The group was formed by Richard Finch, a budding studio engineer prodigy at TK Records and Harry Wayne Casey ("KC"), a record store employee and part-timer at TK Records in Miami. Though both worked at TK Records, their meeting was not immediate, with Finch spending much of his time in the recording studio working with other TK artists and Casey on the phones at the front desk. An introduction by Clarence Reid through a mutual friend was the beginning of their musical connection. Following demo work, Casey and Finch were encouraged to create their own group. The initial members were just Casey and Finch (first starting out as songwriting collaborators), but Finch soon added guitarist Jerome Smith (June 18, 1953 - July 28, 2000), and drummer Robert Johnson, both TK studio musicians.
The first few songs, "Blow Your Whistle" (September 1973) and "Sound Your Funky Horn" (February 1974), were released as singles, and had limited impact. However, a side project writing and producing music for George McCrae took Finch and Casey's "Rock Your Baby", featuring Smith on guitar, and made it a hit in mid-1974, selling 11 million copies worldwide. The band's "Queen of Clubs", which featured uncredited vocals by George McCrae, was a hit in England, peaking at #7, and they went on tour to England in 1975 off that success.
With the release of the self titled triple platinum second album KC and the Sunshine Band in 1975 came the group's first major US hit with "Get Down Tonight". It topped the R&B chart in April and the Billboard chart in August. "That's the Way (I Like It)" also became a number one hit in November 1975 and the group did well at the 1976 Grammy Awards. The 1976 album Part 3 yielded three top 5 singles: "I'm Your Boogie Man", "(Shake, Shake, Shake) Shake Your Booty" and "Keep It Comin' Love". Their success lasted until the fifth album and 1979—80; their last chart topping hit was "Please Don't Go" in December 1979, hitting #1 for one week in January 1980, and becoming the first #1 hit of the 1980s. With the declining popularity of disco, the group explored other styles and changed labels, joining Epic Records in 1980 after TK Records went bankrupt.
In 1981, the partnership between Finch and Casey came to an acrimonious end. Two years after the release of the previous album, the group released two solo albums with new material, geared toward pop: The Painter and Space Cadet. These albums generated little success, but in 1982, a hit track called "Give It Up" on the album All in a Night's Work (recorded before Casey and Finch split partnership) brought a return to success in the UK, and appeared two years later on the United States Billboard Top 40. The song was also featured on the band's next album, 1983's KC Ten. Epic Records, however, refused to issue the song as a single due to its prior failure in the US. Because of this, a frustrated Casey formed Meca Records, releasing the single himself on this label in a final attempt to garner the song some success in America. It worked, but the album still failed to surpass expectations. This led to the group falling into stasis around 1985 with Casey's retirement.
A revival in the interest of disco music in 1991 brought Casey out of retirement. He reformed the group with entirely new members except for the percussionist and began touring once again. Some of the original members of the band are now deceased. The new band has released a large number of compilation albums through Rhino Records, featured along with some newly recorded material. The album Oh Yeah! was released in 1993 after a ten year gap between new albums, excluding compilations.
On July 28, 2000, Jerome Smith (rhythm guitar) died accidentally while working as a bulldozer operator.
In 2001, the band made a brief comeback into the music scene after an eight-year lull with the release of a new album titled I'll Be There For You. The album was praised by critics, but it failed to generate any impact on the charts or in sales. More recently, the group had an appearance in the 2003 remake of the movie The In-Laws.
Several KC/Finch songs have been included in the Dance Dance Revolution series of dance video games. That's the Way (I Like It) was included in the original Dance Dance Revolution, Shake Your Booty was in Dance Dance Revolution 4thMix and Get Down Tonight was in the American home version of DDRMAX2.
The song Keep It Comin' Love was on the soundtrack of the movie "Blow" about 1970s and 1980s cocaine smuggler George Jung.
The track 'I'm your boogie man' was used in the 2009 film of the graphic novel, 'The Watchmen' .
Additionally, many KC/Finch songs, most frequently "I Get Lifted," have been sampled for hip hop songs.
