tango renaissance called "la década del cuarenta" (the 40s), a decade which represented The golden Age of Tango.
When D'Arienzo achieved success with the new beat, he dazzled the Chantecler dancers and El Mundo radio station broadcast it all over the country.
In 1949 D'Arienzo said: “In my view, tango is, above all, rhythm, nerve, strength and character. Early tango, that of the old stream (guardia vieja), had all that, and we must try not to ever lose it. Because we forgot that, Argentine tango entered into a crisis some years ago. Putting aside modesty, I did all was possible to make it reappear. In my opinion, a good part of the blame for tango decline is on the singers. There was a time when a tango orchestra was nothing else but a mere pretext for the singer´s performance. The players, including the leader, were no more than accompanists of the popular stars. For me, that can´t be. Tango is essentially music. In consequence, the orchestra, which plays it, cannot be relegated to the background to spotlight only the singer. The human voice is not, it should not be another thing but an instrument more in the orchestra. To sacrifice everything for the singer´s sake, for the star, is a mistake. I reacted against that mistake which caused the tango crisis and placed the orchestra in the foreground and the singer in his place. Furthermore, I tried to rescue for tango its masculine strength, which it had been losing. In my interpretations I stamped the rhythm, the nerve, the strength and the character which distinguished it in the music world and which it had been losing for the above reasons. Luckily, that crisis was temporary, and today tango has been re-established, our tango, with the vitality of its best times. My major pride is to have contributed to that renaissance of our popular music. [Edited quote from the Aquí Está magazine].
In 1975, a month before his death, D'Arienzo noted again: "The foundation of my orchestra is the piano. I regard it as irreplaceable. When my pianist, Polito is ill, I replace him with Jorge Dragone. If something happens to the latter I´m at a loss. Then the fourth violin appears as an essential element. It must sound like a viola or a cello. I assemble my group with piano, double bass, five violins, five bandoneons and three singers. Less members, never. I had even used, for some recordings, up to ten violins".[Interview made known by Telam and taken from La Voz del Pueblo, Tres Arroyos, 23 December 1975].
Due to the importance given to piano by the maestro, it is not superfluous to give here the list of his pianists: Alfonso Lacueva, René Cóspito, Vicente Gorrese, Nicolás Vaccaro, Juan Polito, Luis Visca, Carlos Di Sarli, Lidia Fassoli, Cesar Zagnolli, Rodolfo Biaggi, Juan Polito, Fulvio Salamanca, Juan Polito, Normando Lazara (Di Sarli only performed for a month, at the Chantecler, in 1934, replacing Visca)
In 1975, when the avant-garde movement was in bloom, D'Arienzo went on saying that "if musicians turned back to the pureness of two-four, the passion for our music would come again and, thanks to the modern media of broadcasting, we would reach world importance".[Interview made known by Telam and taken from La Voz del Pueblo, Tres Arroyos, 23 December 1975].
Originally published in Tango y Lunfardo Nº 132, Year XIV, Chivilcoy, 16 September 1997.
His music is played often at milongas in Buenos Aires, and the instrumentals are the classic harder rhythmic tangos with a strong staccato dance rhythm. He also recorded many great milongas and fast valses.
More detail.....
(December 14, 1900 – January 14, 1976)
D'Arienzo was born on 14 December 1900 in the Buenos Aires neighborhood of Balvanera.
By 1936 Juan D'Arienzo was at the height of his popularity. He was just 35 years old, one less than Julio De Caro –but stylistically at the other end of the musical horizon of tango. De Caro was already a star in 1924 when D'Arienzo began his rise to popularity when Pablo Osvaldo Valle took him to the brand new El Mundo radio station.
Like almost all the musicians in those days, he started in tango as a boy. He played violin in local venues at a very early age with Angel D'Agostino on piano, the bandoneon player Ernesto Bianchi (Lechuguita) and Ennio Bolognini, Remo and Astor´s brother. His first known performance goes back to 1919. In that year, he played with the Arata-Simari-Franco theater company when they presented the comic play by Alberto Novión, "El cabaret Montmartre" at the Nacional theater.
