June Christy (November 20, 1925 – June 21, 1990), born Shirley Luster, was … Read Full Bio ↴June Christy (November 20, 1925 – June 21, 1990), born Shirley Luster, was an American singer, known for her work in the cool jazz genre and for her silky smooth vocals. Her success as a singer began with The Stan Kenton Orchestra. She pursued a solo career from 1954 and is best known for her debut album Something Cool. After her death, she was hailed as "one of the finest and most neglected singers of her time."

Shirley Luster was born in Springfield, Illinois, and moved with her family to Decatur, Illinois, when she was three years old. She began to sing with the Decatur-based Bill Oetzel Orchestra at thirteen. While attending Decatur High School she appeared with Oetzel and his society band, the Ben Bradley Band, and Bill Madden's Band. After high school she moved to Chicago, changed her name to Sharon Leslie, and sang with a group led by Boyd Raeburn. Later she joined Benny Strong's band. In 1944, Strong's band moved to New York at the same time Christy was quarantined in Chicago with scarlet fever.

In 1945, after hearing that Anita O'Day had left Stan Kenton's Orchestra, she auditioned and was chosen for the role as a vocalist. During this time, she changed her name once again, becoming June Christy.
Her voice produced successful hits such as "Shoo Fly Pie and Apple Pan Dowdy," the million-selling "Tampico" in 1945, and "How High the Moon". "Tampico" was Kenton's biggest-selling record. When the Kenton Band temporarily disbanded in 1948, she sang in nightclubs for a short time, and reunited with the band two years later in 1950.
Beginning Sept. 28, 1959, Christy began a five-week road tour of 38 performances called "Road Show". The all-star billing: Stan Kenton and his orchestra, June Christy, The Four Freshmen. Capitol recorded highlights on October 10 at Purdue University in Lafayette, Indiana, for a two-disc LP, reissued in 1991 on CD.

From 1947, she started to work on her own records, primarily with arranger and bandleader Pete Rugolo. In 1954, she released a 10" LP entitled Something Cool, recorded with Rugolo and his orchestra, a gathering of notable Los Angeles jazz musicians that included her husband, multi-instrumentalist Bob Cooper and alto saxophonist Bud Shank. Something Cool was re-released as a 12" LP in 1955 with additional selections, and then entirely rerecorded in stereo in 1960 with a somewhat different personnel. Christy would later say that the album was "the only thing I've recorded that I'm not unhappy with." Something Cool was also important in launching the vocal cool movement of the 1950s, and it hit the Top 20 Charts, as did her third album, The Misty Miss Christy.

In the 1950s and 1960s, Christy appeared on a number of television programs, including the short-lived CBS show Adventures in Jazz (1949), Eddie Condon's Floor Show (1949), The Jackie Gleason Show (1953), The Tonight Show (1955), The Nat King Cole Show (1957), Stars of Jazz (1958), The Steve Allen Show (1959), The Lively Ones (1963). and The Joey Bishop Show (1967). She also appeared on the first sponsored jazz concert on television, The Timex All-Star Jazz Show I (December 30, 1957), which also featured Louis Armstrong, Carmen McRae, Duke Ellington and Gene Krupa.
Christy embarked on dozens of concert tours, playing in Europe, South Africa, Australia and Japan. She toured to such an extent that eventually it began taking a toll on her marriage. She began to pull back from touring in the early 1960s.
R.M. Cook and Brian Morton, writers of The Penguin Guide to Jazz Recordings, appreciated the singer's body of work: "Christy's wholesome but particularly sensuous voice is less an improviser's vehicle than an instrument for long, controlled lines and the shading of a fine vibrato. Her greatest moments—the heartbreaking 'Something Cool' itself, 'Midnight Sun,' 'I Should Care'—are as close to creating definitive interpretations as any singer can come."

Christy semi-retired from the music business in 1969, in part due to her battle with alcoholism.
In 1972, she sang at the Newport Jazz Festival in New York City, where she was reunited with the Kenton Orchestra. She also performed at a handful of jazz festivals during the late 1970s and 1980s, playing with a band of all-star West Coast jazz musicians led by Shorty Rogers, as well as taking part in a number of world tours.
Christy returned to the recording studio in 1977 to record her final solo LP, Impromptu. She recorded an interview for a Paul Cacia produced an album in 1987 called "The Alumni Tribute to Stan Kenton" on the Happy Hour label. A number of other Kenton the alumni-Shorty Rogers, Lee Konitz, Jack Sheldon, among them, plus Mort Sahl - interspersed their tunes with reminiscences of the man and the years on the road.
Christy toured one final time in 1988, again with Shorty Rogers. Her final performance was sharing the stage with Chet Baker.
Christy died at her home in Sherman Oaks, California of kidney failure on June 21, 1990, at the age of 64. Her remains were cremated and scattered off the coast of Marina Del Rey.

If I Should Lose You
June Christy Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

If I should lose you
The stars would fall from the sky
If I should lose you
The leaves would wither and die

The birds in May-time
Would sing a mournful refrain
And I would wander around

Hating the sound of rain

With you beside me
The rose would bloom in the snow
With you beside me
No winds of winter would blow

I gave you my love
And I was living a dream

But living would seem in vain
If I lost you

Overall Meaning

The lyrics of June Christy's song If I Should Lose You capture the depth of love and the fear of losing it. The song opens with a powerful figure of speech that makes it clear how significant the person being addressed is to the singer. The line "If I should lose you, the stars would fall from the sky" speaks volumes of the intensity of the love and how losing it would devastate the singer. The imagery in the song is touching, and the lyrics are full of emotion, making it a classic love song for the ages.

As the song progresses, the singer talks about how life would be if they lost their love. The leaves would wither and die, the birds would sing a mournful refrain, and the singer would wander around hating the sound of rain. These are all powerful expressions of how losing love can make life unbearable. But the song also speaks of hope. If the person being addressed is beside the singer, the rose would bloom in the snow, and no winds of winter would blow.

The last line of the song, "I gave you my love, and I was living a dream, but living would seem in vain if I lost you" sums up the entire meaning of the song. The song is a timeless classic of love and loss, and its lyrics have been interpreted and performed by countless artists across the globe.

Line by Line Meaning

If I should lose you
Losing you would be catastrophic

The stars would fall from the sky
My world would be shattered without you

If I should lose you
I cannot imagine life without you

The leaves would wither and die
Everything beautiful in my life would lose its beauty

The birds in May-time
Even nature would mourn our separation

Would sing a mournful refrain
Birds would sing sad songs for me

And I would wander around
I would be lost without you

Hating the sound of rain
Even the soothing sound of rain would become unbearable

With you beside me
You make everything worth living for

The rose would bloom in the snow
Even impossible things seem possible with you by my side

With you beside me
You keep the harshest realities of life at bay