Though born in Seattle, Washington (where she spent the first ten years of her life), she moved to Denver, Colorado, in 1949. As a child Collins studied classical piano with Antonia Brico, making her public debut at age 13 performing Mozart's Concerto for Two Pianos. It was the music of Woody Guthrie and Pete Seeger, and the traditional songs of the folk revival of the early 1960s, that piqued Collins' interest and awoke in her a love of lyrics. Three years after her debut as a piano prodigy, she was playing guitar. She eventually made her way to Greenwich Village, New York City, where she busked and played in clubs until she signed with Elektra Records, a record label with which she was associated for 35 years. In 1961, Collins released her first album, A Maid of Constant Sorrow, at the age of 22.
At first she sang traditional folk songs, or songs written by others, in particular the social poets of the time, such as Tom Paxton, Phil Ochs, and Bob Dylan. She recorded her own versions of seminal songs of the period, such as Dylan's "Mr. Tambourine Man" and Pete Seeger's "Turn, Turn, Turn". Collins was also instrumental in bringing then little known composers to a wider public; for example, she recorded songs by Canadian poet Leonard Cohen, and Canadian singer-songwriter Joni Mitchell.
With her 1967 album Wildflowers, she began to record her own compositions, the first of which was entitled "Since You've Asked". This album also provided Collins with a major hit, and a Grammy award, with her version of Joni Mitchell's "Both Sides Now", which reached #8 on the Billboard Hot 100.
1968's Who Knows Where the Time Goes was produced by Stephen Stills (of Crosby, Stills & Nash), with whom Collins was romantically involved at the time (she is the "Judy" of the Stills-written CSN classic "Suite: Judy Blue Eyes"). It had a mellow country sound, and included Ian Tyson's "Someday Soon" and the title track, a Sandy Denny song which has been covered by several artists.
By the 1970s, Collins had a solid reputation as an art song singer and folksinger. She had also begun to stand out with her own compositions. She was also known for her broad range of material: her songs from this period include the traditional gospel song "Amazing Grace", the Stephen Sondheim Broadway ballad "Send in the Clowns" (both of which were top 20 hits as singles), and her own compositions such as "My Father" and "Born to the Breed".
In 1979 she posed nude on the album "Hard Times For Lovers".
In more recent years, Collins has taken to writing, producing a memoir, "Trust Your Heart" in 1987, and two novels. Though her record sales are not what they once were, she still records and tours. One of her more recent albums is a collection of songs based on her novel Shameless. She performed at US President Bill Clinton's first inauguration in 1993, singing "Amazing Grace" and "Chelsea Morning". (The Clintons have stated that their daughter Chelsea was named after Collins' recording of the Joni Mitchell song.)
Activism
Like other folk singers of her generation, Collins was drawn to social activism. She is a representative for UNICEF and campaigns on behalf of the abolition of landmines. Following the 1992 death of her son Clark Taylor at age 33 after a long bout with depression and substance abuse, she has also become a strong advocate of suicide prevention. Her 2003 book, Sanity & Grace, chronicles her recovery from her son's suicide and attempts to provide some comfort and guidance to other families dealing with the loss of a loved one to suicide. She describes the "Seven T's" as a means for going through this process of recovery: Truth, Therapy, Trust, Try, Treat, Treasure, and Thrive. The Truth is that there should be no guilt in suicide; Therapy helps people express their emotions and seek grief counseling; Trust is the effort to believe that one can make it through the loss and keep a belief in life and in the future; Try means to stay away from drugs and alcohol or any excess--including overeating--as a means to deal with the loss and pain; Treat means to take care of the mind, body, and spirit with exercise and meditation; Treasure means to keep the memory of the moments to be treasured, and for this Collins recommends writing and keeping a journal; and Thrive means to be positive, hopeful, open to love and others, and continuing to know that you can rebuild your life on a basis of hope.
Awards and recognition
Grammy Award, Best Folk Performance or Folk Recording, "Both Sides Now", 1968
Grammy Award, Song of the Year, "Send in the Clowns", 1975
Nominated with Jill Godmillow for an Academy Award for the documentary "Antonia: A Portrait of the Woman" (1975), about her classical piano instructor, conductor Antonia Brico.
