After appearing in Vaudeville theater with her sisters, Judy was signed to Metro-Goldwyn-Mayer as a teenager. There she made more than two dozen films, including nine with Mickey Rooney, and the film with which she would be most identified, "The Wizard of Oz" (1939). After 15 years, Judy was released from the studio but gained renewed success through record-breaking concert appearances, including a critically acclaimed Carnegie Hall concert, a well-regarded but short-lived television series, and a return to film acting beginning with "A Star Is Born" (1954).
Despite her professional triumphs, Judy battled personal problems throughout her life. Insecure about her appearance, her feelings were compounded by film executives who told her she was unattractive and overweight. Plied with drugs to control her weight and increase her productivity, Garland endured a decades-long struggle with addiction. Garland was plagued by financial instability, often owing hundreds of thousands of dollars in back taxes, and her first four of five marriages ended in divorce. She attempted suicide on a number of occasions. Garland died of an accidental drug overdose at the age of 47, leaving children Liza Minnelli, Lorna Luft, and Joey Luft.
Legacy
Judy Garland's legacy as a performer and a personality has endured long after her death. The American Film Institute named Garland eighth among the "Greatest Female Stars of All Time". She has been the subject of over two dozen biographies since her death, including the well-received "Me and My Shadows: A Family Memoir" by her daughter, Lorna Luft. Luft's memoir was later adapted into the multiple award-winning television mini-series, "Life with Judy Garland: Me and My Shadows", which won Emmy Awards for two actresses portraying Garland (Tammy Blanchard and Judy Davis).
Garland was posthumously awarded the Grammy Lifetime Achievement Award in 1997. Several of her recordings have been inducted into the Grammy Hall of Fame. These include "Over the Rainbow," which was ranked as the number one movie song of all time in the American Film Institute's "100 Years...100 Songs" list. Four more Garland songs are featured on the list: "Have Yourself a Merry Little Christmas" (#76), "Get Happy" (#61), "The Trolley Song" (#26), and "The Man That Got Away" (#11).
Judy Garland has twice been honored on U.S. postage stamps, in 1989 (as Dorothy) and again in 2006 (as Vicki Lester from A Star Is Born).
Johnny One Note
Judy Garland Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And the note he sang was this
Ahh
Poor Johnny one note sang out with gusto
And just overlorded the place
Poor Johnny one note, yelled willy nilly
Until he was blue in the face
Couldn't hear the brass
Couldn't hear the drum
He was in a class, by himself, by gum
Poor Johnny one note got in Aida
Indeed a great chance to be brave
He took his one note, howled like the north wind
Brought forth wind that made critics rave
While Verdi turned 'round in his grave
Couldn't hear the flute
Or the big trombone
Every one was mute, Johnny stood alone
Cats and dogs stopped yapping
Lions in the zoo all were jealous of Johnny's big trill
Thunder claps stopped clapping
Traffic ceased its roar and they tell us Niagara stood still
He stopped the train whistles, boat whistles
Steam whistles, cop whistles
All whistles bowed to his skill
Ahh
Sing Johnny one note, sing out with gusto
And just overlord all the crowd
So sing Johnny one note, out loud
Sing Johnny one note
Sing Johnny one note out loud
In the song "Johnny One Note," Judy Garland paints a portrait of an enthusiastic performer who only knows one note. Despite this limitation, Johnny masterfully delivers that one note with passion and bravado. Poor Johnny, as he's referred to in the lyrics, is so determined to make his singular note heard that he overpowers the entire orchestra with it. He couldn't even hear the other instruments playing in the background. But that didn't matter to Johnny - his one note was enough to make him stand out.
Garland goes on to describe how Johnny landed a role in Verdi's opera "Aida," which was the perfect opportunity for him to showcase his talent. Even in the midst of Verdi's masterpiece, Johnny's one-note performance - full of wild howls and northern winds - caused critics to rave. So impressive was Johnny's performance that it is said to have caused Verdi to turn over in his grave. Despite the fact that Johnny was heralded as a great success, he remained a solo act - an anomaly in the world of music.
Overall, "Johnny One Note" is a humorous but insightful look at the importance of individuality and self-expression. Johnny may only have one note, but he makes it count, and in the end, that's all that really matters.
