Juan de la Encina (1469-ca. 1533), a composer, poet and playwriter, often c… Read Full Bio ↴Juan de la Encina (1469-ca. 1533), a composer, poet and playwriter, often called the founder of Spanish drama, was born in 1469 near Salamanca, probably at Encina de San Silvestre. He was of Jewish converso descent. See, Norman Roth, "Conversos, Inquisition, and the Expulsion of the Jews from Spain", Madison, WI: The University of Wisconsin Press, 1995, pp. 157, 176-178. After leaving the University of Salamanca sometime in the early 1490s he became a member of the household of Don Fadrique de Toledo, the second Duke of Alba.
In 1492 the poet entertained his patron with a dramatic piece, the Triunfo de la fama, written to commemorate the fall of Granada. In 1496 he published his Cancionero, a collection of dramatic and lyrical poems. Around 1500 he relocated to Rome, where he apparently served in the musical establishments of several cardinals or noblemen.
About 1518 Encina took holy orders, and made a pilgrimage to Jerusalem, where he said his first mass. Since 1509 he had held a lay canonry at Málaga; in 1519 he was appointed prior of León and is said to have died at Salamanca about 1533.
His Cancionero is preceded by a prose treatise (Arte de trobar) on the condition of the poetic art in Spain. His fourteen dramatic pieces mark the transition from the purely ecclesiastical to the secular stage. The Aucto del Repelón and the Égloga de Fileno dramatize the adventures of shepherds; the latter, like Pládcida y Vitoriano, is strongly influenced by the Celestina. The intrinsic interest of Encina's plays is slight, but they are important from the historical point of view, for the lay pieces form a new departure, and the devout eclogues prepare the way for the autos of the 17th century. Moreover, Encina's lyrical poems are remarkable for their intense sincerity and devout grace
In 1492 the poet entertained his patron with a dramatic piece, the Triunfo de la fama, written to commemorate the fall of Granada. In 1496 he published his Cancionero, a collection of dramatic and lyrical poems. Around 1500 he relocated to Rome, where he apparently served in the musical establishments of several cardinals or noblemen.
About 1518 Encina took holy orders, and made a pilgrimage to Jerusalem, where he said his first mass. Since 1509 he had held a lay canonry at Málaga; in 1519 he was appointed prior of León and is said to have died at Salamanca about 1533.
His Cancionero is preceded by a prose treatise (Arte de trobar) on the condition of the poetic art in Spain. His fourteen dramatic pieces mark the transition from the purely ecclesiastical to the secular stage. The Aucto del Repelón and the Égloga de Fileno dramatize the adventures of shepherds; the latter, like Pládcida y Vitoriano, is strongly influenced by the Celestina. The intrinsic interest of Encina's plays is slight, but they are important from the historical point of view, for the lay pieces form a new departure, and the devout eclogues prepare the way for the autos of the 17th century. Moreover, Encina's lyrical poems are remarkable for their intense sincerity and devout grace
Pues que jamas olvidaros
Juan del Encina Lyrics
We have lyrics for 'Pues que jamas olvidaros' by these artists:
Hesperion Xx/Jordi Savall Pues que jamas olvidaros no puede mi coraçón, si me…
Jordi Savall Pues que jamas olvidaros no puede mi coraçón, si me…
We have lyrics for these tracks by Juan del Encina:
Fata la parte Fata la parte tutt' ogni cal, qu' es morta la muller de miçe…
Hoy comamos y bebamos Hoy comamos y bebamos Y cantemos y holguemos, Que mañana ayu…
¿Qu'es de ti, desconsolado? ¿Qués de ti, desconsolado? ¿Qués de ti, rey de Granada? ¿Qué…
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@sergio_botero
Definitivamente un talento como el de Juan del Encina es difícil que aparezca otra vez, pero él nos dejó su maravillosa obra que afortunadamente ha persistido por siglos.
@Kobzar3374
Exquisito, Juan del Encina, como siempre. En calles como esas quiero vivir, escuchando músicas como esta. Gracias, una vez más, por compartir este vídeo, y un saludo cordial.
@lautarovinci628
Cuanta pureza expresa el Renacimiento
@Kobzar3374
Qué hermosa música y qué bellas imágenes. Cosas como éstas me inspiran cariño por mi país. Gracias por el vídeo y un saludo cordial.
@butannin
Profunda y maravillosa versión a capella. Gracias por subirla. Con ella, nosotros podemos subir al cielo.
@eduardobeirasgarcia9402
Sensible y generoso Belarmo,...como siempre.
@odilebonnal2054
version admirable et pleine de spirirualité nous rapprochant du ciel.....
@ALONSOMUDARRA
Muy bien..............!
@_PROCLUS
Since my heart can never forget you,
if I don't receive the reward,
how wrong I was to look upon you.
This vision (of you) will cost me
great pain and great sadness
This vision will pain me
if fortune does not fail
But if, for my true love
you want to give me reward,
my heart will not say
Oh what mistake I made to look at you