Where We At
Jurassic 5 Lyrics


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Ahhhhhhh

Speak my mind
Just to reach your mind
Tap a tempo off the instrumental
Just to get the drum line
You know it's my time
Reel up and rewind
Get off that cheap wine
Swinging on my grapevine
You heard a brother
Worthy to create rhymes
I take it further than a murder
Or I hate crime
Don't hate on me
What have you done for me lately
Beside to baith me assume and mistakenly
Too abstract than a backpack
To super underground with the beats and rats
'Cause I refuse to bust gatts
And wather down my raps
To get me caught up in a trap
And set me years back. Fuck that!

[Mos Def:]
Yeah right from the start
Remember that feeling
The way the hip-hop used to make you feel
So real like
Getting first signed
Then the first time you heard Planet Rock
Word is over, the God
Staten Island, for real, for real

I heard brother say J5, men them niggas ain't shit
Them niggas never slapped no bitch, never inserted a clip
They never claimed thug or a pimp
Them niggas never made the attempt
Hey yo, they ain't all that
Men Six members men and four of them black
What kind of racist statement is that
They need to change their views
Start talking about the clubbing they do
That's the reason we ain't fucking with you
Today's artist is tough
Talking loud, this isn't enough, yeah
Let's talk about the guns you bust
Nigga, the crack you cut
Or all the cars that you bought wholesale
Or the niggas rattling your cold tail
I've been keeping it real
Let's talk about the ash you feel
Now that's the way to get mass appeal
Y'all ain't heard that wow
The brothers ain't feeling your style
You get stoned play over the radio right now

Where we at
Wh...Whe...Wher...Where we at (YA)
Where we at

Don't deny me, diss or austrsize me
'Cause it's likely I'm all up in your sight gee
It's unreal how you deal and threat us
Your bunch of believers
I can tell just by the way you retreat
Cactus is a discreed fact
They heat rap beat gaps but stay of the knee rack
So you could put your seat back
Pick up your feet and bring facts
Rhymes and beats that we create can defeat that weak crap
'Cause your either bling-bliging or your next tails ringing (dring)
Either way it goes, fat baby ain't signing




The game ain't over until we all get shined
I mean you do your thing and I do mine

Overall Meaning

In the first verse of Jurassic 5's song "Where We At," Chali 2na raps about speaking his mind and tapping into the instrumental to get the drum line, emphasizing the importance of the beats in their music. He also talks about refusing to compromise his music by rapping about violence or using it as a promotion tool like many others in the industry. Instead, he aims to take it "further than a murder or a hate crime." He calls out others who attempt to put J5 down for not being "tough" or "real" enough, highlighting the hypocrisy of those who use their music to promote negativity and boasting about material possessions. Chali 2na ends the verse by asserting that the game is not over until everyone gets their chance to shine.


In the second verse, Mos Def adds to this theme of staying true to oneself in the face of criticism from the industry. He reminds us of the feeling we had when we first fell in love with hip-hop and how it used to feel "so real." He then calls out others in the industry who try to put down J5 for not being "hard" enough or for not promoting violence or drugs like other successful artists. Mos Def believes that this is the wrong approach and that music should be about more than just being loud and tough, but that it should also encourage positivity and social change.


"Where We At" is a song about standing up for oneself and staying true to one's values in an industry that often prizes image over substance. Jurassic 5 advocates for a different approach, emphasizing the importance of creativity, positivity, and authenticity in music.


Line by Line Meaning

Speak my mind
I share my true thoughts and opinions


Just to reach your mind
I hope to connect with and influence the thoughts of the listener


Tap a tempo off the instrumental
I nod my head or move my body to keep time with the music


Just to get the drum line
I focus on the rhythm of the drums in the song


You know it's my time
I believe that this is my moment to shine and be heard


Reel up and rewind
I repeat and listen back to the song or my own lyrics


Get off that cheap wine
I avoid wasting time and energy on unimportant things


Swinging on my grapevine
I am confident and enjoying my own style and creativity


You heard a brother
I am a respected and talented MC


Worthy to create rhymes
I have the ability to craft original and impressive lyrics


I take it further than a murder
I surpass the violence and negativity that some rappers use in their music


Or I hate crime
I reject hate and intolerance in my music


Don't hate on me
I ask listeners not to criticize or dismiss my music unjustly


What have you done for me lately
I challenge those who criticize me to show their own achievements and contributions


Beside to baith me assume and mistakenly
I point out that it's unfair and unhelpful to judge me without getting to know me or my music


Too abstract than a backpack
I know my music is unconventional or intellectual compared to typical rap styles


To super underground with the beats and rats
I understand that my music is not mainstream and may only appeal to a niche audience


