London's 35-year acting career began in films in 1944 and included playing opposite Gary Cooper in Man of the West (1958) and Robert Mitchum in The Wonderful Country (1959). She achieved continuing success in the TV medical drama Emergency! (1972–1979), co-starring her real-life husband, Bobby Troup, and produced by her ex-husband, Jack Webb, in which London played the female lead role of nurse Dixie McCall. She and Randolph Mantooth, who played one-half of her medical students, a paramedic, in the series, were very close to her family, until her death in 2000.
Born in Santa Rosa, California, she was the daughter of Jack and Josephine Peck, who were a vaudeville song-and-dance team. When she was fourteen the family moved to Los Angeles. Shortly after that, she began appearing in movies. She graduated from the Hollywood Professional High School in 1945.
London began singing under the name Gayle Peck in public in her teens before appearing in a film. She was discovered by talent agent Sue Carol (wife of actor Alan Ladd), while working as an elevator operator. Her early film career, however, did not include any singing roles.
London recorded 32 albums in a career that began in 1955 with a live performance at the 881 Club in Los Angeles. Billboard named her the most popular female vocalist for 1955, 1956, and 1957. She was the subject of a 1957 Life cover article in which she was quoted as saying, "It's only a thimbleful of a voice, and I have to use it close to the microphone. But it is a kind of oversmoked voice, and it automatically sounds intimate."
London's debut recordings were for the Bethlehem Records label. While shopping for a record deal, she recorded four tracks that would later be included on the compilation album Bethlehem's Girlfriends in 1955. Bobby Troup backed London on the album, for which London recorded the standards "Don't Worry About Me", "Motherless Child", "A Foggy Day", and "You're Blasé".
London's most famous single, "Cry Me a River", was written by her high-school classmate Arthur Hamilton and produced by Troup. The recording became a million-seller after its release in December 1955 and also sold on reissue in April 1983 from the attention brought by a Mari Wilson cover. London performed the song in the film The Girl Can't Help It (1956), and her recording gained later attention in the films Passion of Mind (2000) and V for Vendetta (2006). The song "Yummy Yummy Yummy" was featured on the HBO television series Six Feet Under and appears on its soundtrack album. London's "Must Be Catchin'" was featured in the 2011 premiere episode of the ABC series Pan Am. Her last recording was "My Funny Valentine" for the soundtrack of the Burt Reynolds film Sharky's Machine (1981).
Other popular singles include "Hot Toddy", "Daddy", and "Desafinado". Recordings such as "Go Slow" epitomized her career style: her voice is slow, smoky, and playfully sensual.
She was married to Jack Webb, of Dragnet fame. Her obvious beauty and self-poise (she was a pinup girl prized by GIs during World War II) contrasted with his pedestrian appearance and stiff-as-a-board acting technique (much parodied by impersonators). This unlikely pairing arose from his and her love for jazz; their marriage lasted from July 1947 to November 1953. They had two daughters, one who was killed in a traffic accident in the 1990s and one who survived London. In 1954, having become somewhat reclusive after her divorce from Jack Webb, she met jazz composer and musician Bobby Troup at a club on La Brea Blvd. They married on December 31, 1959 and remained married until Troup's death in February 1999. Together, they had one daughter and twin sons.
London suffered a stroke in 1995, and was in poor health until her death in Encino, California, at the age of seventy-four, survived by four of her five children. She died on18th October 2000, and was buried in Forest Lawn - Hollywood Hills Cemetery in Los Angeles.
The Days of Wine and Roses
Julie London Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Run away like a child at play
Through a meadow land toward a closing door
A door marked "nevermore" that
Wasn't there before
The lonely night discloses just a
Passing breeze filled with memories
The days of wine and roses and you
(The lonely night discloses) just a
Passing breeze filled with memories
Of the golden smile that introduced me to
The days of wine and roses and you oo oo
The lyrics to Julie London's song "Days of Wine and Roses" describe the bittersweet memories of a past love affair. The title itself refers to the fleeting nature of happiness and the way that it can quickly slip away like a child playing in a meadow. The metaphor is continued with the image of a closing door marked "nevermore," which suggests that the singer is aware that her happiness is gone for good.
The lyrics also touch on the ways that memories can be both beautiful and painful. The passing breeze that the singer hears is filled with memories of her past love, and the "golden smile" that she remembers is a bittersweet reminder of the happiness that she once knew. Overall, the song captures the complex emotional landscape of a person who is trying to come to terms with the end of a relationship and the loss of something that once brought them great joy.
Line by Line Meaning
The days of wine and roses laugh and run away like a child at play
Happy times are fleeting and pass by quickly, like a playful child running through a meadow.
Through a meadow land toward a closing door
The happy times lead towards an inevitable end, like walking towards a closing door.
A door marked "nevermore" that wasn't there before
The end of the happy times is final and permanent, like a door marked "nevermore" that appeared unexpectedly.
The lonely night discloses just a passing breeze filled with memories
During moments of solitude, fleeting memories of happiness come and go like a passing breeze.
Of the golden smile that introduced me to
These memories often center around a particular moment of happiness, like the memory of someone's welcoming smile.
The days of wine and roses and you
These memories are connected to a particular person who was present during the happy times.
Lyrics © O/B/O APRA AMCOS
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