In an interview in 1949 with Andrés Muñoz,he said “We, D'Agostino and I on the violin, took part in the opening night of Alberto Novión´s sainete "El cabaret Montmartre". At the play a small tango orchestra appeared, led by us, and which accompanied Los Undar's, a famous dancing number formed by the partners la Portuguesa and El Morocho, two stars of tango canyengue”.
Doctor Luis Adolfo Sierra has established, however, that Roberto Firpo's orchestra premiered that show (Firpo, on piano; Cayetano Puglisi, on violin; Pedro Maffia and Juan Bautista Deambroggio, on bandoneons, and Alejandro Michetti, on drums) until September 1 of that year, when it was replaced by that of D'Arienzo-D'Agostino.
D'Arienzo remained linked to theater. Always with D'Agostino on piano, he accompanied Evita Franco, who beautifully sang tangos like "Loca", "Entra nomás" or "Pobre milonga".
He also played violin in the Frederickson jazz band and assembled a sextet with D'Agostino on piano; the other violin was Mazzeo. On bandoneons were Anselmo Aieta and Ernesto Bianchi, and Juan Puglisi on bass.
When D'Agostino left, he was replaced by Luis Visca, who was then composing "Compadrón".
1935 is the key year in D'Arienzo´s career. This is the year when the D'Arienzo we all remember really appeared. That happened when Rodolfo Biagi joined the orchestra. Biagi was a pianist who had played with Pacho, who had accompanied Gardel on some recordings, and had played with Juan Guido and Juan Canaro. By then, D'Arienzo was performing at the Chantecler. Biagi´s inclusion meant a change of time signature for D'Arienzo orchestra, which changed the four-eight for the two-four; that is to say, he returned to two-four, the fast frolic beat of the early tangos.
When Biagi left him in 1938 to assemble his own orchestra, D'Arienzo had already identified himself with the two-four definitively. Facing the martial rhythm by Canaro, the somewhat street band-like platitude of Francisco Lomuto, and De Caro´s symphonic attempts, D'Arienzo contributed a fresh, juvenile, enlivening air to tango.
Tango, which had been an ostentatious, challenging almost gymnastic dance, turned one day, according to Discépolo, into a sad thought which can be danced to. The dance had become subsidiary, displaced by lyrics and the singers, and then by the arrangement. D'Arienzo gave tango back to the dancers´feet and with that he revived the interst of the young in tango.
This nickname "king of beat", given by Príncipe cubano (Angel Sanchez Carreño), an MC at the cabaret Chantecler, turned into the king of the dance, and by getting people to the dance he earned a lot of money.
Tango lovers despise D'Arienzo. He is considered as a sort of tango demagogue. But D'Arienzo, as José Luis Macaggi has very well said, made possible that tango renaissance called "la década del cuarenta" (the 40s), a decade which represented The golden Age of Tango.
When D'Arienzo achieved success with the new beat, he dazzled the Chantecler dancers and El Mundo radio station broadcast it all over the country.
In 1949 D'Arienzo said: “In my view, tango is, above all, rhythm, nerve, strength and character. Early tango, that of the old stream (guardia vieja), had all that, and we must try not to ever lose it. Because we forgot that, Argentine tango entered into a crisis some years ago. Putting aside modesty, I did all was possible to make it reappear. In my opinion, a good part of the blame for tango decline is on the singers. There was a time when a tango orchestra was nothing else but a mere pretext for the singer´s performance. The players, including the leader, were no more than accompanists of the popular stars. For me, that can´t be. Tango is essentially music. In consequence, the orchestra, which plays it, cannot be relegated to the background to spotlight only the singer. The human voice is not, it should not be another thing but an instrument more in the orchestra. To sacrifice everything for the singer´s sake, for the star, is a mistake. I reacted against that mistake which caused the tango crisis and placed the orchestra in the foreground and the singer in his place. Furthermore, I tried to rescue for tango its masculine strength, which it had been losing. In my interpretations I stamped the rhythm, the nerve, the strength and the character which distinguished it in the music world and which it had been losing for the above reasons. Luckily, that crisis was temporary, and today tango has been re-established, our tango, with the vitality of its best times. My major pride is to have contributed to that renaissance of our popular music. [Edited quote from the Aquí Está magazine].
