Back To The Crib
Juelz Santana Feat. Chris Brown Lyrics

Shorty said she really feelin' me, like yeah (yeah) oh yeah (yeah)
The woman is expressing her attraction towards the singer and he confirms her feelings, acknowledging it multiple times

Shorty said she wanna roll with me, I said yeah (yeah) oh yeah (yeah)
The woman wants to be with the singer and he agrees, again confirming her interest

She don't know that we goin' (back to the crib, 'cause she know that I'm on her)
The singer is taking the woman back to his place for intimacy and she is unaware of his intentions

She don't know that we goin' (back to the crib, back to the crib, yeah)
The artist emphasizes that they are going back to his home for private time

She wanna roll with me, she wanna go with me But she don't know I'm tryna take her back home with me
The woman wants to spend time with the artist, but he is planning to take her back to his place for intimacy without explicitly telling her

I told her have a seat in my ride She said I look like I taste good and she wanna eat me alive
The woman is admiring the singer's looks and expressing desire to have him intimately

She lookin' good in them new tall heels I'm lookin' at her like a full course meal
The singer is admiring the woman's appearance and comparing her to a wholesome and satisfying meal

Chill, I got all the girls checkin' me They know I'm a dog, but they love my pedigree
The artist is confident in his appeal to women despite his reputation as a womanizer

Yeah, just call me Mr. Orgasm And if you come with me, I guarantee you gon' have one
The artist boasts about his ability to pleasure women and is promising the same to the woman in question

Hottest in the hood, freshest on the block Why stop all this Gucci and this Louis that I rock?
The artist is bragging about his fashion sense and how he stands out among his peers

If not, I stay Polo down to the socks Rings, chains, and watch worth more than Fort Knox
The singer emphasizes his wealth and love for designer clothing even if he is not wearing Gucci or Louis Vuitton

Temporary plates on the Audi R8 Diamonds match what I'm wearin', she can't stop starin'
The artist has a temporary license plate on his expensive sports car and his jewelry matches his outfit, catching the woman's attention

Runway walk (walk), beauty queen face (face) Video body, see the curves and the shape (whoa) And everything her mama gave her, she know how to shake Thicker than a milkshake and I'm tryna get a taste
The singer is describing the woman's striking beauty, her confidence in her body, her curves, and he expresses a desire to be intimate with her

Hair did, manicure, pedicure Attitude like Vivica, when she played in Set It Off
The singer is admiring the woman's well-groomed appearance and comparing her attitude to actress Vivica A. Fox's character in the movie Set It Off

She feelin' my swag, she feelin' my G Not only is she dancin', she feelin' on me
The woman is attracted to the singer's confidence and is physically touching him while dancing

And I'm feelin' you too, so I put my hands on her Just to let her know the feelings mutual
The artist reciprocates the woman's attraction by touching her and letting her know he feels the same way

No mama, we could birthday text Yes, I said text, but I know you know what I really meant (sex)
The artist suggests he could ask for a sexual encounter as casually as asking for someone's birthday and implies the woman is aware of this meaning

Tell me what you will do, tell me what you won't do Tell me what you don't know how to do, so I could show you
The singer is inquiring about the woman's sexual preferences and inexperience to offer to teach her

I'ma give it to you, give it to you like I owe you And after I'm done, I'ma tell you, "I told you, so"
The singer is confident in his sexual ability and plans on reminding the woman of his promises after the act

You should know me (hey) I could see myself in your future (hey) That's hood, OG (hey) I made up my mind I'm choosin' ya (hey) Don't say, you won't (hey)
The artist is expressing his desire to be in a relationship with the woman and assures her that he has made a conscious decision to choose her

Try to lean in, I'm fiendin', yeah Morning's waitin' on us, girl, meet me at the valet
The artist is eager to be physically intimate with the woman and suggests meeting in their cars to do so

Lamborghini Breezy, I'm a transform ya, name you Mrs. Breezy Stuntin' so hard, but I make it look easy Let's do it like we do it, when we doin' it for TV, yeah I'm like, yeah, I'm like yeah Yeah (yeah)
The artist promises to provide a luxurious and comfortable experience for the woman during their intimacy and compares himself and the experience to what is seen on television

She don't know that we goin' (hey, yeah, yeah, yeah) She don't know that we goin' Oh-oh Yeah-yeah Yeah
The singer reiterates that the woman is unaware of their destination and emphasizes that they are going back to his place for physical intimacy