'Cause I refuse to bust gatts
I reject the glorification of guns and violence in music


And water down my raps
I refuse to compromise my artistry by creating music that is overly commercial or generic


To get me caught up in a trap
I recognize the dangers of trying to conform to expectations or trends


And set me years back. Fuck that!
I am determined to remain true to myself and my music, no matter the obstacles


[Mos Def:]
A new speaker takes over the mic


Yeah right from the start
From the beginning of hip hop


Remember that feeling
Recall the excitement and authenticity of early hip hop


The way the hip-hop used to make you feel
Reflect on the powerful emotions that the best hip hop music can evoke


So real like
This music felt authentic and genuine


Getting first signed
Being noticed by a record label for the first time


Then the first time you heard Planet Rock
The excitement of discovering a new and influential song


Word is over, the God
A slang way of acknowledging the end of a previous statement and the importance of the emcee


Staten Island, for real, for real
A reference to the Wu-Tang Clan, recognizing their creative influence


I heard brother say J5, men them niggas ain't shit
Another artist criticizes Jurassic 5's music


Them niggas never slapped no bitch, never inserted a clip
The critic implies that J5 have not engaged in violent or criminal behavior


They never claimed thug or a pimp
J5 haven't embraced the typical macho stereotypes in hip hop


Them niggas never made the attempt
J5 have not tried to fit in with mainstream rap culture


Hey yo, they ain't all that
The critic continues to belittle J5's music


Men Six members men and four of them black
J5 includes multiple members and is diverse


What kind of racist statement is that
Calling attention to the criticism's potentially discriminatory nature


They need to change their views
The critic demands that J5 conform to their expectations


Start talking about the clubbing they do
The critic suggests that J5 adopt more mainstream and flashy topics in their music


That's the reason we ain't fucking with you
The critic is boycotting J5's music due to their perceived lack of appeal


Today's artist is tough
The critic suggests that modern rappers are more aggressive and successful


Talking loud, this isn't enough, yeah
The critic views modern rap as somehow lacking in substance or authenticity


Let's talk about the guns you bust
The critic is calling out rappers who boast about their gun use


Nigga, the crack you cut
The critic suggests that some rappers have ties to drug dealing


Or all the cars that you bought wholesale
The critic points out the materialism and excess of some rappers


Or the niggas rattling your cold tail
The critic references fears that some rappers may have of retaliation or karma


I've been keeping it real
The critic believes they are speaking truthfully and honestly


Let's talk about the ash you feel
The critic is suggesting that rappers open up about their vulnerabilities and struggles


Now that's the way to get mass appeal
The critic argues that authenticity, rather than materialism or violence, is what will truly resonate with listeners


Y'all ain't heard that wow
The critic implies that their message is profound and insightful


The brothers ain't feeling your style
The critic suggests that many listeners are turning away from mainstream rap


You get stoned play over the radio right now
The critic expresses doubt that today's popular rap will stand the test of time


Where we at
A rhetorical question that calls for reflection


Wh...Whe...Wher...Where we at (YA)
An expression of frustration or confusion


Where we at
Repeat of the earlier line


Don't deny me, diss or austrsize me
The emcee is asking for respect and recognition


'Cause it's likely I'm all up in your sight gee
The emcee believes they are already on the critic's radar


It's unreal how you deal and threat us
The emcee is commenting on how critics treat and dismiss underground artists


Your bunch of believers
The critic's fans are blind followers who only accept mainstream rap


I can tell just by the way you retreat
The emcee is reading into the critic's language and attitude


Cactus is a discreed fact
A non sequitur - not sure what this line means


They heat rap beat gaps but stay of the knee rack
Another unclear line, perhaps a reference to the difficulty of staying true to oneself in the face of criticism


So you could put your seat back
An invitation to sit back and listen to the emcee's music


Pick up your feet and bring facts
The emcee challenges the critic to engage with their music on a factual basis


Rhymes and beats that we create can defeat that weak crap
The emcee believes their music is superior to mainstream rap in terms of lyrics and production value


'Cause your either bling-bliging or your next tails ringing (dring)
The emcee is criticizing the materialism and lack of depth in mainstream rap


Either way it goes, fat baby ain't signing
The emcee assures the listener that they won't abandon their principles for commercial success


The game ain't over until we all get shined
The emcee believes there is still room for underground artists to find success


I mean you do your thing and I do mine
The emcee is acknowledging the diversity of rap and the value of different styles and perspectives




Lyrics © Kobalt Music Publishing Ltd.
Written by: Charles L. Stewart, Courtenay D. Henderson, Dante Lamar Givens, Eddie Harris, Lucas Christian MacFadden, Marc F. Stuart, Mark Ali Potsic

Lyrics Licensed & Provided by LyricFind
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