In 1975, a month before his death, D'Arienzo noted again: "The foundation of my orchestra is the piano. I regard it as irreplaceable. When my pianist, Polito is ill, I replace him with Jorge Dragone. If something happens to the latter I´m at a loss. Then the fourth violin appears as an essential element. It must sound like a viola or a cello. I assemble my group with piano, double bass, five violins, five bandoneons and three singers. Less members, never. I had even used, for some recordings, up to ten violins".[Interview made known by Telam and taken from La Voz del Pueblo, Tres Arroyos, 23 December 1975].
Due to the importance given to piano by the maestro, it is not superfluous to give here the list of his pianists: Alfonso Lacueva, René Cóspito, Vicente Gorrese, Nicolás Vaccaro, Juan Polito, Luis Visca, Carlos Di Sarli, Lidia Fassoli, Cesar Zagnolli, Rodolfo Biaggi, Juan Polito, Fulvio Salamanca, Juan Polito, Normando Lazara (Di Sarli only performed for a month, at the Chantecler, in 1934, replacing Visca)
In 1975, when the avant-garde movement was in bloom, D'Arienzo went on saying that "if musicians turned back to the pureness of two-four, the passion for our music would come again and, thanks to the modern media of broadcasting, we would reach world importance".[Interview made known by Telam and taken from La Voz del Pueblo, Tres Arroyos, 23 December 1975].
Originally published in Tango y Lunfardo Nº 132, Year XIV, Chivilcoy, 16 September 1997.
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@mariabelennielsen6466
El tango, no es música, es arte; se cree que lo disfrutan mucho las personas mayores ...
Yo soy extranjera, nacida en este siglo, pero me gusta muchísimo todo lo que sea música...
Y se debería comprender que la Cultura es universal...
Está orquesta dirigida por un extraordinario músico y maestro, se convierte en una gran composición que amalgama sonidos y acordes, que merecería una deber agradecer inmensamente, tener la suerte de recibir estas melodías; que son un bálsamo para el alma...
Es Maravillosa La Orquesta Del Maestro D'arienzo...
Está Sin Duda Alguna Entre Las Mejores Maravillas Que Puede La Humanidad Toda Escuchar....
Verdaderamente Una Delicia...
Felicitaciones a Todos Los Argentinos, Muchos No Reconocen La Rica Cultura Que Poseen...
Felicitaciones 🇦🇷🇩🇰🇦🇷🇩🇰...!!!