Line by Line Meaning
Johnny could only sing one note
Johnny had no singing range and could only produce one note
And the note he sang was this
The only note Johnny could sing was a single tone
Poor Johnny one note sang out with gusto
Despite his limitation, Johnny sang with great enthusiasm and energy
And just overlorded the place
He commanded attention and took over the performance with his one note
Poor Johnny one note, yelled willy nilly
Johnny shouted his one note without any control or variation
Until he was blue in the face
He continued to sing until he was exhausted
For holding one note was his ace
Although limited, Johnny's one-note singing was his unique talent
Couldn't hear the brass
The sound of the other instruments was drowned out by Johnny's one note
Couldn't hear the drum
Even the percussion was not audible over Johnny's singing
He was in a class, by himself, by gum
Johnny was one of a kind due to his peculiar skill
Poor Johnny one note got in Aida
Despite his limitation, Johnny was given a role in the opera Aida
Indeed a great chance to be brave
His participation in the opera presented an opportunity to showcase his talent
He took his one note, howled like the north wind
Johnny sang his one note with great intensity, akin to the sound of the north wind
Brought forth wind that made critics rave
His singing was so powerful that it impressed even the critics
While Verdi turned 'round in his grave
Johnny's unique rendition of the opera made the composer, Giuseppe Verdi, turn in his grave
Couldn't hear the flute
Even the delicate sound of the flute was drowned out by Johnny's singing
Or the big trombone
The brass sound of the big trombone was also not audible over Johnny's singing
Every one was mute, Johnny stood alone
Johnny's one-note singing overpowered all other sounds, leaving him as the only one singing
Cats and dogs stopped yapping
Even animals stopped making noise to take notice of Johnny's singing
Lions in the zoo all were jealous of Johnny's big trill
Even the majestic lions in the zoo were envious of the power and strength of his singing
Thunder claps stopped clapping
The sound of thunder was silenced by the strength of Johnny's singing
Traffic ceased its roar and they tell us Niagara stood still
His singing was so powerful that it caused traffic to stop and even Niagara Falls to pause in awe
He stopped the train whistles, boat whistles
The sound of train and boat whistles were silenced by Johnny's singing
Steam whistles, cop whistles
Even the sound of steam and police whistles were silenced by Johnny's singing
All whistles bowed to his skill
His singing was so powerful that every whistle stopped to pay homage to his talent
Sing Johnny one note, sing out with gusto
Encouragement to Johnny to sing his heart out with great enthusiasm
And just overlord all the crowd
Johnny should command the attention of the entire audience
So sing Johnny one note, out loud
A call to Johnny to sing his one note with great intensity and volume
Sing Johnny one note
Emphasizes the importance of Johnny's one-note singing and the uniqueness of his talent
Sing Johnny one note out loud
Johnny is encouraged to keep singing his one note with intensity and volume
Lyrics © CONCORD MUSIC PUBLISHING LLC, Warner Chappell Music, Inc.
Written by: LORENZ HART, RICHARD RODGERS
Lyrics Licensed & Provided by LyricFind
Broadway Classixs
Thank you! Finally we get to hear what this would have sounded like had they not made the ridiculously bad decision to cut it from "Babes in Arms". How Arthur Freed could have done that after hearing this version is beyond me!
Moe
Broadway Classixs
A bigger tragedy was not engaging the Nicholas Brothers for the movie version!
Kimberly Loeffler
This is wonderful, new to me and I love it thanks for sharing!
Nicole starkoniski
I love how Judy sounded as a young woman! She had such a big voice that carried such a sweetness and vibrancy to it. She sounded great as she got older too. I just adore her younger years becuase every time she sings I hear dorthy! I watched the wizard of oz over and over as a little girl and I really wanted to be her! I thought she was so pretty and perfect and it’s too bad they told her otherwise at mgm. She was adorable and beautiful.
TrangPak2
Johnny one note is one of the most difficult songs to master and here baby Judy just knocks it out the park ❤❤
Ale Oli de Mu
Sorry to bother, I love Judy, her wonderful talent, but I don't know a thing about MUSIC. Could you briefly tell me why is this one of the most difficult songs? This way I will be able to appreciate her. even more.
Thank you 😊.. 💜🌿
Ian Thaddiam
Incredible.
Tracey Russo
Thanks for posting this. Love it!
teddycuthbert
100 likes and 0 dislikes. Rare to see on YouTube, but so very deserved in this case.
Kevin S.Butler
Ray Heatherton..who performed in the original Broadway stage production of"Babes In Arms"would later go onto greater radio and tv fame in NYC as"The Merry Mailman".