Kelli Hand (1965 – August 3, 2021) aka K-HAND was named “the first lady of … Read Full Bio ↴Kelli Hand (1965 – August 3, 2021) aka K-HAND was named “the first lady of Detroit” by the city’s council in 2017, acknowledging a career in which she was a rare Black woman in dance music production and DJing.

Born and raised in Detroit, she began DJing in the late 80s, producing her own music and founded the label Acacia Records, to release tracks spanning jackin’ house, ghettotech and Detroit techno. She began touring in Europe by the mid-1990s with Warp Records releasing the single 'Global Warning' in 1994. She released the first of seven studio albums in 1995, and steadily continued to release music until 2020.

K-Hand’s musical development began at a very early age in Detroit. At just six years old Kelli was already embracing the study of voice, piano, and bongos and went on to play the drums and a variety of percussion instruments throughout High School. In college she studied Music Theory and frequented legendary clubs such as “The Paradise Garage” as well as started her own inspirational Classic House vinyl record collection that her mentors Larry Levan and Timmy Regisford were playing in the early to mid 80’s. In 1990, with Kelli’s enthusiasm and knowledge for this musical sound, she was quickly recruited by the late Ken Collier to DJ for “Zippers” club in Detroit as well as started collaborating with the Collier brothers, Greg and Ken. Within the same year, she released her 10th twelve inch release,”Everybody”, and “Freak them Hoes”, while launching what is now known as one of the most remarkable record labels in electronic music history; Kelli Hand’s own “Acacia Records”. Hand decided to release her 1st music license “Mystery” under the pseudonym “K-HAND” to avoid gender stereotyping in 1991, which is known today as her darker Techno side (with “Kelli Hand” being her soulful House side, as well as her now well known Live Public Appearance surname). With fervent passion and drive, Hand had started forging her highly regarded and respected path, and was professionally and publicly acknowledged as the very first woman to ever release electronic music in the world.

Additional 12" hits like “Candlelights,” “Flash Back” and “Think About It” cemented her career and by 1994 her name took off in earnest with equally strong Techno and House releases throughout the early and mid-90’s breaking her name overseas, appearing on Warp (UK), Distance (France), Reload (UK), Studio !K7 (Germany), Ausfahrt (Germany), Tresor (Germany) alongside various high-profile compilation appearances and a downpour of music licensing worldwide. This was, of course, in addition to maintaining her own stellar Acacia Records recordings. Kelli Hand’s first full-length album was released in 1995 on the highly-regarded Studio !K7 imprint in Germany, which in turn was also the very first album to ever be released on this label.

In addition, Hand launched the careers of many now prestigious and internationally well-known artists, which first appeared on the Acacia label. These artist’s include Claude Young (1990 to 1993), and Wamdue Kids now aka Wamdue Project/Chris Brann (1995-96) just to name a few.

HAND also appears on a host of Record labels Worldwide:
Warp, Studio !K7,d:tour,A&M London, ausfahrt, columbia, blanco y negro, emi music (uk) virgin, caroline, bmg france, sony music (austrailia), Radikal fear, sony (japan), moonshine, uWe, tvt, peacefrog, EMI, Virgin and BMG Ariola, Distance,Diki Records, Maffia,R&S records,global cuts,plus recordings, Loriz Sounds, open,ministry of sound, underground liberation, substance, remote recordings, filth, apricot records, Astralwerks, NovaMute, clubstar,x-sight, pure sonik records, big time, elypsia, international, anter-subway, ariola, arcade, react, electrofunk records, statra recordings other records, beast records, next music, loveslap! recordings, essential dance music,low price music, m.c. projects, school records, undercover music group, fourone1,yume,molecular, t&B vinyl,never records,mk2 music,independence records, wax magazine,recordings, future frontier, zipper, tripoli trax, groove kissing, music world, bla bla records, wallshaker, arcade, revive the soul, ubl, basic beat, mishpucha, Sub Terranean, push & pull, basic beat recordings, generations, tresor, gum (german underground movement), ec records,volume, level2, dance pool,bbk special projects, fcommunications, pandamonium, re-load,sub-lime,Sub Terranean,hyperspace, matrix records (detroit), ministry magazine, pmg records, legal records

Do You Love Me
K-Hand Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

You broke my heart 'cause I couldn't dance,
You didn't even want me around.
And now I'm back to let you know I can really shake 'em down.

Do you love me?
(I can really move, )
Do you love me?
(I'm in the groove.)

Now do you love me?
(Do you love me now that I can dance?)
Watch me, now.
(Work, work)
Ah,work it out baby.
(work, work)
Well, you're drivin' me crazy.
(work, work)
With just a little bit of soul, now
(work!)
Now I can mash potatoes, I can do the twist,
Tell me, baby, do you like it like this?
Tell me,
(Tell me,)
Tell me.

Do you love me?
(I can really move, )
Do you love me?
(I'm in the groove.)
Now do you love me?
(Do you love me now that I can dance?)
Watch me, now.
(Work, work)
Ah,work it out baby.
(work, work)
Well, you're drivin' me crazy.
(work, work)
With just a little bit of soul, now
(work!)
Now I can mash potatoes, I can do the twist,
Tell me, baby, do you like it like this?

Tell me,
(Tell me,)

Overall Meaning

The lyrics of K-Hand's song "You and Me" speak to a universal human experience of rejection and the determination to prove oneself. The opening line, "You broke my heart 'cause I couldn't dance," reveals a scenario in which the singer has been turned away by someone they loved because they lacked a skill or ability. However, the singer is not defeated by this rejection; instead, they use it as motivation to improve themselves. The chorus, "Do you love me? (I can really move,) Do you love me? (I'm in the groove.) Now do you love me? (Do you love me now that I can dance?) Watch me, now," shows the singer calling out to their former love interest, asking them to take notice of the progress they have made. The repeated refrain of "work, work" and "with just a little bit of soul, now" emphasize the effort the singer is putting into their transformation and convey a sense of joy and freedom.

Line by Line Meaning

You broke my heart 'cause I couldn't dance,
You hurt me and rejected me because I couldn't dance.

You didn't even want me around.
You didn't even want me to be near you.

And now I'm back to let you know I can really shake 'em down.
Now I came back to show you that I have improved my dance skills and I can impress you now.

Do you love me?
Do you have feelings of love towards me?

(I can really move, )
(I am an excellent dancer, )

Do you love me?
Do you have feelings of love towards me?

(I'm in the groove.)
(I am dancing perfectly.)

Now do you love me?
Do you have feelings of love towards me now?

(Do you love me now that I can dance?)
(Do you have feelings of love towards me now that I have improved my dance skills?)

Watch me, now.
Observe me now.

(Work, work)
(Put in the effort and work hard)

Ah,work it out baby.
Work on your rhythm and dance moves, baby.

(work, work)
(Keep working hard.)

Well, you're drivin' me crazy.
You are making me lose my mind with your rejection and indifference towards me.

(work, work)
(Keep working hard.)