@cear9813
TANGO Argentino I 💙💙💙
Emeroteca, letras, autores, orq, Dicc.de lunfardo (se grabaron en Bs As mas de 10.000.) : http://www.todotango.com/musica/obras/letras/a/0/todos
HUGO DEL CARRIL "El Llorón", 1948:
https://m.youtube.com/watch?v=M55cmUJ8N-4
"Taquito Militar" por Mariano Mores 1953: https://m.youtube.com/watch?v=PjVuHpTzSUc
CHARLO "Yo también soñé" 1935: https://m.youtube.com/watch?v=G6GtcTcnrew
Rosita Quiroga, "Carro viejo" 1928: https://m.youtube.com/watch?v=m7gixN4Bo2M
"Qué sapa señor?" 1931. Discéplo:
https://m.youtube.com/watch?v=Fb1S1Cr_s44
SOFÍA BOZAN "Ivette" 1940: https://m.youtube.com/watch?v=srzuXYh4RKs
SOFÍA BOZÁN "Amarrete" 1940: https://m.youtube.com/watch?v=kYvzEXW5TEg
SOFÍA BOZÁN "Don juan": https://m.youtube.com/watch?v=WLjDuBDNUE8
SOFÍA BOZÁN "De contramano" 1936: https://m.youtube.com/watch?v=Az7-jRvS0o8
SOFÍA BOZÁN "Cuando un Viejo se Enamora" 1942: https://m.youtube.com/watch?v=jh-HnruY-Qs
SOFÍA BOZÁN "Yo Soy La Negra Bozan" 1945: https://m.youtube.com/watch?v=gkFUsBwbLBk
Tita Merello canta "El choclo" .La historia del Tango 1949: https://m.youtube.com/watch?v=I3PKtEjNtP4
Tita Merello "La milonga y yo": https://m.youtube.com/watch?v=PkCmtRkIM8Y
Tita Merello "Arrabalera" 1950: https://m.youtube.com/watch?v=UH1x93rRXWg
LIBERTAD LAMARQUE "La Morocha" 1939: https://m.youtube.com/watch?v=EmLbOirSNPc
LIBERTAD LAMARQUE "El alma del bandoneón" 1935: https://m.youtube.com/watch?v=RJX7F6vImeY
Libertad Lamarque "Madreselva" 1938:
https://m.youtube.com/watch?v=6ngeRBC8PVA
EDMUNDO RIVERO "La última curda":
https://m.youtube.com/watch?v=V3t7wYX664Y
EDMUNDO RIVERO "El bulín de la calle Ayacucho": https://m.youtube.com/watch?v=o8eymUy_mKE
100 temas de Roberto Goyeneche: https://m.youtube.com/playlist?list=PL335782EA52C2D9E7
Fundacion Alberto Castillo: https://m.youtube.com/channel/UCkOsUwS8bG_pvz6GKPiacbQ
SENTIMIENTO GAUCHO,J. D'ARIENZO - OSVALDO RAMOS: https://m.youtube.com/watch?v=7mpu6VivRVM
@cear9813
TANGO Argentino II 💙💙💙
Tango Pasion, Paris 1997 (Show completo): https://m.youtube.com/watch?v=ERQrGa75430
Forever Tango, World Tour (Demo): https://m.youtube.com/watch?v=ENVZi5lREmo (show): https://m.youtube.com/watch?v=KMZJUvuudwo (danza en min.17:04)
Tango Show Buenos Aires Arg: https://m.youtube.com/watch?v=OAzS933hU-w
Tango "El Espectaculo":
https://m.youtube.com/watch?v=KkKmMvp1HQw
GARDEL BAILA "VIEJOS TIEMPOS" 1935:
https://m.youtube.com/watch?v=PdFd2ZvHoWA&list=WL&index=247&t=0s
Carlos Gardel 1917, 1918, 1919: https://m.youtube.com/watch?v=6ZUtn6j5AOw&list=PLdhrr1m1xcPMHAs-G_wXj-1FxEsNMkNkX&index=6&t=0s
CARLOS GARDEL "LOS CORTOS DEL 30":
https://m.youtube.com/watch?v=eWbxgXwfhrk
"EL TANGO EN BROADWAY " 1934 - Film de Carlos Gardel: https://m.youtube.com/watch?v=sWAkUn6OwgE
"El Cachafaz" & Carmencita Calderón (1933): https://m.youtube.com/watch?v=5Yv9V-3APpc&list=PL8CFBE9EBD5707713&index=13
El Cachafaz y Sofía Bozán bailan en Carnaval de Antaño "Don Juan" 1940: https://m.youtube.com/watch?v=zR7QA07pHe8
"Un guapo del 900". Organito 1949: https://m.youtube.com/watch?v=n3lxwtVQz5k&list=PL8CFBE9EBD5707713&index=4&t=0s
