Shirley Luster was born in Springfield, Illinois, and moved with her family to Decatur, Illinois, when she was three years old. She began to sing with the Decatur-based Bill Oetzel Orchestra at thirteen. While attending Decatur High School she appeared with Oetzel and his society band, the Ben Bradley Band, and Bill Madden's Band. After high school she moved to Chicago, changed her name to Sharon Leslie, and sang with a group led by Boyd Raeburn. Later she joined Benny Strong's band. In 1944, Strong's band moved to New York at the same time Christy was quarantined in Chicago with scarlet fever.
In 1945, after hearing that Anita O'Day had left Stan Kenton's Orchestra, she auditioned and was chosen for the role as a vocalist. During this time, she changed her name once again, becoming June Christy.
Her voice produced successful hits such as "Shoo Fly Pie and Apple Pan Dowdy," the million-selling "Tampico" in 1945, and "How High the Moon". "Tampico" was Kenton's biggest-selling record. When the Kenton Band temporarily disbanded in 1948, she sang in nightclubs for a short time, and reunited with the band two years later in 1950.
Beginning Sept. 28, 1959, Christy began a five-week road tour of 38 performances called "Road Show". The all-star billing: Stan Kenton and his orchestra, June Christy, The Four Freshmen. Capitol recorded highlights on October 10 at Purdue University in Lafayette, Indiana, for a two-disc LP, reissued in 1991 on CD.
From 1947, she started to work on her own records, primarily with arranger and bandleader Pete Rugolo. In 1954, she released a 10" LP entitled Something Cool, recorded with Rugolo and his orchestra, a gathering of notable Los Angeles jazz musicians that included her husband, multi-instrumentalist Bob Cooper and alto saxophonist Bud Shank. Something Cool was re-released as a 12" LP in 1955 with additional selections, and then entirely rerecorded in stereo in 1960 with a somewhat different personnel. Christy would later say that the album was "the only thing I've recorded that I'm not unhappy with." Something Cool was also important in launching the vocal cool movement of the 1950s, and it hit the Top 20 Charts, as did her third album, The Misty Miss Christy.
In the 1950s and 1960s, Christy appeared on a number of television programs, including the short-lived CBS show Adventures in Jazz (1949), Eddie Condon's Floor Show (1949), The Jackie Gleason Show (1953), The Tonight Show (1955), The Nat King Cole Show (1957), Stars of Jazz (1958), The Steve Allen Show (1959), The Lively Ones (1963). and The Joey Bishop Show (1967). She also appeared on the first sponsored jazz concert on television, The Timex All-Star Jazz Show I (December 30, 1957), which also featured Louis Armstrong, Carmen McRae, Duke Ellington and Gene Krupa.
Christy embarked on dozens of concert tours, playing in Europe, South Africa, Australia and Japan. She toured to such an extent that eventually it began taking a toll on her marriage. She began to pull back from touring in the early 1960s.
R.M. Cook and Brian Morton, writers of The Penguin Guide to Jazz Recordings, appreciated the singer's body of work: "Christy's wholesome but particularly sensuous voice is less an improviser's vehicle than an instrument for long, controlled lines and the shading of a fine vibrato. Her greatest moments—the heartbreaking 'Something Cool' itself, 'Midnight Sun,' 'I Should Care'—are as close to creating definitive interpretations as any singer can come."
Christy semi-retired from the music business in 1969, in part due to her battle with alcoholism.
In 1972, she sang at the Newport Jazz Festival in New York City, where she was reunited with the Kenton Orchestra. She also performed at a handful of jazz festivals during the late 1970s and 1980s, playing with a band of all-star West Coast jazz musicians led by Shorty Rogers, as well as taking part in a number of world tours.
Christy returned to the recording studio in 1977 to record her final solo LP, Impromptu. She recorded an interview for a Paul Cacia produced an album in 1987 called "The Alumni Tribute to Stan Kenton" on the Happy Hour label. A number of other Kenton the alumni-Shorty Rogers, Lee Konitz, Jack Sheldon, among them, plus Mort Sahl - interspersed their tunes with reminiscences of the man and the years on the road.
Christy toured one final time in 1988, again with Shorty Rogers. Her final performance was sharing the stage with Chet Baker.
Christy died at her home in Sherman Oaks, California of kidney failure on June 21, 1990, at the age of 64. Her remains were cremated and scattered off the coast of Marina Del Rey.
Get Happy
June Christy Lyrics
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Ya better chase all your cares away
Sing Hallelujah, come on get happy
Get ready for the judgment day
The sun is shining, come on get happy
The Lord is waiting to take your hand
Shout Hallelujah, come on get happy
We're heading 'cross the river
Gonna wash our sins in the tide
It's all so peaceful
On the other side
Forget your troubles and just get happy
Ya better chase all your cares away
Sing Hallelujah, c'mon get happy
Get ready for the judgment day
The sun is shining, come on get happy
The Lord is waiting to take your hand
Shout Hallelujah, come on get happy
We're going to the Promised Land
We're heading 'cross the river
Wash our sins away in the tide
It's all so peaceful
On the other side
We're heading 'cross the river
Wash our sins away in the tide
It's all so peaceful
On the other side
Forget your troubles and just get happy
Ya better chase your cares away!!
Sing Hallelujah, come on get happy
Get ready for the judgment day
In "Get Happy" by June Christy, the song encourages listeners to pack up their troubles and get happy. The lyrics suggest that there is no reason to worry because the sun is shining, and the Lord is waiting to take your hand. The song also speaks about the idea of heading across the river, washing sins away, and finding peace on the other side. The overall message of the song is to forget your worries, sing hallelujah, and get ready for the judgment day.
The use of religious imagery is prominent throughout the lyrics of the song, with mentions of the Lord, the Promised Land, and the judgment day. The use of these religious symbols highlights the idea that redemption is possible and that there is hope for everyone, even those who feel weighed down by their troubles.
The lyrics also suggest that happiness can be found by leaving behind one's worries and fears. By urging the listener to chase their cares away, the song emphasizes the importance of a positive attitude and the power of faith.
Overall, "Get Happy" by June Christy is an uplifting song that encourages listeners to find happiness and redemption, no matter what struggles they may be facing.
Line by Line Meaning
Pack up your troubles and just get happy
Forget about your worries and try to be happy
Ya better chase all your cares away
You need to let go of all your worries and troubles
Sing Hallelujah, come on get happy
Sing praises and feel joyful
Get ready for the judgment day
Prepare for the day of reckoning
The sun is shining, come on get happy
The weather is good, take advantage of it and feel happy
The Lord is waiting to take your hand
God wants you to be happy and is there to help you
Shout Hallelujah, come on get happy
Praise God and feel happy
We're going to the Promised Land
A place where things are perfect and peaceful
We're heading 'cross the river
We're going to the other side of life, to a better place
Gonna wash our sins in the tide
We seek forgiveness and absolution for our wrongdoings
It's all so peaceful
Life is tranquil and harmonious
On the other side
In a different place or state
Forget your troubles and just get happy
Stop worrying about problems and be happy
Ya better chase your cares away!!
You need to let go of your worries
Get ready for the judgment day
Prepare for the unavoidable judgment
Lyrics © S.A. MUSIC, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: Harold Arlen, Ted Koehler
Lyrics Licensed & Provided by LyricFind