Discography
Maid of Constant Sorrow (1961)
The Golden Apples of the Sun (1962)
Judy Collins #3 (1964)
The Judy Collins Concert (1964)
Judy Collins' Fifth Album (1965)
In My Life (1966)
Wildflowers (1967)
Who Knows Where The Time Goes? (1968)
Whales and Nightingales (1970)
Both Sides Now (1971)
Living (1971) (Live)
Colors of the Day (1972) (Greatest Hits)
True Stories, and Other Dreams (1973)
Judith (1975)
Bread and Roses (1976)
So Early in the Spring (1977) (15th anniversary collection)
Hard Times for Lovers (1979)
Running for My Life (1980)
Times of Our Lives (1982)
Home Again (1984)
Trust Your Heart (1987)
The Stars Of Christmas (Selected Especially For Avon) (1988)
Sanity and Grace (1989)
Fires of Eden (1990)
Baby's Bedtime (1990)
Baby's Morningtime (1990)
Judy Sings Dylan... Just Like a Woman (1993)
Come Rejoice! A Judy Collins Christmas (1994)
Shameless (1994)
Voices (1995)
Christmas at the Biltmore Estate (1997)
Forever: An Anthology (1997)
Both Sides Now (1998)
Classic Broadway (1999)
All on a Wintry Night (2000)
Judy Collins Live at Wolf Trap (2000)
Judy Collins Sings Leonard Cohen: Democracy (2004)
The Essential Judy Collins (2004)
Portrait of an American Girl (2006)
Videography
Baby's Bedtime (1992)
Baby's Morningtime (1992)
Junior playing the operator of a home for unwed mothers opposite Arnold Schwarzenegger
Christmas at the Biltmore Estate (1998)
The Best of Judy Collins (1999)
Intimate Portrait: Judy Collins (2000)
Judy Collins Live at Wolf Trap (2003)
Wildflower Festival (2003) (DVD with guest artists Eric Andersen, Arlo Guthrie, and Tom Rush)
Bibliography
Trust Your Heart (1987)
Amazing Grace (1991)
Sanity and Grace: A Journey of Suicide, Survival and Strength (2003)
The Blizzard
Judy Collins Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
When the world leaves you shivering
And the blizzard blows,
When the snow flies and the night falls
There's a light in the window and a place called home
At the end of the storm.
One night on the mountain I was headed for Estes
Put on the chains in a whirl of white powder,
Half way up to Berthoud near a diner I know
And the light burned inside, shining down through the snowfall
God it was cold and the temperature droppin',
Went in for coffee and shivered as I drank it,
Warm in my hands in the steam as it rose.
Sitting there at the counter was a dark headed stranger,
Me and the owner and him keepin warm,
Nodded hello and I said it's a cold one
Looks like there might be a blizzard tonight -
And "yes", said the owner,"
There's a big storm on the mountain,
Good thing we're open, we could be here for hours
There's nothing for miles and it's too late to get to Denver,
Better not try for the summit tonight".
And the snow fell
And the night passed
And I talked to the strangers
While the blizzard blew.
Me and the stranger, you know I don't talk to strangers,
I'm a private sort of person but a blizzard is a blizzard,
And somehow I found myself saying you'd left me,
Tellin' him everything I wanted to say to you.
You know how it is when you can talk to a stranger,
Someone your quite sure you'll never see again -
Soon we were laughin', and talkin', and drinkin'
He said "you must know you're too good for him".
And the snow fell
And the night passed
And I talked to the stranger
While the blizzard blew.
The stranger said "Love it can cry you a river -
Me, I'm a loner cause I can't take the heartache
And sometimes I'm a fighter when I get too much whiskey -
Here have a little whiskey, pretend you don't give a damn -
My cabin's up here on the side of the mountain
You can go up there and sleep through the blizzard".
I put on my parka, said goodbye to the owner
Followed the stranger through the snow up the mountainside.
Woke in the morning to the sun on the snow,
My car was buried in six feet of snow drifts,
They dug me out, just the owner and the stranger,
Sent me on my way when the snowplow had been by
And the roads were all clear and the sun on the mountains
Sparkled like diamonds on the peak to peak highway -
Then I knew that I would get over you, knew you could leave me
But you'd never break me.
Colorado, Colorado
When the world leaves you shivering
And the blizzard blows,
When the snow flies and the night falls
There's a light in the window and a place called home
At the end of the storm.
The Judy Collins song, “The Blizzard,” is a reflection of a rough night on the mountain during a blizzard. The singer, driving through a harsh storm, seeks refuge at a diner where she meets a stranger. Snowed in, they talk about their stories and experiences. The stranger confides in her that he's a loner who drinks a lot, and he can't cope with heartache, fighting through it with booze. He invites the singer to spend the night at his cabin to be protected from the snowstorm. The next morning, the snow is so deep that her vehicle is buried, and she has to wait for help. Once she makes her way out, she realises that she can get over her past relationship and that she can survive whatever life throws at her.
The song doesn't just talk about the challenges of staying alive during a harsh snowstorm, but also touches on the simple moments of human connection. The singers and the stranger's conversation, which starts with small talk, gradually becomes more intimate as they find solace in each other's company. They confide in each other, talking about their past, their burdens, and ultimately making a connection despite their unlikely meeting place.
The theme of the blizzard is used as an extended metaphor for the emotional storms we all must weather. The storm may be violent, but there will always be a light in the window and a place to call home at the other end of it. It's a song about hope - that the storms of our lives will eventually end, and we can always seek refuge in the connections we make with others.
Line by Line Meaning
Colorado, Colorado
A declaration of the setting of the story.
When the world leaves you shivering
The feeling of being lost and helpless.
And the blizzard blows,
A metaphor for a difficult and tumultuous period in life.
When the snow flies and the night falls
A description of the harshness of the environment.
There's a light in the window and a place called home
A symbol of comfort and safety that awaits at the end of the journey.
At the end of the storm.
A promise that the difficult period will eventually come to an end.
One night on the mountain I was headed for Estes
A flashback to a specific night in the singer's life.