"Un guapo del 900". El pibe de palermo: https://m.youtube.com/watch?v=uzDhcPLR9no&list=PL8CFBE9EBD5707713&index=1
Real Tango Street Dance in Bs As, Arg: https://m.youtube.com/watch?v=l-l7O9Ocydw
Tango "El huracan". Julian Sanchez and Melina Mourino: https://m.youtube.com/watch?v=-7S0Rnvb24Y
zotto:https://m.youtube.com/watch?v=_4G03HpzArc
Mundial de tango: https://m.youtube.com/results?search_query=Mundial+de+tango
BAILARINES DE TANGO (argentinatangodj): https://m.youtube.com/playlist?list=PLdhrr1m1xcPN1cyfteleciz6AFJLII4B2
Petaca y M.Anton, Bailando "la Rosarina": https://m.youtube.com/watch?v=QIt41jEOprc
D. MESTRE y J.FIRPO Bailando "RELIQUIAS PORTEÑAS" : https://m.youtube.com/watch?v=aGKOdcI8Ub8
G.Rivero y El Puchu: https://m.youtube.com/watch?v=-8ygPCnJkqI&noapp=1&client=mv-google
ANIBAL TROILO "Quejas de bandoneon" 1974: https://m.youtube.com/watch?v=cDE2DMVURyc
D'ARIENZO "El Rey del Compás" : https://m.youtube.com/watch?v=3Z5qEKxfmm8- 💙https://m.youtube.com/watch?v=adI4-3CvCSU
💙https://m.youtube.com/watch?v=FjUoalj-cIU
💙https://m.youtube.com/watch?v=LHOgQQ_D3EY
💙https://m.youtube.com/watch?v=b2UG6i5DQ6w
Osvaldo Pugliese "Recuerdo" (Teatro Colón 1985): https://m.youtube.com/watch?v=AAZRZzfck_g
Osvaldo Pugliese .Cordoba "Las Cuarenta": https://m.youtube.com/watch?v=C4eUxa1tDfk
OSVALDO PUGLIESE - Abel Cordoba " PA' LO QUE TE VA A DURAR" 1985: https://m.youtube.com/watch?v=U0xpbIp4J7g
Sexteto Mayor: Leopoldo Federico.Julian Plaza .Osvaldo Requena: https://m.youtube.com/watch?v=8RpysnH2Yiw
El bandoneón y sus intérpretes I:
https://m.youtube.com/watch?v=mLUTmFeSUh0
El bandoneón y sus intérpretes II:
https://m.youtube.com/watch?v=PY-M5WNH0qM
Las Grandes Orq.de Tango: D'Arienzo.Troilo.Fresedo.Caló.Pugliese: https://m.youtube.com/watch?v=tbAO-KFlsdo
Mario Marzan .Estilos de tango: https://m.youtube.com/watch?v=44SqzyUHn2k
LOS 200 MEJORES VIDEOS de TANGO:
https://m.youtube.com/playlist?list=PL4EEC01C7C63455E1
"ElCachafaz09": https://m.youtube.com/user/ElCachafaz09
Darienzo - Echague "Joyas del Lunfardo" Completo: https://m.youtube.com/watch?v=wEKQGTegBMA
Buenos Aires Travel Guide: https://m.youtube.com/watch?v=F2sepCUnENg
Peliculas de Tango Arg.Filmoteca Tanguera: https://m.youtube.com/playlist?list=PLC20C7E61E847DE50
Bicentenario.Homenaje al Tango:
https://m.youtube.com/watch?v=NBvVeJF_O94
@cear9813
@Marcos .Si queres copia y pega cualquier coment .No podemos disfrutar del tango tranquilos sin q nos acosen haters uru !!! (deben ser 4 bol..., pero aburren :p)
Compuesta con un ritmo arg: tango
Con los arreglos de Roberto Firpo(Arg), letra de compositores arg, y presentada al mundo x ntros artistas + famosos en sus giras.A la q los argentinos supieron darle la vuelta de rosca q le faltaba con la letra, el estilo de nuestras orquestas, la danza, los compases de musicos bien argentos .Darle ese empuje q tiene q tener el tango, q eso es al final :D
Si gardel hubiese cantado cualq. tema, con su estilo y aire arrabalero, lo habria hecho popular.La cultura, el alma de los pueblos se puede imitar, pero NO ROBAR... Eso les pasa x criarse mirando nuestra tv, radios, musica, etc !