Do You Wanna Go Party
KC and The Sunshine Band Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ooh, ah, party
Ooh, ah, party
Ooh, ah, party
Do you want to go party
We'll get funky there, party
Drink a little wine, party
Have a funky time, party
Let's go out tonight
We'll go party
we'll go dancin'
Let's go get satisfied
Ooh, ah, party
Ooh, ah, party
Ooh, ah, party
Ooh, ah, party
Como on baby, sexy lady
Let yourself unwind
I want to love you
Kiss and hug you
Make it last all night
Ooh, ah, party
Ooh, ah, party
Ooh, ah, party
Ooh, ah, party
Do you want to go party
We'll get funky there, party
Drink a little wine, party
Have a funky time, party
Ooh, ah
Ooh, ah
Ooh, ah
Ooh, ah
Do you want to go party
Do you want to go party
We'll get funky there, party
Drink a little wine, party
Have a funky time, party
Party
Party
Party
The lyrics of "Do You Wanna Go Party" by KC and The Sunshine Band are all about having a great time at a party with someone special. The song begins with the repeated phrases of "Ooh, ah, party" and "Do you want to go party?" to get the audience excited and ready to celebrate. The lyrics then move on to describe what the party will entail, including getting funky, drinking wine, and having a great time, all while being in the company of a sexy lady or someone special.
The song's lyrics are reminiscent of the disco era in the 1970s, with its pulsating beats and catchy chorus. It encourages its listeners to let their hair down and enjoy themselves, reminding them that life is short and that they should make the most of it. The song's energy is contagious, with its upbeat rhythms and joyful lyrics making it impossible not to dance along with.
The repeated phrases of "Ooh, ah, party" with their playful intonations serve as a call to action, encouraging listeners to get up and dance. Ultimately, the song's message is about living life to the fullest and enjoying every moment, without any inhibitions or reservations.
Line by Line Meaning
Ooh, ah, party
The excitement and thrill of a party experience
Do you want to go party
Asking if the listener wants to join in on the fun
We'll get funky there, party
There will be lively and rhythmic music to dance to
Drink a little wine, party
Indulging in spirits to loosen up and have a good time
Have a funky time, party
Enjoying the upbeat and lively atmosphere
Come on baby, sexy lady
Addressing a woman and asking her to join in the festivities
Let's go out tonight
Inviting the listener to leave their current location and join in the party
We'll go party
Going to engage in a night of lively and enjoyable activities
We'll go dancin'
Enjoying the lively music and dancing the night away
Let's go get satisfied
Suggesting that the night will be fulfilling and satisfying
Como on baby, sexy lady
Addressing a woman and asking her to let go of her inhibitions
Let yourself unwind
Relaxing and letting go of any stress or responsibilities
I want to love you
Expressing interest in being intimate with the listener
Kiss and hug you
Showing physical affection and intimacy
Make it last all night
Enjoying the night and making the most of the experience
Ooh, ah
Expressing excitement and enthusiasm
Do you want to go party
Asking once more if the listener wants to join in on the fun
Party
The act of participating in the lively and enjoyable activities
Lyrics © Sony/ATV Music Publishing LLC
Written by: HARRY WAYNE CASEY, RICHARD RAYMOND FINCH
Lyrics Licensed & Provided by LyricFind
@debraarchie8044
Can you believe that I was in KC and the Sunshine Band in the 1970's?
@seansherrod8725
❤😊❤😊❤😊❤😊
@derektownsend3569
KC came hard on this one. As hard as you can get for KC. Thanks for sharing.
@LADYDIVAful
YES HE DID!!!
@davidtorres1696
This should be the national anthem of feel good music 🎵🎵🎵 that now a days people don't about. Nicely done!!!! KC AND THE SUNSHINE BAND👍👍👍👍
@kenkthesensai4145
KC and the Sunshine Band was classified as Disco but in reality they were more Funk/R&b.
@11dsw
Disco is a sub-genre of R&B...they were disco. Funk is much less structured and less repetitious. Funk and disco crossed each other constantly.
@DLBlckwl
Drums, guitar, bass, a keyboard and some brass. That's was all you needed.
@johnhagan9271
Awesome song, this is the kind of music that radio stations need to play more of
@pierrecamionneur3510
Excellent Merci