Molina started her career in 1988 as a comedic television actress in Argentina on the show La Noticia Rebelde. She later starred in Juana y sus hermanas, a hit sketch show across the Spanish-speaking world, for which she remains better known in Latin America.
When you ask most Argentines for an opinion of her music, however, you are likely to get a response related to her popular sketch comedy show from the ’90s, ‘Juana y Sus Hermanas’. The local tendency to pigeonhole her as a wacky comic actress. Appreciation of the originality of her art has grown in recent years—in concurrence with the rise of her international popularity—but her early dismissal by critics here in Argentina continues to hang over her.
This isn’t necessarily a bad thing. It was this early criticism of her music that freed her to defy expectations on following albums. She could venture beyond influences and plunge ever deeper inside herself—digging out the music that she herself found most pleasing.
Molina grew up in a musical home. Her father, Horacio Molina, is a successful Tango singer and composer who gave Juana her first guitar lessons. Her mother is an actress and music lover who kept a diverse music library and regularly initiated family dances.
Dating back to her first years with the guitar, Molina was always intrigued by playing simple and repetitive melodies. She explains, “The first songs that I wrote were like loops. I would spend weeks playing the same few notes or chords, I would enter a trance. But I didn’t have the confidence necessary to play those by themselves. So I would insert a chorus, verse and bridge to make them resemble traditional song structures.”
Following the military coup in Argentina in 1976, the Molina family moved to Paris to flee the ensuing dictatorship. During those formative teenage years in Paris, Molina’s musical palette was vastly expanded. Long before “world music” became a genre of its own (loosely defined as it is), a couple of French radio stations that Molina regularly listened to offered programs featuring music from around the globe: Africa, Asia, India, Pakistan and various Middle Eastern countries. Molina loved the curious, exotic sounds and says, “It all really fascinated me, it seemed like it was from another world.”
She recorded these shows whenever she could, and built up a library of several hundred cassettes. She listened to the tapes constantly. But just weeks after her return to Buenos Aires the tapes were stolen out of a friend’s house. Molina still describes the loss as a “terrible pain”.
The painful loss, however, may also be understood as contributing to Juana’s daring artistic nature. As she developed her own form of expression, she couldn’t go back and study those strange sounds and styles that had interested her so much. She had to venture inwardly to find what was inside of her that had resonated with the unusual sounds that she had heard. They had planted a seed, but she would have to chase them down the rabbit hole herself.
In 1996 she decided to start her musical career and released her first album, Rara. Her second album, Segundo, was named Best World Music Album 2003 in Entertainment Weekly and gained a Shortlist Award 2004 nomination. Tres Cosas, her third album, was placed in the Top Ten Records of 2004 by the New York Times.
Son, her fourth album, released in 2005, has been acclaimed by the critics. In 2008, she released her fifth studio album, titled Un Día on Domino Records.
The lyrics on her albums are sung in her native Spanish and are often accompanied by acoustic guitar, among other instruments. Her music features elements of ambient and electronica, and she is often compared by critics to Björk, Beth Orton, and Lisa Germano. She usually writes, mixes tracks and performs on her own.
Micael
Juana Molina Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The lyrics to Juana Molina's song "Micael" are a call to the archangel Michael, who is known for his strength, protection, and guidance. The repeated phrase "micael, seres luminosos haznos ser, valerosos" translates to "Michael, luminous beings make us brave," indicating a desire for strength and courage. The use of the word "seres," meaning beings or creatures, elevates the idea of humanity to a higher level and implies a connection to something more divine or otherworldly.
The song can be interpreted as a plea for protection and guidance in a time of struggle or uncertainty. The reverence for Michael as an archangel, particularly in Catholicism, adds an additional layer of religious significance to the lyrics. The use of repetition and the calming, hypnotic melody create a meditative and reflective atmosphere, making it a powerful song for personal reflection or prayer.
Line by Line Meaning
micael, seres luminosos
Micael, you are a being of light
haznos ser, valerosos
Help us to be courageous
arcángel micael
Archangel Micael
Contributed by Ethan V. Suggest a correction in the comments below.
Paul Negrean
Came after hearing it in the latest episode from Mayans MC :) the have great songs in the show
Johnny b Goode
Another great song and another great episode. Finally, this season has been meeting the expectations
Micael Espiga
Que hermoso tema ! Me quedo con que es para mi ! 😁
Micael Pogonza
Hermosa cancion, una nueva razón para que me guste mi nombre
vanhooligan 75
I have been looking for this song for years. Forget the artists name but could hear the melody in my head.
FRANK SCAGLIONE WOLFF
jajaja!!! Que nombre tan hermoso el mio!!!! Y tiene tema y todo...Grande Juana!
Nicolás Cons da Costa
Esta es una canción que se canta en las escuelas Waldorf.
La letra dice:
Micael, seres luminosos, haznos ser valerosos.
Árcangel Micael.
Nicolás Cons da Costa
@Ukarly mm nop, dice "Seres luminosos" en plural.
Ukarly
Micael, ser luminoso* en singular 😉
Екатерина Спиридонова
@Janez Pungartnik да