La estatua de la libertad, simbolo de NY, es un regalo de los franceses (donde nacio el lema " Libertad, igualdad, fraternidad", representadas x dicha estatua). La parte interna del kung fu chino (chi kung),vino de La India. Chavela Vargas, icono de la ranchera mexicana, nacio en Costa Rica.
Los gitanos (flamenco español) son oriundos de La India o Rumania (?).
Lalo Fransen (arg., pianista y compositor de jazz, formado en Bs As ) hizo la musica de "Mision Imposible", difundida hasta el hartazgo, y no por eso el jazz seria argentoestadounidense.Ridiculo!!!
Antes les escribia en el momento, pero es una perdida de tiempo. Mejor poner la energia en algo constructivo, con buena onda, q la necesitamos ♥
@cear9813
TANGO Argentino I 💙💙💙
Emeroteca, letras, autores, orq, Dicc.de lunfardo (se grabaron en Bs As mas de 10.000.) : http://www.todotango.com/musica/obras/letras/a/0/todos
HUGO DEL CARRIL "El Llorón", 1948:
https://m.youtube.com/watch?v=M55cmUJ8N-4
"Taquito Militar" por Mariano Mores 1953: https://m.youtube.com/watch?v=PjVuHpTzSUc
CHARLO "Yo también soñé" 1935: https://m.youtube.com/watch?v=G6GtcTcnrew
Rosita Quiroga, "Carro viejo" 1928: https://m.youtube.com/watch?v=m7gixN4Bo2M
"Qué sapa señor?" 1931. Discéplo:
https://m.youtube.com/watch?v=Fb1S1Cr_s44
SOFÍA BOZAN "Ivette" 1940: https://m.youtube.com/watch?v=srzuXYh4RKs
SOFÍA BOZÁN "Amarrete" 1940: https://m.youtube.com/watch?v=kYvzEXW5TEg
SOFÍA BOZÁN "Don juan": https://m.youtube.com/watch?v=WLjDuBDNUE8
SOFÍA BOZÁN "De contramano" 1936: https://m.youtube.com/watch?v=Az7-jRvS0o8
SOFÍA BOZÁN "Cuando un Viejo se Enamora" 1942: https://m.youtube.com/watch?v=jh-HnruY-Qs
SOFÍA BOZÁN "Yo Soy La Negra Bozan" 1945: https://m.youtube.com/watch?v=gkFUsBwbLBk
Tita Merello canta "El choclo" .La historia del Tango 1949: https://m.youtube.com/watch?v=I3PKtEjNtP4
Tita Merello "La milonga y yo": https://m.youtube.com/watch?v=PkCmtRkIM8Y
Tita Merello "Arrabalera" 1950: https://m.youtube.com/watch?v=UH1x93rRXWg
LIBERTAD LAMARQUE "La Morocha" 1939: https://m.youtube.com/watch?v=EmLbOirSNPc
LIBERTAD LAMARQUE "El alma del bandoneón" 1935: https://m.youtube.com/watch?v=RJX7F6vImeY
Libertad Lamarque "Madreselva" 1938:
https://m.youtube.com/watch?v=6ngeRBC8PVA
EDMUNDO RIVERO "La última curda":
https://m.youtube.com/watch?v=V3t7wYX664Y
EDMUNDO RIVERO "El bulín de la calle Ayacucho": https://m.youtube.com/watch?v=o8eymUy_mKE
100 temas de Roberto Goyeneche: https://m.youtube.com/playlist?list=PL335782EA52C2D9E7
Fundacion Alberto Castillo: https://m.youtube.com/channel/UCkOsUwS8bG_pvz6GKPiacbQ