When the roads turned to ice and it started to snow,
A sudden change in the environment.
Put on the chains in a whirl of white powder,
The artist taking necessary precautions to deal with the weather.
Half way up to Berthoud near a diner I know
A specific landmark on the journey.
And the light burned inside, shining down through the snowfall
The beacon of hope in a difficult situation.
God it was cold and the temperature droppin',
The harshness of the environment.
Went in for coffee and shivered as I drank it,
The singer seeking refuge from the cold environment.
Warm in my hands in the steam as it rose.
The comfort of warmth in the midst of coldness.
Sitting there at the counter was a dark headed stranger,
The introduction of a character who becomes important in the story.
Me and the owner and him keepin warm,
A sense of community in difficult times.
Nodded hello and I said it's a cold one
The tension-breaking conversation starter.
Looks like there might be a blizzard tonight -
A prediction of the coming events.
And "yes", said the owner,
The confirmation of the prediction.
"There's a big storm on the mountain,
The severity of the situation.
Good thing we're open, we could be here for hours
The sense of relief at having found shelter.
There's nothing for miles and it's too late to get to Denver,
The realization of limitations and the need to adapt.
Better not try for the summit tonight".
The acceptance of the situation and the need to take it one step at a time.
And the snow fell
A recurring theme that emphasizes the harshness of the environment.
And the night passed
A way of marking the passage of time.
And I talked to the strangers
The singer forming a bond with someone unexpected.
While the blizzard blew.
The harshness of the environment persists.
Me and the stranger, you know I don't talk to strangers,
A personal quirk of the artist.
I'm a private sort of person but a blizzard is a blizzard,
The circumstances forcing the artist to act outside of their comfort zone.
And somehow I found myself saying you'd left me,
An unexpected confession that reveals the singer's vulnerability.
Tellin' him everything I wanted to say to you.
Using the stranger as a proxy to communicate with someone who is not present.
You know how it is when you can talk to a stranger,
A shared understanding between the artist and the stranger.
Someone your quite sure you'll never see again -
A temporary bond formed under unusual circumstances.
Soon we were laughin', and talkin', and drinkin'
The bonding experience through shared experience.
He said "you must know you're too good for him".
A comforting statement from the stranger that lifts the singer's spirits.
The stranger said "Love it can cry you a river -
The universal experience of heartbreak.
Me, I'm a loner cause I can't take the heartache
The approach of avoiding potential heartbreak altogether.
And sometimes I'm a fighter when I get too much whiskey -
The use of alcohol as a coping mechanism.
Here have a little whiskey, pretend you don't give a damn -
The stranger trying to help the singer deal with their emotional pain.
My cabin's up here on the side of the mountain
The introduction of a new setting.
You can go up there and sleep through the blizzard".
A place of refuge from the harshness of the environment.
I put on my parka, said goodbye to the owner
The singer preparing to move on from the shelter.
Followed the stranger through the snow up the mountainside.
The trust built between the singer and the stranger.
Woke in the morning to the sun on the snow,
A change in the environment signaling a new day.
My car was buried in six feet of snow drifts,
The difficulty of navigating through harsh conditions.
They dug me out, just the owner and the stranger,
The gratitude felt towards those who helped the artist.
Sent me on my way when the snowplow had been by
The resumption of the journey now that the conditions have improved.
And the roads were all clear and the sun on the mountains
The contrast between the harshness of the environment and the beauty of nature.
Sparkled like diamonds on the peak to peak highway -
The beauty of nature persists despite the challenges faced.
Then I knew that I would get over you, knew you could leave me
The realization that the singer is capable of moving on from their past.
But you'd never break me.
The resilience of the human spirit in the face of adversity.
Colorado, Colorado
A repetition of the setting to bookend the story.
When the world leaves you shivering
A universal truth that harsh times will come.
And the blizzard blows,
An acknowledgement that some difficulties will be temporary yet intense.
When the snow flies and the night falls
The emphasis on the harshness of the environment.
There's a light in the window and a place called home
The reassurance of a safe haven during difficult times.
At the end of the storm.
A reminder that challenging periods will eventually come to an end.
Lyrics © Universal Music Publishing Group
Written by: JUDY COLLINS
Lyrics Licensed & Provided by LyricFind
Bill Pressler
I think this is probably my favorite piece of recorded music. How does she sing and play piano like this at the same time?
Max Alberts
I know. Unreal. THAT is a genius.
José Alonso
Judy Collins - The Blizzard
Espléndida canción. Cantada de forma magistral
Poetry Kelly Maiden
The most beautiful voice and song. 🙏🕯️✨❤️💫🌨️🌨️🌨️🌈
jennie Devereaux
My father played me this song he's no longer here. I love him and this song beautiful.
Julie H
My father also played me this song, my love. You are not alone and I love you. I was 16. I’m 43 now. My heart to you.
helen clark
Judy still brings tears to my eyes..
VHKDK
Great song which brings back memories of a holiday in Tasmania in the early 90s. Thanks for putting this up.
Jan Heijmans
Beautiful! And better than the later version(s)? on her albums.
Phil Giglio
You said it yourself. "Her later albums". This was when her voice was best.