SENTIMIENTO GAUCHO,J. D'ARIENZO - OSVALDO RAMOS: https://m.youtube.com/watch?v=7mpu6VivRVM
@cear9813
TANGO Argentino II 💙💙💙
Tango Pasion, Paris 1997 (Show completo): https://m.youtube.com/watch?v=ERQrGa75430
Forever Tango, World Tour (Demo): https://m.youtube.com/watch?v=ENVZi5lREmo (show): https://m.youtube.com/watch?v=KMZJUvuudwo (danza en min.17:04)
Tango Show Buenos Aires Arg: https://m.youtube.com/watch?v=OAzS933hU-w
Tango "El Espectaculo":
https://m.youtube.com/watch?v=KkKmMvp1HQw
GARDEL BAILA "VIEJOS TIEMPOS" 1935:
https://m.youtube.com/watch?v=PdFd2ZvHoWA&list=WL&index=247&t=0s
Carlos Gardel 1917, 1918, 1919: https://m.youtube.com/watch?v=6ZUtn6j5AOw&list=PLdhrr1m1xcPMHAs-G_wXj-1FxEsNMkNkX&index=6&t=0s
CARLOS GARDEL "LOS CORTOS DEL 30":
https://m.youtube.com/watch?v=eWbxgXwfhrk
"EL TANGO EN BROADWAY " 1934 - Film de Carlos Gardel: https://m.youtube.com/watch?v=sWAkUn6OwgE
"El Cachafaz" & Carmencita Calderón (1933): https://m.youtube.com/watch?v=5Yv9V-3APpc&list=PL8CFBE9EBD5707713&index=13
El Cachafaz y Sofía Bozán bailan en Carnaval de Antaño "Don Juan" 1940: https://m.youtube.com/watch?v=zR7QA07pHe8
"Un guapo del 900". Organito 1949: https://m.youtube.com/watch?v=n3lxwtVQz5k&list=PL8CFBE9EBD5707713&index=4&t=0s
"Un guapo del 900". El pibe de palermo: https://m.youtube.com/watch?v=uzDhcPLR9no&list=PL8CFBE9EBD5707713&index=1
Real Tango Street Dance in Bs As, Arg: https://m.youtube.com/watch?v=l-l7O9Ocydw
Tango "El huracan". Julian Sanchez and Melina Mourino: https://m.youtube.com/watch?v=-7S0Rnvb24Y
zotto:https://m.youtube.com/watch?v=_4G03HpzArc
Mundial de tango: https://m.youtube.com/results?search_query=Mundial+de+tango
BAILARINES DE TANGO (argentinatangodj): https://m.youtube.com/playlist?list=PLdhrr1m1xcPN1cyfteleciz6AFJLII4B2
Petaca y M.Anton, Bailando "la Rosarina": https://m.youtube.com/watch?v=QIt41jEOprc
D. MESTRE y J.FIRPO Bailando "RELIQUIAS PORTEÑAS" : https://m.youtube.com/watch?v=aGKOdcI8Ub8
G.Rivero y El Puchu: https://m.youtube.com/watch?v=-8ygPCnJkqI&noapp=1&client=mv-google
ANIBAL TROILO "Quejas de bandoneon" 1974: https://m.youtube.com/watch?v=cDE2DMVURyc
D'ARIENZO "El Rey del Compás" : https://m.youtube.com/watch?v=3Z5qEKxfmm8- 💙https://m.youtube.com/watch?v=adI4-3CvCSU
💙https://m.youtube.com/watch?v=FjUoalj-cIU
💙https://m.youtube.com/watch?v=LHOgQQ_D3EY
💙https://m.youtube.com/watch?v=b2UG6i5DQ6w
Osvaldo Pugliese "Recuerdo" (Teatro Colón 1985): https://m.youtube.com/watch?v=AAZRZzfck_g
Osvaldo Pugliese .Cordoba "Las Cuarenta": https://m.youtube.com/watch?v=C4eUxa1tDfk
OSVALDO PUGLIESE - Abel Cordoba " PA' LO QUE TE VA A DURAR" 1985: https://m.youtube.com/watch?v=U0xpbIp4J7g
Sexteto Mayor: Leopoldo Federico.Julian Plaza .Osvaldo Requena: https://m.youtube.com/watch?v=8RpysnH2Yiw
El bandoneón y sus intérpretes I:
https://m.youtube.com/watch?v=mLUTmFeSUh0
El bandoneón y sus intérpretes II:
https://m.youtube.com/watch?v=PY-M5WNH0qM
Las Grandes Orq.de Tango: D'Arienzo.Troilo.Fresedo.Caló.Pugliese: https://m.youtube.com/watch?v=tbAO-KFlsdo
Mario Marzan .Estilos de tango: https://m.youtube.com/watch?v=44SqzyUHn2k
LOS 200 MEJORES VIDEOS de TANGO:
https://m.youtube.com/playlist?list=PL4EEC01C7C63455E1
"ElCachafaz09": https://m.youtube.com/user/ElCachafaz09
Darienzo - Echague "Joyas del Lunfardo" Completo: https://m.youtube.com/watch?v=wEKQGTegBMA
Buenos Aires Travel Guide: https://m.youtube.com/watch?v=F2sepCUnENg
Peliculas de Tango Arg.Filmoteca Tanguera: https://m.youtube.com/playlist?list=PLC20C7E61E847DE50
Bicentenario.Homenaje al Tango:
https://m.youtube.com/watch?v=NBvVeJF_O94
@gabifurci604
Soy hija de un hombre con raices italianas, que escuchaba Tango todos los dias, y lo bailaba con mi madre tambien. Con el tiempo, mi padre, por esas casualidades de la vida, conocio al Maestro Troilo, y al Rey del Compas, Juan D'arienzo. Hoy tengo 60 años y pienso cuando veo estos videos, que fue una suerte y un lujo para mi padre, conocer a estos emblemas de nuestra patria querida. Ellos son pura cultura que representa a nuestro pais.
@Isolar155
D’Arienzo murió en 1976 y varios de sus músicos eran poco más jóvenes que él. Hoy, casi medio siglo más tarde pienso que todos ellos ya dejaron este mundo. Mi saludo y homenaje a un grupo humano de enorme talento que llevaron el tango argentino a su máxima expresión.
@rubenhan3700
Tengo 66 años y cuando escucho la cumparsita se me caen las lágrimas recuerdo a mi viejo
@jorgerobertocejas6202
Tengo 34 y mi viejo de 75 años fallecio hace 2 años
Escuchar esto me hace caer las lagrimas. Que lindo recordar a mi papa siempre
@exebrancia8411
simplemente impresionante como tocaban esos "viejos"(con cariño)
grosos totales ..con 30 años me encanta el tango de lo mas viejito...son un cable a tierra para mi ..saludos tangueros ..
@jorge32am
ESTO DEBERIA SER PATRIMONIO DE LA HUMANIDAD.
@ami-tn1sq
Lo es compa!
@votemporixshdrustan5743
el tango ya lo es.
@josepedrohonorio3966
El tango es patrimonio inmaterial de la humanidad declarado por la UNESCO compartido entra Argentina y Uruguay
@robertpeluca9610
Este tango. Es URUGUAYO. Argentino. Nada